scholarly journals UNDERSTANDING THE MEDIA IN THE DIGITAL SOCIETY: GROUP STUDY TO ADDICTIVE INSTAGRAM

2022 ◽  
Vol 2 (1) ◽  
pp. 36-44
Author(s):  
Sefa HARRANOĞLU
Keyword(s):  
Comunicar ◽  
2005 ◽  
Vol 13 (25) ◽  
pp. 247-258
Author(s):  
José-Manuel Pérez-Tornero

As the present world increase its complexity and speed in a society filled with information, it seems necessary to imagine the future. And media education must be included in this reflection because it is important to understand that complexity and that speed at the present as well as in the future, especially if we really want to rule our lives. This is the aim of this paper: to know the two basic pillars of audiovisual communication: digital television and the Internet, trying to deduce the values involved in this process in order to use some of them as a reference to renew the media education. Cuando los procesos se aceleran del modo que lo hacen en una sociedad plena de información circulante a la velocidad de la luz –como es la sociedad digital–, imaginar el futuro se hace imprescindible. Y a esa necesidad no puede escapar la educación en medios, que, en la medida en que depende de ello, tiene que intentar comprender el aceleradísimo desarrollo mediático del presente y del inmediato futuro, sobre todo, si quiere, aunque sea mínimamente, gobernar su propio presente. A esta tarea arriesgada de imaginación dedicaremos los renglones que siguen. Nos ocuparemos de conocer lo que significa la construcción de la sociedad digital –centrada, sobre todo, en la puesta en marcha de una red universal de comunicación audiovisual que tiene dos pilares la televisión digital e Internet–. Y, posteriormente, de deducir algunos de los valores que están en juego en la construcción de este tipo de sociedad, algunos de los cuales pueden servir de valores de referencia para la renovación de la educación en medios.


2021 ◽  
pp. 194016122110066
Author(s):  
Joëlle Swart ◽  
Marcel Broersma

In theories about journalism's democratic remit, trust is generally regarded as a prerequisite for public connection: only when citizens believe the news, they will engage with it and act upon it to perform their citizenship. Trust seems even more important in today's digital society, where the destabilization of journalism institutions and proliferation of sources make the media ecology increasingly complex to navigate. This paper challenges such conceptualizations of media trust rooted in rationality and deliberateness. Based on two series of semistructured interviews with fifty-five young people from ten nationalities living in the Netherlands, conducted in 2016 and 2017, we develop a taxonomy of people's tactics when assessing the reliability of news. We explore what this means for how they value news and how such judgments, drawing on explicit and tacit knowledge, impact their news use. Rather than critically evaluating news through comparing and checking sources, users often employ more pragmatic shortcuts to approximate the trustworthiness of news, including affective and intuitive tactics rooted in tacit knowledge. Consequently, we argue that to fully understand how users deal with the complexity of trust in digital environments, we should not start from ideals of informed citizenship, but from people's actual practices and experiences instead.


2021 ◽  
Author(s):  
T.A. Petryaeva ◽  

The article examines in detail the social changes that affect the formation of personality, the influence of artificial intelligence and the media on the life of a modern person and a teenager in the process of socialization, and possible negative consequences. The author examines the problem of moral deformation in adolescents caused by certain features of the digital society, while analyzing the positive experience of using the biographical method in European countries on the example of Germany. The article also describes an experiment conducted on the bases of general education institutions of the city of St. Petersburg, summarizes its results, proving the effectiveness of the use of biographical material in the domestic education system.


Author(s):  
Evelyn R. Ackerman ◽  
Gary D. Burnett

Advancements in state of the art high density Head/Disk retrieval systems has increased the demand for sophisticated failure analysis methods. From 1968 to 1974 the emphasis was on the number of tracks per inch. (TPI) ranging from 100 to 400 as summarized in Table 1. This emphasis shifted with the increase in densities to include the number of bits per inch (BPI). A bit is formed by magnetizing the Fe203 particles of the media in one direction and allowing magnetic heads to recognize specific data patterns. From 1977 to 1986 the tracks per inch increased from 470 to 1400 corresponding to an increase from 6300 to 10,800 bits per inch respectively. Due to the reduction in the bit and track sizes, build and operating environments of systems have become critical factors in media reliability.Using the Ferrofluid pattern developing technique, the scanning electron microscope can be a valuable diagnostic tool in the examination of failure sites on disks.


ASHA Leader ◽  
2013 ◽  
Vol 18 (2) ◽  
Keyword(s):  
Know How ◽  

How to use your local know-how to get the media to pay attention.


Crisis ◽  
2001 ◽  
Vol 22 (4) ◽  
pp. 163-169 ◽  
Author(s):  
R. Warwick Blood ◽  
Jane Pirkis

Summary: The body of evidence suggests that there is a causal association between nonfictional media reporting of suicide (in newspapers, on television, and in books) and actual suicide, and that there may be one between fictional media portrayal (in film and television, in music, and in plays) and actual suicide. This finding has been explained by social learning theory. The majority of studies upon which this finding is based fall into the media “effects tradition,” which has been criticized for its positivist-like approach that fails to take into account of media content or the capacity of audiences to make meaning out of messages. A cultural studies approach that relies on discourse and frame analyses to explore meanings, and that qualitatively examines the multiple meanings that audiences give to media messages, could complement the effects tradition. Together, these approaches have the potential to clarify the notion of what constitutes responsible reporting of suicide, and to broaden the framework for evaluating media performance.


Author(s):  
Eric L. Sprankle ◽  
Christian M. End ◽  
Miranda N. Bretz

Utilizing a 2 (lyrics: present or absent) × 2 (images: present or absent) design, this study examined the unique effects of sexually degrading music videos and music lyrics on males’ aggressive behavior toward women, as well as males’ endorsement of rape myths and sexual stereotypes. Under the guise of a media memory study, 187 male undergraduate students were randomly assigned to one of four conditions. Despite the many psychological theories predicting an effect, the presentation of sexually degrading content in a visual or auditory medium (or combination thereof) did not significantly alter the participants’ aggression and self-reported endorsement of rape myths and sexual stereotypes. The null findings challenge the many corporate and governmental restrictions placed on sexual content in the media over concern for harmful effects.


Author(s):  
Jeeyun Oh ◽  
Mun-Young Chung ◽  
Sangyong Han

Despite of the popularity of interactive movie trailers, rigorous research on one of the most apparent features of these interfaces – the level of user control – has been scarce. This study explored the effects of user control on users’ immersion and enjoyment of the movie trailers, moderated by the content type. We conducted a 2 (high user control versus low user control) × 2 (drama film trailer versus documentary film trailer) mixed-design factorial experiment. The results showed that the level of user control over movie trailer interfaces decreased users’ immersion when the trailer had an element of traditional story structure, such as a drama film trailer. Participants in the high user control condition answered that they were less fascinated with, absorbed in, focused on, mentally involved with, and emotionally affected by the movie trailer than participants in the low user control condition only with the drama movie trailer. The negative effects of user control on the level of immersion for the drama trailer translated into users’ enjoyment. The impact of user control over interfaces on immersion and enjoyment varies depending on the nature of the media content, which suggests a possible trade-off between the level of user control and entertainment outcomes.


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