Black Legend

2021 ◽  
Author(s):  
Paulina L. Alberto
Keyword(s):  
Lived Experiences ◽  
Buenos Aires ◽  
History Of ◽  
Black Legend

Celebrities live their lives in constant dialogue with stories about them. But when these stories are shaped by durable racist myths, they wield undue power to ruin lives and obliterate communities. Black Legend is the haunting story of an Afro-Argentine, Raúl Grigera ('el negro Raúl'), who in the early 1900s audaciously fashioned himself into an alluring Black icon of Buenos Aires' bohemian nightlife, only to have defamatory storytellers unmake him. In this gripping history, Paulina Alberto exposes the destructive power of racial storytelling and narrates a new history of Black Argentina and Argentine Blackness across two centuries. With the extraordinary Raúl Grigera at its center, Black Legend opens new windows into lived experiences of Blackness in a 'white' nation, and illuminates how Raúl's experience of celebrity was not far removed from more ordinary experiences of racial stories in the flesh.

Rebellious Wallflowers and QueerTangueras: The Rise of Female Leaders in Buenos Aires’ Tango Scene

2018 ◽  
Vol 36 (2) ◽  
pp. 173-197
Author(s):  
Juliet McMains
Keyword(s):  
Social Norms ◽  
Buenos Aires ◽  
Female Leaders ◽  
Same Sex ◽  
Overlapping Communities ◽  
Heterosexual Women ◽  
Bisexual And Transgender ◽  
History Of

This paper interrogates the history of same-sex dancing among women in Buenos Aires' tango scene, focusing on its increasing visibility since 2005. Two overlapping communities of women are invoked. Queer tangueras are queer-identified female tango dancers and their allies who dance tango in a way that attempts to de-link tango's two roles from gender. Rebellious wallflowers are women who practice, teach, perform, and dance with other women in predominantly straight environments. It is argued that the growing acceptance of same-sex dancing in Argentina is due to the confluence of four developments: 1) the rise of tango commerce, 2) innovations of tango nuevo, 3) changing laws and social norms around lesbian, gay, bisexual, and transgender rights, and 4) synergy between queer tango dancers and heterosexual women who are frustrated by the limits of tango's gender matrix. The author advocates for increased alliances between rebellious wallflowers and queer tangueras, who are often segregated from each other in Buenos Aires' commercial tango industry.

From the Tower of London to the Thomas More Society of Buenos Aires: “Give me thy grace, good Lord, to set the world at nought”

Moreana ◽  
2005 ◽  
Vol 42 (Number 164) (4) ◽  
pp. 187-206
Author(s):  
Clare M. Murphy
Keyword(s):  
Buenos Aires ◽  
Short History ◽  
Thomas More ◽  
Tower Of London ◽  
Hebrew Poetry ◽  
Prayer Book ◽  
The World ◽  
History Of ◽  
Book Of Hours ◽  
Almost All

The Thomas More Society of Buenos Aires begins or ends almost all its events by reciting in both English and Spanish a prayer written by More in the margins of his Book of Hours probably while he was a prisoner in the Tower of London. After a short history of what is called Thomas More’s Prayer Book, the author studies the prayer as a poem written in the form of a psalm according to the structure of Hebrew poetry, and looks at the poem’s content as a psalm of lament.

scholarly journals La biblioteca en el papel

2021 ◽  
Vol 24 (1) ◽  
Author(s):  
Matías Maggio-Ramírez
Keyword(s):  
Public Good ◽  
Buenos Aires ◽  
Public Library ◽  
The Public ◽  
History Of

El objetivo es analizar cómo el texto fundacional y el reglamento de la Biblioteca Pública de Buenos Aires interpelaron a los usuarios y cuál fue la reacción del público una vez que la institución abrió sus puertas. Por lo tanto, se rastreó la tensión entre un paradigma bibliotecológico que apelaba al fomento del saber y al bien público como objetivo institucional y las demandas de los usuarios por el horario restringido de la biblioteca. Se analizaron desde la historia de la cultura impresa las representaciones de la lectura y de la sociabilidad letrada al leer la correspondencia entre Bernardino Rivadavia y Luis José de Chorroarín, el reglamento de la Biblioteca Pública de Buenos Aires y los periódicos porteños. Se concluyó que la negativa en ampliar el horario de atención al público conspiró con el acceso a la biblioteca de los empleados. The objective is to analyze how the founding text and regulations of the Buenos Aires Public Library challenged users and what the public's reaction was once the institution opened its doors. Therefore, we traced the tension between a library paradigm that appealed to the promotion of knowledge and the public good as an institutional objective and the demands of users due to the restricted library hours. From the history of printed culture, the representations of reading and the sociability of the reader when reading the correspondence between Bernardino Rivadavia and Luis José de Chorroarín, the regulations of the Buenos Aires Public Library and the Buenos Aires newspapers were analyzed. It was concluded that the refusal to extend the opening hours to the public conspired with the access to the library of the employees. A fundação da Biblioteca Pública de Buenos Aires em 1810, pelo Primeiro Conselho de Governo, foi um marco no panorama cultural da cidade. A promoção do conhecimento esclarecido em busca do "bem público" e da "felicidade dos povos" foi um ponto crucial na cultura colonial tardia em Buenos Aires. Os leitores enviaram livros de redação como uma doação à Biblioteca, mas nem todos puderam acessá-los. A regulamentação de 1812 foi o surgimento de uma idéia da biblioteca e das práticas culturais a ela ligadas. O objetivo do artigo é investigar, a partir da análise comparativa dos regulamentos da biblioteca, a configuração da biblioteca pública durante o processo revolucionário. O leitor presente no regulamento, ao qual foi concedido acesso, não representava os moradores da cidade, devido ao horário de funcionamento restrito ao público.

scholarly journals “Wir Arme Leut”: Undignified Death and Madness in Berg’s Wozzeck

2013 ◽  
Vol 6 (1) ◽  
Author(s):  
Meaghan Parker
Keyword(s):  
Lived Experiences ◽  
Social Stigma ◽  
Western Society ◽  
Class Structure ◽  
Western Art ◽  
Tragic Hero ◽  
Starting Point ◽  
The Social ◽  
Death Experience ◽  
History Of

Images in Western art of the tragic hero meeting his end typically conjure Romantic topics of honour, stoicism, and transcendence, yet it is questionable whether these projections of artistic death translate to the lived experiences of the dying. The titular protagonist of Alban Berg’s 1922 opera, Wozzeck, experiences death in a way that starkly contrasts Romantic ideals. Wozzeck does not die the honourable, ‘masculine’ death that might be expected from a tragic hero; rather, he capitulates to madness, misery, and poverty. Spurned by those who socially outrank him, Wozzeck is condemned to a shameful death, his fate sealed by his destitution and the sanctimonious prejudice against his ‘immoral’ life. These considerations provide a fascinating starting point for an examination of Berg’s poignant representation of Wozzeck’s death — a death that reflects early twentieth century attitudes that shaped and stigmatized the death experience. In this article I will frame my discussion of Wozzeck by considering the history of death in Western society, particularly the stigmas surrounding the gender and class of the dying individual. This history will inform my analysis of the symbolism in Berg’s music. Detailed analysis of Wozzeck sheds a critical light on the social stigma and class structure mapped onto the suffering, madness, and death of Wozzeck and his lover Marie.

The influence of the regional culture of Argentina in the 30—60s of the twentieth century on nationwide artistic culture and arts

2021 ◽  
pp. 67
Author(s):  
Natalya Rozenberg
Keyword(s):  
Cultural Policy ◽  
Art Criticism ◽  
Buenos Aires ◽  
Regional Culture ◽  
Cultural Institutions ◽  
History Of ◽  
New Type ◽  
Human And Nature ◽  
The City ◽  
Art Schools

The history of art in Argentina in the XX-XXI centuries is studied mainly in three directions: the genre system, the spiritual and content aspect of works and creative biographies of outstanding masters. Special attention is paid to the links between the art of the Old and New World. Nowadays, the issue of connecting the artistic culture of the regions of Argentina — the center of the country, the northeast, and the northwest - is becoming urgent. The provinces not only perceived the trends of the capital's cultural policy, but also built their own cultural institutions that contributed to the creation and translation of the meanings of works about the uniqueness of human and nature connections far from Buenos Aires, and what is especially significant - about the diversity of ethnic types and characters. Such outstanding masters as Lino Enea Spilimbergo, Antonio Berni, Raul Monsegur, Eddie Torre taught in provincial art schools. They moved quite often from city to city, from province to province. We can assume that in the 40-50s of the XX century. in Cordoba, Mendoza, Tucuman and Resistencia, there were already professionals in all kinds of art. Argentine domestic scientists began to study these processes not so long ago. In this article, special attention is paid to the analysis of cultural heritage and the museum collection of the association El Fogón de los Arrieros (EFA, "Hearth of teamsters", hereinafter - Fogón), located in Resistencia, the capital of the province of Chaco, now known in the country as the City of Sculptures. Fogón became famous for its diverse cultural, educational activities, which began in 1943 and continues to this day. In the history of Fogón, a new type of educator has developed in the person of Aldo Boletti, Juan de Dios Mena, Hilda Torres Varela. The study used the historical and typological method and the method of art criticism analysis.

On the Heels of Juan Moreira: Lessons for the Cultural History of Reading

PMLA ◽  
2019 ◽  
Vol 134 (1) ◽  
pp. 157-163
Author(s):  
William G. Acree
Keyword(s):  
Twentieth Century ◽  
South America ◽  
Cultural History ◽  
Buenos Aires ◽  
Real Life ◽  
History Of Reading ◽  
Río De La Plata ◽  
The Real ◽  
La Plata ◽  
History Of

Between November 1879 and January 1880, the argentine author Eduardo Gutierrez published a serialized narrative of the life of Juan Moreira in the Buenos Aires newspaper La Patria Argentina. Titled simply Juan Moreira, the heroic tale of the real-life outlaw went like this: Moreira was a good gaucho gone bad, who fought to preserve his honor against the backdrop of modernizing forces that were transforming life in this part of South America. His string of crimes and ultimate downfall resulted from his unjust persecution by corrupt state officials. The success of the serial surpassed all expectations. The paper's sales skyrocketed, and the melodramatic narrative soon appeared in book form. Enterprising printers produced tens of thousands of authorized and pirated editions to sell in the Rio de la Plata (Argentina and Uruguay), making Juan Moreira a leading example of everyday reading for the region's rapidly growing literate population and one of Latin America's pre-twentieth-century bestsellers (Acree, Everyday Reading; Gutiérrez, The Gaucho Juan Moreira).

The Future of Ethnicity

2018 ◽  
Author(s):  
Benjamin Bryce
Keyword(s):  
Social History ◽  
Buenos Aires ◽  
Ethnic Communities ◽  
State Institutions ◽  
The Future ◽  
Transatlantic Relationship ◽  
German Speaking ◽  
History Of ◽  
Plural Society ◽  
History Of Migration

The introduction discusses the importance of the future in shaping ethnic communities in Buenos Aires. Underlining the significance of temporality and the future for the social history of migration offers new perspectives on how state institutions developed, how a culturally plural society formed, and how immigrants and families participated in that society. Ethnicity is an unstable category worthy of analysis in itself, and that, as a result, ethnic communities should similarly be studied with that point in mind. The introduction also discusses the transnational turn in German historiography, which has highlighted how people and ideas outside the nation-state influenced conceptions of the nation during the Imperial and Weimar periods. German-speaking immigrants in Buenos Aires actively embraced the transatlantic relationship that groups in central Europe sought to establish, but they had their own ideas about their relationship with their nation of heritage and their nation of residence.

The Double Confrontation of Grassroots Unionism in Argentina

2014 ◽  
Vol 42 (2) ◽  
pp. 12-29 ◽  
Author(s):  
Cora Cecilia Arias ◽  
Nicolás Diana Menéndez ◽  
Paula Dinorah Salgado
Keyword(s):  
Collective Bargaining ◽  
Urban Space ◽  
Buenos Aires ◽  
Social Reality ◽  
Balance Of Power ◽  
Social Conflicts ◽  
The Past ◽  
History Of ◽  
Political Scene

Social conflicts in Argentina over the past decade have retrieved the essence of the capitalist dispute: the struggle between capital and labor as situated in the workplace and no longer across urban space as it was in the 1990s. In this context, both institutionalized and alternative union expressions regained their centrality for analyzing social reality. The revitalization of collective bargaining and the consequent repositioning of unions on the labor and political scene activated grassroots dynamics that sometimes challenged existing union structures. Few experiences of resistance were able to alter the balance of power as much as the workers’ organization of the Buenos Aires subway. This organization was able to achieve such gains because of a combination of the strategic importance of the subway to the city’s production and reproduction, the fact that the privatization of the firm was a time-limited concession rather than a direct sale, the union tradition and workers’ awareness of lost rights, and the incorporation of new workers with a history of political militancy. Los conflictos sociales en Argentina durante la última década han recuperado la esencia de la disputa capitalista: la lucha entre el capital y los trabajadores como situado en el lugar de trabajo y ya no a través del espacio urbano, como lo fue en la década de 1990. En este contexto, las dos expresiones sindicales institucionalizadas y alternativas recuperaron su centralidad para el análisis de la realidad social. La revitalización de la negociación colectiva y la consecuente reposición de los sindicatos sobre el escenario laboral y político activan dinámicas de base que a veces desafiaban las estructuras sindicales existentes. Pocas experiencias de resistencia fueron capaces de cambiar al equilibrio de poder tanto como la organización de trabajadores del metro de Buenos Aires. Esta organización fue capaz de lograr tales ganancias debido a una combinación de la importancia estratégica del metro para la producción y reproducción de la ciudad, el hecho de que la privatización de la empresa fue una concesión de tiempo limitado más bien que una venta directa, la tradición sindical y la conciencia de los trabajadores de los derechos perdidos, y la incorporación de nuevos trabajadores con antecedentes de militancia política.

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