INTEGRATING MUSIC INTO INTELLECTUAL HISTORY: NINETEENTH-CENTURY ART MUSIC AS A DISCOURSE OF AGENCY AND IDENTITY

2008 ◽  
Vol 5 (2) ◽  
pp. 309-331 ◽  
Author(s):  
JOHN E. TOEWS
Keyword(s):  
Nineteenth Century ◽  
Intellectual History ◽  
Classical Music ◽  
Art Music ◽  
Production Performance ◽  
German Speaking ◽  
History Of ◽  
The Individual ◽  
History Nineteenth Century ◽  
Agency And Identity

Few intellectual historians of nineteenth-century Europe would deny that the tradition of art music that evolved between the revolutionary watershed at the end of the eighteenth century and the international wars and domestic convulsions of the first half of the twentieth century—a body of musical works from Haydn and Mozart to Mahler and Strauss that has been passed down to us in canonized form as the “imaginary museum” of “classical music” —was an enormously significant dimension of European cultural and intellectual history, especially in German-speaking central Europe. In the territories of the German Confederation, the Kingdom of Prussia and the Habsburg Empire, and later in the German and Austro-Hungarian Empires, the production, performance and consumption of classical music was not just an important element in the history of aesthetic and cultural forms but also a privileged site for imagining and enacting the organization of individuals into historical subjects (the Bildung of modern individuals) and for the integration of individuals into collectivities through processes of subjective identification. Broad interest in the relations between agency and identity among historians, including European intellectual historians, should have drawn many of them, one would have thought, toward investigation of the ways the cultural work undertaken by music was connected to, and interacted with, the cultural role of the textual and visual arts, or of how musical performance and experience helped European individuals organize and perform their self-activity and self-consciousness in relation to the past, to other individuals within the networks of communal relations, and to the transcendent. The history of music would appear to be critical for understanding historical experiences of the relations between memory and expectation at both the individual and communal levels.

Nineteenth Century Perspectives on Private International Law

2018 ◽  
Author(s):  
Roxana Banu
Keyword(s):  
Nineteenth Century ◽  
International Law ◽  
Intellectual History ◽  
Global Justice ◽  
Theoretical Perspective ◽  
Private International Law ◽  
Public And Private ◽  
Analytical Foundation ◽  
History Of ◽  
The Individual

This book seeks to demonstrate that contrary to conventional histories of the discipline, various nineteenth-century writings on Private International Law (PrIL), which focused on the individual, rather than the state, adopted an account of the individual as social and relationally constituted. The book dispels two common assumptions about the nineteenth-century intellectual history of the field: first all individual- and private-law-centered perspectives were overly liberal and individualistic; and second, the association between public and private international law enabled the latter to focus on global public goods and global justice generally. By contrast, the book shows that while many nineteenth-century theories focused on the relationship between public and private international law injected much of the formalism and alleged neutrality of today’s private international law, several individual-centered perspectives adopted a relational, rather than individualistic image of the individual. By recovering academic debates in private international law between the mid-nineteenth to the mid-twentieth century, the book traces how this “relational internationalist” perspective was misunderstood and eventually disappeared from the memory of the field. Through a detailed analysis of the writings of the three main protagonists of the “relational internationalist” perspective, namely Joseph Story, Carl von Savigny, and Josephus Jitta, the book recovers the analytical foundation of this theoretical perspective with respect to rights, legitimate authority, and the cosmopolitan dimensions of private international law.

Victorian Pain

2017 ◽  
Author(s):  
Rachel Ablow
Keyword(s):  
Nineteenth Century ◽  
Victorian Literature ◽  
Social Life ◽  
Charles Darwin ◽  
Harriet Martineau ◽  
The Status ◽  
History Of ◽  
The Individual ◽  
Natural Philosophers ◽  
First Time

The nineteenth century introduced developments in science and medicine that made the eradication of pain conceivable for the first time. This new understanding of pain brought with it a complex set of moral and philosophical dilemmas. If pain serves no obvious purpose, how do we reconcile its existence with a well-ordered universe? Examining how writers of the day engaged with such questions, this book offers a compelling new literary and philosophical history of modern pain. The book provides close readings of novelists Charlotte Brontë and Thomas Hardy and political and natural philosophers John Stuart Mill, Harriet Martineau, and Charles Darwin, as well as a variety of medical, scientific, and popular writers of the Victorian age. The book explores how discussions of pain served as investigations into the status of persons and the nature and parameters of social life. No longer conceivable as divine trial or punishment, pain in the nineteenth century came to seem instead like a historical accident suggesting little or nothing about the individual who suffers. A landmark study of Victorian literature and the history of pain, the book shows how these writers came to see pain as a social as well as a personal problem. Rather than simply self-evident to the sufferer and unknowable to anyone else, pain was also understood to be produced between persons—and even, perhaps, by the fictions they read.

Authoritarianism in Modern Germany History

2018 ◽  
Vol 51 (1) ◽  
pp. 90-95
Author(s):  
Michael Meng
Keyword(s):  
Intellectual History ◽  
Central Europe ◽  
German History ◽  
Nation State ◽  
Global History ◽  
Global Issues ◽  
Modern Germany ◽  
German Speaking ◽  
History Of

Why study the history of modern German-speaking Central Europe? If pressed to answer this question fifty years ago, a Germanist would likely have said something to the effect that one studies modern German history to trace the “German” origins of Nazism, with the broader aim of understanding authoritarianism. While the problem of authoritarianism clearly remains relevant to this day, the nation-state-centered approach to understanding it has waned, especially in light of the recent shift toward transnational and global history. The following essay focuses on the issue of authoritarianism, asking whether the study of German history is still relevant to authoritarianism. It begins with a review of two conventional approaches to understanding authoritarianism in modern German history, and then thinks about it in a different way through G. W. F. Hegel in an effort to demonstrate the vibrancy of German intellectual history for exploring significant and global issues such as authoritarianism.

scholarly journals VIRTUE LANGUAGE IN NINETEENTH-CENTURY ORIENTALISM: A CASE STUDY IN HISTORICAL EPISTEMOLOGY

2015 ◽  
Vol 14 (3) ◽  
pp. 689-715 ◽  
Author(s):  
HERMAN PAUL
Keyword(s):  
Nineteenth Century ◽  
Intellectual History ◽  
Present Article ◽  
Relative Importance ◽  
Historical Epistemology ◽  
Detailed Case ◽  
Thought Pattern ◽  
History Of ◽  
Dependency Relations

Historical epistemology is a form of intellectual history focused on “the history of categories that structure our thought, pattern our arguments and proofs, and certify our standards for explanation” (Lorraine Daston). Under this umbrella, historians have been studying the changing meanings of “objectivity,” “impartiality,” “curiosity,” and other virtues believed to be conducive to good scholarship. While endorsing this historicization of virtues and their corresponding vices, the present article argues that the meaning and relative importance of these virtues and vices can only be determined if their mutual dependencies are taken into account. Drawing on a detailed case study—a controversy that erupted among nineteenth-century orientalists over the publication of R. P. A. Dozy'sDe Israëlieten te Mekka(The Israelites in Mecca) (1864)—the paper shows that nineteenth-century orientalists were careful to examine (1) the degree to which Dozy practiced the virtues they considered most important, (2) the extent to which these virtues were kept in balance by other ones, (3) the extent to which these virtues were balanced by other scholars’ virtues, and (4) the extent to which they were expected to be balanced by future scholars’ work. Consequently, this article argues that historical epistemology might want to abandon its single-virtue focus in order to allow balances, hierarchies, and other dependency relations between virtues and vices to move to the center of attention.

scholarly journals Insomnia and the late nineteenth-century insomniac: the case of Albert Kimball

2020 ◽  
Vol 10 (3) ◽  
pp. 20190074 ◽  
Author(s):  
Matthew Beaumont
Keyword(s):  
Nineteenth Century ◽  
Sleep Problems ◽  
Urban Society ◽  
Late Nineteenth Century ◽  
The Enlightenment ◽  
Victorian Period ◽  
The Usa ◽  
History Of ◽  
Late Nineteenth ◽  
The Individual

This article explores the emergence, in late nineteenth-century Britain and the USA, of the ‘insomniac’ as a distinct pathological and social archetype. Sleeplessness has of course been a human problem for millennia, but only since the late-Victorian period has there been a specific diagnostic name for the individual who suffers chronically from insufficient sleep. The introductory section of the article, which notes the current panic about sleep problems, offers a brief sketch of the history of sleeplessness, acknowledging the transhistorical nature of this condition but also pointing to the appearance, during the period of the Enlightenment, of the term ‘insomnia’ itself. The second section makes more specific historical claims about the rise of insomnia in the accelerating conditions of everyday life in urban society at the end of the nineteenth century. It traces the rise of the insomniac as such, especially in the context of medical debates about ‘neurasthenia’, as someone whose identity is constitutively defined by their inability to sleep. The third section, tightening the focus of the article, goes on to reconstruct the biography of one exemplary late nineteenth-century insomniac, the American dentist Albert Kimball, in order to illustrate the claim that insomnia was one of the pre-eminent symptoms of a certain crisis in industrial and metropolitan modernity as this social condition was lived by individuals at the fin de siècle .

scholarly journals Roland Barthes' "Text" and aleatoric music: Is "The birth of the reader" the birth of the listener?

Muzikologija ◽  
2002 ◽  
pp. 263-281 ◽  
Author(s):  
Joe Jeongwon ◽  
Hoo Song
Keyword(s):  
Performance Art ◽  
Classical Music ◽  
Music History ◽  
Art Music ◽  
Roland Barthes ◽  
Direct Access ◽  
Interesting Phenomenon ◽  
The Enlightenment ◽  
History Of ◽  
Compositional Control

The history of Western classical music and the development of its notational system show that composers have tried to control more and more aspects of their compositions as precisely as possible. Total serialism represents the culmination of compositional control. Given this progressively increasing compositional control, the emergence of chance music, or aleatoric music, in the mid-twentieth century is a significantly interesting phenomenon. In aleatoric music, the composer deliberately incorporates elements of chance in the process of composition and/or in performance. Consequently, aleatoric works challenge the traditional notion of an art work as a closed entity fixed by its author. The philosophical root of aleatoric music can be traced to post structuralism, specifically its critique of the Enlightenment notion of the author as the creator of the meaning of his or her work. Roland Barthes' declaration of "the death of the author" epitomizes the Poststructuralists' position. Distinguishing "Text" from "Work," Barthes maintains that in a "Text," meanings are to be engendered not by the author but by the reader. Barthes conceives aleatoric music as an example of the "Text," which demands "the birth of the reader." This essay critically re-examines Barthes' notion of aleatoric music, focusing on the complicated status of the reader in music. The readers of a musical Text can be both performers and listeners. When Barthes' declaration of the birth of the reader is applied to the listener, it becomes problematic, since the listener, unlike the literary reader, does not have direct access to the "Text" but needs to be mediated by the performer. As Carl Dahlhaus has remarked, listeners cannot be exposed to other possible renditions that the performer could have chosen but did not choose, and in this respect, the supposed openness of an aleatoric piece is closed and fixed at the time of performance. In aleatoric music, it is not listeners but only performers who are promoted to the rank of co-author of the works. Finally, this essay explores the reason why Barthes turned to music for the purpose of illustrating his theory of text. What rhetorical role does music play in his articulation of "Work" and "Text"? Precisely because of music's "difference" as a performance art, music history provides the examples of the lowest and the highest moments in Barthes' theory of text, that is, those of Work and Text. If, for Barthes, the institutionalization of the professional performer in music history demonstrates the advent of Work better than literary examples, the performer's supposed dissolution in aleatoric music is more liberating than any literary moments of Text. This is because the figure of music - as performance art-provides Barthes with a reified and bodily "situated" model of the Subject.

Von den Grenzen einer frühneuzeitlichen Biographie: Melchior Adams Vita Helii Eobani Hessi und ihre Quellen

Daphnis ◽  
2018 ◽  
Vol 46 (3) ◽  
pp. 345-426
Author(s):  
Klaus-Dieter Beims
Keyword(s):  
Intellectual History ◽  
German Speaking ◽  
History Of ◽  
Cultural World ◽  
Different Sources ◽  
Insight Into

Melchior Adam’s collection of biographies offers a unique insight into the intellectual history of the German-speaking cultural world from the late 15th century onwards. Using the Vita Helii Eobani Hessi as an example, this article examines the different sources available to Adam. Furthermore, the article analyses the selection and literary transformation of these sources in Adam’s biography. The image of Hessus in Adam’s main source already shows all the evidence of being just a construction; the essay examines if Adam is checking the construction in a critical manner or if he just accepts it. By comparing the sources that Adam used, the limits of the biography’s historical content are revealed.

The Conservative Animal: Bhudeb Mukhopadhyay and Colonial Bengal

2017 ◽  
Vol 76 (2) ◽  
pp. 363-381 ◽  
Author(s):  
Satadru Sen
Keyword(s):  
Nineteenth Century ◽  
Individual Subject ◽  
Education And Health ◽  
History Of ◽  
The Individual

This article examines the writings of the nineteenth-century Indian essayist Bhudeb Mukhopadhyay. Locating the writer within the history of colonial Bengal and a wider world of racial anxieties, it excavates the foundations of Indian conservatism outside the familiar terrain of anti-Muslim ressentiment. It argues that “traditionalist” conservatism in India was a transformative project that sought to intervene in the racial nature of a colonized people, focusing on the reordering of familiality, education, and health. Simultaneously liberating and constraining the individual subject, the interventions were expected to produce a population that, through engaging in a tense dialogue with Europe, could redefine its distinctive body of custom and also repair its perceived degenerative condition.

Islam without Europe

2018 ◽  
Author(s):  
Ahmad S. Dallal
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Intellectual History ◽  
Muslim World ◽  
Religious Knowledge ◽  
Islamic Thought ◽  
European Colonization ◽  
History Of ◽  
Definition Of ◽  
The Ganges

Replete with a cast of giants in Islamic thought and philosophy, Ahmad S. Dallal’s pathbreaking intellectual history of the eighteenth-century Muslim world challenges stale views of this period as one of decline, stagnation, and the engendering of a widespread fundamentalism. Far from being moribund, Dallal argues, the eighteenth century--prior to systematic European encounters--was one of the most fertile eras in Islamic thought. Across vast Islamic territories, Dallal charts in rich detail not only how intellectuals rethought and reorganized religious knowledge but also the reception and impact of their ideas. From the banks of the Ganges to the shores of the Atlantic, commoners and elites alike embraced the appeals of Muslim thinkers who, while preserving classical styles of learning, advocated for general participation by Muslims in the definition of Islam. Dallal also uncovers the regional origins of most reform projects, showing how ideologies were forged in particular sociopolitical contexts. Reformists’ ventures were in large part successful--up until the beginnings of European colonization of the Muslim world. By the nineteenth century, the encounter with Europe changed Islamic discursive culture in significant ways into one that was largely articulated in reaction to the radical challenges of colonialism.

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