‘The Money Was Real Money’: Talking with Audiences about Corruption, Domestic Violence and Aesthetic Values during the Roverman Festival of Plays at the Ghana National Theatre
This article is about audiences’ reactions to plays at the 2013–14 Roverman Festival of Plays at the Ghana National Theatre. Using a modified version of Willmar Sauter's ‘Theatre Talks’, questionnaires and participant observation, I sought to ascertain what audiences at this festival made of two of the plays presented to them:What's My Name?andThe Day Dad Came. Audiences identified and discussed endemic corruption and domestic violence in ways that showed their keen engagement with and interpretation of the plays and their eagerness to take what was presented to them and make it their own. The discussion also reveals the audiences’ interest in the aesthetic qualities of the plays, which they shared in surprising detail. I argue that the personality of the director–playwright, Ebo Whyte, frames the audiences’ appreciation of the plays.