Imagining El Ser Argentino: Cultural Nationalism and Romantic Concepts of Nationhood In Early Twentieth-Century Argentina

2002 ◽  
Vol 34 (3) ◽  
pp. 625-658 ◽  
Author(s):  
JEAN H. DELANEY
Keyword(s):  
Twentieth Century ◽  
Cultural Nationalism ◽  
Popular Sovereignty ◽  
The Political ◽  
Late Nineteenth Century ◽  
Ethnic Nationalism ◽  
Early Twentieth Century ◽  
Political Implications ◽  
The Ideal ◽  
The Way

This article reexamines early twentieth-century Argentine cultural nationalism, arguing that the movement's true significance rests in its promotion of a vision of Argentine nationhood that closely resembled the ideal of the folk nation upheld by German romanticism. Drawing from recent theoretical literature on ethnic nationalism, the article examines the political implications of this movement and explores the way in which the vigorous promotion of the ethnocultural vision of argentinidad by cultural nationalists served to detach definitions of Argentine identity from constitutional foundations and from the ideas of citizenship and popular sovereignty. It also challenges the accepted view that Argentine cultural nationalism represented a radical break with late nineteenth-century positivism. Positivist ideas about social organicism, collective character and historical determinism all helped paved the way for the Romantic vision of nationhood celebrated by the cultural nationalists.

Lev Gumilev: His Pretensions as Founder of Ethnology and his Eurasian Theories

Inner Asia ◽  
2001 ◽  
Vol 3 (1) ◽  
pp. 1-18 ◽  
Author(s):  
Sergei Panarin ◽  
Viktor Shnirelman
Keyword(s):  
Twentieth Century ◽  
Natural Environment ◽  
Scientific Theory ◽  
The Political ◽  
Biological Entity ◽  
Anti Semitism ◽  
Early Twentieth Century ◽  
Political Implications ◽  
Special Time

AbstractThis paper takes a critical look at the work of the extraordinarily popular historian Lev Gumilev. Writing in late Soviet times, Gumilev has become virtually a cult figure in Russia after his death. He took up the ideas of the Eurasianists of the early twentieth century, according to whom Russia's destiny is to be a Eurasian power, and he reconfigured them as a ‘scientific’ theory of ethnos. The ethnos is supposed to be a ‘biological’ entity determined by its place in the natural environment, but at the same time, inspired by a few innovative leaders, each ‘ethnos’ has its special time of intense flowering (which Gumilev called ‘passionary’). The article examines the contradictions in Gumilev's theories and its methodological flaws. It endswith a discussion of the political implications ofGumilev's popularity in post-Socialist Russia. He is not only admired by semi-educated people but is also legitimised by sections of the academy (a university is named after him in Kazakhstan). It is argued that his work lends a spurious credence to nationalismand anti-semitism.

‘Independence, Dependence, and Interdependence Day’

2017 ◽  
Author(s):  
Peter D. McDonald
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Intellectual History ◽  
The Political ◽  
Late Nineteenth Century ◽  
Philosophical Thinking ◽  
Political Thinking ◽  
Finnegans Wake ◽  
Early Twentieth Century ◽  
Late Nineteenth

This chapter begins by reflecting on various reactions Joyce’s Finnegans Wake provoked during its long gestation, looking in detail at H. G. Wells, T. S. Eliot, Eugene Jolas, and C. K. Ogden. After explaining why it is important to consider the Wake’s place in intellectual history, it focuses on three traditions from which Joyce derived inspiration: the political thinking of the late nineteenth century, reflected in the writings of the Russian anarchist Léon Metchnikoff (1838–88); the linguistic thinking of the early twentieth century, as manifest in the work of the Danish linguist Otto Jespersen (1860–1943); and the philosophical thinking also of the early twentieth century, associated with the Austro-Hungarian journalist, novelist, and philosopher Fritz Mauthner (1849–1923). The chapter concludes by considering the Wake’s various lessons in reading, the centrality it accords to writing, and the bearing this has on how we think about language, culture, community, and the state.

Breeding Better Babies in the Eugenic Garden City: ‘Municipal Darwinism’ and the (Anti)Cosmopolitan Utopia in the early Twentieth Century

2010 ◽  
Vol 5 (2) ◽  
pp. 267-290 ◽  
Author(s):  
Susan Currell
Keyword(s):  
Twentieth Century ◽  
City Planning ◽  
Comparative Approach ◽  
Core Beliefs ◽  
Garden City ◽  
New Town ◽  
Early Twentieth Century ◽  
National Body ◽  
Practical Level ◽  
The Way

Showing how ‘modernist cosmopolitanism’ coexisted with an anti-cosmopolitan municipal control this essay looks at the way utopian ideals about breeding better humans entered into new town and city planning in the early twentieth century. An experiment in eugenic garden city planning which took place in Strasbourg, France, in the 1920s provided a model for modern planning that was keenly observed by the international eugenics movement as well as city planners. The comparative approach taken in this essay shows that while core beliefs about degeneration and the importance of eugenics to improve the national ‘body’ were often transnational and cosmopolitan, attempts to implement eugenic beliefs on a practical level were shaped by national and regional circumstances that were on many levels anti-cosmopolitan. As a way of assuaging the tensions between the local and the global, as well as the traditional with the modern, this unique and now forgotten experiment in eugenic city planning aimed to show that both preservation and progress could succeed at the same time.

Interview with Vicki Kirby

2019 ◽  
Vol 36 (7-8) ◽  
pp. 261-271
Author(s):  
Daniel McLoughlin
Keyword(s):  
Social Theory ◽  
Life Sciences ◽  
The Political ◽  
Nature And Culture ◽  
Political Implications ◽  
New Materialisms ◽  
The Relationship ◽  
The Way

In this interview, Vicki Kirby discusses her research into the relationship between nature and culture, focusing in particular on her recent edited collection, What If Culture Was Nature All Along? The volume appears in the ‘New Materialisms’ series, and so the interview begins by situating the collection with respect to the recent materialist turn in social theory. Kirby discusses the influence of deconstruction on her thought, and the way that she draws upon Derrida to think through recent research in the life sciences and its implications for understanding the relationship between matter, life, and communication. She also goes into the political implications of her work and the relationship between biopolitics and biodeconstruction.

Rituals and Records: the Films of the 1924 and 1928 Olympic Games

2011 ◽  
Vol 19 (4) ◽  
pp. 563-577 ◽  
Author(s):  
Luke McKernan
Keyword(s):  
Twentieth Century ◽  
Olympic Games ◽  
Slow Motion ◽  
Sports History ◽  
Early Twentieth Century ◽  
Olympic Sport ◽  
Film Record ◽  
Landmark Study ◽  
The Way ◽  
The Olympic Games

The title of Allen Guttmann's landmark study of sports history,From Ritual to Record, captures the way cinematic treatments of the Olympic Games, Europe's most resonant sporting invention, developed in the early twentieth century. Projected film and the modern Olympic Games began in the same year, 1896, and the way the two phenomena have grown together demonstrates a progression from formality and ritual to an ever-increasing emphasis on individual, nation and achievement. This transition from ritual to record is demonstrated by two Olympic films from the European Games of Paris 1924 and Amsterdam 1928,Les Jeux Olympiques Paris 1924andDe Olympische Spelen. These cinematic records are not only documentary records of the events they portray, but are an important reminder that modern sports are witnessed by most not as stadium spectators but as viewers – in the case of the 1924 and 1928 films, as members of a cinema audience. The film record is essential to our understanding of the popularisation of modern sports, while through their contrary impulses to document and to idealise (particularly through the use of slow-motion photography), the two films demonstrate what is meaningful about Olympic sport.

scholarly journals IVAN SLESHYNSKY AS A POPULARIZER OF THE IDEAS OF MATHEMATICAL LOGIC IN UKRAINE

2020 ◽  
pp. 99-107
Keyword(s):  
Twentieth Century ◽  
Mathematical Logic ◽  
Mathematical Reasoning ◽  
Mathematical Proof ◽  
Scientific Work ◽  
The United States ◽  
Late Nineteenth Century ◽  
Common Belief ◽  
Early Twentieth Century ◽  
Mathematical Sciences

The first half of the twentieth century was marked by the simultaneous development of logic and mathematics. Logic offered the necessary means to justify the foundations of mathematics and to solve the crisis that arose in mathematics in the early twentieth century. In European science in the late nineteenth century, the ideas of symbolic logic, based on the works of J. Bull, S. Jevons and continued by C. Pierce in the United States and E. Schroeder in Germany were getting popular. The works by G. Frege and B. Russell should be considered more progressive towards the development of mathematical logic. The perspective of mathematical logic in solving the crisis of mathematics in Ukraine was noticed by Professor of Mathematics of Novorossiysk (Odesa) University Ivan Vladislavovich Sleshynsky. Sleshynsky (1854 –1931) is a Doctor of Mathematical Sciences (1893), Professor (1898) of Novorossiysk (Odesa) University. After studying at the University for two years he was a Fellow at the Department of Mathematics of Novorossiysk University, defended his master’s thesis and was sent to a scientific internship in Berlin (1881–1882), where he listened to the lectures by K. Weierstrass, L. Kronecker, E. Kummer, G. Bruns. Under the direction of K. Weierstrass he prepared a doctoral dissertation for defense. He returned to his native university in 1882, and at the same time he was a teacher of mathematics in the seminary (1882–1886), Odesa high schools (1882–1892), and taught mathematics at the Odesa Higher Women’s Courses. Having considerable achievements in the field of mathematics, in particular, Pringsheim’s Theorem (1889) proved by Sleshinsky on the conditions of convergence of continuous fractions, I. Sleshynsky drew attention to a new direction of logical science. The most significant work for the development of national mathematical logic is the translation by I. Sleshynsky from the French language “Algebra of Logic” by L. Couturat (1909). Among the most famous students of I. Sleshynsky, who studied and worked at Novorossiysk University and influenced the development of mathematical logic, one should mention E. Bunitsky and S. Shatunovsky. The second period of scientific work of I. Sleshynsky is connected with Poland. In 1911 he was invited to teach mathematical disciplines at Jagiellonian University and focused on mathematical logic. I. Sleshynsky’s report “On Traditional Logic”, delivered at the meeting of the Philosophical Society in Krakow. He developed the common belief among mathematicians that logic was not necessary for mathematics. His own experience of teaching one of the most difficult topics in higher mathematics – differential calculus, pushed him to explore logic, since the requirement of perfect mathematical proof required this. In one of his further works of this period, he noted the promising development of mathematical logic and its importance for mathematics. He claimed that for the mathematics of future he needed a new logic, which he saw in the “Principles of Mathematics” by A. Whitehead and B. Russell. Works on mathematical logic by I. Sleszynski prompted many of his students in Poland to undertake in-depth studies in this field, including T. Kotarbiński, S. Jaśkowski, V. Boreyko, and S. Zaremba. Thanks to S. Zaremba, I. Sleshynsky managed to complete the long-planned concept, a two-volume work “Theory of Proof” (1925–1929), the basis of which were lectures of Professor. The crisis period in mathematics of the early twentieth century, marked by the search for greater clarity in the very foundations of mathematical reasoning, led to the transition from the study of mathematical objects to the study of structures. The most successful means of doing this were proposed by mathematical logic. Thanks to Professor I. Sleshynsky, who succeeded in making Novorossiysk (Odesa) University a center of popularization of mathematical logic in the beginning of the twentieth century the ideas of mathematical logic in scientific environment became more popular. However, historical events prevented the ideas of mathematical logic in the domestic scientific space from the further development.

scholarly journals Perpetuation of Taras Shevchenko's memory in the Ukrainian national movement of the Dnieper region at the beginning of the XX century

2021 ◽  
Vol 24 (3) ◽  
pp. 71-79
Author(s):  
Serhii Svitlenko
Keyword(s):  
Twentieth Century ◽  
Historical Memory ◽  
The Political ◽  
National Consciousness ◽  
40Th Anniversary ◽  
Illegal Activity ◽  
Historical Material ◽  
National Movement ◽  
Early Twentieth Century ◽  
The Press

The relevance of this topic is seen in the fact that its study provides an opportunity to deepen the understanding of the underdeveloped problem of perpetuating the historical memory of Taras Shevchenko – a symbol of the Ukrainian nation's struggle for social and national freedom as an important factor in opposing the imperial regime. Tsarism by methods of ideological, gendarmerie-police, censorship pressure in every way prevented the activation of conscious Ukrainians in the early twentieth century. The aim of the study is to study the perpetuation of the memory of Taras Shevchenko in the Ukrainian national movement of the Dnieper region in the early twentieth century. The results of the article are that based on the study of archival and published documents, journalistic materials of the press and memoirs, various methods of legal and illegal activity of the Ukrainian national movement in preserving the historical memory of Taras Shevchenko were reconstructed. It is emphasized that the progressive public widely celebrated the 40th anniversary of Kobzar's death in the press. In the early twentieth century Ukrainian activists raised the issue of erecting a monument to Shevchenko, continued the tradition of visiting the tomb of the Ukrainian poet, tried to perpetuate his memory in toponymy, participated in Shevchenko's memorial services, resorted to illegal gatherings in honor of Kobzar, mentioned him during meetings and communication in among the intelligentsia. The originality and scientific novelty of the article in the production and development of insufficiently researched plot on historical Shevchenko studies, actualization and conceptualization of various concrete-historical material. Conclusions were made on various forms and methods of struggle to preserve the memory of Taras Shevchenko, which contributed to the establishment of national consciousness among Ukrainians, strengthened the political tendency in the Ukrainian national movement.

The Meaning[s] of "Without": An Exploration of Liszt's Bagatelle ohne Tonart

2004 ◽  
Vol 27 (3) ◽  
pp. 230-262 ◽  
Author(s):  
David Berry
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Musical Thought ◽  
Early Twentieth Century ◽  
The Future ◽  
Piano Composition ◽  
Musical Evolution ◽  
Future Direction ◽  
Theoretical Issues ◽  
The Way

In this essay, I explore historical and theoretical issues germane to an understanding of an 1885 piano composition with an intriguing title: LisztÕs Bagatelle ohne Tonart--a bagatelle "without tonality" or "without a key." After briefly describing the workÕs history and musical associations with other compositions by Liszt, I survey two present-day approaches that reveal ways in which the work defies tonality: octatonic interpretations via set-class examinations, and Schenker-influenced prolongational models. I then turn to focus instead on how the Bagatelle fit within the framework of nineteenth-century musical thought; how its processes were supported by contemporaneously evolving theories of chromaticism. Partly through an analysis based on the practice of Gottfried Weber (1779-1839), I demonstrate that the Bagatelle is not a piece "without tonality" as much as it is one "without the fulfillment of the tonic." It maintains harmonic tension by avoiding anticipated resolutions, as well as by preserving a sense of ambiguity as to what the actual "missing" key is. Next, I consider why Liszt was prompted to write a piece in such a manner. We know that he was a proponent of musical progress--of Zukunftsmusik ("music of the future")--but for this fact to be relevant we must confirm, first, that Liszt had definite ideas about a Zukunftsharmoniesystem; and second, that such a system is reflected in the processes exhibited by the Bagatelle. I argue that the BagatelleÕs traits are indeed in accordance with theoretical views about musicÕs future direction, to which Liszt subscribed. Relevant theories of Karl Friedrich Weitzmann (1808-80) and Franois-Joseph FŽtis (1784-1871) are assessed. Lastly, in a "Schoenbergian epilogue" I explore connections between LisztÕs operations and SchoenbergÕs ideas, addressing historical associations that conjoin their views of composing "ohne Tonart."I conclude that the 1885 BagatelleÕs attenuation of tonality was part of a tradition that extended from the mid-nineteenth into the early twentieth century--one that stretched from Liszt and his contemporaries through Schoenberg and his pupils and beyond, embracing along the way the theoretical prescriptions of Weitzmann, FŽtis, and Schoenberg himself. The various threads of theory and analysis explored in this article contribute to an understanding of the same strand of musical evolution: the increasing circumvention of tonality to the point that a piece could be written "ohne Tonart."

The Institution of Meter

2012 ◽  
Author(s):  
Meredith Martin
Keyword(s):  
Twentieth Century ◽  
Literary Study ◽  
English Poetry ◽  
Prime Mover ◽  
Gerard Manley Hopkins ◽  
Early Twentieth Century ◽  
History Of ◽  
Primary Measure ◽  
Successes And Failures ◽  
The Way

This chapter begins with a discussion of metrical mastery, outlining the way that Robert Bridges's intervention in his best-selling treatise Milton's Prosody expanded and popularized the theories that he and Gerard Manley Hopkins discussed together. It shows how Bridges and his influential competitor, George Saintsbury, were jostling for position during the height of the prosody wars between 1900 and 1910, and how their successes and failures characterize much of our contemporary thinking about early twentieth-century prosody. Author of the three-volume History of English Prosody (1906–10), Saintsbury was a prime mover in both the foundation of English literary study and the institutionalization of the “foot” as the primary measure of English poetry. Infused with Edwardian-era military rhetoric, Sainstbury's foot marched to a particularly English rhythm, which he traced through the ages with wit and martial vigor.

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