Applications of Classical and Traditional Folk Music in Psychiatric Settings

2016 ◽  
Vol 33 (S1) ◽  
pp. S519-S519
Author(s):  
V. Giannouli ◽  
N. Syrmos

IntroductionAlthough there is an augmenting interest for the applications of classical music in psychiatry, traditional folk music is not properly highlighted in the literature.ObjectiveIn this paper, we examine the possible benefits that psychiatric patients who attend music therapy in psychiatric settings may have when traditional folk music and/or classical music are used in the process of rehabilitation.MethodA literature search of the electronic databases was performed to identify relevant studies published before June 2015.ResultsA meta-analysis of the existing research revealed the positive influence of passive and active music listening on different groups of neurological and psychiatric patients’ anxiety, pain, tension and stress, and a series of cognitive and emotional changes that occur due to music interventions on patients and doctors alike. A general finding from the 700 diverse retrieved articles is that classical music has a positive influence on psychiatric patients. In contrast to that, there is scarce research for traditional music in psychiatric settings.ConclusionsMusic has a strong influence on psychiatric patients. Future research should focus on different questions such as how the knowledge of the varieties of the different types of (folk) music can enrich the music therapy in psychiatric settings.Disclosure of interestThe authors have not supplied their declaration of competing interest.

2014 ◽  
Vol 6 (2) ◽  
pp. 16 ◽  
Author(s):  
Margareta Wärja ◽  
Lars Ole Bonde

In receptive music therapy, music listening is used as a therapeutic medium in many different ways. The Bonny Method of Guided Imagery and Music (GIM) is a specific receptive music therapy model where the client or patient listens to selected classical music in an expanded state of consciousness in an ongoing dialogue with the therapist, facilitating symbolic and metaphorical imagery in many modalities. In this model, music is often considered a “co-therapist”, and more than 100 music programs are used to address specific issues and problems. However, no classification of the music used in GIM exists. This article presents a matrix with 3 major categories: 1) Supportive music – 2) Mixed supportive and challenging music – 3) Challenging music, with three subcategories within each category. Based on a review of literature related to music listening in music and medicine the taxonomy is introduced and its relevance for the Bonny Method discussed, with special focus on two adaptations: KMR-Brief Music Journeys and Group Music and Imagery (GrpMI). Vignettes from KMR with one individual cancer patient and from GrpMI sessions with psychiatric patients are presented and related to the taxonomy.


2019 ◽  
Vol 46 (3) ◽  
pp. 435-459 ◽  
Author(s):  
Mansur Khamitov ◽  
Xin (Shane) Wang ◽  
Matthew Thomson

Abstract To advance understanding of how well different types of brand relationships drive customer brand loyalty and to help companies improve the effectiveness of their relationship-building investments, this article conducts a meta-analysis of the link between five consumer-brand relationship constructs and customer brand loyalty. The analysis of 588 elasticities from 290 studies reported in 255 publications over 24 years (n = 348,541 across 46 countries) reveals that the aggregate brand relationship elasticity is .439. More importantly, results demonstrate under what conditions various types of brand relationships increase loyalty. For example, while elasticities are generally highest for love-based and attachment-based brand relationships, the positive influence of brand relationships on customer brand loyalty is stronger in more recent (vs. earlier) years, for nonstatus (vs. status) and publicly (vs. privately) consumed brands, and for estimates using attitudinal (vs. behavioral) customer brand loyalty. Overall, the results suggest that brand relationship elasticities vary considerably across brand, loyalty, time, and consumer characteristics. Drawing on these findings, the current research advances implications for managers and scholars and provide avenues for future research.


2020 ◽  
Vol 11 ◽  
Author(s):  
Martina de Witte ◽  
Esther Lindelauf ◽  
Xavier Moonen ◽  
Geert-Jan Stams ◽  
Susan van Hooren

Stress is increasingly being recognized as one of the main factors that is negatively affecting our health, and therefore there is a need to regulate daily stress and prevent long-term stress. This need seems particularly important for adults with mild intellectual disabilities (MID) who have been shown to have more difficulties coping with stress than adults without intellectual disabilities. Hence, the development of music therapy interventions for stress reduction, particularly within populations where needs may be greater, is becoming increasingly important. In order to gain more insight into the practice-based knowledge on how music therapists lower stress levels of their patients with MID during music therapy sessions, we conducted focus group interviews with music therapists working with adults with MID (N = 13) from different countries and clinical institutions in Europe. Results provide an overview of the most-used interventions for stress reduction within and outside of music. Data-analysis resulted in the further specification of therapeutic goals, intervention techniques, the use of musical instruments, and related therapeutic change factors. The main findings indicate that music therapists used little to no receptive (e.g., music listening) interventions for stress reduction, but preferred to use active interventions, which were mainly based on musical improvisation. Results show that three therapy goals for stress relief could be distinguished. The goal of “synchronizing” can be seen as a sub goal because it often precedes working on the other two goals of “tension release” or “direct relaxation,” which can also be seen as two ways of reaching stress reduction in adults with MID through music therapy interventions. Furthermore, the tempo and the dynamics of the music are considered as the most important musical components to reduce stress in adults with MID. Practical implications for stress-reducing music therapy interventions for adults with MID are discussed as well as recommendations for future research.


2015 ◽  
Vol 7 (4) ◽  
pp. 50
Author(s):  
Biljana V. Coutinho ◽  
Anita L. Hansen ◽  
Leif Waage ◽  
Thomas K. Hillecke ◽  
Julian Koenig

The purpose of this systematic review of international research is to summarize the available literature on active music making interventions with adult offenders in forensic settings (i.e. forensic psychiatry or correctional facilities at different security levels). A systematic search of 13 electronic databases according to the Preferred Reporting Items for Systematic Reviews and Meta- Analysis (PRISMA) statement was employed. 28 articles fitting the inclusion criteria were included in the review. The search revealed mainly qualitative and narrative reports including articles on group music therapy, educational music making, choir interventions, individual music therapy sessions and musical projects. The musical interventions are described in detail to provide therapists with ideas on how to set up session with clients who may be in this particular situation and to help them understand the possible impact of musical interventions in the forensic setting. Furthermore, implications from the current evidence and ideas for future research are discussed. Note: Due to the length of the review it is published in two subsequent issues. This is the second part of the review focusing on case studies and the Good Vibrations program. The first part of the review was published in the previous issue of Music and Medicine focusing on group interventions.


2012 ◽  
Vol 31 (5) ◽  
pp. 311-316 ◽  
Author(s):  
Jayne Standley

Purpose: To provide an overview of developmental and medical benefits of music therapy for preterm infants.Design: Meta-analysis.Sample: Empirical music studies with preterm infants in the neonatal intensive care unit (NICU).Main Outcome: Evidence-based NICU music therapy (NICU-MT) was highly beneficial with an overall large significant effect size (Cohen’s d = 0.82). Effects because of music were consistently in a positive direction.Results: Results of the current analysis replicated findings of a prior meta-analysis and included extended use of music.1 Benefits were greatest for live music therapy (MT) and for use early in the infant’s NICU stay (birth weight <1,000 g, birth postmenstrual age <28 weeks). Results justify strong consideration for the inclusion of the following evidence-based NICU-MT protocols in best practice standards for NICU treatment of preterm infants: music listening for pacification, music reinforcement of sucking, and music pacification as the basis for multilayered, multimodal stimulation.


2015 ◽  
Vol 7 (3) ◽  
pp. 40
Author(s):  
Biljana Vrancic Coutinho ◽  
Anita Lill Hansen ◽  
Leif Waage ◽  
Thomas K. Hillecke ◽  
Julian Koenig

The purpose of this systematic review of international research is to summarize the available literature on active music making interventions with adult offenders in forensic settings (i.e. forensic psychiatry or correctional facilities at different security levels). A systematic search of 13 electronic databases according to the Preferred Reporting Items for Systematic Reviews and Meta- Analysis (PRISMA) statement was employed. 28 articles fitting the inclusion criteria were included in the review. The search revealed mainly qualitative and narrative reports including articles on group music therapy, educational music making, choir interventions, individual music therapy sessions and musical projects. The musical interventions are described in detail to provide therapists with ideas on how to set up session with clients in this particular situation and to help understand the possible impact of musical interventions in the forensic setting. Furthermore, implications from the current evidence and ideas for future research are discussed. Note: Due to the length of the review it is published in two subsequent issues. This is the first part of the review focusing on group interventions. The second part of the review is published in the subsequent issue of Music and Medicine focusing on case studies and established music programs in the forensic setting.


2020 ◽  
Vol 12 (2) ◽  
pp. 73
Author(s):  
Carola Werger ◽  
Marijke Groothuis ◽  
Artur C. Jaschke

Change is inevitable to every profession. While we learn from the mistakes in the past, we should not lose sight of the developments which lie ahead. In this narrative review, we consider the different theoretical but more so practical and clinical mechanisms and uses of music technology in music therapy. We assemble relevant findings from a broad range of complimentary data, comprising published as well as unpublished research, clinical rapports, practical experience and self-rapports from clinicians, researchers, and practitioners worldwide. In addition, we have conducted a systematic search of the following databases: PubMed, MedLine, Jstor, ScienceDirect, EMBASe as well as academic theses and hand searches. Giving the relatively small amount of literature available on the topic of music technology in music therapy, true meta-analysis or systematic review were not possible. This narrative review aims at answering the importance of 1) the changing music therapy field; 2) the use of music technology in different populations with possibilities and pit-falls and 3) recommendations for future research, education, and clinical practise. Finally, we will draw attention to prospects of music technology in future applications beyond clinical practise, allowing music therapist and health-care professionals staying up to date with the fast-changing field of technology.Besides the growing and ever-changing field of music technology and digital media, targeting behaviour, clinical practice and neuroscientific research will allow to further our understanding of the interaction of music-based therapeutic interventions 1.0 in a digital society.


2016 ◽  
Vol 33 (S1) ◽  
pp. S144-S144
Author(s):  
F. Puccio ◽  
M. Fuller-Tyszkiewicz ◽  
D. Ong ◽  
I. Krug

BackgroundDespite the considerable number of studies that have assessed evidence for a longitudinal relationship between eating pathology and depression, there is no clear consensus regarding whether they are uni- or bi-directionally related.ObjectiveTo undertake a meta-analysis to provide a quantitative synthesis of longitudinal studies that assessed the direction of effects between eating pathology and depression. A second aim was to use meta-regression to account for heterogeneity in terms of study-level effect modifiers.ResultsMeta-analysis results on 30 eligible studies showed that eating pathology was a risk factor for depression (rm = 0.13, 95% CI: 0.09 to 0.17, P < 0.001), and that depression was a risk factor for eating pathology (rm = 0.16, 95% CI: 0.10 to 0.22, P < 0.001). Meta-regression analyses showed that these effects were significantly stronger for studies that operationalized eating pathology as an eating disorder diagnosis versus eating pathology symptoms (P < 0.05), and for studies that operationalized the respective outcome measure as a categorical variable (e.g., a diagnosis of a disorder or where symptoms were “present”/“absent”) versus a continuous measure (P < 0.01). Results also showed that in relation to eating pathology type, the effect of an eating disorder diagnosis (b = −0.06, t = −7.304, P ≤ 0.001) and bulimic symptoms (b = −0.006, t = −2.388, P < 0.05) on depression was significantly stronger for younger participants.ConclusionsEating pathology and depression are concurrent risk factors for each other, suggesting that future research would benefit from identifying factors that are etiological to the development of both constructs.Disclosure of interestThe authors have not supplied their declaration of competing interest.


2020 ◽  
Vol 3 (2) ◽  
pp. 752-763
Author(s):  
Padila Padila ◽  
Setiawati Setiawati ◽  
Iin Inayah ◽  
Henny Suzana Mediani ◽  
Chatarina Suryaningsih

This study aims to analyze the differences in the effectiveness of traditional music therapy (Mozart) and murrotal therapy (surah ar-Rahman) on emotional changes and peer relationships in school-aged children in SDN 1 Noman Musi Rawas Utara. The design of this study uses a quasi-experimental, pre-test, and post-test design. The results of the survey, there are differences in traditional music therapy (Mozart) and murrotal (ar-Rahman) on emotional changes and peer relationships in children with disabilities. There was a significant difference in the mean tunalaras after being given the classic intervention (Mozart) week 5, which was 9.06. In contrast, after being given the murrotal intervention (Ar-Rahman) week 5, it fell to 2.24. the mean difference in the score of tunalaras was 6.82 times, Conclusions, Murrotal therapy (Ar-Rahman) 6-7 times faster to reduce emotionally and improve peer relations in children with tunalaras compared to traditional music therapy (Mozart).   Keywords: Tunalaras Children, Murrotal (Surah Ar-Rahman), Classical Music (Mozart)


2017 ◽  
Vol 14 (2) ◽  
pp. 31-33 ◽  
Author(s):  
Shantala Hegde

Music is a universal human trait. The healing power of music has been acknowledged in almost all traditions of music. Music therapy is moving from a social-science model focusing on overall health and well-being towards a neuroscience model focusing on specific elements of music and its effect on sensorimotor, language and cognitive functions. The handful of evidence-based music therapy studies on psychiatric conditions have shown promising results. Traditional music, such as Indian classical music, has only recently been evaluated in evidence-based research into music therapy. The need for systematic research in this area is underscored.


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