Clowns of the Revolution: The Malas Twins and Syrian Oppositional Performance

2013 ◽  
Vol 38 (2) ◽  
pp. 137-147 ◽  
Author(s):  
EDWARD ZITER
Keyword(s):  
Social Media ◽  
Public Sphere ◽  
New Technologies ◽  
Active Participation ◽  
The State ◽  
Satellite Television ◽  
The Public ◽  
The Public Sphere ◽  
The Revolution

Ahmed and Mohammad Malas, two Syrian actors who have made themselves the unofficial clowns of the revolution, have emerged from a vibrant culture of cyber-activism. They have made use of Facebook and YouTube to circulate work that simultaneously reflects on the possibilities for, and failures of, social media and satellite television to forge a new idea of Syrian identity – one that prominently features active participation in the public sphere. I argue that unlike earlier Syrian plays that employed similar tropes (the interrogation scene as emblematic of the state–citizen relation, the failed actor as symbol of the disheartened citizen), the Malas twins use these tropes to demonstrate the necessity of resistance. Their plays assert that Syrians will persist in resistance because new technologies have provided new options and have transformed Syrian identity.

scholarly journals Penumbangan Rezim melalui Gerakan Masyarakat Dunia Maya (Media Sosial) di Timur Tengah

2018 ◽  
Vol 2 (2) ◽  
pp. 20-29
Author(s):  
Taufik Taufik
Keyword(s):  
Social Media ◽  
Middle East ◽  
Public Sphere ◽  
Middle Eastern ◽  
The Public ◽  
Middle East Countries ◽  
Community Movements ◽  
The Government ◽  
The Public Sphere ◽  
The Revolution

Social media has become a new alternative in the field of communication in the circle of people's lives in the Middle East which offers freedom especially in terms of self-expression, something that has been hindered by the censorship of anti-critic dictatorial regimes. Unpredictably, the expression of disappointment expressed by Middle Eastern society towards the government through social media can be a lighter revolution that hit the Middle East countries in 2011. The purpose of this research is to know, explore, and describe some of the links between the revolution, the public sphere, and the movement of society through social media in the Middle East. A revolution in Tunisia in 2011 has been a generator of community movements in overthrowing the muscle rigid regimes in some Middle Eastern countries such as Egypt and Libya.

What Satellite Television Has Done to the Public Sphere and to the Public in the Maghreb

2020 ◽  
Author(s):  
Ratiba Hadj-Moussa
Keyword(s):  
Social Media ◽  
Public Sphere ◽  
Daily Life ◽  
The Political ◽  
The Novel ◽  
Satellite Television ◽  
Public Spheres ◽  
The Public ◽  
Historical Turn ◽  
The Public Sphere

This chapter shows how the advent of satellite television in the Maghreb constitutes a historical turn that recomposes the Maghrebin public spheres. The existing duality between national and satellite televisions has produced a unique configuration where parallel, conflicting ideas and perspectives came into existence. These perspectives, which opposed most of the official discourses’ orientations, are conveyed in daily life practices and interactions, such as the streets and semipublic spaces, and relayed by social media. Hence, the understanding of the novel and complex realities of Maghrebi political public spheres requires that the ordinary practices be considered as spaces and moments of the political fabrics in the Maghreb.

Social Media-based Communities of Practice for Education in Citizenship and Sustainability

2013 ◽  
pp. 137-156
Author(s):  
Dimitra Florou ◽  
Dimitris Gouscos
Keyword(s):  
Social Media ◽  
Public Sphere ◽  
Communities Of Practice ◽  
New Technologies ◽  
Public Consultation ◽  
The Public ◽  
Long Run ◽  
The Public Sphere

Finally the chapter reinforces the view that the development of such communities in education offers on the long run the ability to remodel the public sphere, strengthen public consultation, promote proposals from the citizens, promote the policy of sustainability, and finally, the efficient use of new technologies, both in society and education.

‘Party in the street’: The partisan politics of space

2021 ◽  
pp. 239965442110338
Author(s):  
David Jenkins ◽  
Lipin Ram
Keyword(s):  
Public Sphere ◽  
Public Space ◽  
State Power ◽  
Public Spaces ◽  
The State ◽  
Political Community ◽  
Democratic Legitimacy ◽  
Partisan Politics ◽  
The Public ◽  
The Public Sphere

Public space is often understood as an important ‘node’ of the public sphere. Typically, theorists of public space argue that it is through the trust, civility and openness to others which citizens cultivate within a democracy’s public spaces, that they learn how to relate to one another as fellow members of a shared polity. However, such theorizing fails to articulate how these democratic comportments learned within public spaces relate to the public sphere’s purported role in holding state power to account. In this paper, we examine the ways in which what we call ‘partisan interventions’ into public space can correct for this gap. Using the example of the Communist Party of India (Marxist) (CPIM), we argue that the ways in which CPIM partisans actively cultivate sites of historical regional importance – such as in the village of Kayyur – should be understood as an aspect of the party’s more general concern to present itself to citizens as an agent both capable and worthy of wielding state power. Drawing on histories of supreme partisan contribution and sacrifice, the party influences the ideational background – in competition with other parties – against which it stakes its claims to democratic legitimacy. In contrast to those theorizations of public space that celebrate its separateness from the institutions of formal democratic politics and the state more broadly, the CPIM’s partisan interventions demonstrate how parties’ locations at the intersections of the state and civil society can connect the public sphere to its task of holding state power to account, thereby bringing the explicitly political questions of democratic legitimacy into the everyday spaces of a political community.

scholarly journals Contested Numbers: Census Controversies and the Press in 1960s Nigeria

2021 ◽  
pp. 1-19
Author(s):  
Gerardo Serra ◽  
Morten Jerven
Keyword(s):  
Public Sphere ◽  
Political Culture ◽  
Cultural History ◽  
The State ◽  
Population Census ◽  
The Public ◽  
The Press ◽  
Distribution Of Resources ◽  
The Public Sphere

Abstract This article reconstructs the controversies following the release of the figures from Nigeria's 1963 population census. As the basis for the allocation of seats in the federal parliament and for the distribution of resources, the census is a valuable entry point into postcolonial Nigeria's political culture. After presenting an overview of how the Africanist literature has conceptualized the politics of population counting, the article analyses the role of the press in constructing the meaning and implications of the 1963 count. In contrast with the literature's emphasis on identification, categorization, and enumeration, our focus is on how the census results informed a broader range of visual and textual narratives. It is argued that analysing the multiple ways in which demographic sources shape debates about trust, identity, and the state in the public sphere results in a richer understanding of the politics of counting people and narrows the gap between demographic and cultural history.

scholarly journals HOW SOCIAL MEDIA AFFORDS POPULIST POLITICS: REMARKS ON LIMINALITY BASED ON THE BRAZILIAN CASE

2020 ◽  
Vol 59 (1) ◽  
pp. 404-427
Author(s):  
Leticia Cesarino
Keyword(s):  
Social Media ◽  
Public Sphere ◽  
Discourse Markers ◽  
Online Ethnography ◽  
The Public ◽  
The Past ◽  
Making Sense ◽  
The Public Sphere ◽  
Key Aspects ◽  
And Linguistics

ABSTRACT In the past decade or so, populism and social media have been outstanding issues both in academia and the public sphere. At this point, evidence from multiple countries suggest that perceived parallels between the dynamics of social media and the mechanics of populist discourse may be more than just incidental, relating to a shared structural field. This article suggests one possible path towards making sense of how the dynamics of social media and the mechanics of populist mobilization have co-produced each other in the last decade or so. Navigating the interface between anthropology and linguistics, it takes key aspects of Victor Turner’s notion of liminality to suggest some of the ways in which social media’s anti-structural affordances may help lay a foundation for the contemporary flourishing of populist discourse: markers of social structure are suspended; communitas is formed; the culture core is addressed; mimesis and anti-structural inversions are performed; subjects become influenceable. I elaborate on this claim based on Brazilian materials, drawn from online ethnography on pro-Bolsonaro WhatsApp groups and other platforms such as Twitter and Facebook since 2018.

scholarly journals AUTORITA’ AND AUTOREVOLEZZA: EXPLAINING CONTESTATIONS BETWEEN POLITICAL AND RELIGIOUS LEADERS IN THE AGE OF THE NEW MEDIA

2011 ◽  
Vol 5 (1) ◽  
pp. 17-38
Author(s):  
Walter C. Ihejirika
Keyword(s):  
New Media ◽  
Public Sphere ◽  
The State ◽  
Political Connection ◽  
Religious Leaders ◽  
Political Leaders ◽  
African Countries ◽  
Material Wealth ◽  
The Public ◽  
The Public Sphere

In many African countries, since the nineties, there is a subtle contest going on between religious and political leaders. At the heart of this contest is what Rosalind Hackett described as the redefinition of the categories of power and status, which cease to be primarily tied to material wealth or political connection, but rather to spiritual authority and revelation. This is a struggle for the hegemonic control of the society in the Gramscian sense of the term. While political leaders may use the coercive arms of the state – military might as well as their control of the financial resources of the state to impose their authority, religious leaders on the other hand assume the posture of moral icons, personalities endowed with superior knowledge based on divine revelation. As these contestations are played out in the public sphere, the way the leaders are able to portray themselves to their public will determine their followership. This explains the importance of mediation in the process of politico-religious contestations. In the eyes of the public, political leaders have the physical or raw power - the Italian concept of autorita; while the religious leaders have the moral power - autorevolezza. This paper uses these concepts as metaphors to present a general explanation of how the contestation between religious and political leaders plays out in the public sphere of the new media

Père Trump

October ◽  
2017 ◽  
Vol 159 ◽  
pp. 3-6
Author(s):  
Hal Foster
Keyword(s):  
Social Media ◽  
Public Sphere ◽  
Print Culture ◽  
Theoretical Concepts ◽  
Fourth Estate ◽  
The Public ◽  
Higher Power ◽  
The Face ◽  
The Law ◽  
The Public Sphere

In the face of Trumpism and its peculiar mix of the buffoonish and the lethal, Foster suggests that we “pump up” past theoretical concepts by raising them to a higher degree. Social media, for example, could thereby be considered the “fifth estate,” a force that outdoes the “fourth estate” of journalistic media and thereby evacuates the last residues of the public sphere that, over fifty years ago, Jürgen Habermas associated with the advent of print culture. Peter Sloterdijk's notion of cynical reason, too, must be raised to a higher power in order to comprehend the Trumpist mentality; perhaps in this post-truth era, we should speak instead of “noncynical unreason”? And while the concept of the “primal father” is so outrageous that it cannot be inflated, Foster argues, it is one that we must grapple with in the face of a figure who, like Freud's figure, embodies the law and simultaneously performs its transgression.

In and out of Othello

2021 ◽  
Vol 5 (1) ◽  
pp. 137-148 ◽  
Author(s):  
Poonam Trivedi
Keyword(s):  
Public Sphere ◽  
Film Industry ◽  
The State ◽  
Self Determination ◽  
Politics Of Identity ◽  
The Public ◽  
Award Winning ◽  
The Public Sphere ◽  
Indian Adaptation

Othello has been the play that seems to speak to current issues of racism and sexism for the last couple of decades. Recent Indian productions have stretched its relevancies further, particularly addressing the politics of identity, of individual and state, of belonging and othering. The 2014 award-winning Assamiya film Othello (We Too Have Our Othellos) appropriates and radicalizes the main concerns of the play to embody and critique the movements for self-determination that continue to rage in the state. The article examines this unusual Indian adaptation of Shakespeare that locates the play directly within the public sphere of the politics of the state through its singular focus on Othello as an ‘outsider’ figure paralleled by other such figures of contemporary Assamese society. It will contextualize the discussion of this film, its production and positioning within the film industry of Assam and attempt to define the nature of its adaptation. It will also glance at its similarities with the earlier film In Othello (2003), which too connected Shakespeare and Assam to illustrate the volatile configurations of the outsider/insider status in contemporary India.

(Un)Liberated and Contested Narratives

2019 ◽  
pp. 334-347
Author(s):  
Bongani C Ndhlovu
Keyword(s):  
South Africa ◽  
Public Sphere ◽  
South African ◽  
Social Cohesion ◽  
Nation Building ◽  
The State ◽  
The Public ◽  
The Public Sphere ◽  
The Many ◽  
Contested Narratives

This chapter analyses the influence of the state in shaping museum narratives, especially in a liberated society such as South Africa. It argues that while the notion of social cohesion and nation building is an ideal that many South African museums should strive for, the technocratisation of museum processes has to a degree led to a disregard of the public sphere as a space of open engagement. Secondly, the chapter also looks at the net-effect of museums professionals and boards in the development of their narrative. It argues that due to the nature of their expertise and interests, and the focus on their areas of specialisation, museums may hardly claim to be representative of the many voices they ought to represent. As such, the chapter explores contestations in museum spaces. It partly does so by exploring the notion “free-spokenness” and its limits in museum spaces. To amplify its argument, the chapter uses some exhibitions that generated critical engagements from Iziko Museums of South Africa.

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