‘Friends have no cause to be ashamed of being by others thought non-evangelical’: Unity and Diversity of Belief among early Nineteenth-Century British Quakers

1996 ◽  
Vol 32 ◽  
pp. 337-349
Author(s):  
Simon Bright

One of the most remarkable features in the history of British Quakerism is its ability rapidly to change its theological orientation — changing in succession from an outward looking mass movement, to an inward-looking sect, to an evangelical ecumenically-minded denomination, to a theologically liberal association of like-minded individuals. This paper considers the third of these transitions, the move from sectarianism to evangelicalism. This period of transition provides a useful case study of how the beliefs of a pan-denominational movement (in this case evangelicalism) interact with the existing beliefs of a sect (in this case the corpus of traditional Quaker beliefs known as Quietism). In this case study, particular attention will be focused on Joseph John Gurney (1788-1847), the individual most closely associated with the rise of evangelicalism within British Quakerism.

Author(s):  
Zachary Purvis

Abstract Dieser Beitrag untersucht die Entstehung und die Wirkung von Luther an unsere Zeit (1817), Karl Gottlieb Bretschneiders vielgelesenes Buch der Auszüge, als Fallstudie darüber, wie moderne wissenschaftliche Theologen und Herausgeber Luther gelesen, kommentiert und anderen Lesern vorgestellt haben: in diesem Beispiel als Rationalist. Das Buch war umstritten. Der Beitrag befasst sich auch mit zwei konkurrierenden Auswahlen von Luthers Schriften, die von den konservativeren Protestanten Friedrich Perthes und Hans Lorenz Andreas Vent sowie den ultramontanen Katholiken Nikolaus Weis und Andreas Räß als Antwort verfasst wurden. Es deutet darauf hin, dass eine stärkere Berücksichtigung solcher Zusammenstellungen und der Arbeitsmethoden der Compiler selbst – als Teil der kritischen Geschichte der Wissenschaft – sowohl unser Verständnis des tatsächlichen Einsatzes der Reformer und ihrer breiten Rezeption durch verschiedene Leser bereichern als auch neues Licht werfen wird über die Polemik des frühen neunzehnten Jahrhunderts. This article examines the creation and impact of Luther for Our Time (1817), Karl Gottlieb Bretschneider’s much-read book of excerpts, as a case study of how modern scientific theologians and editors read, annotated, and introduced Luther to other readers: in this instance as a rationalist. The book was controversial. The article also looks at two competing selections of Luther’s texts prepared in response by the more conservative Protestants Friedrich Perthes and Hans Lorenz Andreas Vent and the ultramontane Catholics Nikolaus Weis and Andreas Räß. It suggests that greater consideration of such compilations and the working methods of the compilers themselves – part of the critical history of scholarship – will both enrich our understanding of the actual use of reformers and their broad reception by various readers, as well as shed new light on the polemics of the early nineteenth century.


Author(s):  
Jens Meierhenrich

This chapter provides the legal and historical context necessary for appreciating the contribution of Fraenkel’s ethnography of Nazi law. I begin with a brief history of the idea of the Rechtsstaat in Germany. I trace the term’s evolution from its emergence in the early nineteenth century until 1933. In the second section I overview the most important Nazi critiques of the liberal Rechtsstaat, with a particular focus on the theoretical study of public law. The focus is on the major intellectual faultlines in the legal subfield of Staatsrechtslehre, from which Jewish protagonists were purged. In the third section, I focus on intellectual efforts inside the Nazi academy to “racialize” the Rechtsstaat, to bring it in line with the racial imaginary. The final section explains why, and when, the concept of Rechtsstaat was abandoned by legal theorists in the “Third Reich,” and the consequences for the practice of law.


2003 ◽  
Vol 30 (2) ◽  
pp. 299-316 ◽  
Author(s):  
Hans-JüRgen Lechtreck

Two early nineteenth century texts treating the production and use of wax models of fruit reveal the history of these objects in the context of courtly decoration. Both sources emphasise the models' decorative qualities and their suitability for display, properties which were not simply by-products of the realism that the use of wax allowed. Thus, such models were not regarded merely as visual aids for educational purposes. The artists who created them sought to entice collectors of art and natural history objects, as well as teachers and scientists. Wax models of fruits are known to have been collected and displayed as early as the seventeenth century, although only one such collection is extant. Before the early nineteenth century models of fruits made from wax or other materials (glass, marble, faience) were considered worthy of display because contemporaries attached great importance to mastery of the cultivation and grafting of fruit trees. This skill could only be demonstrated by actually showing the fruits themselves. Therefore, wax models made before the early nineteenth century may also be regarded as attempts to preserve natural products beyond the point of decay.


2015 ◽  
Vol 36-37 (1) ◽  
pp. 163-183
Author(s):  
Paul Taylor

John Rae, a Scottish antiquarian collector and spirit merchant, played a highly prominent role in the local natural history societies and exhibitions of nineteenth-century Aberdeen. While he modestly described his collection of archaeological lithics and other artefacts, principally drawn from Aberdeenshire but including some items from as far afield as the United States, as a mere ‘routh o’ auld nick-nackets' (abundance of old knick-knacks), a contemporary singled it out as ‘the best known in private hands' (Daily Free Press 4/5/91). After Rae's death, Glasgow Museums, National Museums Scotland, the University of Aberdeen Museum and the Pitt Rivers Museum in Oxford, as well as numerous individual private collectors, purchased items from the collection. Making use of historical and archive materials to explore the individual biography of Rae and his collection, this article examines how Rae's collecting and other antiquarian activities represent and mirror wider developments in both the ‘amateur’ antiquarianism carried out by Rae and his fellow collectors for reasons of self-improvement and moral education, and the ‘professional’ antiquarianism of the museums which purchased his artefacts. Considered in its wider nineteenth-century context, this is a representative case study of the early development of archaeology in the wider intellectual, scientific and social context of the era.


Author(s):  
Rachel Ablow

The nineteenth century introduced developments in science and medicine that made the eradication of pain conceivable for the first time. This new understanding of pain brought with it a complex set of moral and philosophical dilemmas. If pain serves no obvious purpose, how do we reconcile its existence with a well-ordered universe? Examining how writers of the day engaged with such questions, this book offers a compelling new literary and philosophical history of modern pain. The book provides close readings of novelists Charlotte Brontë and Thomas Hardy and political and natural philosophers John Stuart Mill, Harriet Martineau, and Charles Darwin, as well as a variety of medical, scientific, and popular writers of the Victorian age. The book explores how discussions of pain served as investigations into the status of persons and the nature and parameters of social life. No longer conceivable as divine trial or punishment, pain in the nineteenth century came to seem instead like a historical accident suggesting little or nothing about the individual who suffers. A landmark study of Victorian literature and the history of pain, the book shows how these writers came to see pain as a social as well as a personal problem. Rather than simply self-evident to the sufferer and unknowable to anyone else, pain was also understood to be produced between persons—and even, perhaps, by the fictions they read.


Author(s):  
Johannes Zachhuber

This chapter reviews the book The Making of English Theology: God and the Academy at Oxford (2014). by Dan Inman. The book offers an account of a fascinating and little known episode in the history of the University of Oxford. It examines the history of Oxford’s Faculty of Theology from the early nineteenth century to the middle of the twentieth. In particular, it revisits the various attempts to tinker with theology at Oxford during this period and considers the fierce resistance of conservatives. Inman argues that Oxford’s idiosyncratic development deserves to be taken more seriously than it often has been, at least by historians of theology.


Author(s):  
Sarah Collins

This chapter examines the continuities between the categories of the “national” and the “universal” in the nineteenth century. It construes these categories as interrelated efforts to create a “world” on various scales. The chapter explores the perceived role of music as a world-making medium within these discourses. It argues that the increased exposure to cultural difference and the interpretation of that cultural difference as distant in time and space shaped a conception of “humanity” in terms of a universal history of world cultures. The chapter reexamines those early nineteenth-century thinkers whose work became inextricably linked with the rise of exclusivist notions of nationalism in the late nineteenth century, such as Johann Gottfried Herder and John Stuart Mill. It draws from their respective treatment of music to recover their early commitment to universalizable principles and their view that the “world” is something that must be actively created rather than empirically observed.


Author(s):  
ULRICH MARZOLPH ◽  
MATHILDE RENAULD

Abstract The collections of the Royal Asiatic Society hold an illustrated pilgrimage scroll apparently dating from the first half of the nineteenth century. The scroll's hand painted images relate to the journey that a pious Shiʿi Muslim would have undertaken after the performance of the pilgrimage to Mecca. Its visual narrative continues, first to Medina and then to the Shiʿi sanctuaries in present-day Iraq, concluding in the Iranian city of Mashhad at the sanctuary of the eighth imam of the Twelver-Shiʿi creed, imam Riḍā (d. 818). The scroll was likely prepared in the early nineteenth century and acquired by the Royal Asiatic Society from its unknown previous owner sometime after 1857. In terms of chronology the pilgrimage scroll fits neatly into the period between the Niebuhr scroll, bought in Karbala in 1765, and a lithographed item most likely dating from the latter half of the nineteenth century, both of which depict a corresponding journey. The present essay's initial survey of the scroll's visual dimension, by Ulrich Marzolph, adds hitherto unknown details to the history of similar objects. The concluding report, by Mathilde Renauld, sheds light on the scroll's material condition and the difficulties encountered during the object's conservation and their solution.


Author(s):  
Susanne Wagini ◽  
Katrin Holzherr

Abstract The restorer Johann Michael von Hermann (1793–1855), famous in the early nineteenth century, has long fallen into oblivion. A recent discovery of his work associated with old master prints at the Staatliche Graphische Sammlung München has allowed a close study of his methods and skills as well as those of his pupil Ludwig Albert von Montmorillon (1794–1854), providing a fresh perspective on the early history of paper conservation. Von Hermann’s method of facsimile inserts was praised by his contemporaries, before Max Schweidler (1885–1953) described these methods in 1938. The present article provides biographical notes on both nineteenth century restorers, gives examples of prints treated by them and adds a chapter of conservation history crediting them with a place in the history of the discipline. In summary, this offers a surprising insight on how works of art used to be almost untraceably restored by this team of Munich-based restorers more than 150 years before Schweidler.


1947 ◽  
Vol 9 (2) ◽  
pp. 205-229 ◽  
Author(s):  
Waldemar Gurian

The history of the Catholic Church includes men who, after brilliant services to the Church, died outside her fold. Best known among them is Tertullian, the apologetic writer of the Early Church; less known is Ochino, the third vicar-general of the Capuchins, whose flight to Calvin's Geneva almost destroyed his order. In the nineteenth century there were two famous representatives of this group. Johann von Doellinger refused, when more than seventy years old, to accept the decision of the Vatican Council about papal infallibility. He passed away in 1890 unreconciled, though he had been distinguished for years as the outstanding German Catholic theologian. Félicité de la Mennais was celebrated as the new Pascal and Bossuet of his time before he became the modern Tertullian by breaking with the Church because Pope Gregory XVI rejected his views on the relations between the Church and die world. As he lay deathly ill, his niece, “Madame de Kertanguy asked him: ‘Féli, do you want a priest? Surely, you want a priest?’ Lamennais answered: ‘No.’ The niece repeated: ‘I beg of you.’ But he said with a stronger voice: ‘No, no, no.


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