The idea of renewal in Girolamo Aleander’s conciliar thought

1977 ◽  
Vol 14 ◽  
pp. 175-186
Author(s):  
W. B. Patterson
Keyword(s):  
Sixteenth Century ◽  
Italian Renaissance ◽  
Catholic Reformation ◽  
Single Generation ◽  
Italian Culture ◽  
The Church

The climax of the Italian renaissance in the early sixteenth century merges almost imperceptibly and rather surprisingly with the beginnings of the catholic reformation. Within a single generation, it seems, religious and moral interests came to rival, or even to supplant, that interest in pagan antiquity which had long been the inspiration of Italian culture. The stages by which this transformation occurred have not been clearly defined, but the process can be seen at work in the case of one prominent humanist who decided to devote his career to the defence and then to the renewal of the church of Rome.

scholarly journals QU’EST-CE QUE RÉFORMER UNE RELIGION? L’EXEMPLE DE LA RÉFORME PROTESTANTE

2017 ◽  
Vol 49 (1) ◽  
pp. 41
Author(s):  
Pierre Gisel
Keyword(s):  
Sixteenth Century ◽  
Cultural Context ◽  
Protestant Reformation ◽  
Catholic Reformation ◽  
Radical Reformation ◽  
The Reformation ◽  
The Status ◽  
The Church ◽  
Over Time

RÉSUMÉ: L’article interroge ce qu’il en est de la Réforme protestante à l’enseigne de « Qu’est-ce que réformer une religion ? ». Cela suppose qu’on en examine le déploiement dans le temps et qu’on le fasse en fonction de quelques problématiques à élaborer. Au XVIe siècle, la Réforme protestante hérite d’une antécédence et s’en démarque, comme le font aussi la Réforme radicale et la Réforme catholique, chacune diWérente, mais chacune nouvelle et chacune déterminée par la donne socio-culturelle du temps. L’article revient sur la « scène primitive » de la Réforme, sur la structuration de l’Eglise, sur ce qui s’y modiZent du type de fondement mis en avant, du statut et des formes de la transcendance, des modalités d’articulation au séculier. Sur cet arrière-plan, l’article revisite les oppositions confessionnelles usuelles, interrogeant critiquement chacun des termes alors mis en avant. Il y souligne tout particulièrement une radicalité liée à la posture protestante, avec ses forces et ses risques. Il se termine enfin avec l’évocation de questions contemporaines s’inscrivant dans la suite de cette histoire.ABSTRACT: The article questions the Protestant Reformation under the guise of «What does it mean to reform a religion?» . This implies that its’ implementation over time be examined and that this be done while taking into consideration a few under lying problems. In the sixteenth century, the Protestant Reformation inherited antecedents and differentiated itself from them, as did the radical Reformation and the Catholic Reformation, each different, but each new and each determined by the socio-cultural context of the time. The article returns to the «primitive scene» of the Reformation, to the structuring of the Church, to the changes that are taking place in the type of foundation being put forward and to the status and forms of transcendence, models of articulation in secularity. On this background, the article revisits the usual confessional oppositions, critically interrogating each of the ideas presented. In particular, it points out the radicalness linked to the Protestant position, with its strengths and risks. It ends by evoking contemporary questions for the continuation of this event.

Spiritus, ecclesiae anima: Colet, Linacre, and a Galenic Mystical Body

Moreana ◽  
2014 ◽  
Vol 51 (Number 197- (3-4) ◽  
pp. 115-137
Author(s):  
Daniel Lochman
Keyword(s):  
Sixteenth Century ◽  
Medical Discourse ◽  
Social Contacts ◽  
Health Related ◽  
John Colet ◽  
The Church ◽  
The Ideal

John Colet knew Thomas Linacre for approximately three decades, from their mutual residence in Italy during the early 1490s through varied pedagogical, professional, and social contacts in and around London prior to Colet’s death in 1519. It is not certain that Colet knew Linacre’s original Latin translations of Galen’s therapeutic works, the first printed in 1517. Yet several of Colet’s works associate a spiritual physician—a phrase linked to Colet himself at least since Thomas More’s 1504 letter inviting him to London—with Paul’s trope of the mystical body. Using Galenic discourse to describe the “physiology” of the ideal mystical body, Colet emphasizes by contrast a diseased ecclesia in need of healing by the Spirit, who alone can invigorate the mediating “vital spirits” that are spiritual physicians—ministers within the church. Colet’s application of sophisticated Galenic discourse to the mystical body coincided with the humanist interest in Galen’s works evident in Linacre’s translations, and it accompanied growing concern for health related to waves of epidemics in London during the first two decades of the sixteenth century as well as Colet’s involvement in licensure of London physicians. This paper explores the implications of Colet’s adaptation of Galenic principles to the mystical body and suggests that Colet fostered a strain of medical discourse that persisted well into the sixteenth century.

The Grace of the Italian Renaissance

2020 ◽  
Author(s):  
Ita Mac Carthy
Keyword(s):  
Sixteenth Century ◽  
Visual Arts ◽  
Italian Renaissance ◽  
Social Harmony ◽  
Vittoria Colonna ◽  
The World ◽  
Changing World

‘Grace’ emerges as a keyword in the culture and society of sixteenth-century Italy. This book explores how it conveys and connects the most pressing ethical, social and aesthetic concerns of an age concerned with the reactivation of ancient ideas in a changing world. The book reassesses artists such as Francesco del Cossa, Raphael, and Michelangelo and explores anew writers like Castiglione, Ariosto, Tullia d'Aragona, and Vittoria Colonna. It shows how these artists and writers put grace at the heart of their work. The book argues that grace came to be as contested as it was prized across a range of Renaissance Italian contexts. It characterised emerging styles in literature and the visual arts, shaped ideas about how best to behave at court and sparked controversy about social harmony and human salvation. For all these reasons, grace abounded in the Italian Renaissance, yet it remained hard to define. The book explores what grace meant to theologians, artists, writers, and philosophers, showing how it influenced their thinking about themselves, each other and the world. It portrays grace not as a stable formula of expression but as a web of interventions in culture and society.

The Book of Common Prayer: A Guide

2020 ◽  
Author(s):  
Charles Hefling
Keyword(s):  
Sixteenth Century ◽  
Church Of England ◽  
The United States ◽  
History Of The Book ◽  
Book Of Common Prayer ◽  
Prayer Book ◽  
Corporate Worship ◽  
History Of ◽  
Common Prayer ◽  
The Church

This book surveys the contents and the history of the Book of Common Prayer, a sacred text which has been a foundational document of the Church of England and the other churches in the worldwide community of Anglican Christianity. The Prayer Book is primarily a liturgical text—a set of scripts for enacting events of corporate worship. As such it is at once a standard of theological doctrine and an expression of spirituality. The first part of this survey begins with an examination of one Prayer Book liturgy, known as Divine Service, in some detail. Also discussed are the rites for weddings, ordinations, and funerals and for the sacraments of Baptism and Communion. The second part considers the original version of the Book of Common Prayer in the context of the sixteenth-century Reformation, then as revised and built into the Elizabethan settlement of religion in England. Later chapters discuss the reception, revision, rejection, and restoration of the Prayer Book during its first hundred years. The establishment of the text in its classical form in 1662 was followed by a “golden age” in the eighteenth century, which included the emergence of a modified version in the United States. The narrative concludes with a chapter on the displacement of the Book of Common Prayer as a norm of Anglican identity. Two specialized chapters concentrate on the Prayer Book as a visible artifact and as a text set to music.

‘The healthe of my soule’

2018 ◽  
Author(s):  
Nicola Clark
Keyword(s):  
Sixteenth Century ◽  
Early Stage ◽  
The Reformation ◽  
The Family ◽  
Kinship Relations ◽  
Royal Supremacy ◽  
The Church

Throughout the sixteenth century and beyond, the Howards are usually described as religiously ‘conservative’, resisting the reformist impulse of the Reformation while conforming to the royal supremacy over the Church. The women of the family have played little part in this characterization, yet they too lived through the earliest stages of the Reformation. This chapter shows that what we see is not a family following the lead of its patriarch in religious matters at this early stage of the Reformation, but that this did not stop them maintaining strong kinship relations across the shifting religious spectrum.

The Invention of Papal History

2019 ◽  
Author(s):  
Stefan Bauer
Keyword(s):  
Catholic Reformation ◽  
History Writing ◽  
Historical Texts ◽  
The Past ◽  
History Of ◽  
Cultural Standards ◽  
Commissioned Works ◽  
The One ◽  
Late Renaissance ◽  
The Church

How was the history of post-classical Rome and of the Church written in the Catholic Reformation? Historical texts composed in Rome at this time have been considered secondary to the city’s significance for the history of art. The Invention of Papal History corrects this distorting emphasis and shows how history-writing became part of a comprehensive formation of the image and self-perception of the papacy. By presenting and fully contextualizing the path-breaking works of the Augustinian historian Onofrio Panvinio (1530–68), this book shows what type of historical research was possible in the late Renaissance and the Catholic Reformation. Historiography in this period by no means consisted entirely of commissioned works written for patrons; rather, a creative interplay existed between, on the one hand, the endeavours of authors to explore the past and, on the other hand, the constraints of patronage and ideology placed on them. This book sheds new light on the changing priorities, mentalities, and cultural standards that flourished in the transition from the Renaissance to the Catholic Reformation.

Mechanisms for Unity

2018 ◽  
Author(s):  
Samuel K. Cohn, Jr.
Keyword(s):  
Eighteenth Century ◽  
Sixteenth Century ◽  
Black Death ◽  
Men And Women ◽  
The Poor ◽  
Works Of Art ◽  
The Face ◽  
The Church

This chapter investigates changes in mentalities after the Black Death, comparing practices never before analysed in this context—funerary and labour laws and processions to calm God’s anger. While processions were rare or conflictual as in Catania and Messina in 1348, these rituals during later plagues bound communities together in the face of disaster. The chapter then turns to another trend yet to be noticed by historians. Among the multitude of saints and blessed ones canonized from 1348 to the eighteenth century, the Church was deeply reluctant to honour, even name, any of the thousands who sacrificed their lives to succour plague victims, physically or spiritually, especially in 1348: the Church recognized no Black Death martyrs. By the sixteenth century, however, city-wide processions and other communal rituals bound communities together with charity for the poor, works of art, and charitable displays of thanksgiving to long-dead holy men and women.

An Extraordinary Confession

2018 ◽  
Author(s):  
Michael P. DeJonge
Keyword(s):  
Sixteenth Century ◽  
Church Leaders ◽  
Religious Leaders ◽  
Church Members ◽  
Nazi Regime ◽  
Jewish Ancestry ◽  
The Church

If the church decides to seize the wheel, to speak the directly political word, Bonhoeffer writes, then the church will find itself in statu confessionis. This chapter examines the phrase status confessionis to shed further light on Bonhoeffer’s idea of the church’s directly political word (the concern of Chapter 7). The phrase originates in a sixteenth-century episode where the emperor, with help from accommodating religious leaders, forced changes in order and rites on the Lutheran churches. The phrase status confessionis came to be seen as the battle cry of those who resisted these changes, the gnesio-Lutherans. In adopting this language, Bonhoeffer identifies a parallel between the sixteenth century and 1933, when Hitler and the Nazi regime threatened to force changes in church order (especially concerning church members of Jewish ancestry) on the church with accommodation from church leaders.

Hymnody and Liturgy

2019 ◽  
pp. 491-506
Author(s):  
Jonathan Hehn
Keyword(s):  
Nineteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
North American ◽  
John Calvin ◽  
Church Of Scotland ◽  
Metrical Psalmody ◽  
History Of ◽  
The Church

This chapter outlines the history of Presbyterian worship practice from the sixteenth century to the present, with a focus on North American Presbyterians. Tracing both their hymnody and their liturgy ultimately to John Calvin, Presbyterian communions have a distinct heritage of worship inherited from the Church of Scotland via seventeenth-century Puritans. Long marked by metrical psalmody and guided by the Westminster Directory, Presbyterian worship underwent substantial changes in the nineteenth century. Evangelical and liturgical movements led Presbyterians away from a Puritan visual aesthetic, into the use of nonscriptural hymnody, and toward a recovery of liturgical books. Mainline North American and Scottish Presbyterians solidified these trends in the twentieth and twenty-first centuries; however, conservative North American denominations and some other denominations globally continue to rely heavily on the use of a worship directory and metrical psalmody.

Astrological Debates in Italian Renaissance Commentaries on Aristotle’s Meteorology

2019 ◽  
Vol 24 (4) ◽  
pp. 311-339
Author(s):  
Craig Martin
Keyword(s):  
Sixteenth Century ◽  
Natural Philosophy ◽  
Italian Renaissance

Abstract From the time of Albertus Magnus, medieval commentators on Aristotle regularly used a passage from Meteorology 1.2 as evidence that the stars and planets influence and even govern terrestrial events. Many of these commentators integrated their readings of this work with the view that planetary conjunctions were causes of significant changes in human affairs. By the end of the sixteenth century, Italian Aristotelian commentators and astrologers alike deemed this passage as authoritative for the integration of astrology with natural philosophy. Giovanni Pico della Mirandola, however, criticized this reading, contending that Aristotle never used the science of the stars to explain meteorological phenomena. While some Italian commentators, such as Pietro Pomponazzi dismissed Pico’s contentions, by the middle of the sixteenth century many reevaluated the medieval integration. This reevaluation culminated in Cesare Cremonini, who put forth an extensive critique of astrology in which he argued against the idea of occult causation and celestial influence, as he tried to rid Aristotelianism of its medieval legacy.

Sign in / Sign up

Export Citation Format

Share Document