Fraternalism, Paternalism, the Family, and the Market: Insurance a Century Ago

1991 ◽  
Vol 15 (1) ◽  
pp. 97-122 ◽  
Author(s):  
Robert Whaples ◽  
David Buffum

They helped every one his neighbor; and every one said to his brother, Be of good courage.—Isaiah 41:6By the end of the nineteenth century most of the economically advanced European nations had adopted some form of public social insurance. In the world’s richest nation, however, widows and the aged, sick, and injured received little support from the state. Without the help of the state, how did American workers and their families survive in the face of sickness, accidents, old age, or the death of the primary earner? The traditional answer is that they survived rather badly, if at all. Social reformers of the early twentieth century and most modern historians argue that voluntarism was a failure, that it was not suited to the needs of an increasingly industrialized, urbanized populace.

2006 ◽  
Vol 20 (1) ◽  
pp. 117-131
Author(s):  
David Wright ◽  
Cathy Chorniawry

Abstract In Victorian England excessive drinking was seen as almost exclusively a male prob- lem, but around 1900 the issue of female intemperance began to be widely discussed. In the first years of the twentieth century concern about women's drinking habits was voiced by an otherwise disparate group which included temperance workers, eugeni- cists, social reformers, imperialists and members of the medical profession. It is by no means certain that women were in fact using and abusing alcohol to a significantly greater extent than before: the evidence was and remains inconclusive. The Edwardian outcry against female intemperance derived its intensity less from the known dimen- sions of the problem than from the broader concerns of the time. Foremost among these were doubts about Britain's economic and imperial future, fears that her urban-based population was in the process of physical decline, and uncertainties in the face of challenges to traditional nineteenth-century assumptions about the place of women in society.


2021 ◽  
Author(s):  
Anne-Marie Walsh

Combined photographic imagery is a broad and varied category of photography even when narrowed down to nineteenth-century iterations such as the composite technique. While a general understanding of composite photography exists, there is a lack of scholarship regarding a specific variant, the Victorian family composite. Using a study group of five Victorian family composites and photocollages, this thesis explores the importance of the family and of photography in Victorian society in order to arrive at an understanding of the particular motivations behind choosing the composite technique to represent the family. The determining factors include the need to overcome the technical and logistical limitations of nineteenth-century photography, as well as the aesthetics inherent to the composite process. Although the full trajectory of composite photography is not traced, definitions of major nineteenth and early twentieth-century combined imagery techniques are offered in order to contextualize the images discussed.


Author(s):  
Brian Harrison

Human beings have always planned, but the meaning, methods, and purpose of planning have changed over time and with circumstance. Planning has been politicized ever more widely as the individual’s ‘personal’ planning has succumbed before, or been reinforced by, planning by the state at its local, national, and international levels. Secularization entails the utopia’s transfer from heaven to earth, and in this process nineteenth-century Chartist populism, liberal moralism, and conservative paternalism all played their part. In the twentieth century, both Labour and Conservative parties merged all three into a statist and interventionist programme accelerated by the interwar depression and by the post-war need to validate democracy in the face of the Soviet pretensions. The essay concludes by discussing the contrasting approaches to planning required in four areas of twentieth-century government: education, welfare, the economy, and the environment.


2021 ◽  
Author(s):  
Anne-Marie Walsh

Combined photographic imagery is a broad and varied category of photography even when narrowed down to nineteenth-century iterations such as the composite technique. While a general understanding of composite photography exists, there is a lack of scholarship regarding a specific variant, the Victorian family composite. Using a study group of five Victorian family composites and photocollages, this thesis explores the importance of the family and of photography in Victorian society in order to arrive at an understanding of the particular motivations behind choosing the composite technique to represent the family. The determining factors include the need to overcome the technical and logistical limitations of nineteenth-century photography, as well as the aesthetics inherent to the composite process. Although the full trajectory of composite photography is not traced, definitions of major nineteenth and early twentieth-century combined imagery techniques are offered in order to contextualize the images discussed.


2017 ◽  
Vol 61 (3) ◽  
pp. 719-741 ◽  
Author(s):  
NADINE WILLEMS

AbstractIn the autumn of 1913, Japanese radical journalist Ishikawa Sanshirō (1876–1956) fled Japan for Europe on a self-imposed exile that would last more than seven years. While there, he mingled with English social philosopher Edward Carpenter (1844–1929) and his circle of friends, and resided for several years with the family of French anarchist Paul Reclus (1858–1941), nephew and professional heir of famed nineteenth-century geographer Elisée Reclus (1830–1905). Ishikawa’s travels contributed to the development of an intricate web of non-state, non-institutional links, fuelling an exchange of knowledge that spanned four decades. His personal trajectory highlights the significance of individual-based activism to the early twentieth-century global spread of anarchism. The experience of exile is also a valuable opportunity to explore how chance encounters, emotional ties, and subjective politics shape ideas of social change in tension with ideological consistency.


Rural History ◽  
2007 ◽  
Vol 18 (2) ◽  
pp. 183-200 ◽  
Author(s):  
SAMUEL GARRIDO

AbstractCooperatives began contributing to the modernisation of European agriculture in the late nineteenth century but the rate at which they developed varied according to countries, regions, and crops. In Spain a large number were set up before the 1936−9 Civil War but few actually became consolidated entities. This paper analyses the Spanish case in an attempt to find the keys to the success or failure of cooperation. It focuses especially on the role played by the state and on the attitude shown by the different segments of farmers towards cooperatives.


1977 ◽  
Vol 8 (2) ◽  
pp. 145-160 ◽  
Author(s):  
Gene R. Garthwaite

The very use of the term “Bakhtiyārī” with its implicit notion of sociopolitical unity has obscured the nature of the organization and relationships of these pastoral nomadic tribes.1 At the same time that observers of late nineteenth- and early twentieth-century Iran described the Bakhtiyārī as a unit, they could not explain the prevailing disunity that characterized tribal relationships. Major obstacles for analysis of this problem have been the office of the īlkhānī, paramount chief of all the Bakhtiyārī, and the domination of tribal history by the family of those eligible for this position, which has imposed a certain unity upon recent Bakhtiyārī history. The view that an īlkhānī had long ruled the Bakhtiyārī and that the tribes constituted a confederation has been accepted since the late nineteenth century. Yet the first īlkhānī, Husain Qulī Khan, was not appointed until 1867, and possibly only during his. tenure in office (d. 1882), and again during the Persian Revolution, have the Bakhtiyārī functioned as a true confederation. The significance of prevailing disunity under a temporary political and administrative unity goes beyond the history of the Bakhtiyārī and has important implications for an understanding of Iranian society and history itself.


Author(s):  
Julian Wright

This chapter asks wider questions about the flow of time as it was explored in this historical writing. It focuses on Jaurès’ philosophy of history, initially through a brief discussion of his doctoral thesis and the essay entitled ‘Le bilan social du XIXème siècle’ that he provided at the end of the Histoire socialiste, then through the work of three of his collaborators, Gabriel Deville, Eugène Fournière, and Georges Renard. One of the most important challenges for socialists in the early twentieth century was to understand the damage and division caused by revolution, while not losing the transformative mission of their socialism. With these elements established, the chapter returns to Jaurès, and in particular the long study of nineteenth-century society in chapter 10 of L’Armée nouvelle. Jaurès advanced an original vision of the nineteenth century and its meaning for the socialist present.


1972 ◽  
Vol 13 (4) ◽  
pp. 609-630 ◽  
Author(s):  
R. A. Caulk

Several centuries after firearms had been introduced, they were still of little importance in Ethiopia, where cavalry continued to dominate warfare until the second half of the nineteenth century. Nevertheless, they were much sought after by local leaders ambitious to secure their autonomy or to grasp supreme authority. The first of these warlords to make himself emperor, Tēwodros (1855–68), owed nothing to firearms. However, his successors, Yohannis IV (1872–89) and Minīlik (d. 1913), did. Both excelled in their mastery of the new technology and acquired large quantities of quick-firing weapons. By the last quarter of the nineteenth century, possession of firearms — principally the breech loading rifle — had become a precondition for successfully contending for national leadership. Yet the wider revolution associated (as in Egypt) with the establishment of a European-style army did not follow. Nor was rearmament restricted to the following of the emperor. Despite the revival of imperial authority effected by Yohannis and Minīlik, rifles and even machine-guns were widely enough spread at the turn of the century to reinforce the fragmentation of power long characteristic of the Ethiopian state. Into the early twentieth century, it remained uncertain if the peculiar advantages of the capital in the import of arms would be made to serve centralization.


2014 ◽  
Vol 38 (2) ◽  
pp. 169-190
Author(s):  
Stefan Knapik

Abstract The pedagogical treatise is generally understood to be a manual of singing or instrumental techniques that is largely practical in approach, yet a critique of violin tutor books dating from the early twentieth century, especially those written by the renowned violinists Joseph Joachim (writing in conjunction with Andreas Moser), Leopold Auer, and Carl Flesch, reveals an extensive engagement with a range of wider ideologies. In a bid to trump the supposedly deadening effects of both a historicism resulting from the availability of earlier treatises, as well as the overly scientific approach taken by contemporaneous treatises, these violinist-authors embrace metaphysical ideals of mind or vitality, and the result is a model of violin playing founded on the concept of “singing tone,” an idea developed out of nineteenth-century notions of song/melody as embodying a vital essence. As did Wagner, in his 1869 essay Über das Dirigiren, writers play with the idea that theoretical and performative categories, such as tempo, phrasing, dynamics, vibrato, and types of bow stroke, both conflict with each other and find a deeper unity in a subjectivist ideal of tone. The approach of these texts is not explorative, however, so much as a rather defensive championing of the idea of mind or vitality: ideologies of self, health, and nationalism ultimately prevail over an engagement with historical evidence in Moser's discussion of ornaments, and Auer's intolerance of any mitigating influence that might qualify the artist's final word on aesthetic matters is reminiscent of a reductive, Nietzschean ideal of vitality. Nevertheless, writers struggle to reconcile it with the messier realities of performing, as an embodied and collaborative activity, and subsequently what speaks louder in their texts are anxieties over affronts to notions of self, expressed using pathological notions common to the era. Whereas at times writers encourage students of the violin to share in their lauding of vitalistic ideals, more often than not they try to impose disciplinary measures as a means of inculcating them.


Sign in / Sign up

Export Citation Format

Share Document