scholarly journals Attaining An Ideal : Time, Technology And The Victorian Family Composite

2021 ◽  
Author(s):  
Anne-Marie Walsh
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Study Group ◽  
Early Twentieth Century ◽  
The Family ◽  
Determining Factors ◽  
Imagery Techniques ◽  
Photographic Imagery

Combined photographic imagery is a broad and varied category of photography even when narrowed down to nineteenth-century iterations such as the composite technique. While a general understanding of composite photography exists, there is a lack of scholarship regarding a specific variant, the Victorian family composite. Using a study group of five Victorian family composites and photocollages, this thesis explores the importance of the family and of photography in Victorian society in order to arrive at an understanding of the particular motivations behind choosing the composite technique to represent the family. The determining factors include the need to overcome the technical and logistical limitations of nineteenth-century photography, as well as the aesthetics inherent to the composite process. Although the full trajectory of composite photography is not traced, definitions of major nineteenth and early twentieth-century combined imagery techniques are offered in order to contextualize the images discussed.

scholarly journals Attaining An Ideal : Time, Technology And The Victorian Family Composite

2021 ◽  
Author(s):  
Anne-Marie Walsh
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Study Group ◽  
Early Twentieth Century ◽  
The Family ◽  
Determining Factors ◽  
Imagery Techniques ◽  
Photographic Imagery

Combined photographic imagery is a broad and varied category of photography even when narrowed down to nineteenth-century iterations such as the composite technique. While a general understanding of composite photography exists, there is a lack of scholarship regarding a specific variant, the Victorian family composite. Using a study group of five Victorian family composites and photocollages, this thesis explores the importance of the family and of photography in Victorian society in order to arrive at an understanding of the particular motivations behind choosing the composite technique to represent the family. The determining factors include the need to overcome the technical and logistical limitations of nineteenth-century photography, as well as the aesthetics inherent to the composite process. Although the full trajectory of composite photography is not traced, definitions of major nineteenth and early twentieth-century combined imagery techniques are offered in order to contextualize the images discussed.

scholarly journals TRANSNATIONAL ANARCHISM, JAPANESE REVOLUTIONARY CONNECTIONS, AND THE PERSONAL POLITICS OF EXILE

2017 ◽  
Vol 61 (3) ◽  
pp. 719-741 ◽  
Author(s):  
NADINE WILLEMS
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Social Change ◽  
Early Twentieth Century ◽  
Personal Politics ◽  
Social Philosopher ◽  
The Family ◽  
Global Spread ◽  
Circle Of Friends ◽  
Edward Carpenter

AbstractIn the autumn of 1913, Japanese radical journalist Ishikawa Sanshirō (1876–1956) fled Japan for Europe on a self-imposed exile that would last more than seven years. While there, he mingled with English social philosopher Edward Carpenter (1844–1929) and his circle of friends, and resided for several years with the family of French anarchist Paul Reclus (1858–1941), nephew and professional heir of famed nineteenth-century geographer Elisée Reclus (1830–1905). Ishikawa’s travels contributed to the development of an intricate web of non-state, non-institutional links, fuelling an exchange of knowledge that spanned four decades. His personal trajectory highlights the significance of individual-based activism to the early twentieth-century global spread of anarchism. The experience of exile is also a valuable opportunity to explore how chance encounters, emotional ties, and subjective politics shape ideas of social change in tension with ideological consistency.

Fraternalism, Paternalism, the Family, and the Market: Insurance a Century Ago

1991 ◽  
Vol 15 (1) ◽  
pp. 97-122 ◽  
Author(s):  
Robert Whaples ◽  
David Buffum
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Old Age ◽  
Social Insurance ◽  
The State ◽  
Early Twentieth Century ◽  
The Family ◽  
Market Insurance ◽  
The Face ◽  
Social Reformers

They helped every one his neighbor; and every one said to his brother, Be of good courage.—Isaiah 41:6By the end of the nineteenth century most of the economically advanced European nations had adopted some form of public social insurance. In the world’s richest nation, however, widows and the aged, sick, and injured received little support from the state. Without the help of the state, how did American workers and their families survive in the face of sickness, accidents, old age, or the death of the primary earner? The traditional answer is that they survived rather badly, if at all. Social reformers of the early twentieth century and most modern historians argue that voluntarism was a failure, that it was not suited to the needs of an increasingly industrialized, urbanized populace.

The Bakhtiyārī Ilkhānī: An Illusion of Unity

1977 ◽  
Vol 8 (2) ◽  
pp. 145-160 ◽  
Author(s):  
Gene R. Garthwaite
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Late Nineteenth Century ◽  
Early Twentieth Century ◽  
The Family ◽  
History Of ◽  
Late Nineteenth

The very use of the term “Bakhtiyārī” with its implicit notion of sociopolitical unity has obscured the nature of the organization and relationships of these pastoral nomadic tribes.1 At the same time that observers of late nineteenth- and early twentieth-century Iran described the Bakhtiyārī as a unit, they could not explain the prevailing disunity that characterized tribal relationships. Major obstacles for analysis of this problem have been the office of the īlkhānī, paramount chief of all the Bakhtiyārī, and the domination of tribal history by the family of those eligible for this position, which has imposed a certain unity upon recent Bakhtiyārī history. The view that an īlkhānī had long ruled the Bakhtiyārī and that the tribes constituted a confederation has been accepted since the late nineteenth century. Yet the first īlkhānī, Husain Qulī Khan, was not appointed until 1867, and possibly only during his. tenure in office (d. 1882), and again during the Persian Revolution, have the Bakhtiyārī functioned as a true confederation. The significance of prevailing disunity under a temporary political and administrative unity goes beyond the history of the Bakhtiyārī and has important implications for an understanding of Iranian society and history itself.

Socialism and the Flow of  Time in Modernity

2017 ◽  
Author(s):  
Julian Wright
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Philosophy Of History ◽  
Historical Writing ◽  
Doctoral Thesis ◽  
Early Twentieth Century ◽  
Flow Of Time

This chapter asks wider questions about the flow of time as it was explored in this historical writing. It focuses on Jaurès’ philosophy of history, initially through a brief discussion of his doctoral thesis and the essay entitled ‘Le bilan social du XIXème siècle’ that he provided at the end of the Histoire socialiste, then through the work of three of his collaborators, Gabriel Deville, Eugène Fournière, and Georges Renard. One of the most important challenges for socialists in the early twentieth century was to understand the damage and division caused by revolution, while not losing the transformative mission of their socialism. With these elements established, the chapter returns to Jaurès, and in particular the long study of nineteenth-century society in chapter 10 of L’Armée nouvelle. Jaurès advanced an original vision of the nineteenth century and its meaning for the socialist present.

Firearms and Princely Power in Ethiopia in the Nineteenth Century

1972 ◽  
Vol 13 (4) ◽  
pp. 609-630 ◽  
Author(s):  
R. A. Caulk
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
New Technology ◽  
Turn Of The Century ◽  
Imperial Authority ◽  
Early Twentieth Century ◽  
National Leadership ◽  
Local Leaders

Several centuries after firearms had been introduced, they were still of little importance in Ethiopia, where cavalry continued to dominate warfare until the second half of the nineteenth century. Nevertheless, they were much sought after by local leaders ambitious to secure their autonomy or to grasp supreme authority. The first of these warlords to make himself emperor, Tēwodros (1855–68), owed nothing to firearms. However, his successors, Yohannis IV (1872–89) and Minīlik (d. 1913), did. Both excelled in their mastery of the new technology and acquired large quantities of quick-firing weapons. By the last quarter of the nineteenth century, possession of firearms — principally the breech loading rifle — had become a precondition for successfully contending for national leadership. Yet the wider revolution associated (as in Egypt) with the establishment of a European-style army did not follow. Nor was rearmament restricted to the following of the emperor. Despite the revival of imperial authority effected by Yohannis and Minīlik, rifles and even machine-guns were widely enough spread at the turn of the century to reinforce the fragmentation of power long characteristic of the Ethiopian state. Into the early twentieth century, it remained uncertain if the peculiar advantages of the capital in the import of arms would be made to serve centralization.

Vitalistic Discourses of Violin Pedagogy in the Early Twentieth Century

2014 ◽  
Vol 38 (2) ◽  
pp. 169-190
Author(s):  
Stefan Knapik
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Historical Evidence ◽  
Final Word ◽  
Collaborative Activity ◽  
Violin Pedagogy ◽  
Early Twentieth Century ◽  
Scientific Approach ◽  
Joseph Joachim ◽  
Violin Playing

Abstract The pedagogical treatise is generally understood to be a manual of singing or instrumental techniques that is largely practical in approach, yet a critique of violin tutor books dating from the early twentieth century, especially those written by the renowned violinists Joseph Joachim (writing in conjunction with Andreas Moser), Leopold Auer, and Carl Flesch, reveals an extensive engagement with a range of wider ideologies. In a bid to trump the supposedly deadening effects of both a historicism resulting from the availability of earlier treatises, as well as the overly scientific approach taken by contemporaneous treatises, these violinist-authors embrace metaphysical ideals of mind or vitality, and the result is a model of violin playing founded on the concept of “singing tone,” an idea developed out of nineteenth-century notions of song/melody as embodying a vital essence. As did Wagner, in his 1869 essay Über das Dirigiren, writers play with the idea that theoretical and performative categories, such as tempo, phrasing, dynamics, vibrato, and types of bow stroke, both conflict with each other and find a deeper unity in a subjectivist ideal of tone. The approach of these texts is not explorative, however, so much as a rather defensive championing of the idea of mind or vitality: ideologies of self, health, and nationalism ultimately prevail over an engagement with historical evidence in Moser's discussion of ornaments, and Auer's intolerance of any mitigating influence that might qualify the artist's final word on aesthetic matters is reminiscent of a reductive, Nietzschean ideal of vitality. Nevertheless, writers struggle to reconcile it with the messier realities of performing, as an embodied and collaborative activity, and subsequently what speaks louder in their texts are anxieties over affronts to notions of self, expressed using pathological notions common to the era. Whereas at times writers encourage students of the violin to share in their lauding of vitalistic ideals, more often than not they try to impose disciplinary measures as a means of inculcating them.

American Legal Thought in Transatlantic Context, 1870-1914

2021 ◽  
Author(s):  
David M. Rabban
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
Twentieth Century ◽  
First Generation ◽  
The United States ◽  
Recent Book ◽  
Historical School ◽  
Legal Thought ◽  
Early Twentieth Century ◽  
Sociological Jurisprudence

Most American legal scholars have described their nineteenth-century predecessors as deductive formalists. In my recent book, Law’s History : American Legal Thought and the Transatlantic Turn to History, I demonstrate instead that the first generation of professional legal scholars in the United States, who wrote during the last three decades of the nineteenth century, viewed law as a historically based inductive science. They constituted a distinctive historical school of American jurisprudence that was superseded by the development of sociological jurisprudence in the early twentieth century. This article focuses on the transatlantic context, involving connections between European and American scholars, in which the historical school of American jurisprudence emerged, flourished, and eventually declined.

Nineteenth-Century and Early Twentieth-Century Post-Kantian Philosophy

2016 ◽  
Author(s):  
Paul Franks
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Natural Science ◽  
Philosophical Tradition ◽  
Historical Inquiry ◽  
Human Beings ◽  
Individual Agency ◽  
New Methods ◽  
Early Twentieth Century ◽  
Kantian Philosophy

This article examines three moments of the post-Kantian philosophical tradition in the nineteenth and early twentieth centuries: Kantianism, Post-Kantian Idealism, and Neo-Kantianism. It elucidates the distinctive methods of a tradition that has never entirely disappeared and is now acknowledged once again as the source of contemporary insights. It outlines two problematics—naturalist scepticism and historicist nihilism—threatening the possibility of metaphysics. The first concerns sceptical worries about reason, emerging from attempts to extend the methods of natural science to the study of human beings. Kant’s project of a critical and transcendental analysis of reason, with its distinctive methods, should be considered a response. The second arises from the development of new methods of historical inquiry, seeming to undermine the very possibility of individual agency. Also considered are Kant’s successors’ revisions of the critical and transcendental analysis of reason, undertaken to overcome challenges confronting the original versions of Kant’s methods.

scholarly journals Iphigénie à Paris: Positioning Gluck Historically in Early Twentieth-Century France

2012 ◽  
Vol 27 (1) ◽  
pp. 3-15
Author(s):  
William Gibbons
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Music History ◽  
Critical Reception ◽  
Unusual Event ◽  
Early Twentieth Century ◽  
Vincent D'indy

In December 1907, Gluck's opera Iphigénie en Aulide was produced in Paris at the Opéra-Comique, the last of his major operas to be revived in France. The ensuing critical reception pitted Vincent d'Indy, who harshly criticized the production, against its director, Albert Carré; d'Indy further responded by conducting the overture to Iphigénie only a few weeks later as a musical corrective to the performance at the Opéra-Comique. This unusual event highlights the historiographie problem Gluck presented to early twentieth-century critics in France: did his music look backwards to the tragédies lyriques of Lully and Rameau, or did it prefigure the Wagnerian music-dramas of the nineteenth century? The 1907 Opéra-Comique production of Iphigénie and its aftermath encapsulate the struggle to incorporate Gluck into newly developing and often competing narratives of music history.

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