scholarly journals Fortællinger om forførelse og seksualmoral i 1800-tallets bondesamfund

Kulturstudier ◽  
2010 ◽  
Vol 1 (2) ◽  
pp. 64
Author(s):  
Else Marie Kofod

<p>Et samfunds &aelig;gteskabsideal aff&oslash;der nogle mere eller mindre uskrevne regler for,&nbsp;hvad der er tilladt og - m&aring;ske is&aelig;r - hvad der ikke er tilladt med hensyn til udenoms&aelig;gteskabelige&nbsp;forhold. Det var ogs&aring; tilf&aelig;ldet i 1800-tallets bondesamfund,&nbsp;hvor det at indlede et seksuelt forhold til en anden person end den, man var forlovet&nbsp;eller gift med, ikke alene kunne v&aelig;re en trussel for de enkelte par, men for&nbsp;hele landsbyf&aelig;llesskabet. Seksuelle emner er ofte tabubelagte. I denne artikel vil&nbsp;jeg vise, hvordan bondesamfundets seksualmoral blev kommunikeret igennem&nbsp;s&aring;vel omgangsformer, ritualer og traditioner som igennem sagn om bjergfolk og&nbsp;ellefolk.</p><p>&nbsp;</p><p>Tales of seduction and sexual moralityin 19th-century rural society.</p><p>The marital ideal of a society generates certain more or less unwritten rules forwhat is permissible and - perhaps especially - impermissible in terms of extramaritalrelations. This was also the case in the rural society of the 19th century,where engaging in a sexual relationship with someone other than the person to whom you were married or betrothed could be a threat not only to the individual couple but to the whole village community. Although the village community in 18th-century rural society underwent a number of changes in the course of the century, it was apparently still important to strengthen the authority of the community or at any rate to give the appearance that it existed. The community in the rural village meant not just something communal in general, but a particular way of performing certain communal actions, including - and perhaps especially - certain social conventions. More fundamentally,'community' therefore refers to the farmer-dominated village's culturally protected norm for what was right and wrong.Besides the norms that were communicated through the unwritten socialconventions,&nbsp;one could also express what was right and wrong through the stories that were told. In the tales it was also possible to engage with sexual themes.The tales that are most relevant in this study are legends of mountain spirits andelves, where human beings engage in some kind of interaction with the supernatural beings. There are a good 300 of these legends. Looking at the consequences such relations could have for the protagonists of the legends enables us to gain insight into how extramarital relations were regarded in rural society. In 19th-century rural society the norms of the village for sexual morality were thus communicated both through games and traditions and through the tales thatwere told of mountain spirits and elves. Both forms of expression involved acommon set of principles for the members of the village community, and laiddown guidelines for the way one was to handle relations with other people ineveryday life.</p>

2021 ◽  
Vol 34 ◽  
pp. 39-48
Author(s):  
Radosław Zdaniewicz ◽  
Henryk Postawka

An analysis of map charts of Upper Silesia from the second half of the 18th century allows us to identify at least a few lost settlements and hamlets. There is no doubt that one such lost settlement existed upon the Bierawka river, in the vicinity of the present-day villages of Trachy (Althammer) and Tworóg Mały (Quarghammer). Regrettably, the exact location of this settlement has never been identified. An archival query and test excavations demonstrated that the settlement actually came into existence and developed as late as the Modern Period. A fragment of a stone and brick foundation that was uncovered in the course of excavations was the vestige of a hut or of a more professional industrial workshop, such as a finery or forge. It was equipped with a waterwheel. Unfortunately, the reasons behind the disappearance of the village are unknown. It may have been caused by one of the epidemics which affected the inhabitants of Upper Silesia in the 19th century or by another cataclysm. It cannot be excluded, however, that the disappearance may have been due to the economic transformations of the 19th century.


1984 ◽  
Vol 30 ◽  
pp. 226-247 ◽  

Hans Grüneberg was the only child of Dr med. Levi Grüneberg (1879-1942) and Else née Steinberg (1880-1945). The parents and son were all born in Elberfeld, Germany, which was later fused with its twin city Bremen and renamed Wuppertal. His father was a general practitioner from 1906 to 1935, when ill health due to Parkinsonism and the menacing Nazi political situation led to the parents’ migrating to Palestine as it then was. Hans had anticipated them by migrating to England in 1933. Hans’s more distant ancestors came from Westphalia in western Germany, where they can be traced back to the 18th century. At that time and until the middle of the 19th century they lived, as did the whole of the Jewish population, in small villages where they followed the rural occupations open to Jews before the universal emancipation in Germany in 1869. Hans’s paternal grand father was born and lived the whole of his life in the village of Hachen in Kreis Arnsberg; his maternal grand father lived in the nearby village of Reiste. Both families independently moved to Elberfeld in 1879. Their children received secondary education, and his father was the first member of the family to go to a university (Bonn).


2020 ◽  
Vol 2020 (10-2) ◽  
pp. 261-277
Author(s):  
Olena Borodenko

The article examines the problems of the marriage and market relation formation of the Ukrainian rural society on the example of the village of Nikolaevka in the Romny district in the Poltava province in the first half of the 19th century. For the first time, on the materials of church and parish documentation of the Ukrainian population registers of births, marriage searches and confessional signatures, the method for determining newlyweds' residence, developed by French scientists L. Henri and A. Blum, were tested, and the historical and demographic features of the marriage market were disclosed.


Author(s):  
Megan DeVirgilis

This paper studies the relationship between 18th century Enlightenment philosophy and 19th century Romantic expression by relating the Burkean and Kantian conceptualizations of the sublime to Gustavo Adolfo Bécquer’s leyenda, “El monte de las ánimas.” Although Burke opts for an empirical approach while Kant takes a transcendental approach, both theories highlight the contradictory philosophical platform of the Enlightenment: individual>society. The shift in focus from the social to the individual is evidenced in 19th century literary production through Bécquer’s treatment of the relationship between the subject and the empirical and metaphysical worlds. In this paper, this relationship is studied through the representations of objects and sounds that are all used to inspire one sensation: terror. These representations convey the menacing aspects of nature, break the boundaries of time and space, and juxtapose reality and unreality. In this way, the analysis suggests that the narrative and descriptive techniques used to represent the terror experienced by the characters aim to inspire a similar effect on the reader, while also indicating that the philosophy of the Enlightenment provides the theoretical underpinnings for Romantic expression in the 19th century.


2019 ◽  
Vol 29 (3) ◽  
pp. 9-21
Author(s):  
Pablo Oyarzun R. ◽  

In this paper contingency is estimated as an essentially identifying trait of the (modern) world emerging from the radical upheavals of the late 18th century and the beginnings of the 19th century. If contingency is the mark of the (modern) world as world, the question arises how human beings should, or merely could deal with it. For the purpose of discussing this issue, the usual alternative of violence and dialogue is considered. Nevertheless, the intention is not merely to oppose violent to rational conduct. Taking recourse to two authors who had a particularly acute sense of contingency, Heinrich von Kleist and Paul Celan, the aim of this paper, on the one hand, is to discuss a concept of violence that is not merely instrumental, nor attributable to merely subjective intentions, but that has the significance of the principle of overcoming contingency by way of absolutely forcing order or absolutely renouncing to it. On the other hand, it involves discussing a concept of dialogue that is essentially different to what may be called the institution of Western dialogue, characterized by the disembodiment of the word, and therefore to suggest the concept of a radically embodied dialogue as a way to positively deal with contingency.


2019 ◽  
Vol 29 (2) ◽  
pp. 64-81

The article analyzes Michel Foucault’s philosophical ideas on Western medicine and delves into three main insights that the French philosopher developed to expose the presence of power behind the veil of the conventional experience of medicine. These insights probe the power-disciplining function of psychiatry, the administrative function of medical institutions, and the role of social medicine in the administrative and political system of Western society. Foucault arrived at theses insights by way of his intense interest in three elements of the medical system that arose almost simultaneously at the end of the 18th century - psychiatry as “medicine for mental illness”, the hospital as the First and most well-known type of medical institution, and social medicine as a type of medical knowledge focused more on the protection of society and far less on caring for the individual. All the issues Foucault wrote about stemmed from his personal and professional sensitivity to the problems of power and were a part of the “medical turn” in the social and human sciences that occurred in the West in the 1960s and 1970s and led to the emergence of medical humanities. The article argues that Foucault’s stories about the power of medical knowledge were philosophical stories about Western medicine. Foucault always used facts, dates, and names in an attempt to identify some of the general tendencies and patterns in the development of Western medicine and to reveal usually undisclosed mechanisms for managing individuals and populations. Those mechanisms underlie the practice of providing assistance, be it the “moral treatment” practiced by psychiatrists before the advent of effective medication, or treating patients as “clinical cases” in hospitals, or hospitalization campaigns that were considered an effective “technological safe-guard ” in the 18th and most of the 19th century.


1979 ◽  
Vol 9 (2) ◽  
pp. 247-255 ◽  
Author(s):  
John C. Kramer

Opium smoking began spreading slowly but steadily in China from early in the 18th Century. It grew through the 19th Century to the point that by the end of the century it became a nearly universal practice among males in some regions. While estimates vary, it appears that most smokers consumed six grams or less daily. Addicted smokers were occasionally found among those smoking as little as three grams daily, but more often addicted smokers reported use of about 12 grams a day or more. An individual smoking twelve grams of opium probably ingests about 80 mg. of morphine. Thirty mg. of morphine daily may induce some withdrawal signs, while 60 mg. daily are clearly addicting. While testimony varied widely, it appears likely that most opium smokers were not disabled by their practice. This appears to be the case today, too, among those peoples in southeast Asia who have continued to smoke opium. There appear to be social and perhaps psychophysiological forces which work toward limiting the liabilities of drug use.


Polar Record ◽  
2011 ◽  
Vol 48 (3) ◽  
pp. 291-303 ◽  
Author(s):  
Maria Lähteenmäki

ABSTRACTThe academic study of local and regional history in Sweden took on a quite new form and significance in the 18th century. Humiliating defeats in wars had brought the kingdom's period of greatness to an end and forced the crown to re-evaluate the country's position and image and reconsider the internal questions of economic efficiency and settlement. One aspect in this was more effective economic and political control over the peripheral parts of the realm, which meant that also the distant region of Kemi Lapland, bordering on Russia, became an object of systematic government interest. The practical local documentation of this area took the form of dissertations prepared by students native to the area under the supervision of well known professors, reports sent back by local ministers and newspaper articles. The people responsible for communicating this information may be said to have functioned as ‘mimic men’ in the terminology of H.K. Bhabha. This supervised gathering and publication of local information created the foundation for the nationalist ideology and interest in ordinary people and local cultures that emerged at the end of the century and flourished during the 19th century.


Author(s):  
Abbas Mohammadi

Cinema consists of two different dimensions of art and instrument. A tool that mixes with art and represents society in which anything can be depicted for others. But art has always sought to portray the beauties of this universe. The beauty that lies within philosophy. Since the advent of human beings, men have always sought to dominate and abuse women for their own benefit. In the 19th century, cinema entered the realm of existence and found its place in the human world. With the empowerment of cinema in the world, filmmakers tried to achieve their goals by using this tool.Many filmmakers use women as a propaganda tool to attract a male audience. In many films, when the hero of a movie succeeds in reaching a woman, or in doing so, she is succeeded by a woman. In this way, of course, women themselves are not faultless and have helped men abuse women. Afghanistan, a traditional and male-dominated country, has not been the exception, and in many Afghan films women have been instrumental zed and used in various ways to benefit men, and we have seen fewer films in which women be a movie hero or a woman in a movie like a man. This kind of treatment of women in Afghan films has caused other young Afghan girls to not have a positive view of Afghan cinema.


2021 ◽  
Vol 133 (1) ◽  
pp. 3-27
Author(s):  
Sara Matrisciano ◽  
Franz Rainer

All major Romance languages have patterns of the type jaune paille for expressing shades of colour represented by some prototypical object. The first constituent of this pattern is a colour term, while the second one designates a prototypical representative of the colour shade. The present paper starts with a short discussion of the controversial grammatical status of this pattern and its constituents. Its main aim, however, concerns the origin and diffusion of this pattern. We have not found hard and fast evidence that Medieval Italian pigment compounds of the type verderame influenced the rise of the jaune paille pattern, which first appears in French in the 16th century. This pattern continued to be a minority solution during the 17th century, but established itself during the 18th century. In the 19th century, Italian, Spanish and Portuguese adopted the pattern jaune paille, while it did not reach Catalan and Romanian before the 20th century.


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