Political Science in Real Time: Engaging the Middle East Policy Public

2016 ◽  
Vol 14 (1) ◽  
pp. 121-131 ◽  
Author(s):  
Marc Lynch

A decade ago, very few political scientists had either the opportunity or the incentive to engage with the political public in a direct, unmediated way. Today, there is a dense and eclectic ecosystem of political science and international relations-focused blogs and online publications, where good work can easily find an audience through social media. There are multiple initiatives dedicated to supporting academic interventions in the public sphere, and virtually every political or cultural magazine of note now offers a robust online section featuring commentary and analysis in which political scientists are well represented. This has transformed publication for a broader public from something exotic to something utterly routine. I discuss how these changes have affected individual scholars, the field of political science, and the political world with which we are engaged.

2013 ◽  
Vol 46 (02) ◽  
pp. 383-386
Author(s):  
Robert Farley

AbstractIn our efforts to make blogging an acceptable component of an academic career in political science, we ought not tame the practice of blogging beyond recognition. Multiple models exist under which blogging can contribute to the discipline of political science and through which political scientists can contribute to the public sphere.


Author(s):  
B. Babasanya ◽  
L. Ganiyu ◽  
U. F. Yahaya ◽  
O. E. Olagunju ◽  
S. O. Olafemi ◽  
...  

The issue of corruption in Nigeria has assumed a monumental dimension in such a way that it has become a household song and practice. Thus, adopting a rhetoric definition may not be appropriate instead a succinct description will suffice. The dimension of corruption is monumental because it started from pre-independence in the First republic with the first major political figure found culpable and investigated in 1944 and reach its peak recently with the evolvement of ‘godfatherism’ in the political landscape of the country. Therefore, corruption in Nigeria is more or less a household name. Using Social Responsibility Media Theory as a guide, this paper undertakes an examination of the right of the media to inform the public, serve the political system by making information, discussion and consideration of public affairs generally accessible, and to protect the rights of the individual by acting as watchdog over the governments. This discourse analysis is backed up with the presentation of documented materials on tracking corruption through the use of social media. Since the use of mainstream media only is disadvantageous owing to its demand-driven nature, social media stands as a veritable and result-orientated asset in tracking corruption across the public sphere. This paper found that complimented with mainstream media, social media and civic journalism have exposed corrupt tendencies of contractors and public office holders including the political class in the provision and handling of infrastructural development projects thereby make public officials accountable and create an open access to good governance.


2018 ◽  
Vol 41 (8) ◽  
pp. 1048-1068 ◽  
Author(s):  
Penelope Papailias

This essay addresses the user remediation and performative rematerialization of the 2015 photographs of 3-year-old Kurdish-Syrian refugee Alan Kurdi, as well as acts of concealing and deferring access to those images following intense public debate. This article shifts the frame of discussion from moral spectatorship to mediated witnessing and networked mourning in the context of contemporary affective publics. To speak of the memeification of Kurdi’s corpse-image is to underline the way repetition operates as a gesture of both inhabitation and differentiation by users who connect in this way to others and to the issue at hand. The Kurdi images, thus, were not so much observed by a global audience as produced by, and productive of, a massive, dispersed corporeal network. The conceptual figure of spectrality links the mediality and materiality of the dead body-image to contemporary necropolitics that dispossesses subjects, producing the ‘living death’ of the global precariat. If the public sphere is defined by prohibitions on grieving, conflicts regarding who views, mourns, and speaks for which dead bodies, although often ascribed to debased social media mores, tell us more about the political border of human and nonhuman that produces the revenant figure of the refugee haunting inhospitable and neoliberal, but nominally post-racial, Europe.


2015 ◽  
Vol 10 (4) ◽  
pp. 363-395
Author(s):  
Juan Luis Manfredi-Sánchez ◽  
Juan Antonio Sánchez-Giménez ◽  
Juan Pizarro-Miranda

Ideas fuel power, giving means, understanding and arguments to the public sphere. Think tanks are the most influential actors in creating and disseminating such ideas in the field of international relations. This article analyses the networks of relations among think tanks in order better to understand their nature and the ways in which they operate in a global reality, organized by geographical areas. The research method is by structural analysis, using raw data collected on Twitter. Most of the think tanks selected are those categorized by the gotothinktank.com study. The main conclusions are that English is the predominant language, that geography still matters in influencing ideas and that us-based think tanks lead the social media conversation.


2012 ◽  
Vol 10 (2) ◽  
pp. 385-396 ◽  
Author(s):  
Lisa Anderson

This article argues that the technological structure of the modern world has reshaped drastically the role of political scientists as purveyors of information. Only a few decades ago, scholars were still central to the development, collection and dissemination of knowledge. But the transformation in the availability of data due to the proliferation of social media and research engines creates a new environment in which scholars can no longer claim to be the erudite carriers of hard-to-get facts. In order to play a constructive role in this quickly changing setting, political scientists need to invent a new identity for themselves as active practitioners engaged in a dynamic dialogue with students and policymakers.


Author(s):  
Ratiba Hadj-Moussa

This chapter shows how the advent of satellite television in the Maghreb constitutes a historical turn that recomposes the Maghrebin public spheres. The existing duality between national and satellite televisions has produced a unique configuration where parallel, conflicting ideas and perspectives came into existence. These perspectives, which opposed most of the official discourses’ orientations, are conveyed in daily life practices and interactions, such as the streets and semipublic spaces, and relayed by social media. Hence, the understanding of the novel and complex realities of Maghrebi political public spheres requires that the ordinary practices be considered as spaces and moments of the political fabrics in the Maghreb.


2017 ◽  
Vol 44 (2) ◽  
pp. 192-211
Author(s):  
Lee Michael-Berger

The story of The Cenci’s first production is intriguing, since the play, based on the true story of a sixteenth-century Roman family and revolving around the theme of parricide, was published in 1819 but was denied a licence for many years. The Shelley Society finally presented it in 1886, although it was vetoed by the Lord Chamberlain, and to avoid censorship it had to be proclaimed as a private event. This article examines the political and social context of the production, especially the reception of actress’s Alma Murray’s rendition of Beatrice, the parricide, thus probing the ways in which The Cenci question was reframed, and placed in the public sphere, despite censorship. The staging of the play became the site of a political debate and the performance – an act of defiance against institutionalised power, but also an act of defiance against the alleged tyranny of mass culture.


Author(s):  
Tatsiana Chulitskaya ◽  
Irmina Matonyte ◽  
Dangis Gudelis ◽  
Serghei Sprincean

AbstractThe chapter explores the trajectories of the evolution of political science (PS) in four former Soviet Socialist Republics (Estonia and Lithuania, the Republics of Moldova and Belarus) after the USSR collapse. Departing from the premise that PS is appreciated as the science of democracy, the authors claim that its identity and autonomy are particularly important. Research shows that PS in these countries started from the same impoverished basis (“scientific communism”), but it soon took diverse trajectories and currently faces specific challenges. Democracy, pro-Western geopolitical settings and the shorter period of Sovietization contributed to the faster and more sustainable development of PS in two Baltic States. However, in Estonia, political developments have led to the retrenchment of PS and to downsize of universities’ departments and study programmes. In Lithuania, political scientists are very visible in the public sphere. In Moldova, its uncertain geopolitical orientation and a series of internal political conflicts have led to the weak identity of PS and questionable prospects for its further institutionalization. In authoritarian Belarus, PS as an academic discipline exists within a hostile political environment and under a hierarchical system of governance offering practically no degree of academic freedom.


2019 ◽  
Vol 5 (1) ◽  
pp. 109-127
Author(s):  
Luke Matthews

Heiner Goebbels’s works are examples of “postdramatic” theatre works that engage with the political by seeking to challenge socially ingrained habits of perception rather than by presenting traditional, literary-based theatre of political didacticism or agitation. Goebbels claims to work toward a “non-hierarchical” theatre in the contexts of his arrangement of the various theatrical elements, in fostering collaborative working processes between the artists involved, and in the creation of audience-artist relationships. In offering a reading of Goebbels’s “no-man show” Stifters Dinge, this paper seeks to situate Goebbels’s practice within a theoretical tradition that also encompasses Hannah Arendt’s deployment of the theatre as a metaphor for the public sphere. Within this analysis, I suggest, theatre can be seen to offer the possibility of a participatory democracy through its attention to disappearance and absence.


Sign in / Sign up

Export Citation Format

Share Document