scholarly journals Om tankebilledet i Grundtvigs sidste digt

1995 ◽  
Vol 46 (1) ◽  
pp. 102-106
Author(s):  
William Michelsen
Keyword(s):  
Human Life ◽  
Christian Church ◽  
Old World ◽  
World Picture ◽  
The Earth ◽  
God's Word ◽  
History Of ◽  
The Dead ◽  
The Church

About the Thought-Image in Grundtvig’s Last PoemBy William MichelsenThe article is a contribution to the on-going debate about the interpretation of a hardly legible line in Grundtvig’s last poem, .Old Enough I Now Have Grown. (Grundtvig Studier, 1994, p. 107).In last year’s Grundtvig Studier, FI. Lundgreen Nielsen argues in favour of the reading .Soul-Ferry-Prow., understanding the phrase as determined by .a reversed Charon myth, the antique ferryman having been replaced by the Spirit of God, and his barge pole by the compass of God’s word. (Grundtvig Studier, 1994, p. 116).Thus, with some support in Bent Noack’s interpretation (Vartovbogen, 1993), FI. Lundgreen-Nielsen can read the poem as pervaded by maritime images. William Michelsen agrees on this point, but objects to the understanding of Grundtvig’s last poem as a reversed Charon myth. Instead William Michelsen reads the poem as an example of Grundtvig’s use of the symbol world of Nordic mythology in his personal Christian poetry. Grundtvig expresses his thoughts in poetry, and thus a thought image arises. The decisive feature of the thought image in this poem is precisely that it contradicts the Charon image, i.e. the notion that man’s death is a journey to the land of the dead. To Grundtvig, the sea is usually not an image of death, but an image of history, of human life. In Grundtvig’s view, death does not mean that life comes to an end, but death means a dangerous journey, since it takes man either towards the land of the dead or the heavenly harbour. In accordance with the old world picture, the firmament is close to the earth, encircling the horizon. In Nordic mythology, the inhabited land was surrounded by the ocean, separating the earth from the land of the dead, Hel or Valhalla. Thus William Michelsen defines the poem not just as a »song of farewell«, but as a poem expressing a view of life, applicable to every Christian. Instead of »Soul-Ferry-Prow«, Grundtvig’s son Svend Grundtvig reads the difficult line as »Soul-Eye-Prow«, which would make the poem into an exclusively personal poem. William Michelsen does not reject this personal interpretation, but sees the ship as the nave, the »church ship«, the Christian church, where the Spirit of God is the master mariner, and where many people, the whole of Christendom, together with Grundtvig, are on board. Usually Grundtvig sees the church in terms of a house, and not until now, during the composition of this poem, does he see the church as a ship, steered by the Spirit of God to ensure that the church reaches the »Heavenly Harbour« - this being emphasized by the masculine ending of the last stanza but one. The poem is an expression of Grundtvig’s Christian interpretation of the existential situation of man facing death.

The Role of the Christian Church in Combating 21st Century Racism

2021 ◽  
Vol 31 (1) ◽  
pp. 219-231
Author(s):  
Clara M. Austin Iwuoha ◽  
Keyword(s):  
21St Century ◽  
Historical Context ◽  
Christian Church ◽  
God's Word ◽  
The World ◽  
Racial Harmony ◽  
Race And Religion ◽  
The Church

The demons of racism, bigotry, and prejudice found in society at large are also found in the Christian Church. Despite the very nature of Christianity that calls on Christians to be a counter voice in the world against evil, many have capitulated to various strains of racism. Some Christian denominations have begun to explore racism in the Church and have developed responses to addressing the issues in both the Church and the world. This article examines the historical context of race and religion in the Christian Church, and addresses the current efforts of some Christian denominations to become proactive in the struggle against racism. Jesus, in His Word, calls believers to pursue peace and oneness. The paper holds that racial harmony and racial unity are possible, but there are many false, old and d beliefs that will have to be crushed under the hammer of God's Word in order to get to a place of real peace.

scholarly journals Impact of Diakonia, Koinonia and Marturia Services for the Growth of the Indonesian Christian Church Resident Sudirman Surabaya

2020 ◽  
Vol 3 (2) ◽  
pp. 38-49
Author(s):  
Wimpie Tanojo
Keyword(s):  
Church Growth ◽  
Human Life ◽  
Theoretical Data ◽  
Field Research ◽  
Main Task ◽  
Sources Of Information ◽  
Christian Church ◽  
The Impact ◽  
The City ◽  
The Church

The ministries of Diakonia, Koinonia and Marturia are the foundation of a church, meaning that a church that is aware of its duty and calling on this earth must rely on these three ministries. It can be said that the true main duty of the church is reflected in the ministry of Diakonia, Koinonia and Marturia. Based on this main task, the church must be able to demonstrate and impart the life of Diakonia, Koinonia and Marturia with the aim of impacting and changing human life. This is what the Ressud Sudirman Surabaya Indonesian Christian Church is aware of in the context of its duties and vocation as a church that has been present in the midst of the Surabaya community, of course its presence is required to fulfill God's plan to become salt and light, a blessing for the surrounding community in general and the congregation in particular. through Diakonia, Koinonia and Marturia's ministry. This research uses a descriptive method. The author directly conducts research, both literature and field research. Bibliography that contains various theoretical data related to topic material from various sources of information which contains important statements to support the accuracy of the research. In addition, this research is also complemented by field research either through questionnaires or direct interviews with several trusted sources including congregants, church activists, servants, sympathizers so that the results of the research present a strong and accurate combination because they are supported by strong theoretical aspects but are also followed by field research evidence. The purpose of this study: first to realize how important the services of Diakonia, Koinonia and Marturia are for the growth of the Indonesian Christian Church in Ressud Surabaya in particular and to the Lord's church in general. Second, the Church is aware of her duty and calling on this earth which has been mandated by God to be her witness so that the impact is evident in church growth both in quality and quantity. Third, the Church of God has the correct concept of the impact of the ministry of Diakonia, Koinonia and Marturia on church growth from the perspective of Missiology, Theology and Ecclesiology. Based on the research conducted by the author, the results obtained are how the extraordinary impact of the services of Diakonia, Koinonia and Marturia on the growth of the Indonesian Christian Church Ressud Surabaya.   This is evidenced by the increasing number of church members from year to year and the increasing quality of the congregation's faith. By having a correct understanding of the ministry of Diakonia, Koinonia and Marturia, the congregation will be more active and diligent in carrying out the duties and responsibilities that have been mandated by God to become a blessing, to become salt and light in this world, in various forms of diaconial services such as selling rice. cheap for the congregation and partly distributed by the surrounding community, cheap medical treatment and even free for the congregation and the poor by establishing a polyclinic "Waluyojati", scholarships for underprivileged congregations ranging from elementary, junior high and even vocational levels, house renovation program held 1 a year one to two times for the congregation. In the form of Koinonia, it can be seen from the congregation that is divided into several sectors or regions, the congregation will continue to grow and increase even out of the city, namely Lamongan, Denpasar and even to Batam, the Denpasar congregation was institutionalized in 2003, while in the city of Surabaya the Indonesian Christian Church Lebak Jaya was matured in 1994 and the Kutisari area in 1998 was instituted simultaneously in 1998 the Batam Indonesian Christian Church was also institutionalized where the Batam Indonesia Christian Church is the fruit of the ministry of several Indonesian Christian Churches including the Indonesian Christian Church Ressud in it. The goal is to be a witness through this service, but the most important of this research is that the Indonesian Christian Church congregation in Ressud is a congregation that has marturia diaconiality, while the implementation of Marturia directly or verbally is not optimal, this is also acknowledged by the council is a local church based on interviews and research based on a questionnaire.

Penerimaan Gereja Orthodox Tewahedo Terhadap 81 Kitab

2021 ◽  
Vol 6 (2) ◽  
pp. 32-42
Author(s):  
Oktavia Kristika Sari
Keyword(s):  
Content Analysis ◽  
Orthodox Church ◽  
Church Fathers ◽  
Social Culture ◽  
God's Word ◽  
History Of ◽  
Worth Reading ◽  
The Impact ◽  
The Church ◽  
Church Tradition

When the Church recognizes the quantity of books as part of God's Word, it uses various standards for book collection. The Tewahedo Orthodox Church, which has 81 books, is one of the churches that got so many. The question of why this Church accepts so many books in its canon and how this Church interprets these books adds to the intricacy of the problem of the number of books in the Tewahedo Orthodox Church tradition. This research employs a content analysis to conduct a literature review. This research demonstrates the Tewahedo Orthodox Church's devotion to the works in its canon. Both in terms of apostles' and Church Fathers' traditions, the lengthy history of Social Culture, Councils and Synods, and the impact of ancient literature in Ethiopia.Although it is well known that writings outside the Hebrew protocanon are employed for ceremonial theology and people's education rather than construction, the Orthodox Tewahedo also believes these works to be vital as books worth reading and historical bridges. Abstrak indonesia  Standar pengumpulan kitab yang digunakan oleh Gereja ketika menerima jumlah kitab-kitab sebagai bagian dari Alkitab yang dipegang menggunakan standar yang berbeda-beda. Salah satu gereja yang menerima begitu banyak kitab adalah Gereja Tewahedo Orthodox yang memiliki 81 kitab. Kompleksnya masalah jumlah kitab di dalam tradisi Gereja Tewahedo Orthodox ini, menjadi pertanyaan apa yang menyebabkan Gereja ini menerima begitu banyak kitab dalam kanonnya dan bagaimana Gereja ini memandang kitab-kitab tersebut. Penelitian ini menggunakan Kajian Kepustakaan berupa kajian isi. Dalam penelitian ini menunjukkan kompleksitas penerimaan Gereja Tewahedo Orthodox terhadap kitab-kitab dalam kanonnya. Baik karena pengaruh tradisi rasul-rasul dan Bapa Gereja, sejarah panjang dalam Social Budaya dan Konsili serta Sinode, maupun juga pengaruh dari Literatur kuno di Ethiopia. Dan diketahui bahwa kitab-kitab diluar protokanon Ibrani tidak digunakan dalam membangun doktrin namun digunakan untuk ritual-ritual dan pengajaran umat, Tewahedo Orthodox juga meganggap penting kitab-kitab ini sebagai kitab-kitab yang layak dibaca dan digunakan sebagai jembatan sejarah.

scholarly journals THINKING THE PHENOMENON OF IMAGE THROUGH THE POETICS OF CONTEMPORARY EXPANDED PAINTING / ATVAIZDO FENOMENO REFLEKSIJA ŠIUOLAIKINĖS IŠPLĖSTINĖS TAPYBOS POETIKOJE

2012 ◽  
Vol 5 (1) ◽  
pp. 42-53
Author(s):  
Mark Titmarsh
Keyword(s):  
Contemporary Art ◽  
World Picture ◽  
The Earth ◽  
The World ◽  
History Of ◽  
Static Images ◽  
Subjective Bias ◽  
Radical Revision ◽  
Temporal Events ◽  
Primary Relationship

The history of the painted image has involved various metamorphoses from cave, to architecture, to easel and most recently the radical hybridisation of expanded multimedia forms. Through each age the shedding of one aspect of the image; ritual, spirituality, portability, has resulted in a shift from sacred static images towards profane ephemeral events. This transformation has intensified over the last century where the repeated announcement of the death of painting has seen painting reborn as a mode of radical self-questioning. This paper takes an overview of painting's morphology by way of Martin Heidegger's discussion of picturing and representation in his essay “The Age of the World Picture” (1938). By focusing on the history of picturing, an understanding of “original aesthetics” and its apprehensions can be developed, for comparison with contemporary art in its “post-medium condition”. The new ontological paradigm of contemporary art therefore demands another discourse, a “post-aesthetics” that overcomes the subjective bias of modern philosophical aesthetics in favour of a primary relationship to things and their mode of presence in the world. As a result, contemporary expanded painting is shown to be a radical revision of art, a moment of ontological “presencing” favouring spatial environments and temporal events that reveal “what is” and “what matters” in a contemporary techno-scientific age. As a result ontological aesthetics could indicate what is good at the boundary between people, communities, technology and the earth, in short, a politics of being. In the politics of being, which is most appropriate to the expanded work of art, politics is linked to the polis, the place where culture emerges into a world, and where things unfold according to the sense of possibility that a world grants. Art is intimately involved in an alternative politics of being when it poses another way of dealing with beings, people, objects, and things, that result in new economies and temporalities indicating the possibility of something beyond our habitual understanding of the world. Expanded painting as the exemplar of contemporary art is an ontological cut in our understanding of art and the world. It slices through the contemporary understanding of presence and delivers a monstrous thickness, no longer supported by a surface as substrate, but instead compelled by the phenomenal experiences of the world, and is thereby multiplied exponentially and existentially. Santrauka Tapyto atvaizdo istorija apima įvairias metamorfozes, pradedant urvais ir baigiant architektūra, molbertais, o pastaruoju metu – radikalia išplėstinių multimedijų formų hibridizacija. Bet kuriame amžiuje nunykdavo tam tikras atvaizdo aspektas; ritualai, dvasingumas, portatyvumas sakralius statiškus atvaizdus pakeitė profaniškais trumpalaikiais įvykiais. Ši transformacija suintensyvėjo pastarajame amžiuje, kai buvo pakartotinai paskelbta, esą tapyba mirė, atgimstant tapybai kaip radikaliai saviklausai. Šiame straipsnyje pateikiama tapybos morfologijos apžvalga, remiantis Martino Heideggerio apmąstymais. Susitelkiant į atvaizdų istoriją, gali būti išplėtota „originaliosios estetikos“ ir jos suvokimo samprata, lyginant su šiuolaikiniu menu ir jo „postmedijine būkle“. Todėl nauja šiuolaikinio meno ontologinė paradigma reikalauja kito – „postestetikos“ – diskurso, įveikiančio subjektyvų moderniosios filosofinės estetikos šališkumą pirminio santykio su daiktais ir su jų buvimo pasaulyje būdo atžvilgiu. Iš to išplaukia, kad šiuolaikinė išplėstinė tapyba pristatoma kaip radikalus meno peržiūrėjimas, ontologinio „esamumo“ akimirka, palaikanti erdvines aplinkas ir laikinius įvykius, atveriančius „tai, kas yra“ ir „tai, kas vyksta“ šiuolaikiniame technikos ir mokslo amžiuje. Tad ontologinė estetika gali nurodyti, kas yra gera ties žmonių, bendruomenių, technologijų ir Žemės ribomis, trumpai tariant, atskleisti būties politiką. Šioji yra pati tinkamiausia išplėstiniams meno kūriniams; politika yra susieta su polis – ta vieta, kurioje kultūra iškyla į pasaulį ir kurioje pagal pasaulio teikiamą galimumą skleidžiasi daiktai. Menas yra glaudžiai įtraukiamas į alternatyviąją būties politiką, iškeldamas naują būtybių, žmonių, objektų ir daiktų santykiavimo būdą. Tai lemia naujose ekonomikose ir laikiškumuose nurodomą galimybę kažko, kas yra anapus mūsų pasaulio įprastinio supratimo. Išplėstinė tapyba kaip šiuolaikinio meno pavyzdys yra ontologinis įtrūkis mums suprantant meną ir pasaulį. Ji aptinkama suprantant šiuolaikinį buvimą, yra labai reikšminga ir nebėra palaikoma paviršiaus kaip substrato; veikiau įtikinamų fenomenalių pasaulio patirčių, taip dauginamų išoriškai ir egzistenciškai.

Edward Gibbon (1737–1794) and Early Christianity

1994 ◽  
Vol 45 (4) ◽  
pp. 661-672 ◽  
Author(s):  
W. H. C. Frend
Keyword(s):  
Roman Empire ◽  
Ancient Rome ◽  
Christian Church ◽  
The Public ◽  
History Of ◽  
Secular Society ◽  
Role Of Religion ◽  
The Church

Thus Gibbon opened the thirty-seventh chapter of the History of the decline and fall of the Roman Empire, a lengthy chapter devoted to the twin topics of ‘the institution of monastic life’ and ‘the conversion of the northern barbarians’. The connection between the history of the Roman Empire and the Christian Church was indeed indissoluble. The Church was destined to follow the pattern of the empire by gradually degenerating as it grew in strength from original purity in the life of Christ and the Apostles to become a corrupt and baleful influence on the fortunes of secular society. Looking back over twenty years of research and writing (1767–87) he wrote near the beginning of his final chapter, ‘In the preceding volumes of this History, I have described the triumph of barbarism and religion and I can only resume in a few words, their real or imaginary connection with the ruin of ancient Rome.’ He goes on to list ‘potent and forcible causes of destruction’ by barbarians and Christians respectively. As he finally laid down his pen on 27 June 1787 at Lausanne, he concluded with a sentence whose strict accuracy has sometimes been doubted: ‘It was among the ruins of the Capitol that I first conceived the idea of a work which has amused and exercised twenty years of my life, and which, however inadequate to my wishes, I finally deliver to the curiosity and candour of the public.’ The date of this decision was 15 October 1764. Here we survey briefly the role of ‘religion’, i.e. Christianity in the ruin of the Roman Empire.

Children, the Liturgy, and the Reformation: the Evidence of the Lichfield Cathedral Choristers

1994 ◽  
Vol 31 ◽  
pp. 261-274
Author(s):  
T. N. Cooper
Keyword(s):  
Catholic Church ◽  
Main Concern ◽  
Recent Past ◽  
Christian Church ◽  
Central Importance ◽  
Administrative Records ◽  
The Reformation ◽  
History Of ◽  
The Church

The great interest generated by the theme of this year’s conference reflects the central importance of children in the history of the Christian Church, yet at the same time their omission from much of historical writing. For all but the recent past this is largely the result of the difficulties with the source material itself, and this is certainly true for historians of the Church during the medieval and Reformation periods. The main concern of the administrative records of the Catholic Church was with adults and, in particular, ordained men. It is to the schools that we must look for the most useful references to children and, more specifically, to the choir schools for evidence of the role of boys in the liturgy.

ARCHAEOLOGY AND THE ‘ARIAN CONTROVERSY’ IN THE FOURTH CENTURY

2010 ◽  
Vol 6 (1) ◽  
pp. 229-263
Author(s):  
David M. Gwynn
Keyword(s):  
Roman Empire ◽  
Fourth Century ◽  
Christian Church ◽  
Literary Sources ◽  
History Of ◽  
The Subject ◽  
Material Evidence ◽  
The Church ◽  
Archaeological Approach ◽  
Arian Controversy

The so-called ‘Arian Controversy’ that divided the Christian Church in the 4th c. has been the subject of considerable scholarly debate in recent decades. The literary sources from which the majority of our knowledge of the controversy derives are highly polemical and distorted, written almost exclusively from the perspective of those whose positions would come to be accepted as ‘orthodox’, and this in turn has directly influenced scholarly interpretations of the material evidence from this crucial period in the history of the Church. In this paper I wish to reconsider that material evidence and ask how an archaeological approach independent of the biases of our literary sources might broaden our understanding of the controversy and its impact upon the 4th c. Roman empire.

Active tectonics and land-use strategies: a Palaeolithic example from northwest Greece

Antiquity ◽  
1993 ◽  
Vol 67 (255) ◽  
pp. 292-312 ◽  
Author(s):  
Geoff Bailey ◽  
Geoff King ◽  
Derek Sturdy
Keyword(s):  
Land Use ◽  
Landscape Change ◽  
Human Life ◽  
Active Tectonics ◽  
Plate Motions ◽  
Human Survival ◽  
Tectonic History ◽  
The Earth ◽  
History Of ◽  
Tectonic Movements

Tectonic movements – continuously re-moulding the surface of the earth over the inexorable activity of underlying plate motions – are rarely taken into account when assessing landscape change, except as an exotic hazard to human life or a temporary disruption in longer-term trends. Active tectonics also create and sustain landscapes that can be beneficial to human survival. The tectonic history of northwest Greece shows Palaeolithic sites located to take advantage of tectonically created features at both local and regional scales.

Sign in / Sign up

Export Citation Format

Share Document