scholarly journals Traditional Architecture in Romanian Philately (III): Households from Drăguș, Dumbrăveni, Dumitra, Fundu Moldovei and Goicea Mică

Author(s):  
Bogdan-Vasile Cioruța ◽  
Alexandru Leonard Pop

Traditional architecture occupies a central place in the soul and pride of all people and has been accepted as a characteristic and attractive product of society. As a utilitarian architecture, which possesses interest and beauty, it retains the history of society. At the same time, it is unworthy of human heritage if this traditional harmony is not preserved, which is, in fact, the core of the human experience. Acting somehow on the same principle of conservation, philately can be considered as a useful means of preserving the traditional architectural memory in Romanian cities and villages. To show that thematic philately implies in essence this aspect of the preservation of the memory of places, in the present study we appeal to various forms of representation specific to philately. In this context, the study aims to emphasize the beauty of Romanian traditional architecture in terms of thematic philately. We want to expose the architectural specifics from five areas - Drăguș (Brașov), Dumbrăveni (Suceava), Dumitra (Alba), Fundu Moldovei (Suceava) and Goicea Mică (Dolj) using stamps, entire covers, illustrated postcards, and other philatelic effects. We also aim to see if the pieces in question fully illustrate the zonal architectural specificity or only a part of it; equally, we want to show that philately can be a landmark in documenting today's young people about what was and is traditional architecture. Thus, they can be reoriented towards what is durable, specific to the area, without altering the local tradition of folk craftsmen where it sanctifies the place and ensures vigor at the agrotourism level.

Author(s):  
Bogdan-Vasile Cioruța ◽  
Alexandru Leonard Pop

Vernacular and traditional architecture occupies a central place in the soul and pride of all people and has been accepted as a characteristic and attractive product of society, with a formal image. There is talk of a utilitarian architecture, which possesses interest and beauty, and which retains in the contemporary memory of the history of society. At the same time, it is unworthy of human heritage if this traditional harmony is not preserved, which is, in fact, the core of the human experience. In this context, the purpose of this study is to emphasize the beauty of traditional Romanian architecture in terms of philately. We want to expose the architectural specifics of three areas - Audia (Neamț), Bancu (Harghita), and Berbești (Maramureș) using postage stamps, illustrated postcards and other philatelic effects.


2021 ◽  
Vol 1 (2) ◽  
pp. 94-109
Author(s):  
Satriono Priyo Utomo

The history of the Indonesian youth political movement in 1928 not only inherited national politics with the ties of "imagine of Indonesia" as a homeland, nation and language, namely Indonesia. But it also gave birth to the view that youth is the core of change. This view became the belief of Indonesian youth in the 1940s to be involved in the revolutionary wave of "imagine of Indonesia" in a more critical and progressive manner in political actions. This paper aims to explain youth activism in Jakarta around a more advanced proclamation, accelerating from national politics to populist politics. There were two strongest youth node organizations in Jakarta at that time, Asrama Menteng Raya 31 and Prapatan 10. Both of them brought together young people from different ethnic and national backgrounds. But the youth political movement in the 1940s had a more populist political tone with its political activities carrying out political education work in order to mobilize people's awareness of the struggle for independence. Then the youth in Jakarta formed an organizational node called the Angkatan Pemuda Indonesia (API), which contributed to the historical events of the grand meeting at Ikada Square on September 19, 1945. Where Sukarno spoke as President of Indonesia for the first time in front of a mass mobilized by youth after the reading of the proclamation on August 17, 1945.


2008 ◽  
Vol 5 (2) ◽  
pp. 47
Author(s):  
Wildana Wargadinata

<p>The interesting attraction between local traditions and Islamic teachings has occurred since the earliest period in the history of Islamic civilization. The teachings of Islam, born as the most spectacular social revolution of the Middle Ages, still provide a loose space for local tradition. This kind of phenomenon becomes a study in writing about the Arab tradition in the time of prophethood. In the theory of Change and Continuity can be seen the element of very high flexibility in Islamic teachings. Elements are very important in the course of the development of Islamic da'wah in the future. The success of the spread of Islam can not be separated from this element. This does not mean that Islam has no identity. Islam in addition to having an element of flexibility also has a device of eternality. There is a central teaching that becomes the core of his teaching can not be mixed or modified.</p><p> </p><p>Tarik menarik antara tradisi lokal dengan ajaran Islam telah terjadi sejak masa yang paling dini dalam sejarah peradaban Islam. Ajaran Islam yang lahir sebagai sebagai revolusi sosial yang paling spektatuler pada abad pertengahan temyata masih memberi ruang gerak yang longgar pada tradisi lokal. Fenomena semacam inilah menjadi kajian dalam tulisan tentang tradisi Arab pada masa kenabian. Dalam teori Change and Continuity dapat dilihat adanya unsur fleksibilitas yang sangat tinggi dalam ajaran Islam. Unsur sangat penting dalam perjalanan perkembangan dakwah Islam ke depan. Keberhasilan penyebaran Islam tidak terlepas dari unsur ini. Hal ini tidak berarti Islam tidak memiliki jati diri. Islam di samping memiliki unsur fleksibilitas juga memiliki perangkat eternalitas. Ada ajaran pokok yang menjadi inti ajarannya tidak bisa dicampur aduk atau dimodifikasi.</p>


2018 ◽  
Vol 13 (4) ◽  
pp. 496-517
Author(s):  
Ned Hercock

This essay examines the objects in George Oppen's Discrete Series (1934). It considers their primary property to be their hardness – many of them have distinctively uniform and impenetrable surfaces. This hardness and uniformity is contrasted with 19th century organicism (Gerard Manley Hopkins and John Ruskin). Taking my cue from Kirsten Blythe Painter I show how in their work with hard objects these poems participate within a wider cultural and philosophical turn towards hardness in the early twentieth century (Marcel Duchamp, Adolf Loos, Ludwig Wittgenstein and others). I describe the thinking these poems do with regard to industrialization and to human experience of a resolutely object world – I argue that the presentation of these objects bears witness to the production history of the type of objects which in this era are becoming preponderant in parts of the world. Finally, I suggest that the objects’ impenetrability offers a kind of anti-aesthetic relief: perception without conception. If ‘philosophy recognizes the Concept in everything’ it is still possible, these poems show, to experience resistance to this imperious process of conceptualization. Within thinking objects (poems) these are objects which do not think.


1999 ◽  
Vol 16 (2) ◽  
pp. 1-26
Author(s):  
Omar Khaleefa

The study is an investigation of the origins of psychophysics and experimentalpsychology. According to historians of psychology. FrancisBacon had the most crucial influence in the history of the experimentalmethod, because he emphasized the importance of induction, skepticism,quantification, and observation. The present study, however,attempts to show that Ibn al-Haytham laid the foundations of the aboveaspects of the experimental method. Furthermore, a number of historiansof psychology believe that Fechner was the founder of psychophysicswith his application “Filements of Psychophysics” in 1860.This study shows that in the eleventh century, Ibn al-Haytham made anoriginal contribution to the study of vision, wherein his psychophysicsborrowed its structure from physics and its spirit from psychology.Several aspects of visual perception were investigated by him, includingsensation (which occupies a central place in psychophysics), variationsin sensitivity, perception of colors. sensation of touch, perceptionof darkness, the psychological explanation of moon illusion, and binocularvision. This study presents five experiments by Ibn al-Haythamregarding the errors of vision, which is called in contemporary psychology“visual illusion.” These experiments have been applied andverified in Bahrain from both the physical and psychological perspectives.Finally, the study concludes that Ibn al-Haytham deserves the title“founder” of psychophysics as wellp the “founder” of experimentalpsychology. In this respect. Kitab ul-Manazir by Ibn al-Haytham.which appeared in the fmt half of the eleventh century, and not the“Elements of Psychophysics” by Fechner. which was published in thenineteenth century, marks the official “founding” of psychology,because it provides not only new concepts and theories but new methodsof measurement in psychology.


2020 ◽  
Vol 2 (1) ◽  
pp. 115-130
Author(s):  
R. R. Palekha ◽  

Introduction. Right understanding is the most live, interesting and, at the same time, the uncertain and changeable area of researches which takes the central place as in the general theory of the right, and gains the increasing value in industry jurisprudence that is connected with its considerable teoretiko-methodological and applied potential which is shown in spheres of lawmaking and law-enforcement activity. Thus, right understanding represents research tools of the subject of knowledge which allow to study all range legal and, the based on them, state phenomena for the purpose of obtaining reliable knowledge of state and legal reality. In this regard integrative approach in right understanding which has rich history of the formation and development is of special interest, allows to perceive the right as integrally complete phenomenon, as much as possible retrieves its regulatory abilities and, provides achievement of criteria of scientific research: comprehensiveness, objectivity, historicism. Materials and Methods. In article an attempt of the analysis of integrative approach in right understanding from a position of history of origin of his ideas and assessment of the current state is made. A result of studying of scientific literature, generalization and comparison of the different points of view fat formulation of author’s determination of category “right understanding” and submission of the evidence-based integrative theory of right understanding which as much as possible conforms to requirements of time and has essential regulatory and guarding potential. Results. In article the category right understanding is comprehensively considered, different integrative theories of right understanding from a position of their origin and development are submitted, the value of modern integrative approach in right understanding is shown, perspectives of its further development are evaluated. Discussion and Conclusion. The author comes to the conclusion about the theoretical and methodological consistency and inevitability of the integrative approach in law understanding, which acts as a scientifically grounded type of legal thinking capable of comprehending the law on a truly scientific basis.


Author(s):  
Elena N. NARKHOVA ◽  
Dmitry Yu. NARKHOV

This article analyzes the degree of demand for works of art (films and television films and series, literary and musical works, works of monumental art) associated with the history of the Great Patriotic War among contemporary students. This research is based on the combination of two theories, which study the dynamics and statics of culture in the society — the theory of the nucleus and periphery by Yu. M. Lotman and the theory of actual culture by L. N. Kogan. The four waves of research (2005, 2010, 2015, 2020) by the Russian Society of Socio¬logists (ROS) have revealed a series of works in various genres on this topic in the core structure and on the periphery of the current student culture; this has also allowed tracing the dynamics of demand and the “movement” of these works in the sociocultural space. The authors introduce the concept of the archetype of the echo of war. The high student recognition of works of all historical periods (from wartime to the present day) is shown. A significant complex of works has been identified, forming two contours of the periphery. Attention is drawn to the artistic work of contemporary students as a way to preserve the historical memory of the Great Patriotic War. This article explains the necessity of preserving the layer of national culture in order to reproduce the national identity in the conditions of informational and ideological pluralism of the post-Soviet period. The authors note the differentiation of youth due to the conditions and specifics of socialization in the polysemantic sociocultural space.


Author(s):  
Benjamin E. Reynolds

The central place of revelation in the Gospel of John and the Gospel’s revelatory telling of the life of Jesus are distinctive features of John when compared with the Synoptic Gospels; yet, when John is compared among the apocalypses, these same features indicate John’s striking affinity with the genre of apocalypse. By paying attention to modern genre theory and making an extensive comparison with the standard definition of “apocalypse,” the Gospel of John reflects similarities with Jewish apocalypses in form, content, and function. Even though the Gospel of John reflects similarities with the genre of apocalypse, John is not an apocalypse, but in genre theory terms, John may be described as a gospel in kind and an apocalypse in mode. John’s narrative of Jesus’s life has been qualified and shaped by the genre of apocalypse, such that it may be called an “apocalyptic” gospel. Understanding the Fourth Gospel as “apocalyptic” Gospel provides an explanation for John’s appeal to Israel’s Scriptures and Mosaic authority. Possible historical reasons for the revelatory narration of Jesus’s life in the Gospel of John may be explained by the Gospel’s relationship with the book of Revelation and the history of reception concerning their writing. An examination of Byzantine iconographic traditions highlights how reception history may offer a possible explanation for reading John as “apocalyptic” Gospel.


Author(s):  
Hideko Abe

This article discusses how the intersection of grammatical gender and social gender, entwined in the core structure of language, can be analyzed to understand the dynamic status of selfhood. After reviewing a history of scholarship that demonstrates this claim, the discussion analyzes the language practices of transgender individuals in Japan, where transgender identity is currently understood in terms of sei-dōitsusei-shōgai (gender identity disorder). Based on fieldwork conducted between 2011 and 2017, the analysis reveals how individuals identifying with sei-dōitsusei-shōgai negotiate subject positions by manipulating the specific indexical meanings attached to grammatical structures.


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