scholarly journals Decolonising Québec: Discursive Strategies in Michel Tremblay’s Mistero buffo

2007 ◽  
Vol 10 (1) ◽  
pp. 137-164 ◽  
Author(s):  
Jane Dunnett
Keyword(s):  
Cultural Imperialism ◽  
Frantz Fanon ◽  
Social Discourse ◽  
Michel Tremblay ◽  
Discursive Strategies ◽  
Albert Memmi ◽  
The Social ◽  
1960S And 1970S ◽  
The 1960S ◽  
Political Economic

Abstract Decolonising Québec : Discursive Strategies in Michel Tremblay 's Mistero buffo — During the 1960s and 1970s the concept of decolonisation was taken up by many Québécois intellectuals in their bid to promote the nationalist cause. Drawing on the theories of Albert Memmi and Frantz Fanon, such writers denounced what they regarded as the political, economic and cultural dependence of Québec. This article examines the way in which the topos of colonisation that permeated the social discourse of the period affected the translation and reception of Michel Tremblay's joual version of Mistero buffo. It seeks to demonstrate that Dario Fo's play has been transformed into a vehicle for challenging the perceived cultural imperialism of France and for asserting the importance of secularisation in the movement to "décolonise" Québec.

The Politics of Banking and Social Democracy

2017 ◽  
Author(s):  
Aled Davies
Keyword(s):  
Banking System ◽  
Social Democracy ◽  
The Political ◽  
Social Democratic ◽  
Industrial Economy ◽  
The Social ◽  
1960S And 1970S ◽  
Post War ◽  
The 1960S ◽  
Political Demand

This chapter concerns the politics of managing the domestic banking system in post-war Britain. It examines the pressures brought to bear on the post-war settlement in banking during the 1960s and 1970s—in particular, the growth of new credit creating institutions and the political demand for more competition between banks. This undermined the social democratic model for managing credit established since the war. The chapter focuses in particular on how the Labour Party attempted in the 1970s to produce a banking system that was competitive, efficient, and able to channel credit to the struggling industrial economy.

O początkach wychowania seksualnego w Polsce i kontestacji młodzieżowej na Zachodzie – zapis ostatniego wywiadu z Profesorem Andrzejem Jaczewskim

2021 ◽  
pp. 188-205
Author(s):  
Julia Stępniewska ◽  
Piotr Zańko ◽  
Adam Fijałkowski
Keyword(s):  
Sex Education ◽  
Auxiliary Function ◽  
Sexual Revolution ◽  
Sexual Education ◽  
The West ◽  
The Social ◽  
1960S And 1970S ◽  
The 1960S ◽  
The University ◽  
The Relationship

In this text, we ask about the relationship between sexual education in Poland in the 1960s and 1970s with the cultural contestation and the moral (including sexual) revolution in the West as seen through the eyes of Prof. Andrzej Jaczewski (1929–2020) – educationalist, who for many years in 1970s and 1980s conducted seminars at the University of Cologne, pediatrician, sexologist, one of the pioneers of sexual education in Poland. The movie “Sztuka kochania. Historia Michaliny Wisłockiej” (“The Art of Love. The Story of Michalina Wisłocka” [1921–2005]), directed in 2017 by Maria Sadowska, was the impulse for our interview. After watching it, we discovered that the counter-cultural background of the West in the 1960s and 1970s was completely absent both in the aforementioned film and in the discourse of Polish sex education at that time. Moreover, Andrzej Jaczewski’s statement (July 2020) indicates that the Polish concept of sexual education in the 1960s and 1970s did not arise under the influence of the social and moral revolution in the West at the same time, and its originality lay in the fact that it was dealt with by professional doctors-specialists. We put Andrzej Jaczewski’s voice in the spotlight. Our voice is usually muted in this text, it is more of an auxiliary function (Chase, 2009). Each of the readers may impose their own interpretative filter on the story presented here.

Origins of the present crisis?

2018 ◽  
Author(s):  
Rory Scothorne ◽  
Ewan Gibbs
Keyword(s):  
Intellectual Development ◽  
World Systems ◽  
Left Wing ◽  
Labour Movement ◽  
Current State ◽  
National Question ◽  
1960S And 1970S ◽  
Soviet Invasion ◽  
The 1960S ◽  
Political Economic

The current state of the radical left and, more broadly, politics in Scotland has its roots in the unique set of political, economic and intellectual conditions found in the 1960s and 1970s. Where mainstream accounts of the origins and development of Scottish nationalism - and its increasing popularity on the left - emphasise political and economic origins in these decades, this chapter emphasises the equally crucial intellectual developments of the period. Khruschev’s ‘secret speech’, ‘de-Stalinization’ and the Soviet invasion of Hungary in 1956 engendered a growing plurality of perspectives on the European left, and it was under these new conditions that the British left increasingly questioned Stalinist orthodoxies, and established critiques of labourism and the ‘British Road to Socialism’. The search for alternatives to the classical Marxist, social democratic and Soviet canons led to a new theoretical heterodoxy, bringing Gramscian and world-systems theories to the fore along with a more politically ambiguous conception of the ‘national question’. This chapter integrates an analysis of the intellectual development of left-wing Scottish nationalism with a consideration of the growth of its influence within the labour movement during the 1960s and 1970s.

Ainslie, Bill (1934–1989)

2018 ◽  
Author(s):  
Jessica Stephenson
Keyword(s):  
South Africa ◽  
South African ◽  
Eastern Cape ◽  
African Art ◽  
Art Programs ◽  
Non Profit ◽  
Black Artists ◽  
The Social ◽  
1960S And 1970S ◽  
The 1960S

Born in 1934 in Bedford, Eastern Cape, South Africa, William (Bill) Stewart Ainslie was a painter and educator, and the founder of a number of visual art programs and workshops that countered discriminatory racial and educational policies in apartheid-era South Africa. These programs encouraged students to work in abstract and other modernist idioms not practiced in the country at the time. Until his untimely death at age 55, Ainslie melded his career as an artist with his vision of art as a means to combat apartheid. In the 1960s and 1970s, Ainslie fostered the only multiracial art programs in the country, culminating in a formal art school, the non-profit Johannesburg Art Foundation (1982). He helped found the Federated Union of Black Artists (FUBA) and the art schools Fuba Academy (1978), Funda Center (1983) (funda means "learn" in Xhosa), and the Alexandra Arts Centre (1986). The generation of modern African artists and educators trained at these institutions shaped the course of art after apartheid. Ainslie also organized short-term workshops, most notably the Thupelo Art Workshop (thupelo means "to teach by example" in Southern Sotho) in 1983. Thupelo linked local and international artists and focused on abstraction, a radical departure from the social realist style expected of politically engaged South African art of the 1980s.

‘Visions of another world’

2020 ◽  
pp. 227-244
Author(s):  
Chantal Marazia ◽  
Heiner Fangerau ◽  
Thomas Becker ◽  
Felicitas Söhner
Keyword(s):  
Mutual Influence ◽  
Phenomenological Tradition ◽  
Psychiatric Reform ◽  
Medical Establishment ◽  
The Social ◽  
1960S And 1970S ◽  
The 1960S

This chapter explores Franco Basaglia’s relation with German psychiatry, from his early infatuation with the anthropo-phenomenological tradition to the disputes with the social psychiatric movement during the 1960s and 1970s. After an overview of Basaglia’s criticism of German psychiatric schools and institutions, the chapter focuses on his personal links, most notably with progressive psychiatrists and with the anti-psychiatric movement SPK (Sozialistisches Patientenkollektiv). Finally, it analyses Basaglia’s reception, by both the medical establishment and the actors of psychiatric reform. Contrary to the current narrative of a mutual influence, the chapter argues that Basaglia can hardly be regarded as a genuine inspiration for German psychiatric reform, and was retrospectively refashioned as such.

Improvisation, Democracy, and Feedback

2014 ◽  
Author(s):  
Daniel Belgrad
Keyword(s):  
Physical Environment ◽  
Social Philosophy ◽  
Feedback Loops ◽  
Self In Relation ◽  
Public Supply ◽  
Contact Improvisation ◽  
The Social ◽  
Social And Physical Environment ◽  
1960S And 1970S ◽  
The 1960S

In the 1960s and 1970s, improvisational artists explored the use of feedback, both as a creative method and a model of the self in relation to its social and physical environment. As an alternative to centralized authority structures, feedback loops could be used to organize decentralized events or activities. The result would be a self-informing system, or autopoiesis. This idea informed the new field of cybernetics and the social philosophy of Paul Goodman and Gregory Bateson. Max Neuhaus’s realization of John Cage’s composition,Fontana Mix—Feed, made use of this structure, as did his later broadcast works,Public SupplyandRadio Net, and the dance form of “contact improvisation” developed by Steve Paxton. In these works, attention to the dynamics of interaction (“deutero-learning”) fostered an improvisational style based on a heightened environmental awareness rather than an exteriorization of the internal psyche, thus pioneering the postmodern, networked self.

The Politics of Growth in South Korea

2015 ◽  
Author(s):  
Stephan Haggard ◽  
Myung-Koo Kang
Keyword(s):  
Developmental State ◽  
The Political ◽  
Policy Agenda ◽  
Korean Economy ◽  
The Social ◽  
Social Polarization ◽  
1960S And 1970S ◽  
The Government ◽  
The 1960S ◽  
The Welfare State

This article examines the political origins of South Korea’s rapid economic development in the 1960s and 1970s, with emphasis on the enduring effects of the developmental state era. It begins by considering developments since 1980, including the influence of democratization, the causes and consequences of the financial crisis of 1997–1998, and the market-oriented reforms pursued by the government in the wake of the crisis. It then discusses the legacy of the developmental state era in the coverage of the welfare state, along with the liberalization of the Korean economy beginning in the 1980s. The article documents South Korea’s transition into a market economy, marked by reforms in the financial sector and corporate governance, as well as reforms in foreign direct investment and even labor markets. Finally, it appraises a number of challenges that the Korean political economy must deal with, including growing economic and social polarization, inequality, and the social policy agenda.

The Labor Movement and Sugar Industry in Tucumán in the 1960s and 1970s

2019 ◽  
Author(s):  
Silvia Nassif
Keyword(s):  
Labor Movement ◽  
Total Population ◽  
Sugar Industry ◽  
Test Case ◽  
Detention Center ◽  
The Social ◽  
Sugar Mills ◽  
1960S And 1970S ◽  
The 1960S ◽  
Guerrilla Movement

The province of Tucumán, Argentina, has been used as a test case for the fallacious “theory of the two demons” because it is both where a guerrilla movement formed in 1974 and where the country’s first clandestine detention center was established in the “escuelita” of Famaillá during “Operativo Independencia” in 1975. This “theory” reduces the conflict in the province to a confrontation in the Tucumán hills between no more than 150 combatants of the People’s Revolutionary Army (Ejército Revolucionario del Pueblo, ERP) and 5,000 soldiers of the Argentine Army. This, however, largely conceals the social catastrophe suffered by Tucumán and the high levels of conflict that had already been taking place for more than a decade. Previously, in August 1966, the provincial territory had been militarized by the new dictatorial government led by Juan Carlos Onganía. On that occasion, militarization sought to guarantee the closure of sugar mills. This generated an unprecedented economic and social crisis. Between 1966 and 1968, eleven mills were closed out of a total of twenty-seven, more than 50,000 jobs were eliminated in the sugar agro-industry alone, medium and small sugarcane producers were severely affected, and more than a quarter of the total population of the province was forced to emigrate in search of new sources of work. Such were the root causes of social conflict, led mainly by the sugar working class assembled in the Tucumán Workers Federation of the Sugar Industry (Federación Obrera Tucumana de la Industria Azucarera, FOTIA), which the 1976 dictatorship was intent on reining in.

scholarly journals Significant Others: Security and Suspicion in Chinese-Angolan Encounters

2014 ◽  
Vol 43 (1) ◽  
pp. 41-69 ◽  
Author(s):  
Cheryl Mei-ting Schmitz
Keyword(s):  
State Level ◽  
Social Practices ◽  
Parallel Analysis ◽  
Discursive Strategies ◽  
The Social ◽  
The Everyday ◽  
Social Encounters ◽  
Economic Partnership ◽  
Political Economic ◽  
Shared Context

The sense of mystery around Chinese presences in Angola impels researchers to understand not only the empirical details of economic transactions and diplomatic partnerships but also the various ways in which the actors involved make sense of a novel social, political, and economic configuration. By drawing several ethnographic portraits of the social practices and discursive strategies at play in Chinese–Angolan relations, I show how, in a context of mutual uncertainty and suspicion, appeals to “security” play a central role. Instead of viewing Chinese and Angolans as two separate groups with opposed interests and lack of communication between them, I explore how participation in a shared context generates common modes of explanation. Moreover, I propose a parallel analysis of state-level negotiations alongside everyday social encounters to consider how a political economic partnership between China and Angola is lived through the everyday negotiations of Chinese and Angolan residents in Luanda.

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