scholarly journals Apprenticeship and De-skilling in Britain, 1850–1914

1986 ◽  
Vol 31 (2) ◽  
pp. 166-184 ◽  
Author(s):  
William Knox

The publication of Harry Braverman's seminal study – Labor and Monopoiy Capital (1974) – marked a turning-point for labour and social historians. Since then they have increasingly concerned themselves with the nature of the labour process in industrial capitalism. Central to this concern has been the debate on de-skilling and the destruction of craft control over the labour process and its subordination to the needs of capital. Braverman has been heavily criticised for the one-sidedness and simplicity of his account of this development. Among the weaknesses identified in Labor and Monopoly Capital is the omission of any mention of class struggle, or worker resistance to technical change; the failure to grasp how de-skilling can be mediated and, therefore, modified through labour, market and product particularisms; the lack of a detailed analysis of the transformation of formal to real subordination (in the Marxist sense) of labour to capital – the process seems to occur automatically; and, the failure to realise how formally skilled workers can continue to occupy a privileged position in the workforce through either the mechanism of custom, or by their strategic placing in the production process, or both.

1986 ◽  
Vol 14 (190) ◽  
Author(s):  
Pelle Ehn ◽  
Morten Kyng

<p>This paper presents a conceptual framework, useful when designing computer support for skilled workers. We call this framework a <em>tool perspective</em>. It has emerged as a result of a growing dissatisfaction with the <em>systems perspective</em>, which tends to give an outwardly understanding, making men, machines and materials look alike and reducing work to algorithmic procedures, some of them candidates for inclusion into the edp programs.</p><p>The tool perspective takes the <em>labour process</em> as its origin rather than data or information flow, emphasising the development of tools to be used with skill by workers in control of the production. Development of professional education is in focus, rather than detailed analysis and description of the work.</p>


Vox Patrum ◽  
2010 ◽  
Vol 55 ◽  
pp. 477-498
Author(s):  
Ewa Osek

The present paper is a brief study on Julian the Apostate’s religion with the detailed analysis of the so called Helios myth being a part of his speech Against Heraclius (Or. VII), delivered in Constantinople in AD 362. In the chapter one I discuss veracity of the Gregory of Nazianzus’ account in the Contra Julianum (Or. IV-V) on the emperor’s strange Gods and cults. In the chapter two the reconstruction of the Julian’s theological system has been presented and the place of Helios in this hierarchy has been shown. The chapter three consists of the short preface to the Against Heraclius and of the appendix with the Polish translation and commentary on the Julian’s Helios myth. The Emperor’s theosophy, known from his four orations (X-XI and VII-VIII), bears an imprint of the Jamblichean speculation on it. The gods are arranged in the three neo-Platonic hypostases: the One, the Mind, and the Soul, named Zeus, Hecate, and Sarapis. The second and third hypostases contain in themselves the enneads and the triads. The Helios’ position is between the noetic world and the cosmic gods, so he becomes a mediator or a centre of the universe and he is assimilated with Zeus the Highest God as well as with the subordinated gods like Apollo, Dionysus, Sarapis, and Hermes. The King Helios was also the Emperor’s personal God, who saved him from the danger of death in AD 337 and 350. These tragic events are described by Julian in the allegorical fable (Or. VII 22). The question is who was Helios of the Julian’s myth: the noetic God, the Hellenistic Helios, the Persian Mithras, the Chaldean fire, or the Orphic Phanes, what is suggested by the Gregory’s invective. The answer is that the King Helios was all of them. The Helios myth in Or. VII is the best illustration of the extreme syncretism of the Julian’s heliolatry, where the neo-Platonic, Hellenistic, magic, and Persian components are mingled.


1998 ◽  
Vol 16 (4) ◽  
pp. 387-400 ◽  
Author(s):  
Felicity J Callard

Geographers are now taking the problematic of corporeality seriously. ‘The body’ is becoming a preoccupation in the geographical literature, and is a central figure around which to base political demands, social analyses, and theoretical investigations. In this paper I describe some of the trajectories through which the body has been installed in academia and claim that this installation has necessitated the uptake of certain theoretical legacies and the disavowal or forgetting of others. In particular, I trace two related developments. First, I point to the sometimes haphazard agglomeration of disparate theoretical interventions that lie under the name of postmodernism and observe how this has led to the foregrounding of bodily tropes of fragmentation, fluidity, and ‘the cyborg‘. Second, I examine the treatment of the body as a conduit which enables political agency to be thought of in terms of transgression and resistance. I stage my argument by looking at how on the one hand Marxist and on the other queer theory have commonly conceived of the body, and propose that the legacies of materialist modes of analysis have much to offer current work focusing on how bodies are shaped by their encapsulation within the sphere of the social. I conclude by examining the presentation of corporeality that appears in the first volume of Marx's Capital. I do so to suggest that geographers working on questions of subjectivity could profit from thinking further about the relation between so-called ‘new’ and ‘fluid’ configurations of bodies, technologies, and subjectivities in the late 20th-century world, and the corporeal configurations of industrial capitalism lying behind and before them.


2021 ◽  
Vol 845 (1) ◽  
pp. 012111
Author(s):  
N L Kleymenova ◽  
L I Nazina ◽  
I N Bolgova ◽  
A N Pegina ◽  
O A Orlovseva

Abstract The typical problem of vegetable oil processing is to ensure the consistency of the output quality. The one parameter that mostly affects quality is the presence of wax, which commands control at all stages of the process (refinement, odours removal, freezing). Statistical methods of analysis can be usefully applied to the improvement of vegetable oil processing, as demonstrated by this study. The authors in fact used statistical methods in order to: a) optimize parameters consistency, b) enhance process efficiency, c) improve economic performance and finally, d) assess process stability. The following statistical tools were used in the study: 1) Histograms, 2) Shewhart Charts, 3) Ishikawa Diagrams and, 4) Pareto Chart. A first major finding was that the occurrence of process flaws that would result in product rejection had a 5% probability of happening at all stages of the process. Moreover, the analysis of process stability with maps of average values and ranges leads to the finding that the process itself is statistically unstable. Finally, cause-and-effect relationships of influencing factors (such as the quality of feedstock) were investigated, thus determining the main causes of flaw in the production process. This leads to the definition of corrective actions, the effectiveness of which was then investigated and evaluated.


2007 ◽  
Vol 23 (1-2) ◽  
pp. 13-20
Author(s):  
Andrey Kurtenkov

It is related leg problems to the realization of the necessity of doing a detailed analysis of the phenotype correlations between body weight and exterior measurements. As a result of the study, lower coefficients have been obtained of the correlation between the girth of the tarso metatarsus on one hand, and the body weight and the girth behind the wings, on the other hand (respectively 0.563 and 0.608), compared with the one between the body weight and the girth behind the wings (0.898). It is advisable in the selection of ostriches to take into consideration the necessity of a higher phenotypic correlation between the girth of the tarso metatarsus on the one hand, and the body weight and the girth behind the wings on the other hand, with a view to preventing leg problems.


FRANCISOLA ◽  
2018 ◽  
Vol 3 (1) ◽  
pp. 34
Author(s):  
Moulay Youssef SOUSSOU

RÉSUMÉ. L’étude des premiers écrits de Flaubert est  un domaine encore inexploré. Une telle étude est tellement salutaire pour saisir la formation de l’écrivain et décrire l’évolution de son style à travers les différentes étapes de son œuvre de jeunesse marquée par l’exploration de plusieurs genres littéraires. Pourquoi le jeune écrivain privilégie-t-il deux genres majeurs, le genre autobiographique qui lui permet de concrétiser sa faculté lyrique et le genre théâtral où se révèle sa nature oratoire ? Le style de Flaubert est animé par les deux dimensions lyrique et oratoire, lesquelles dimensions marquent le premier roman de maturité Madame Bovary. Si ce roman marque un tournant dans la carrière de l’auteur c’est d’une part parce qu’il cumule les procédés de l’œuvre de jeunesse et d’autre part constitue le dépouillement du style de cette même œuvre. C’est avec et contre les procédés de l’écriture romantique que Flaubert forgera son style. Mots clés : Evolution, Flaubert, Genre, style, Roman.   ABSTRACT. The study of Flaubert's early writings is a domain that has not been explored yet. Conducting such a study is so beneficial for grasping the writer's formation and describing the evolution of his style through the different stages of his youthful work, which is marked by the exploration of several literary genres. Why does the young writer privilege two major genres, the autobiographical genre that allows him to concretize his lyric faculty and the theatrical genre in which his oratorical nature is revealed? Flaubert's style is animated by the two lyrical and oratorical dimensions, which characterize maturity of his first novel Madame Bovary. If this novel marks a turning point in the author’s career, it is because, on the one hand, it combines the processes of the work of youth, and, on the other hand, it consitutes the emerging style of the same work. It is with and against the processes of romantic writing that Flaubert forges his style. Keywords : Evolution, Flaubert, genre, novel, style.


Sapere Aude ◽  
2019 ◽  
Vol 10 (19) ◽  
pp. 250-273
Author(s):  
Émerson Pirola

Um debate de longa data no interior do marxismo é o entre perspectivas que tenderiam para uma leitura da obra marxiana centrada nas análises sobre a constituição de sujeitos políticos de e em luta, na constituição de uma classe social revolucionária que enfrente a exploração capitalista, e perspectivas centradas nas transformações do capitalismo ou nas dinâmicas estruturais da economia. Podemos dizer, esquematicamente, que as primeiras perspectivas são “subjetivistas” e as segundas “objetivistas”. Nos anos 1960 esse debate se viu determinado pela chamada polêmica do anti-humanismo, lançada por Louis Althusser contra o marxismo por ele criticado como humanista, visto que advogaria por uma noção de Sujeito idealista e abstrata, descolada dos processos estruturais da economia política capitalista. Antonio Negri, por sua vez, deu e dá grande importância para a noção de subjetividade na análise crítica e enfrentamento do capitalismo. Negri, entretanto, não ignora as críticas efetuadas por Althusser ao chamado humanismo, tomando-as como pré-requisito para o desenvolvimento original de sua teoria. Mostramos, portanto, como Althusser desenvolve suas críticas do Sujeito e do humanismo para então desenvolver as posições de Negri diante destas, a construção de sua própria teoria da subjetividade, resgatada do Marx dos Grundrisse, e apontar as limitações do pensamento althusseriano no que concerne à subjetividade.PALAVRAS-CHAVE: Sujeito. Anti-humanismo. Subjetividade. Negri. Althusser. ABSTRACTA long-standing debate within Marxism is the one between perspectives that would tend towards a reading of the Marxian work centered on analyzes of the constitution of political subjects in and in class struggle, the constitution of a revolutionary social class facing capitalist exploitation, and perspectives centered on the transformations of capitalism or the structural dynamics of the economy in general. We can say, schematically, that the first perspective are "subjectivist" and the second one "objectivist". In the 1960s this debate was determined by Louis Althusser's so-called polemic of anti-humanism, in which he criticized certain Marxism as an humanism, since it would advocate for an idealist and abstract notion of subject detached from the structural processes of capitalist political economy. Antonio Negri, in turn, gave and gives great importance to the notion of subjectivity in the dynamics and confrontation of capitalism. Negri, however, does not ignore the criticisms made by Althusser of the humanism, taking them as a prerequisite for the original development of his theory. We thus show how Althusser develops his criticisms of the Subject and humanism to develop Negri's positions for and against them, the construction of his own theory of subjectivity, rescued from Marx’s Grundrisse, and we point out the limitations of Althusser's thought as regards subjectivity.KEYWORDS: Subject. Antihumanism. Subjeticvity. Negri. Althusser.


2009 ◽  
Vol 24 (1) ◽  
pp. 116-158 ◽  
Author(s):  
Ana Antic

This article analyzes how the ideological discourse of the Croatian fascist movement (the Ustaša) evolved in the course of World War II under pressures of the increasingly popular and powerful communist armed resistance. It explores and interprets the way the regime formulated its ideological responses to the political/ideological challenge of the leftist guerrilla and its propaganda in the period after the proclamation of the Ustaša Independent State of Croatia in 1941 until the end of the war. The author demonstrates that the regime, faced with its own political weakness and inability to maintain authority, shaped its rhetoric and ideological self-definition in a direct dialogue with the Marxist discourse of the communist propaganda, incorporating important Marxist concepts in its theory of state and society and redefining its concepts of national boundaries and racial identity to match the communists’ propaganda of inclusive, civic national Yugoslavism. This massive ideological renegotiation of the movement’s basic tenets and its consequent leftward shift reflected a change in an opposite direction from the one commonly encountered in narratives of other fascisms’ ideological evolution paths (most notably in Italy and Germany): as the movement became a regime, the Ustaša transformed from its initial conservatism, traditionalism (in both sociopolitical and cultural matters), pseudo-feudal worldview of peasant worship and antiurbanism, anti-Semitism, and rigid racialism in relation to nation and state into an ideology of increasingly inclusive, culture-based, and nonethnic nationalism and with an exceptionally strong leftist rhetoric of social welfare, class struggle, and the rights of the working class.


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