Abstracting images into continuous-line artistic styles

2013 ◽  
Vol 29 (6-8) ◽  
pp. 729-738 ◽  
Author(s):  
Fernando J. Wong ◽  
Shigeo Takahashi
2019 ◽  
pp. 108-114
Author(s):  
Nicolay R. Vorobyov

Architectural and artistic construction of museum is one of the most complex genres in environment development and design, with its inherent qualities, means of expressiveness, principles of environment and image development, scientific concepts, in the context of historical development, artistic styles and trends. The author of the article considers the artistic lighting design in isolation from the integral dramaturgy of the project to be deeply flawed, and the setting of accent lighting at the final stage Ц to be simple, but not outstanding. Based on extensive hands-on experience in the construction of museum expositions, the author of the article reveals some peculiarities, especially significant to the participants of the lighting system setting for museums and other cultural facilities.


Polymers ◽  
2021 ◽  
Vol 13 (9) ◽  
pp. 1505
Author(s):  
Byeongjun Lee ◽  
Younghyeon Song ◽  
Chan Park ◽  
Jungmin Kim ◽  
Jeongbeom Kang ◽  
...  

The patterning of electrospun fibers is a key technology applicable to various fields. This study reports a novel focused patterning method for electrospun nanofibers that uses a cylindrical dielectric guide. The finite elements method (FEM) was used to analyze the electric field focusing phenomenon and ground its explanation in established theory. The horizontal and vertical electric field strengths in the simulation are shown to be key factors in determining the spatial distribution of nanofibers. The experimental results demonstrate a relationship between the size of the cylindrical dielectric guide and that of the electrospun area accumulated in the collector. By concentrating the electric field, we were able to fabricate a pattern of less than 6 mm. The demonstration of continuous line and square patterning shows that the electrospun area can be well controlled. This novel patterning method can be used in a variety of applications, such as sensors, biomedical devices, batteries, and composites.


2015 ◽  
Vol 53 ◽  
pp. 125-131 ◽  
Author(s):  
Yoshiki Nishi ◽  
Tomohiro Yamai ◽  
Kohsuke Ikeda

Author(s):  
Junjie Luo ◽  
Heng Pan ◽  
Edward C. Kinzel

Selective laser melting (SLM) is a technique for the additive manufacturing (AM) of metals, plastics, and even ceramics. This paper explores using SLM for depositing glass structures. A CO2 laser is used to locally melt portions of a powder bed to study the effects of process parameters on stationary particle formation as well as continuous line quality. Numerical modeling is also applied to gain insight into the physical process. The experimental and numerical results indicate that the absorptivity of the glass powder is nearly constant with respect to the processing parameters. These results are used to deposit layered single-track wide walls to demonstrate the potential of using the SLM process for building transparent parts. Finally, the powder bed process is compared to a wire-fed approach. AM of glass is relevant for gradient index optics, systems with embedded optics, and the formation of hermetic seals.


2021 ◽  
Vol 1 (195) ◽  
pp. 18-22
Author(s):  
Hanna Karas ◽  

The article is devoted to the use of interdisciplinarity as an innovative approach in the educational process of art institutions of higher education on the example of studying the discipline «Evolution of artistic styles in art» included in educational master's programs. This discipline is based on the theory and practice of professional development of a teacher-musician, who provides the Master of Arts education process, shapes their professional development necessary for their future musical and pedagogical creativity, skills, and pedagogical culture. The content of the discipline consists of the introduction of artistic styles’ scientific and theoretical fundamentals to the future specialists. The objectives of the course are 1) the theoretical generalization of the historical experience of the evolution of artistic styles, 2) acquaintance with the best examples of artistic culture, representing different styles and directions, 3) mastering complex problems of stylistic analysis. The aim of the course is the establishment of a strategy for a professional growth as part of the vocational training of masters in the following educational areas «Secondary education. Musical Art» and «Musical Art»; mastering the scientific and theoretical foundations of the artistic styles’ analysis as a formative student course of the music and pedagogical education in higher education. The interdisciplinary approach can be implemented in two main formats. A. Kolot believes that with the help of the first format he builds bridges between different sciences, brings them together on an informal basis without violating their individuality and uniqueness. In this format, the discipline «Evolution of artistic styles in art» «builds bridges» with such disciplines as: philosophy, history, foreign languages, general psychology, culturology, sociology, art culture, aesthetics. In the second format, interdisciplinarity is presented as a real tool for unifying sciences, and the emergence of integrative products. In this format the course «Evolution of Artistic Styles in Art» involves an organic combination of such disciplines as history and theory of music, theater, ballet, art history, philosophy, art culture and literature, analysis of musical form, choral class, music psychology, and others. Therefore, we propose to define the student course «Evolution of artistic styles in art» as a complex, interdisciplinary field of knowledge and consider the application of an interdisciplinary approach in the practice of a teacher of artistic institutions.


2021 ◽  
pp. 422-442
Author(s):  
Sharon E. J. Gerstel

Although few secular examples of Byzantine monumental painting survive, hundreds of churches throughout the Mediterranean and the Balkans preserve impressive decorative programs. Many of these churches are well studied. Others, however, remain unpublished. Close study of the paintings provides valuable information about techniques, materials, and artistic styles. Church decoration can show enormous regional variation: specific communities and patrons often exerted influence on subject matter. Inscriptions played an important role in many churches, providing an archive of liturgical texts to be spoken and sung and epigrams to be read. Liturgical texts, hymns, and ritual performance were important inspirations for painters and communities in the Middle and Late Byzantine periods. Phenomenological effects of sound and light were also considered in monumental decoration.


1. Experience teaches us that the arrangement of solids in a tribo-electric series is fallacious. We shall show in the next paper that in the case of three solids (A, B, C) A may be positive to B; and B to C; and yet C be positive to A. This may occur when the bodies are of different classes, say, metal, textile, glass, which have different physical and chemical characteristics. In the case of one material, one characteristic predominates; in another, another may be paramount. The true arrangement may prove ultimately to be in branching or parallel lines, rather than in one continuous line or series. The problem is to obtain reliable data of sign and amount of charge when two standard solids are rubbed together. The only hope of progress lies in the use of material of known composition and—even more important—of definite surface cleanliness and physical structure. Further, to obtain quantitative results the rubbing should be performed, not by hand, but in some regulated machine to insure consistency of action.


2014 ◽  
Vol 6 (1) ◽  
Author(s):  
M. Tanga ◽  
F. Ghelli ◽  
G. Gelati

Our paper is focused on two fundamental points: the first one is a terminological proposal and the second one is a question. Obviously these two things are strictly related one another. The terminological proposal is aimed to name “vertebral shock absorber” the human rachis (globally considered, when it is in physiological conditions) in its most typical function: to sustain static/dynamic stresses, that moreover are directed according to its axial direction, obviously when this coincides with gravitational line. This aspects can be studied by modal analysis and by the model of Eigenvectors and Eigenvalues. According to our opinion, the mechanical feature must be considered as prevalent if compared with the structural one. Following it human rachis is usually named “column”. This mechanic sustain is distributed on three lines that are summarily parallel and are linked one another (by isthmuses and vertebral arches to build an horizontal ring) so they can be considered a unique compact viscous-elastic system. Each one of these three vertical sub-structure is built as a stacking of metameric elements (modules) along a continuous line.


1834 ◽  
Vol 124 ◽  
pp. 583-591 ◽  

The path of a luminous or an illuminated point in rapid motion, it is well known, appears as a continuous line, in consequence of the after duration of the visual im­pression. There is nothing, however, in the appearance of such a line by which the eye can determine either the direction or the velocity of the motion which generates it. It occurred to me some years since, that if the motion which described the line in these cases were to be compounded with another motion, the direction and velocity of which were known, it would be easy, from an inspection of the resultant straight or curved line, to determine the velocity and direction of the former. Following up this idea, I made a series of experiments relating to the oscillatory motions of sono­rous bodies, too numerous, and not sufficiently connected with the subject of the pre­sent communication, to be detailed in this place. The satisfactory results thus ob­tained made me desirous to ascertain whether, by similar means, some information might not be gained respecting the direction and velocity of the electric spark : the method by which I then proposed to effect this purpose was first announced in a lec­ture delivered by Dr. Faraday at the Royal Institution in June, 1830. My attention was again drawn to the subject at the commencement of last year, and I attempted to realize the idea in the following manner. Fig. 1 represents the apparatus employed, which was screwed at a to the spindle of a whirling machine, so that a rapid rotatory motion might be given to it. The upper and lower parts, which were all of brass except the wooden disc b c , were insulated from each other by a stout glass rod d e ; a slip of tinfoil connected the ball h with a , and the upper ball g was capable of adjustment to various distances from the lower one h . When the ball f was placed within striking distance of the prime conductor of an electric machine, a spark passed between them, and also between the balls g and h , which could be separated to the distance of four inches, so as to exhibit a spark of that length. It is obvious, that if the angular motion of the balls were in any sensible proportion to the velocity of electricity, there would be a deviation between the upper and lower terminations of the line. The instrument revolving from left to right, if the motion of the spark be downwards, the deflection of the line should be as in fig. 2; and if its motion be upwards, it should be deflected as in fig. 3.


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