scholarly journals The history of development of Chinese oil painting in the period from 1900 to 1949

Author(s):  
тиншу цао

After the defeat in the Opium War of 1840, the Chinese Qing Government realized the advanced nature of Western technologies and culture and proceeded with comprehensive examination of the Western experience. The study of the Western painting by the Chinese artists became an important part of this process. The period from 1900 to 1949 was a pivotal stage in the history of development of the Chinese painting associated with the advent of the Chinese oil painting. This article analyzes the development trends in Chinese painting by means of comparison the corresponding historical documents that resemble the five cultural phenomena emerged in this period; as well as generalizes the stages of studying the Western painting in China during this historical period. The author also analyzes the contribution and impact of the Chinese students upon the development of Chinese oil painting, changes in the painting styles, as well as integration of the Chinese artistic experience in the Western oil painting. The peculiarities of the major associations of Chinese artists of this period are reviewed. The development trends of Chinese oil painting include five aspects. The study of Western painting in China was not an approval of the Western oil painting tradition, but rather a way to improve the outdated Chinese tradition as well as build up its international status. This is precisely why the Chinese government set an implicit goal to popularize the Western art of painting in China. The political reforms that took place in China of that time were an important factor, which contributed to cultural changes. The development of painting became one of the key factors in the development of Chinese culture and art.

2018 ◽  
Vol 193 ◽  
pp. 04005
Author(s):  
Vu Thi Hong Hanh ◽  
Viet Duong

A long time ago, houses along and on the water have been distinctive elements of the water-based Mekong Delta. Over a long history of development, these morphological settlements have been deteriorated due to environmental, economic, and cultural changes from water to mainland, resulted in the reductions of water-based communities and architectural deterioration. This research is aimed to analyze the distinguishing values of those housing types/communities in 5 chosen popular water-based settlements in Mekong Delta region to give positive recommendations for further changes.


2021 ◽  
Author(s):  
YI-DUO BIAN

China is composed of 56 ethnic groups, and there are 55 ethnic minorities besides the Han nationality. Minority culture is an important part of Chinese culture. The language of ethnic minorities has a long history of development and is an important part of culture. Daur nationality is one of the traditional nationalities in the north, which has its own special development history. Culture is unique, so the protection and development of Daur language has become a hot topic for cultural protection workers. Under the background of big data, this paper puts forward the digital protection and inheritance scheme of Daur language, which can provide some reference for the protection and inheritance of Daur language.


ICONI ◽  
2019 ◽  
pp. 184-197
Author(s):  
Tamara A. Artashkina ◽  
◽  
Shang Bofei ◽  

The history of XX-century China can be divided into several periods that greatly altered the path of China’s historical development: Xinhai Revolution, Anti-Japanese war, civil war, establishment of PRC, Cultural Revolution, policy of reforms and openness. Uneven development of contemporary China has had its infl uence on Chinese holidays. The authors consider the concept of “national holidays of China” a basic category. In the Chinese language, a “holiday” is an unusual day or days connected with something. All national Chinese holidays fall into two categories: government and popular. Chinese government holidays include offi cial holidays established by law; they are days-off for all Chinese citizens. Currently there are 7 government holidays in China and many popular holidays. Popular holidays include traditional holidays, occupational or social holidays, holidays of national minorities or others. Not all Chinese citizens have days-off during these popular holidays. There are two aspects of cultural problems in modern China: a big gap between urban culture and rural cultures; there is a problem of active borrowing and introduction of Western culture into the national culture of China. In particular, many western holidays have intervened into the tissue of Chinese culture. However, western holidays do not alter the cultural meaning of Chinese traditional holidays; they have acquired Chinese features and enriched the life of young Chinese people. Chinese festive culture is transformed within the following areas: traditional holidays are replaced with innovative ones; modern holidays are formed under the infl uence of new social and political conditions and cultural globalization; transformation of traditional holidays changes either their quantity or their content and cultural meaning. However, the authors have come to the conclusion that despite the transformational processes the cultural meaning and main cultural functions of traditional holidays are preserved: reunion of families and, hence, the reunion of the whole nation.


2020 ◽  
Vol 17 (2) ◽  
pp. 214-223
Author(s):  
Meng Die Li

The article is devoted to the tradition of the Tibetan New Year celebration reflected in contemporary Chinese oil painting. The article’s purpose is to study the cultural features of the Tibetan New Year, on the example of works of the two Chinese artists: Pan Shixun and Ye Xingsheng, and to analyze the degree of art’s influence on the preservation of intangible cultural heritage. Chinese painting contributes to the unity of traditions of the past and present, as well as the integration of classical and contemporary elements in the technique of modern times. In their works, the masters, using elements of classical Chinese, Western and Tibetan painting, conveyed unique features of the national culture and history of Tibet. The work systematizes the complex of customs and religious rites, traditional costumes and treats of the Tibetan New Year festival. The artists’ works are considered as a mechanism for transmitting traditional Tibetan folk and religious art.


ANCIENT LAND ◽  
2021 ◽  
Vol 03 (03) ◽  
pp. 43-46
Author(s):  
Xəyalə Mənsur qızı Məmmədova ◽  

Europe has long been a major trading and financial center. The formation of these areas as financial centers is primarily based on the historical geographical location of the cities in which they are located. Due to the development of the financial sector, the main financial centers currently located in Europe are London, Zurich, Luxembourg, Geneva, Frankfurt and Tallinn. This article analyzes the history of development of Zurich and Geneva financial centers and the general features of their current activities, development trends. Key words: Zurich, Geneva, financial center, European Union


Author(s):  
Yuanpeng Huang ◽  
Galina Alekseeva

The article is devoted to the creative works of artists who have created pictures of life of the people living along the Yellow (Huang He) River in all nine regions of China. The Huang He River, as the main artery of the country, has long been the subject of study by historians, writers and painters. However, contemporary artists who dedicated their works to the river have not been researched. This work examines the collective image of the Huang He River in the works of Chinese artists from the 1980s to the present day in order to get acquainted with its peculiarities. The methodological basis for the study of contemporary art is the historical and cultural and socio-cultural approaches. The methods of historical-comparative and sociological analysis of art, biographical and iconographic analysis, semiotics and hermeneutics methods are used. For the first time the features of oil painting in different regions along the Huang He River are presented: the geomorphological characteristics, national characters and folk customs in the river basin, and the cultural protection function of painting. The names of a number of Chinese artists have been introduced into Russian art history, and the panorama of the development of painting in the works of Chinese masters painting on the Huang He River has been shown. The works of these artists are correlated with the traditional art and religious ideas of the people living along the Huang He River: the role of created paintings in preserving the cultural code of the inhabitants through the portrayal of national costume, folk and religious holidays is traced. The results can serve as a basis for historical and comparative studies of the artworks of Chinese masters and become the basis for courses on the history of Chinese art.


2020 ◽  
Vol 19 (5) ◽  
pp. 130-137
Author(s):  
Yuliy S. Khudyakov ◽  
Alisa Yu. Borisenko

Purpose. The article explores and analyzes several defining design characteristics of horn plates of compound bows, detected in the course of archaeological excavations of several male burial places at the Ulug-Choltukh burial ground. Located in the valley of the Edigan River in the middle course of the Katun River in the Altai Mountains; these were explored for several field seasons in the 2000s. Results. This article outlines the primary events related to the history of archaeological studies of findings of the compound bows of ancient peoples (Xiongnu-Xianbei time) in the Altai Mountains. The findings of the horn plates of compound bows detected in previous years in the course of excavations of Aidyraş type archaeological objects explored on the territory of the middle course of the Katun River are researched and analyzed. As a result of typological analysis, several types of compound bows are singled out among studied findings of horn plates, detected in the course of excavations of male interments at the archaeological funerary burial grounds Aidyraş I and Ulug-Choltukh. The conclusion sums up the several results of carried out explorations. Identification of horn plate findings of compound bows found during excavations of the Aidyraş burial ground, and studied in the Chemalsky District in the Altai Republic, has made it possible to relate them to long-range combat armament objects that were available to the natives who inhabited the valleys of the Katun and Edigan Rivers during the historical period of the 2nd quarter of the 1st millennium AD. The carried out typological research significantly supplements the previously known history of development of long-range combat weapons of the Altai Mountains in the course of the studied Xiongnu-Xianbei chronological period, right before the Early Middle Ages. Conclusion. The resulting typological classification of compound bows as part of a collection of horn plates findings detected in the course of excavations of the Ulug-Choltukh burial ground, clarifies the specificities and quantity of types of this long-range combat weapon kind among the Aidyraş weapons complex.


2016 ◽  
Vol 22 (2) ◽  
pp. 105-124 ◽  
Author(s):  
Danny Hsu

Is the Christian teaching on sin a ‘stumbling block’ to Chinese accepting Christianity? This paper critiques the notion that Chinese have difficulty comprehending ‘sin’ because of the culture's long-standing belief in the humanistic potential for self-perfection without any reference to the divine. This view of Chinese culture has been too narrow and does not account for the fact that Chinese religious traditions have always had at their disposal a wide variety of resources to comprehend the Christian concept of sin. Incorporating a history-of-practice perspective can contribute to a more productive balance between the representation of Chinese culture and its actual practice and avoid the current tendency to posit Western theology against a narrowly constructed and idealised version of Chinese culture that is severed from both historical and present-day realities.


Author(s):  
Sara Lorenzini

In the Cold War, “development” was a catchphrase that came to signify progress, modernity, and economic growth. Development aid was closely aligned with the security concerns of the great powers, for whom infrastructure and development projects were ideological tools for conquering hearts and minds around the globe, from Europe and Africa to Asia and Latin America. This book provides a global history of development, drawing on a wealth of archival evidence to offer a panoramic and multifaceted portrait of a Cold War phenomenon that transformed the modern world. Taking readers from the aftermath of the Second World War to the tearing down of the Berlin Wall, the book shows how development projects altered local realities, transnational interactions, and even ideas about development itself. The book shines new light on the international organizations behind these projects—examining their strategies and priorities and assessing the actual results on the ground—and it also gives voice to the recipients of development aid. It shows how the Cold War shaped the global ambitions of development on both sides of the Iron Curtain, and how international organizations promoted an unrealistically harmonious vision of development that did not reflect local and international differences. The book presents a global perspective on Cold War development, demonstrating how its impacts are still being felt today.


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