scholarly journals Editor's Introduction

2014 ◽  
Vol 34 ◽  
pp. v-vi ◽  
Author(s):  
Charlene Polio

Numerous people have helped shape each issue of the Annual Review of Applied Linguistics, but there is always one person who has been particularly generous in sharing his or her time and expertise. For this issue, I would like to thank Merrill Swain for her Skype calls about the issue and for, as always, her amazing breadth of knowledge. She not only knows about research in every area of applied linguistics but also, it seems, in every corner of the world. She contributed greatly to not only this, but every issue during my tenure as editor. As this is my last issue, I would like to thank the other editorial directors as well.

2016 ◽  
Vol 8 (1) ◽  
pp. 61
Author(s):  
Tamaur Sulayman Al-Shamayleh

<p>For the last century, and after the Middle East culture’s invade most important countries on the world map, through industry, education; internet participation and other significant aspects. One matter connects the Middle East to the other parts of the world which is “language”. Language learning might seem pretty easy; however, compresence it deeply with all expression used is sort of difficult mission. Linguistics role has appeared to solve this issue by conveying all phrases not only with their accurate meaning but also with the senses they cover. </p>


2001 ◽  
Vol 21 ◽  
pp. 1-1
Author(s):  
Mary McGroarty

As a phenomenon, discourse does not belong only to applied linguistics, although applied linguistics figures among the disciplines in which discourse is a central focus. For approximately the last three decades, applied linguists and scholars in allied disciplines have developed more detailed theoretical foundations, more sophisticated research techniques, and a wider range of applications for discourse analysis. Heterogeneity of theoretical perspectives, contexts of application, and research methods has been a hallmark of contemporary discourse research, as many of the volumes in the influential series Advances in Discourse Processes attest (see, for example, Tannen, 1988). Papers in the 1990 volume of the Annual Review of Applied Linguistics (Grabe, 1990) similarly testify to the already well-established variety of discourse analytic approaches and applications. The classroom has never been the only setting with which discourse analysts and applied linguists have concerned themselves, although educational applications of discourse analytic techniques have been common in North American scholarship ever since The Language of the Classroom (Bellack, Kliebard, Hyman, & Smith, 1966), Functions of Language in the Classroom (Cazden, John, & Hymes, 1972), and Towards an Analysis of Discourse (Sinclair & Coulthard, 1975). It remains a context of major consequence for many applied linguists because of their connection to the world of teaching practice and assessment. The theme of this year's volume, Discourse and Dialogue, revisits some of the topics discussed in these earlier volumes, adds some new areas of consideration, and captures some of the richness of recent discourse-related work.


1990 ◽  
Vol 11 ◽  
pp. 199-204 ◽  
Author(s):  
Robert B. Kaplan

One of the stated objectives of this series, the Annual Review of Applied Linguistics (ARAL), from its earliest apperance, has been to strive toward a gradual approximation of a functional definition for applied linguistics. Despite the fact that applied linguistics has existed as a field for more than thirty years, despite the fact that there are a few publications available which attempt to define the field (Kaplan 1980, Grabe and Kaplana in press, Bright, et al. in press), and despite the fact that there are in the world a number of universities offering graduate study in applied linguistics and rewarding such study with credentials and degrees carrying the specific desgination applied linguistics, the field remains constrained by the absence of a clear definition of its parameters and by the absence of a clear theoretical framework.


1991 ◽  
Vol 12 ◽  
pp. 284-291
Author(s):  
Robert B. Kaplan

Two ideas emerge very clearly from a reading of the 15 articles that constitute this volume of the Annual Review of Applied Linguistics: The first idea emerges from virtually all of the articles herein included—the notion of what constitutes literacy has changed rather dramatically over the past decade. The second idea derives largely from the set of articles which examine literacy practices in various parts of the world—while there is a clearer understanding of what constitutes literacy, the implementation of literacy dissemination programs, even in the most advanced countries (let alone in the third world) is beset with possibly insolvable problems.


1985 ◽  
Vol 6 ◽  
pp. vii-x
Author(s):  
Robert B. Kaplan

The sixth volume of the Annual Review of Applied Linguistics (ARAL) concerns itself with international bilingual communities, and specifically with the linguistic and educational issues associated with such communities. The objective of this collection of articles is to identify multilingual communities by profile and to deal with such issues as the functional allocation of linguistic repertoires, the implications for education of the existence of multilingual communities, and the implications for the professions resulting from the allocation of linguistic repertoires. The volume aims to survey both field research and linguistic description and to cover as much of the world as it is possible to do in such a limited volume. In fact, contributions covering Australia, Canada, Ghana, Great Britain, the Philippines, South Asia, and Southeast Asia were received, while a number of other areas which had been solicited were not completed in time for publication. In addition, the material covers such concerns as the bilingual's creativity, cognitive development, education, and the media. The several studies raise a number of important questions in addition to supplying extensive annotated and unannotated bibliographies.


TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.


Author(s):  
Iia Fedorova

The main objective of this study is the substantiation of experiment as one of the key features of the world music in Ukraine. Based on the creative works of the brightest world music representatives in Ukraine, «Dakha Brakha» band, the experiment is regarded as a kind of creative setting. Methodology and scientific approaches. The methodology was based on the music practice theory by T. Cherednychenko. The author distinguishes four binary oppositions, which can describe the musical practice. According to one of these oppositions («observance of the canon or violation of the canon»), the musical practices, to which the Ukrainian musicology usually classifies the world music («folk music» and «minstrel music»), are compared with the creative work of «Dakha Brakha» band. Study findings. A lack of the setting to experiment in the musical practices of the «folk music» and «minstrel music» separates the world music musical practice from them. Therefore, the world music is a separate type of musical practice in which the experiment is crucial. The study analyzed several scientific articles of Ukrainian musicologists on the world music; examined the history of the Ukrainian «Dakha Brakha» band; presented a list of the folk songs used in the fifth album «The Road» by «Dakha Brakha» band; and showed the degree of the source transformation by musicians based on the example of the «Monk» song. The study findings can be used to form a comprehensive understanding of the world music musical practice. The further studies may be related to clarification of the other parameters of the world music musical practice, and to determination of the experiment role in creative works of the other world music representatives, both Ukrainian and foreign. The practical study value is the ability to use its key provisions in the course of modern music in higher artistic schools of Ukraine. Originality / value. So far, the Ukrainian musicology did not consider the experiment role as the key one in the world music.


CounterText ◽  
2018 ◽  
Vol 4 (1) ◽  
pp. 98-113
Author(s):  
Shaobo Xie

The paper celebrates the publication of Ranjan Ghosh and J. Hillis Miller's Thinking Literature across Continents as a significant event in the age of neoliberalism. It argues that, in spite of the different premises and the resulting interpretative procedures respectively championed by the two co-authors, both of them anchor their readings of literary texts in a concept of literature that is diametrically opposed to neoliberal rationality, and both impassionedly safeguard human values and experiences that resist the technologisation and marketisation of the humanities and aesthetic education. While Ghosh's readings of literature offer lightning flashes of thought from the outside of the Western tradition, signalling a new culture of reading as well as a new manner of appreciation of the other, Miller dedicatedly speaks and thinks against the hegemony of neoliberal reason, opening our eyes to the kind of change our teaching or reading of literature can trigger in the world, and the role aesthetic education should and can play at a time when the humanities are considered ‘a lost cause’.


Author(s):  
Laura Hengehold

Most studies of Simone de Beauvoir situate her with respect to Hegel and the tradition of 20th-century phenomenology begun by Husserl, Heidegger, and Merleau-Ponty. This book analyzes The Second Sex in light of the concepts of becoming, problematization, and the Other found in Gilles Deleuze. Reading Beauvoir through a Deleuzian lens allows more emphasis to be placed on Beauvoir's early interest in Bergson and Leibniz, and on the individuation of consciousness, a puzzle of continuing interest to both phenomenologists and Deleuzians. By engaging with the philosophical issues in her novels and student diaries, this book rethinks Beauvoir’s focus on recognition in The Second Sex in terms of women’s struggle to individuate themselves despite sexist forms of representation. It shows how specific forms of women’s “lived experience” can be understood as the result of habits conforming to and resisting this sexist “sense.” Later feminists put forward important criticisms regarding Beauvoir’s claims not to be a philosopher, as well as the value of sexual difference and the supposedly Eurocentric universalism of her thought. Deleuzians, on the other hand, might well object to her ideas about recognition. This book attempts to address those criticisms, while challenging the historicist assumptions behind many efforts to establish Beauvoir’s significance as a philosopher and feminist thinker. As a result, readers can establish a productive relationship between Beauvoir’s “problems” and those of women around the world who read her work under very different circumstances.


2016 ◽  
Vol 46 (1) ◽  
pp. 38-47
Author(s):  
Geoffrey Squires

Modernism is usually defined historically as the composite movement at the beginning of the twentieth century which led to a radical break with what had gone before in literature and the other arts. Given the problems of the continuing use of the concept to cover subsequent writing, this essay proposes an alternative, philosophical perspective which explores the impact of rationalism (what we bring to the world) on the prevailing empiricism (what we take from the world) of modern poetry, which leads to a concern with consciousness rather than experience. This in turn involves a re-conceptualisation of the lyric or narrative I, of language itself as a phenomenon, and of other poetic themes such as nature, culture, history, and art. Against the background of the dominant empiricism of modern Irish poetry as presented in Crotty's anthology, the essay explores these ideas in terms of a small number of poets who may be considered modernist in various ways. This does not rule out modernist elements in some other poets and the initial distinction between a poetics of experience and one of consciousness is better seen as a multi-dimensional spectrum that requires further, more detailed analysis than is possible here.


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