Revelry and riot in Archaic Megara: democratic disorder or ritual reversal?

2005 ◽  
Vol 125 ◽  
pp. 73-92 ◽  
Author(s):  
Sara Forsdyke

AbstractPlutarch (probably following Aristotle's lost Constitution of the Megarians) associates several episodes of riotous behaviour with the existence of a radical democracy in Archaic Megara (Moralia 295c-d, 304e-f). Modern historians, in turn, have accepted that Megara was ruled by a democracy in the mid sixth century BC. I suggest that this conclusion is unjustified because the connection between riotous behaviour and democracy in Plutarch is based on fourth-century anti-democratic political thought. I propose instead that anecdotes describing the insolent behaviour of the poor towards the rich are better interpreted in terms of customary rituals of social inversion and transgression. Drawing on comparative examples from the ancient world and early modern Europe, I show that popular revelry involving role reversal and transgression of social norms was an important locus for the negotiation of relations between élites and masses. I argue that such rituals provided temporary release from the constraints of the social hierarchy, and served to articulate symbolically the obligation of the powerful to protect the weak. The comparative examples show that such rituals were usually non-revolutionary, but could turn violent in times of rapid social and economic change. I argue that the violent episodes reported by Plutarch reflect the escalation of ritual revelry into real protest and riot in response to the breakdown of traditional relations of reciprocity between rich and poor in Archaic Megara. I suggest that élites in Archaic Megara successfully warded off more far-reaching rebellion and political reform by enacting new measures for the economic relief of the poor (e.g. the return of interest legislation). In conclusion, I address the broader historical question of why subordinate groups use ritual forms to express discontent.

Author(s):  
Laurie Maguire

This book explores blank space in early modern printed books; it addresses physical blank space (from missing words to vacant pages) as well as the concept of the blank. It is a book about typographical marks, readerly response, and editorial treatment. It is a story of the journey from incunabula to Google books, told through the signifiers of blank space: empty brackets, dashes, the et cetera, the asterisk. It is about the semiotics of print and about the social anthropology of reading. The book explores blank space as an extension of Elizabethan rhetoric with readers learning to interpret the mise-en-page as part of a text’s persuasive tactics. It looks at blanks as creators of both anxiety and of opportunity, showing how readers respond to what is not there and how writers come to anticipate that response. Each chapter focuses on one typographical form of what is not there on the page: physical gaps (Chapter 1), the &c (Chapter 2) and the asterisk (Chapter 3). The Epilogue uncovers the rich metaphoric life of these textual phenomena and the ways in which Elizabethan printers experimented with typographical features as they considered how to turn plays into print.


2021 ◽  
Vol 15 ◽  
pp. 183449092110257
Author(s):  
Qiong Li ◽  
Chen Deng ◽  
Bin Zuo ◽  
Xiaobin Zhang

This study explored whether vertical position affects social categorization of the rich and the poor. Experiment 1 used high- and low-income occupations as stimuli, and found participants categorized high-income occupations faster when they were presented in the top vertical position compared to the bottom vertical position. In Experiment 2, participants responded using either the “up” or “down” key to categorize high- and low-income occupations, and responded faster to high-income occupations with the “up” key and low-income occupations with the “down” key. In Experiment 3, names identified as belonging to either rich or poor individuals were presented at the top or bottom of a screen, and the results were the same as in Experiments 1 and 2. These findings suggest that social categorization based on wealth involved perceptual simulations of vertical position, and that vertical position affects the social categorization of the rich and the poor.


2000 ◽  
Vol 32 (3) ◽  
pp. 450-463
Author(s):  
Claire S. Schen

Historians of early modern Europe have become accustomed to the dichotomy of the deserving and undeserving poor, though they still debate the origins of the transformation of attitudes toward the poor and poverty. Historians have studied less carefully the ways in which these presumably static categories flexed, as individuals and officials worked out poor relief and charity on the local level. Military, religious, and social exigencies, precipitated by war, the Reformation, and demographic pressure, allowed churchwardens and vestrymen to redraw the contours of the deserving and undeserving poor within the broader frame of the infirm, aged, and sick. International conflicts of the early seventeenth century created circumstances and refugees not anticipated by the poor law innovators of the sixteenth century. London’s responses to these unexpected developments illustrate how inhabitants constructed the categories of die deserving and undeserving poor. This construction depended upon the discretion of churchwardens and their fellow officers, who listened to the accounts and read the official documents of the poor making claims on parish relief and charity.


2004 ◽  
Vol 60 (1/2) ◽  
Author(s):  
Dieter H. Reinstorf

This article explores the social and religious dynamics of parables of Jesus in which “rich” and “poor” are juxtaposed. It focuses on Luke 16:19-31 (the parable of the rich man and the poor beggar Lazarus) and on Luke 18:9-14 (the parable of the Pharisee and the tax collector). The core of the exploration relates to questions concerning “wealth” and “poverty” in a limited-good society such as first-century Palestine. The article aims to expose the legitimisation provided by the Israelite elite to ensure the collection of taxes placed on the peasant population by the Roman Empire.


2010 ◽  
Vol 40 (3) ◽  
pp. 437-452 ◽  
Author(s):  
KAREN ROWLINGSON ◽  
STUART CONNOR

AbstractThere is a long tradition in social policy of discussing and critiquing the notion of ‘deservingness’ in relation to ‘the poor’. This paper will apply such debates to ‘the rich’ to consider the grounds on which this group might be considered ‘deserving’. The paper identifies three sets of arguments. The first set of arguments concerns the appropriateness of rewarding merit/hard work/effort/risk-taking etc. The second concerns more consequentialist/economic arguments about providing incentives for wealth creation. And the third considers the character and behaviour of the rich. As well as discussing the potential criteria for deservingness, the paper will also debate whether the degree of income and wealth gained by the rich is deserved. Finally, the paper will discuss the social policy implications, including taxation policies, which emerge from this debate.


Author(s):  
A. Dirk Moses

This article describes the genocide concept of Raphael Lemkin. Genocide is a curious anomaly in the post-war regime of international humanitarian law, which is dominated by the discourse of human rights with its emphasis on individuals. It embodies the social ontology of ‘groupism’, because genocide is about the destruction of groups per se, not individuals per se. Lemkin thought that the Nazi policies were radically new, but only in the context of modern civilization. Wars of extermination have marked human society from antiquity until the religious conflagrations of early modern Europe, after which the doctrine that dominated was that war should be conducted against states rather than populations. Given that forty-nine members of his family died in the Holocaust, Lemkin's ecumenical approach to human suffering is at once astonishing and exemplary.


2014 ◽  
Vol 48 (2) ◽  
pp. 613-637
Author(s):  
CYNTHIA LEE PATTERSON

Recirculating the assertion of magazine historian Frank Luther Mott, subsequent generations of scholars maintained that Godey's Lady's Magazine eschewed content treating the social, political, and economic issues of the day. This article challenges that nearly universal reading of Godey's by arguing for the importance of a close reading of the “match plates” commissioned by Godey for his magazine. Appearing between 1840 and 1860, these plates, many engraved from pendant paintings created expressly for Godey, draw on the popularity of stage melodrama, dramatic tableau, and tableaux vivants to enact a performative morality addressing major social, economic, and political issues. Early match plates contrast virtue and vice, capitalizing on the enormous popularity of William Hogarth's engraving series Industry and Idleness. Match plates appear also in the popular fashion plates of the magazine – echoing the city mystery novels, plays, and prints first popularized by Eugene Sue – in Christmas for the Rich/Christmas for the Poor and Dress the Maker/Dress the Wearer. By 1860, even the magazine's “useful” contents, such as the pattern work prized by Godey's readers, echo the popularity of match plates: hence Fruit for Working/Flowers for Working. Closer attention to Godey's engravings calls for a reassessment of Mott's assertion.


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