The body as material culture: A theoretical osteoarchaeology

2006 ◽  
Vol 132 (1) ◽  
pp. 161-162 ◽  
Author(s):  
Michelle D. Hamilton
Keyword(s):  
Material Culture ◽  
The Body

Touchy-Feely History: The ‘Stuff’ of American Culture

2015 ◽  
Vol 4 (1) ◽  
pp. 4-18
Author(s):  
Lauren Rebecca Sklaroff
Keyword(s):  
Material Culture ◽  
Cultural History ◽  
Race And Ethnicity ◽  
The Body ◽  
Special Issue ◽  
Historical Significance ◽  
Research Perspectives ◽  
Economic Trends ◽  
Recent Trends ◽  
New Research

This state of the field essay examines recent trends in American Cultural History, focusing on music, race and ethnicity, material culture, and the body. Expanding on key themes in articles featured in the special issue of Cultural History, the essay draws linkages to other important literatures. The essay argues for more a more serious consideration of the products within popular culture, less as a reflection of social or economic trends, rather for their own historical significance. While the essay examines some classic texts, more emphasis is on work published within the last decade. Here, interdisciplinary methods are stressed, as are new research perspectives developing by non-western historians.

Introduction

2018 ◽  
Author(s):  
Nora Goldschmidt ◽  
Barbara Graziosi
Keyword(s):  
Material Culture ◽  
The Body ◽  
Specific Site ◽  
Entire Volume ◽  
The Third ◽  
Religious Significance ◽  
Classical Poetry ◽  
Life Of The Mind ◽  
The Mind ◽  
Made In

The Introduction sheds light on the reception of classical poetry by focusing on the materiality of the poets’ bodies and their tombs. It outlines four sets of issues, or commonplaces, that govern the organization of the entire volume. The first concerns the opposition between literature and material culture, the life of the mind vs the apprehensions of the body—which fails to acknowledge that poetry emerges from and is attended to by the mortal body. The second concerns the religious significance of the tomb and its location in a mythical landscape which is shaped, in part, by poetry. The third investigates the literary graveyard as a place where poets’ bodies and poetic corpora are collected. Finally, the alleged ‘tomb of Virgil’ provides a specific site where the major claims made in this volume can be most easily be tested.

Lifeblood of the Parish

2020 ◽  
Author(s):  
Alyssa Maldonado-Estrada
Keyword(s):  
New York ◽  
New York City ◽  
Material Culture ◽  
Neighborhood Change ◽  
Ethnographic Study ◽  
The Body ◽  
Religious Community ◽  
Manual Labor ◽  
High Stakes ◽  
Material Religion

Each year the Shrine Church of Our Lady of Mount Carmel in Williamsburg, Brooklyn, celebrates its annual Feast of Our Lady of Mount Carmel and San Paolino di Nola. The crowning event is the Dance of the Giglio, a devotional spectacle of strength and struggle in which men lift a four-ton, seventy-foot tower through the streets. This ethnographic study delves into this masculine world of devotion and the religious lives of lay Catholic men. It explores contemporary men’s devotion to the saints and the Catholic parish as an enduring venue for the pursuit of manhood and masculinity amid gentrification and neighborhood change in New York City. It explores the way laymen imagine themselves and their labor as high stakes, the very work of keeping their parish alive. In this Brooklyn church men, money, and devotion are intertwined. In the backstage spaces of the parish men enact their devotion through craft, manual labor, and fundraising. A rich exploration of embodiment and material religion, this book examines how men come to be part of religious community through material culture: costumes, clothing, objects, and tattoos. It argues that devotion is as much about skills, the body, and relationships between men as it is about belief.

Self and Body

2012 ◽  
Author(s):  
Roberta Sassatelli
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Early Modern Period ◽  
The Body ◽  
Contemporary Society ◽  
Modern Period ◽  
Specific Configuration ◽  
Post Industrial ◽  
Industrial Societies ◽  
Late Modern

This article investigates the historical formation and specific configuration of a threefold relation crucial to contemporary society, that between the body, the self, and material culture, which, in contemporary, late modern (or post-industrial) societies, has become largely defined through consumer culture. Drawing on historiography, sociology, and anthropology, it explores how, from the early modern period, the consolidation of new consumption patterns and values has given way to particular visions of the human being as a consumer, and how, in turn, the consumer has become a cultural battlefield for the management of body and self. The article also discusses tastes, habitus, and individualization.

scholarly journals Shaping Toronto: female economy and agency in the corset industry, 1871-1914

2021 ◽  
Author(s):  
Alanna M. M. McKnight
Keyword(s):  
Nineteenth Century ◽  
Material Culture ◽  
The Body ◽  
Fashion History ◽  
Women's Bodies ◽  
The Gaze ◽  
Female Consumers ◽  
Private And Public ◽  
Female Bodies ◽  
The Relationship

In amplifying the contours of the body, the corset is an historical site that fashions femininity even as it constricts women’s bodies. This study sits at the intersection of three histories: of commodity consumption, of labour, and of embodiment and subjectivity, arguing that women were active participants in the making, selling, purchasing and wearing of corsets in Toronto, a city that has largely been ignored in fashion history. Between 1871 and 1914 many women worked in large urban factories, and in small, independent manufacturing shops. Toronto’s corset manufacturers were instrumental in the urbanization of Canadian industry, and created employment in which women earned a wage. The women who bought their wares were consumers making informed purchases, enacting agency in consumption and aesthetics; by choosing the style or size of a corset, female consumers were able to control to varying degrees, the shape of their bodies. As a staple in the wardrobe of most nineteenth-century women, the corset complicates the study of conspicuous consumption, as it was a garment that was not meant to be seen, but created a highly visible shape, blurring the lines between private and public viewing of the female body. Marxist analysis of the commodity fetish informs this study, and by acknowledging the ways in which the corset became a fetishized object itself, both signaling the shapeliness of femininity while in fact augmenting and diminishing female bodies. This study will address critical theory regarding the gaze and subjectivity, fashion, and modernity, exploring the relationship women had with corsets through media and advertising. A material culture analysis of extant corsets helps understand how corsets were constructed in Toronto, how the women of Toronto wore them, and to what extent they actually shaped their bodies. Ultimately, it is the aim of this dissertation to eschew common misconceptions about the practice of corsetry and showcase the hidden manner in which women produced goods, labour, and their own bodies in the nineteenth century, within the Canadian context.

scholarly journals Barrow 11 of the “Garden” Group in the Lower Dniester Region and Contemporary “Mythmaking” About Scythian “Amazons”

2020 ◽  
pp. 64-101
Author(s):  
Vitalij Sinika ◽  
Sergey Lysenko ◽  
Sergey Razumov ◽  
Nikolaj Telnov ◽  
Sylwia Łukasik
Keyword(s):  
Material Culture ◽  
Black Sea ◽  
The Body ◽  
Left Bank ◽  
Women Warriors ◽  
Black Sea Region ◽  
Scientific Methods ◽  
North West ◽  
The North ◽  
Stone Slab

The article publishes and analyzes materials obtained during the study of the Scythian barrow 11 of the “Garden” group excavated in 2018 near village Glinoe, Slobodzeya district, on the left bank of the Lower Dniester, for the first time.The barrow was surrounded by a circular ditch and contained four burials – one infant and three female. The tools from the barrow are represented by knives, spindle-whorls, needle. The only piece of tableware was found and it was a wooden bowl. The adornments (a pair of earrings, two bead necklaces, one bead bracelet, two “elbow bracelets”) were also discovered. Earrings with conical bulges on one of the endings testify to the Thracian influence on the material culture of the Scythians of the North-West Black Sea region. All female graves contained mirrors. Two of them are identical, and both were laid under the body of the buried. One of the mirrors has handle aforethoughtly broken in antiquity. The cult objects are a pendant made of a dog’s tooth and a stone slab, the arrowheads are the only weapons. The barrow dates back to the second half (preferably the third quarter) of the 4th century BC. Finding a quiver set in the grave 4 of barrow 11 of Glinoe/”Garden” group made the authors to analyze the burials of the so-called Scythian “amazons” of the North Black Sea region. It turned out that many of them were attributed with flagrant violations of scientific methods as burials of women-warriors, which is nothing more than modern “myth-making”. As a result, the authors claim that an open-minded analysis allows us to distinguish three groups of Scythian burials with weapons: 1) containing weapons, placement of which reflects certain “ethnographic” features of the rite or the special status of buried; 2) containing arrowheads that may indicate hunting; 3) the burials of warriors with diverse and numerous weapons.

Screen Time, Temporality, and (Dis)embodiment

2019 ◽  
pp. 46-77
Author(s):  
Eduardo J. Santos ◽  
Ralph Ings Bannell ◽  
Camila De Paoli Leporace
Keyword(s):  
Material Culture ◽  
Screen Time ◽  
Relevant Literature ◽  
The Body ◽  
Cognitive Dimension ◽  
Experience Of Time ◽  
Cognitive Experience

In this chapter, the authors will attempt to answer two related questions: How is our cognitive experience with time enacted and extended? Has the cognitive dimension of the experience of time lost its reference in the body? The background reviews relevant literature and shows the motivation for the main discussion of the chapter, especially the contrast between the authors' approach and the traditional symbolic-representational view. The principal argument will be that the dimension of the organism's coupling with the environment that can be called engagement with material culture—or things—has been undertheorized in the literature. Bringing this dimension into the analysis can, the authors argue, help explain how we experience psychological time. What's more, it can help understand the kinds of extra-bodily extensions that might explain why the use of technologies does not threaten disembodiment.

scholarly journals Theatres of Closure: Process and Performance in Inhumation Burial Rites in Early Medieval Britain

2020 ◽  
Vol 30 (3) ◽  
pp. 389-412
Author(s):  
Sue Harrington ◽  
Stuart Brookes ◽  
Sarah Semple ◽  
Andrew Millard
Keyword(s):  
Material Culture ◽  
Body Position ◽  
The Body ◽  
Cultural Issues ◽  
Early Medieval ◽  
Group Perceptions ◽  
Burial Rites ◽  
Funerary Ritual ◽  
And Performance ◽  
The Individual

Inhumation burials are recorded in Britain and Europe during excavations in a standardized way, especially graves of early medieval date. Just a limited number of attributes are usually foregrounded and these mainly concern skeletal identification, the grave plan and, when a burial is furnished, a list of objects, particularly metalwork, as well as occasional reference to burial structures, if present. In this paper, we argue that concealed within these recorded details are attributes that often receive little attention, but which can provide evidence for community investment in the individual funerary rite. These include grave orientation, grave morphology, the body position and the empty spaces in the grave, as well as categories of material culture. We argue here that these factors enable us to define communal burial profiles and can facilitate the identification of group perceptions and actions in dealing with death. By capitalizing on these additional aspects of funerary ritual, archaeologists can move away from a general dependency on well-furnished burials as the main stepping-off point for discussion of social and cultural issues. This has particular relevance for regions where unfurnished burial rites are the norm and where furnished rites do not rely on a wealth of metalwork.

scholarly journals Ceramics (As Containers)

2012 ◽  
Author(s):  
Carl Knappett ◽  
Lambros Malafouris ◽  
Peter Tomkins
Keyword(s):  
Cultural Studies ◽  
Material Culture ◽  
Modern Human ◽  
The Body ◽  
Plastic Medium ◽  
Archaeological Data ◽  
Human Thought ◽  
Human Material

This article focuses on the importance of ceramics in material cultural studies. It proceeds to say that ceramics are considered a key feature of human material culture because of what they are taken to represent in economic, technological, and evolutionary terms. The innovation of taking the plastic medium of clay and marrying it with pyrotechnology to create irreversibly a resilient object — usually in the form of a container, has frequently been assumed to mark a revolutionary stage in the development of modern human thought and practice, forming with agriculture and sedentism a trinity of epoch-changing innovations. This article talks about the idea of the body as being used as a container. It says that ‘Containment’ may well be the ‘function’ offering archaeology one of the most important sources of archaeological data and windows into society, and culture; but very little is known about the cognitive, experiential, and evolutionary grounding of the concepts embodied in each and every container.

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