Effects of Self-Monitoring on Processing of Self-Presentation Information

2016 ◽  
Vol 47 (3) ◽  
pp. 174-178 ◽  
Author(s):  
James M. Tyler ◽  
Peter O. Kearns ◽  
Miranda M. McIntyre

Abstract. Self-monitoring is a key element in interpersonal interactions, guiding how people monitor and adjust their social behavior. Compared to low self-monitors, high self-monitors are more sensitive to and use social cues to direct their self-presentations. However, little work has examined whether high self-monitors possess a heightened capacity to cognitively process self-presentation information. The goal of the current work is to address this question. After exposure to impression-related (vs. control) words, high (vs. low) self-monitors were faster to link positive (vs. neutral) traits to the self. The results show that high self-monitors have greater cognitive access to self-presentation information, a finding that has heretofore been absent from the literature.

2018 ◽  
Vol 120 ◽  
pp. 234-237 ◽  
Author(s):  
Christopher Marcin Kowalski ◽  
Radosław Rogoza ◽  
Philip A. Vernon ◽  
Julie Aitken Schermer

1988 ◽  
Vol 10 (3) ◽  
pp. 270-280 ◽  
Author(s):  
Stephen H. Boutcher ◽  
Lori A. Fleischer-Curtian ◽  
Scott D. Gines

This study was designed to examine the audience-pleasing and self-constructional aspects of self-presentation on perceived exertion. Subjects performed two 18-min sessions on a cycle ergometer at light, moderate, and heavy workloads, during which perceived exertion and heart rate were collected. Each subject participated in a male and female experimenter condition. Males reported significantly lower perceived exertion in the female experimenter condition at the heavy load, compared to the same load in the male experimenter condition. There were no other significant differences for males or females at any of the workloads in either condition. Responses on the Self-Monitoring Inventory were used to assign subjects to either a high or low self-construction group. Results indicated that high self-constructors recorded significantly lower perceived exertion, compared to low self-constructors, at the low and moderate workloads.


Human Arenas ◽  
2021 ◽  
Author(s):  
Johanna Lisa Degen ◽  
Andrea Kleeberg-Niepage

AbstractProfiles in the widely used phenomenon of mobile online dating applications are characteristically reduced to condensed information mostly containing one or a few pictures. Thus, these picture(s) play a significant role for the decision-making processes and success, supposedly holding vital meaning for the subjects. While profile pictures in social media are omnipresent and some research has already focused on these pictures, especially selfies, there has been little attention with regards to the actual self-presentation when mobile online dating. In this paper, we show the results of a reconstructive serial analysis of 524 mobile online dating profile pictures investigating how subjects present themselves in the context of a mobile online dating app. This context is highly specific and characterized by continuous and dichotomous judgments by (unknown) others, unseen competition, and permanent validation of the self. Despite the conceivable multitude of possible self-presentations, our analysis led to eight clear types of self-presentation. Contemplating on subject’s good reasons for presenting the self as one of many and not as varied and unique when mobile online dating, we refer to the discourse of the private self (Gergen, The saturated self: Dilemmas of identity in contemporary life, Basic Books, New York, 1991; Rose, Governing the soul: Shaping of the private self, Free Association Books, London, 2006) and to (Holzkamp, 1983. Grundlagen der Psychologie. Frankfurt a.M.: Campus.) concept of restrictive and generalized agency in a context of socially constituted norms.


Author(s):  
James M. Tyler ◽  
Katherine E. Adams

Self-presentation is a social influence tactic in which people engage in communicative efforts to influence the thoughts, feelings, and behaviors of others as related to the self-presenter. Despite theoretical arguments that such efforts comprise an automatic component, the majority of research continues to characterize self-presentation as primarily involving controlled and strategic efforts. This focus is theoretically challenging and empirically problematic; it fosters an exclusionary perspective, leading to a scarcity of research concerning automatic self-presentations. With the current chapter, we examine whether self-presentation involves an automatic cognitive mechanism in which such efforts spontaneously emerge, nonconsciously triggered by cues in the social environment.


1979 ◽  
Vol 5 (1) ◽  
pp. 73-76 ◽  
Author(s):  
Robert M. Arkin ◽  
William K. Gabrenya ◽  
Alan S. Appelman ◽  
Susan T. Cochran

1985 ◽  
Vol 57 (1) ◽  
pp. 287-294 ◽  
Author(s):  
Alan J. Dubinsky ◽  
Steven W. Hartley ◽  
Francis J. Yammarino

Boundary spanners have a unique organizational role which includes receiving and transmitting information across organization-environment interfaces. As a result, the self-monitoring (ability to perceive social cues and adjust behaviors to fit the situation) of boundary spanners may affect their performance and role perceptions. Data from a two-sample investigation of boundary spanners suggest that self-monitoring is not related to objective indicators of performance or role conflict but is positively associated with role ambiguity. Moreover, these results were not contingent on boundary spanners' job tenure.


Plaridel ◽  
2020 ◽  
Vol 17 (1) ◽  
pp. 253-284
Author(s):  
Jonalou Labor

Mobile dating applications have become self-presentation spaces and stages among the youth. In the search for romance and sexual relationships, young Filipinos create and act out pre and co-constructed selves that enable them to find dating partners. Using the musings and experiences of 50 Filipino young adults who have been using dating apps to search for love or lust, the study found that created mobile/ online selves or faces reflect presentation strategies that include the show of sincerity, dramatic execution of the role, use of personal front, maintenance of control over the information, mystification, idealization, and misrepresentation. The study concludes that self-presentations range from the authentic to the inauthentic portrayal of the self to advance motives and intents in the use of dating apps.


2021 ◽  
Vol 31 (3) ◽  
pp. 198-206
Author(s):  
Tatyana V. Veselkova ◽  

The analysis of the speech genre of self-presentation is performed within the anthropocentric approach to the language and speech. The study focuses on the self-presentation of non-philological students. The research is based on the comparative analysis of the papers of first year students and graduate students of the faculties of geography and of computer science and information technology, as well as of the Institute of physical education and sports of Saratov National Research State University. A multi-aspect analysis of student self-presentations revealed the main features of the speech genre of self-presentation. Among them are the most typical cognitive models (scenarios) of self-presentation which form the basis of the corresponding speech genre. In student papers, the speech genre of self-presentation often interacts with other speech genres: appeals, messages, and gratitude. First year students demonstrate a strategy that suggests an effort to please, to appear attractive to others. Graduate students present a strategy of self-promotion, trying to prove their professional competence. The analyzed papers show that the students demonstrate the awareness that effective self-presentation is based on verbal-logical and emotional-expressive elements of speech which act as the means of linguistic persuasion. The papers abound in clichés and set expressions containing elements of formal academic style.


2019 ◽  
Vol 59 (7) ◽  
pp. 1268-1281 ◽  
Author(s):  
Marta Nieto García ◽  
Pablo A. Muñoz-Gallego ◽  
Giampaolo Viglia ◽  
Óscar González-Benito

Online peer-to-peer platforms empower individual users and facilitate value-oriented exchanges. Personal profiles are the main point of contact with consumers on these platforms. Although individual sellers can use these profiles to market their own products, the optimal communication strategies that maximize their revenues remain uncertain. In line with construal-level theory, a self-presentation strategy that reduces social distance might increase sellers’ revenues. An empirical validation, based on 6,074 Airbnb listings, affirms that self-presentation that evokes social values leads to higher revenues. The length of the self-presentation also exerts a notable impact. Specifically, an inverted U-shaped effect on revenues reaches its peak at 424 words. This research has rich managerial implications, in that it demonstrates how sellers on peer-to-peer platforms can increase their revenues simply by emphasizing social values in their self-presentations.


2021 ◽  
Vol 8 (1) ◽  
pp. 22-40
Author(s):  
Burcu Korkmazer ◽  
Sander De Ridder ◽  
Sofie Van Bauwel

Young people’s self-presentations on Instagram often display considerate discourses on gender, reputation and (sexual) morality. Previous studies have explored how these discourses are embedded in cultural narratives, while overseeing the significance of visibility and visual storytelling cultures online. Using a Foucauldian Feminist approach, we explore how young people’s discourses reflect the visual performance of aesthetic and neoliberal subjectivities online. Through six groups of young people between thirteen and twenty years old, we investigate how the visibility afforded by Instagram affects the negotiations of young people on gender, reputation and sexual morality. We gave them the agency to create, narrate and reflect upon fictious social media profiles with ‘good’, ‘bad’ or ‘ideal’ self-presentations, using a discourse theoretical analysis to examine the visual artefacts, individual stories and group conversations. Our analysis shows that youth’s discourses on self-presentation are based on a dynamic relation between self-determination and self-monitoring. Ideal self-presentations are understood as self-determining performances of visual, aesthetic and neoliberal subjectivities, whereas bad self-presentations are often negotiated as self-monitoring performances regarding sexual morality.


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