Gender Trouble / Genre Trouble – Cecilie Løveids Østerrike

Although Cecilie Løveid is one of Norway’s most important contemporary dramatists, she is not generally considered part of mainstream theater. In fact, she has positioned herself against it by her writing of feminist and performative theater texts since her debut in the 1980s. In her play Østerrike, which is inspired by Henrik Ibsen’s Brand and by Ludwig Wittgenstein’s diary of his stay in Norway, the audience is introduced to a love triangle. Ludwig, his fiancée Agnes and his former boyfriend David are entangeled in a queer love drama causing constant gender trouble. In this article, I will analyze how Løveid combines this gender discourse with a metatextual genre discourse. The play ends with a “beautiful scene”, which disrupts all existing categories of gender and genre. This scene in particular illustrates that Østerrike can be interpreted as a critical commentary on the Ibsen-tradition that determines Løveid’s outsider position.

So Many Places to Love, but It’s Our Birthplace that Loves Us Back Like No Other Place

The picture depicts the beauty of Punjab, aka Land of Five Rivers, which is the northern state of India. The day when I clicked this picture, I was casually walking in our rice fields when I suddenly saw such a beautiful scene which tempted me to capture it as soon as possible. I randomly took only one shot. The ratio of sky and land is perfect and the sun enlightens this image by acting as a cherry on a cake. Technical details: I used my Samsung Galaxy M40 (mobile), without using any external equipment.

SOSIALISASI ASPEK MANAJEMEN DAN EKONOMI DI PANTAI LHOK BUBON KECAMATAN SAMATIGA KABUPATEN ACEH BARAT

Coastal area is fishermen’s home area and landed catch fish as an activity of economic life. Lhok Bubon Village is beach subdistrict of fishermen and tourism place for West Aceh community. The coastal area is front of the open oceans have beautiful scene with shallow beach and low wave. This village have a lot of local tourist. Thus, it is necessary to elevate with bussiness such as restaurant and other services. The empowering community was undertaken for giving awareness to local community from management aspect and productive economic activity where the need to tourism are secondary need. With adequate facilities and keep cleanliness of the beach. It have opportunity to be tourism place that priority for local community as marine tourim site. Economical empowerment to be one of material that conveyed to increasing the motivation for women in order to utilize the potency of coastal resources as transport of family economic in management aspect such as plannning, organizing, actuacting of tourism services as well as surveilance aspect and islamic tourism site for West Aceh community especially outside West Aceh.

Keindahan Terselubung Web Series Sore : Kajian Estetika

This article discusses the aesthetic assessment of the web series Sore which is done through a semiotic approach, as well as the beauty of delivering the moral message behind the purpose of the web series as advertisement. The first step on the research is to develop basic narrative scheme to guide the determination of the main signifiers in the web series. Next is to analyze the style of language contained in the dialogue that has a metaphor in it. And finally, the aesthetic assessment of the delivery of moral messages in the web series. After analyzing the authors found the hidden beauty of the web series Sore is the simple form of main signifier, the use of metaphors that have beauty as supporting the delivery of the meaning in some scenes on the web series, as well as the web series successfully deliver the moral messages with such a natural and beautiful scene that accordance with the purpose of literature to entertain and educate.

براہوئی خلقی شئیر تے ٹی ندارہ کشی نا پٹ و پولی جاچ

Folk literature is purely human mental evolution. Superstitions have their own specific status in human mental evolution. Form these superstitions struggle for freedom and folk literature came into being, Folk literature began with human evolution. Folk literature is expended on long human life, its feelings and a long experience. It has a long journey from one to second person then Generation and then ahead, and it still exists. The ancient people had their strong ties with nature. What and how people have dealt with nature and what have remained their religious ideologies with nature; it can be seen and found in folk literature. Thus it becomes visible that what has remained or what has made their relationship much stronger with nature. Ancient human ties with nature can also be seen in Brahui literature where it can be seen that they have discussed the beautiful scene and landscapes of nature in a beautiful way. Sights and pictures which can be seen and viewed by human eye are renowned as scenery. When these scenes are brought in literature and written in words are called Scenography (Nidara Kashi). Brahui folk literature specially in poetry which are known as "Khalqi Shair" have visible instances of Scenography. In this article the scenes which are available in Brahui folk literature are discussed. And it has been brought up that how the ancient people have used poetry to express their feelings and experiences and brought them in beautiful scenes.

Change of Housing Decoration Mode is Promoted by Industrialization Thought

This paper gives new ideas for an industrialized mode of housing decoration industry, focuses on its disordered, out-dated and unprofessional current situation. With the client involved menu-style design, industrialized production and integrated supply chain management, the decoration mode has achieved shortened decoration period, lowered cost, reliable quality, beautiful scene, and most importantly, client satisfaction.

XIV. Account of a singular instance of atmospherical refraction

Dear Sir, On Wednesday last, July 26, about five oʼclock in the afternoon, whilst I was sitting in my dining-room at this place, which is situated upon the Parade, close to the sea shore, nearly fronting the south, my attention was excited by a great number of people running down to the sea side. Upon inquiring the reason, I was informed that the coast of France was plainly to be distinguished with the naked eye. I immediately went down to the shore, and was surprised to find that, even without the assistance of a telescope, I could very plainly see the cliffs on the opposite coast; which, at the nearest part, are between forty and fifty miles distant, and are not to be discerned, from that low situation, by the aid of the best glasses. They appeared to be only a few miles off, and seemed to extend for some leagues along the coast. I pursued my walk along the shore to the eastward, close to the waterʼs edge, conversing with the sailors and fishermen upon the subject. They, at first, could not be persuaded of the reality of the appearance; but they soon became so thoroughly convinced, by the cliffs gradually appearing more elevated, and approaching nearer, as it were, that they pointed out, and named to me, the different places they had been accustomed to visit; such as, the Bay, the Old Head or Man, the Windmill, &c . at Boulogne; St. Vallery, and other places on the coast of Picardy; which they afterwards confirmed, when they viewed them through their telescopes. Their observations were, that the places appeared as near as if they were sailing, at a small distance, into the harbours. Having indulged my curiosity upon the shore for near an hour, during which the cliffs appeared to be at some times more bright and near, at others more faint and at a greater distance, but never out of sight, I went upon the eastern cliff or hill, which is of a very considerable height, when a most beautiful scene presented itself to my view; for I could at once see Dengeness, Dover cliffs, and the French coast, all along from Calais, Boulogne, &c . to St. Vallery; and, as some of the fishermen affirmed, as far to the westward even as Dieppe. By the telescope, the French fishing-boats were plainly to be seen at anchor; and the different colours of the land upon the heights, together with the buildings, were perfectly discernible. This curious phenomenon continued in the highest splendour till past eight o’clock, (although a black cloud totally ob­scured the face of the sun for some time,) when it gradually vanished.