scholarly journals Wilder Penfield - Bioethicist

2014 ◽  
Vol 41 (2) ◽  
pp. 177-181 ◽  
Author(s):  
Cara L. Sedney ◽  
Mark Bernstein
Keyword(s):  
Medical Ethics ◽  
Ethical Dilemmas ◽  
Societal Implications ◽  
Biomedical Sciences ◽  
Unique Form ◽  
Ethical Problems ◽  
The Public ◽  
History Of ◽  
History Of Bioethics ◽  
The Impact

Bioethics is a new discipline which developed as modern medical and scientific breakthroughs surpassed the ability of traditional medical ethics to contend with unique ethical dilemmas. It evolved into an interdisciplinary discourse regarding the ethical and societal implications of medicine and the biomedical sciences. Wilder Penfield (1891–1976), celebrated neurosurgeon and neuroscientist, is rarely thought of as a “bioethicist,” and his mention in texts on the history of bioethics is little more than a footnote. However, he appears to have contributed to the field of bioethics in a number of ways: through his solutions to the ethical problems posed by the unique form of surgery he developed; through his recognition of the limitations of traditional medical ethics; through his involvement of the public and other disciplines in ethical discussions; and through the impact that his work still has today in the area of bioethics termed “neuroethics.”

New Wars and Their Visual Representation: Dead Bodies without Graves/Mourne

2020 ◽  
Vol 2 ◽  
pp. 1-18
Author(s):  
Tuncay Şur ◽  
Betül Yarar
Keyword(s):  
Social Media ◽  
Visual Representation ◽  
Human Beings ◽  
The Public ◽  
Photographic Images ◽  
War Photography ◽  
New Wars ◽  
The Social ◽  
History Of ◽  
The Impact

This paper seeks to understand why there has been an increase in photographic images exposing military violence or displaying bodies killed by military forces and how they can freely circulate in the public without being censored or kept hidden. In other words, it aims to analyze this particular issue as a symptom of the emergence of new wars and a new regime of their visual representation. Within this framework, it attempts to relate two kinds of literature that are namely the history of war and war photography with the bridge of theoretical discussions on the real, its photographic representation, power, and violence.  Rather than systematic empirical analysis, the paper is based on a theoretical attempt which is reflected on some socio-political observations in the Middle East where there has been ongoing wars or new wars. The core discussion of the paper is supported by a brief analysis of some illustrative photographic images that are served through the social media under the circumstances of war for instance in Turkey between Turkish military troops and the Kurdish militants. The paper concludes that in line with the process of dissolution/transformation of the old nation-state formations and globalization, the mechanism and mode of power have also transformed to the extent that it resulted in the emergence of new wars. This is one dynamic that we need to recognize in relation to the above-mentioned question, the other is the impact of social media in not only delivering but also receiving war photographies. Today these changes have led the emergence of new machinery of power in which the old modern visual/photographic techniques of representing wars without human beings, torture, and violence through censorship began to be employed alongside medieval power techniques of a visual exhibition of tortures and violence.

The Landscape of War and the Transformations of the Public Sphere

2019 ◽  
Vol 44 (2) ◽  
pp. 62-67
Author(s):  
Dijana Alic
Keyword(s):  
The European Union ◽  
Independent State ◽  
The Public ◽  
Time Space ◽  
History Of ◽  
The Public Sphere ◽  
Modern Warfare ◽  
The Impact ◽  
The City ◽  
Edward Soja

On 6 april 1992, the european union (eu) recognised bosnia and hercegovina as a new independent state, no longer a part of the socialist federal republic of Yugoslavia. The event marked the start of the siege of sarajevo, which lasted nearly four years, until late february 1996. It became the longest siege in the history of modern warfare, outlasting the leningrad enclosure by a year. During its 1425 days, more than 11,500 people were killed. The attacks left a trail of destruction across the city, which began to transform it in ways not experienced before. This paper explores how the physical transformation of sarajevo affected the ways in which meaning and significance were assigned to its built fabric. I argue that the changes imposed by war and the daily destruction of the city challenged long-established relationships between the built fabric and those who inhabited the city, introducing new modes of thinking and interpreting the city. Loosely placing the discussion within the framework of ‘Thirdspace', established by urban theorist and cultural geographer edward soja, i discuss the relationship that emerged between the historicality, sociality and spatiality of war-torn sarajevo. Whether responding to the impacts of physical destruction or dramatic social change, the nexus of time, space and being shows that the concept of spatiality is essential to comprehending the world and to adjusting to and resisting the impact of extraordinary circumstances. Recognising the continuation of daily life as essential to survival sheds light on processes of renewal and change in a war-affected landscape. These shattered urban spaces also show the ways in which people make a sense of place in relation to specific socio-historical environments and political contexts.

scholarly journals Does implicit healthcare rationing impose an unfair legal burden on doctors? A study of Portuguese jurisprudence

2020 ◽  
Vol 20 (1) ◽  
pp. 31-57
Author(s):  
Eva Dias Costa ◽  
Micaela Pinho
Keyword(s):  
Healthcare Professionals ◽  
Ethical Dilemmas ◽  
Burden Of Proof ◽  
Qualitative Approach ◽  
Public Records ◽  
The Public ◽  
Heavy Burden ◽  
Healthcare Rationing ◽  
The Impact ◽  
Made In

Healthcare rationing is inevitable, never more so than during the COVID-19 pandemic. In Portugal, rationing is largely implicit and relies too much on bedside decisions, made in stressful circumstances, involving ethical dilemmas and being prone to error. This study uses a qualitative approach by exploring the public records of Portuguese courts for malpractice suits between the years of 2008 and 2019 to ascertain whether the damage suffered by patients in these cases could in any part be attributed to a lack of resources. During this research, we found that a large number of lawsuits against doctors and hospitals might have in fact been the unfortunate result of the constraints of implicit prioritization. We concluded that lawyers and judges must be made aware of the impact of implicit rationing decisions on healthcare professionals, who are judged against a professional standard and an inverse onus rule that places on them a heavy burden of proof.

‘This Happens All the Time’: Organizations, Rationalization and Ethical Dilemmas in Engineering

2020 ◽  
Vol 34 (6) ◽  
pp. 985-1003
Author(s):  
Tracey L Adams
Keyword(s):  
Decision Making ◽  
Professional Practice ◽  
Public Interest ◽  
Ethical Dilemmas ◽  
Mixed Methods Study ◽  
Ethical Standards ◽  
Professional Misconduct ◽  
Ample Evidence ◽  
The Public ◽  
The Impact

Given their positions of public trust, regulated professions are legally required to uphold ethical standards, and ensure that professional practice protects the public. Nonetheless, there is ample evidence that professionals do not always behave ethically. One proposed solution is greater organizational surveillance; however, research from a neo-Weberian perspective encourages scepticism about such arguments. Organizations may not only fail to stop professionals from violating ethical codes, but rationalizing organizations might actively encourage such violations in the name of efficiency. This article explores the impact of organizations and rationalization on professional misconduct through a mixed-methods study of professional engineers in Ontario, Canada. Findings suggest engineers are impacted by rationalization, and that those with less decision-making authority experience pressures discouraging practice in the public interest.

Guide to the Revised CRCC Code of Ethics for the Rehabilitation Counselor

2001 ◽  
Vol 32 (4) ◽  
pp. 33-37 ◽  
Author(s):  
Lorie J. McQuade ◽  
Gerald C. Murray
Keyword(s):  
Private Practice ◽  
Code Of Ethics ◽  
Rehabilitation Counselors ◽  
Public And Private ◽  
Rehabilitation Counselor ◽  
The Public ◽  
History Of ◽  
The Impact

The purpose of this article is to discuss the most recent changes in the CRCC Code of Ethics (the Code), effective January 1,2002, from the perspective of practicing rehabilitation counselors. The authors present a collaborative view from both the public and private practice sectors. Selected changes in the Code, and the impact of those changes on practitioners are discussed. Questions for reflection are located at the conclusion of the article to stimulate the reader's thinking. A brief history of the development of the Code is also presented.

scholarly journals MODERNIST ARCHITECTURE, CONFLICT, HERITAGE AND RESILIENCE: THE CASE OF THE HISTORICAL MUSEUM OF BOSNIA AND HERZEGOVINA

2017 ◽  
Vol 11 (3) ◽  
pp. 178 ◽  
Author(s):  
Selma Harrington ◽  
Branka Dimitrijević ◽  
Ashraf M. Salama
Keyword(s):  
Bosnia And Herzegovina ◽  
Architectural Heritage ◽  
World War ◽  
World War 2 ◽  
The Public ◽  
Identity Narratives ◽  
History Of ◽  
Modernist Architecture ◽  
The Many ◽  
The Impact

Bosnia and Herzegovina is one of the successor states of former Yugoslavia, with a history of dramatic conflicts and ruptures. These have left a unique heritage of interchanging prosperity and destruction, in which the built environment and architecture provide a rich evidence of the many complex identity narratives.  The public function and architecture of the Historical Museum of Bosnia and Herzegovina, once purposely built to commemorate the national liberation in World War 2, encapsulates the current situation in the country, which is navigating through a complicated period of reconstruction and transformation after the war in 1990s. Once considered as the embodiment of a purist Modernist architecture, now a damaged structure with negligible institutional patronage, the Museum shelters the fractured artefacts of life during the three and a half year siege of Sarajevo. This paper introduces research into symbiotic elements of architecture and public function of the Museum. The impact of conflict on its survival, resilience and continuity of use is explored through its potentially mediatory role, and modelling for similar cases of reuse of 20th century architectural heritage. 

scholarly journals RAPID DATA COLLECTION FOR THE AUDIT OF MONUMENTS & MEMORIALS IN SOUTH AFRICA

2021 ◽  
Vol XLVI-M-1-2021 ◽  
pp. 313-320
Author(s):  
C. Jackson ◽  
M. Nkhasi-Lesaoana ◽  
L. Mofutsanyana
Keyword(s):  
South Africa ◽  
Public Space ◽  
Large Scale ◽  
National Audit ◽  
The Public ◽  
Funding Mechanism ◽  
History Of ◽  
Monuments And Memorials ◽  
The Impact ◽  
Roll Out

Abstract. The tradition of memorialising people and events through physical constructions such as statues and monuments like in many countries, has shaped the public space of a modern South Africa. Considering the colonial and apartheid history of South Africa, these physical markers, often uncontextualized, continue to maintain positions of prominence within the modern streetscape.Since the turn of the democratic era in South Africa, a pressing need has existed to assess the impact of the markers on the heritage landscape of the country. An endeavour made more difficult by a lack of a comprehensive inventory of these resources across the country.The National Audit of Monuments and Memorials (NAMM) was designed to address this gap through a full national survey of monuments and memorials, conducted under the auspices of a job creation stimulus package designed to create short term employment in the wake of the economic fallout from the Covid-19 pandemic. Undertaking this project under this funding mechanism required that all phases of the project be undertaken within a six-month period.The compressed timeframes associated with this project required an approach that could support a level of fluidity to address the challenges of undertaking a project of this nature, whilst ensuring that the data collected by field surveyors can be monitored and included in the inventory of the national estate in an effective manner.The aim of this paper is to discuss and showcase the tools and workflows used to roll out and manage the large-scale national audit of monuments and memorials across South Africa.

New Wars and Their Visual Representation: Dead Bodies without Graves/Mourne

2020 ◽  
Vol 7 (1) ◽  
pp. 57-76
Author(s):  
Tuncay Şur ◽  
Betül Yarar
Keyword(s):  
Social Media ◽  
Visual Representation ◽  
Human Beings ◽  
The Public ◽  
Photographic Images ◽  
War Photography ◽  
New Wars ◽  
The Social ◽  
History Of ◽  
The Impact

This paper seeks to understand why there has been an increase in photographic images exposing military violence or displaying bodies killed by military forces and how they can freely circulate in the public without being censored or kept hidden. In other words, it aims to analyze this particular issue as a symptom of the emergence of new wars and a new regime of their visual representation. Within this framework, it attempts to relate two kinds of literature that are namely the history of war and war photography with the bridge of theoretical discussions on the real, its photographic representation, power, and violence.  Rather than systematic empirical analysis, the paper is based on a theoretical attempt which is reflected on some socio-political observations in the Middle East where there has been ongoing wars or new wars. The core discussion of the paper is supported by a brief analysis of some illustrative photographic images that are served through the social media under the circumstances of war for instance in Turkey between Turkish military troops and the Kurdish militants. The paper concludes that in line with the process of dissolution/transformation of the old nation-state formations and globalization, the mechanism and mode of power have also transformed to the extent that it resulted in the emergence of new wars. This is one dynamic that we need to recognize in relation to the above-mentioned question, the other is the impact of social media in not only delivering but also receiving war photographies. Today these changes have led the emergence of new machinery of power in which the old modern visual/photographic techniques of representing wars without human beings, torture, and violence through censorship began to be employed alongside medieval power techniques of a visual exhibition of tortures and violence.

The Impact of Task Information Feedback on Ethical Reasoning

2006 ◽  
Vol 18 (1) ◽  
pp. 103-116 ◽  
Author(s):  
Dawn W. Massey ◽  
Linda Thorne
Keyword(s):  
Decision Making ◽  
Public Interest ◽  
Ethical Dilemmas ◽  
Ethical Reasoning ◽  
Accounting Students ◽  
Decision Making Process ◽  
Information Feedback ◽  
The Public ◽  
Cognitive Decision ◽  
The Impact

This study investigates whether task information feedback (TIF) promotes 84 auditors' and accounting students' use of higher ethical reasoning, thereby increasing their tendency to consider the public interest in the resolution of ethical dilemmas. TIF is a type of feedback in which subjects are provided with guidance about the cognitive decision-making process they should use. In our experiment, subjects used higher ethical reasoning to resolve audit dilemmas after receiving TIF than they did before receiving TIF. Accordingly, our findings suggest that TIF is effective in promoting higher ethical reasoning and thus increasing the tendency of practicing and aspiring auditors to consider the public interest when resolving ethical dilemmas.

Production

Saw ◽  
2011 ◽  
pp. 13-18
Author(s):  
Benjamin Poole
Keyword(s):  
Marketing Strategy ◽  
Horror Films ◽  
Full Length ◽  
The Public ◽  
Production History ◽  
History Of ◽  
Pain And Suffering ◽  
The Impact ◽  
Public Imagination

This chapter traces the production history of SAW (2004). The film was initially conceived and filmed as a short by its creators, James Wan and Leigh Whannell, in order to create a 'calling card' for potential backers. However, backers were suitably impressed, and the two received enough capital to expand SAW into a full-length cinema release. It is interesting to consider how such an apparently humble text as SAW, one that propagates such abject, extreme imagery, has caught the public imagination. Like other game-changing horror successes, SAW's budget was, by Hollywood standards, very low. However, low-budget successes are familiar to horror, with fans expectant of, and even encouraged by, a film's lowly roots. The distributors of SAW were quick to capitalise on the film's genre appeal. Lionsgate released the film, and every subsequent sequel, on the weekend before Halloween. This savvy marketing strategy imbued each film with the aura of an 'event' release. The impact of SAW on the genre industry is discernible in the extreme horror films that followed on from its success, films that emphasised their gory content and focused on themes of pain and suffering.

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