Historical and present-day child labour: is there a gap or a bridge between them?

2001 ◽  
Vol 16 (1) ◽  
pp. 137-156 ◽  
Author(s):  
MARJATTA RAHIKAINEN

This article suggests that analyses of child labour today should take as their point of comparison poorer nineteenth-century continental European countries, rather than the more commonly cited analogy of industrializing Britain. Two aspects of comparison between the nineteenth-century Finnish experience and today's developing economies are especially relevant. The first is the role of foreign investors in introducing industrial child labour in the early stages of industrialization. The second is labour migration, and particularly that of children. Industrial child labour in nineteenth-century Finland, and labour migration from Finland to St Petersburg, serve as empirical case studies. Finally, the author suggests that new apologies for industrial child labour in the past can be linked with the late-twentieth-century expansion of child labour.

2004 ◽  
Vol 57 (3) ◽  
pp. 443-510 ◽  
Author(s):  
Paula Higgins

Within the theoretical framework of Roland Barthes's writings on myth and ideology, this essay seeks to expose the historical legitimation project through which the mythmaking, universalizing rhetoric of musical genius that has long surrounded the figure of Ludwig van Beethoven came to infiltrate scholarship on Josquin des Prez, culminating in his late twentieth-century apotheosis. Contextualizing the composer's reception history with respect to the debates between Joseph Kerman and Edward Lowinsky in 1965 and especially the 1971 Josquin Festival-Conference, the author suggests that the ideological refashioning of Josquin in the image of Beethoven has simultaneously shaped and derailed the intellectual trajectory of early music scholarship in the past thirty years. By privileging a discourse of musical genius in the service of which, among other concerns, the canon of works attributed to the composer is being decimated beyond historical recognition, the richness and complexity of the musical culture of which he was a vital part risks being overshadowed and obfuscated by the disproportionate amount of attention invested in his singular accomplishments. The essay advocates a resolute historicization of sixteenth-century discourses of creative endowment, a critical reassessment of the role of authentication scholarship in Josquin studies, and a renewed sensitivity to the imbrication of mythologies of musical genius in music historiographies of both the past and the present.


2020 ◽  
Vol 8 (4) ◽  
pp. 63
Author(s):  
M. Maria Juliet Rani ◽  
Dr. A. Alis Sofia

The significant role of Trauma theory in literature lights the psyche of an individual precisely. The twenty first century paves the gateway to contemplate the struggles and the conflicts of inner self. Sigmund Freud is the pioneer to set forth the psycho-analytical theory in distinctive aspects in the late twentieth century. He is the root for all other contemporary writers to follow suit. Neel Mukherjee is one of the foremost novelists in English literature, who depicts the protagonist’s distress in an alienated land. Memories play a vital role in which the protagonist connects the past memories with that of the present. The protagonist finds the way to escape from his bitter life by becoming a homosexual. This paper aims to project the traumatic condition of the protagonist in Neel Mukherjee’s A Life Apart. Past


Author(s):  
Seyedeh Somayeh Mirmoradi

AbstractAfter a long period of one-way consumerist attitude toward nature, there have been some alternate perspectives on the systemic relationship between humans and nature, which have been again brought up during the past few decades. Since the late twentieth century, fractal architecture has been one of the most important themes discussed in architecture and it is based on the chaos and complexity theories. Critics often criticize this architecture due to its lack of architectural values, practicality, and attention to economy, culture, and history. The current study aims to clarify the scientific theories that are the theoretical foundations of this approach in contemporary architecture. By categorizing the practical examples of this architectural approach, they are analyzed in terms of their relationship with nature using the logical reasoning method to achieve a favorable architecture. In fact, the gap between this architecture and nature’s behavior is shown.


What did it mean to be a man in Scotland over the past nine centuries? Scotland, with its stereotypes of the kilted warrior and the industrial ‘hard man’, has long been characterised in masculine terms, but there has been little historical exploration of masculinity in a wider context. This interdisciplinary collection examines a diverse range of the multiple and changing forms of masculinities from the late eleventh to the late twentieth century, exploring the ways in which Scottish society through the ages defined expectations for men and their behaviour. How men reacted to those expectations is examined through sources such as documentary materials, medieval seals, romances, poetry, begging letters, police reports and court records, charity records, oral histories and personal correspondence. Focusing upon the wide range of activities and roles undertaken by men – work, fatherhood and play, violence and war, sex and commerce – the book also illustrates the range of masculinities that affected or were internalised by men. Together, the chapters illustrate some of the ways Scotland’s gender expectations have changed over the centuries and how, more generally, masculinities have informed the path of Scottish history


Author(s):  
James Tweedie

This chapter introduces the concept of the “archaeomodern” and its connection to the aging of the quintessential modern medium of film. It sketches the historical and cultural background of the archaeomodern turn in the late twentieth century, including the development of an obsession with the past in the heritage industry and the rise of postmodernism. It then discusses two phenomena from the 1980s and 1990s—a mannerist or baroque revival, and the development of media archaeology—that complicate the habitual association between tradition and the past or modernity and the future. The introduction suggests that archaeomodern cinema was characterized by the return to failed or abandoned modern experiments and other relics from the modern past.


2013 ◽  
Vol 12 (2) ◽  
pp. 185-202
Author(s):  
Duncan Reid

AbstractIn response to the contemporary ecological movement, ecological perspectives have become a significant theme in the theology of creation. This paper asks whether antecedents to this growing significance might predate the concerns of our times and be discernible within the diverse interests of nineteenth-century Anglican thinking. The means used here to examine this possibility is a close reading of B. F. Westcott's ‘Gospel of Creation’. This will be contextualized in two directions: first with reference to the understanding of the natural world in nineteenth-century English popular thought, and secondly with reference to the approach taken to the doctrine of creation by three late twentieth-century Anglican writers, two concerned with the relationship between science and theology in general, and a third concerned more specifically with ecology.


1994 ◽  
Vol 63 (2) ◽  
pp. 235-249
Author(s):  
Douglas Morgan

“I have felt like working three times as hard as ever since I came to understand that my Lord was coming back again,” reported revivalist Dwight L. Moody, the most prominent of nineteenth-century premillennialists. Moody's testimony to the motivating power of premillennialism points to the crucial role of that eschatology in conservative Protestantism since the late nineteenth century—a role delineated by several studies within the past twenty-five years. As a comprehensive interpretation of history which gives meaning and pattern to past, present, and future, and a role for the believer in the outworking of the divine program, premillennialism has been a driving force in the fundamentalistand evangelical movements.


Urban History ◽  
2014 ◽  
Vol 42 (3) ◽  
pp. 463-482
Author(s):  
SEAMUS O’HANLON

ABSTRACTOne of the world's great Victorian-era suburban metropolises, Melbourne, Australia, was transformed by mass immigration and the redevelopment of some of its older suburbs with low-rise flats and apartments in the post-war years. Drawing on a range of sources, including census material, municipal rate and valuation books, immigration and company records, as well as building industry publications, this article charts demographic and morphological change across the Melbourne metropolitan area and in two particular suburbs in the mid- to late twentieth century. In doing so, it both responds to McManus and Ethington's recent call for more histories of suburbs in transition, and seeks to embed the role of immigration and immigrants into Melbourne's urban historiography.


2019 ◽  
Vol 117 (1) ◽  
pp. 47-78
Author(s):  
Emma Robertson ◽  
Lee-Ann Monk

During World War I in Britain, women workers took on previously men-only jobs on the railways. In response to this wartime development, the National Union of Railwaymen published a series of cartoons in their journal, Railway Review. These images depicted women employed as porters and guards, occupying the engine footplate, and acting in the role of station-mistress. Through a close reading of the cartoons, and related images in the journal, this article examines how the humorous portrayal of female railway workers reinforced masculine occupational identities at the same time as revealing ambiguities in (and negotiating anxieties over) the gendered nature of railway employment. Despite wartime labour shortages, certain occupations, notably the driving and firing of steam trains, remained stolidly men’s work and would do so until the late twentieth century. By scrutinising the construction of gendered occupational culture in union journals, we can better understand the tenacity of notions of “traditional” work for men and women on the railways.


2018 ◽  
Vol 4 (1) ◽  
Author(s):  
Richard Schechner

This essay by Richard Schechner dedicated to a mythical figure of the theater of the late twentieth century; a work of critical reconstruction that has contributed decisively to consolidating the legacy of Grotowski, just a few months after his death. In addition to fixing some essential terms of the vocabulary, together with the contents and the periodization of the Grotowskian work (aspects that Grotowski in life were entrusted exclusively to oral transmission), the essay retraces the formation of Grotowski, the aspects linked to his character, the specific forms of his research and his transmission of knowledge, the exercise of leadership, the role of his collaborators, the sources, the mystical side, his relationship with the spirit of time, the importance (and weakness) of his opera, in the history of twentieth century theater.


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