The pragmatics of captatio benevolentiae in the Cely letters

2002 ◽  
Vol 3 (2) ◽  
pp. 253-272 ◽  
Author(s):  
Teresa Sanchez Roura

This paper treats the rhetorical strategy of securing the addressee’s goodwill, also known as captatio benevolentiae. Following the postulation in Brown and Levinson (1987), I examine its possible pragmatic properties and effect, and its politeness value in the face wants of the addressees, taking into consideration the social distance and relative power of the correspondents. Captatio benevolentiae passages have been selected from the Cely Letters on the basis of their rhetorical properties, their intended use and also their position in the letter; captatio benevolentiae occurs not only at the beginning of the letter, as was traditionally dictated in the original ars dictaminis manuals, but also throughout the body of the text.

Lexicon ◽  
2019 ◽  
Vol 6 (1) ◽  
Author(s):  
Yemima Febriani ◽  
Sharifah Hanidar

This research aims to analyze the request strategies used in an American TV Series entitled Full House season 7 episodes 1-12. The main characters are family members from three different age groups (adult, teenager, and children). This research attempts to see if there is any difference on the choice of request strategies used by the three age groups. Blum-Kulka and Olshtain’s (1984) theory on request directness level is used to classify the requests. Relative power and social distance are also studied to see how they influence the characters in making their requests. The results show that mood derivable is the most frequent strategy used by all age groups. Specifically, direct request is highly used by the adult age groups. On the other hand, indirect request is mostly used by the younger age groups. The results also show that all age groups tend to use direct strategy when the social distance is negative. However, when the social distance is positive, the choice of strategy depends on the authority of the speaker.


2019 ◽  
Vol 5 (1) ◽  
pp. 54-73
Author(s):  
María C. Sampedro Mella

In this article we present the results of a contrastive analysis about the politeness strategies used in the expression of petitions in Castilian Spanish and European Portuguese. By using the DCT methodology, we have designed a questionnaire with petitions of different cost-benefit for the conversational partner and with variations relative to power and the social distance that exists between the participants. Once the data was gathered, we did a triple study about the differences in the expression of petitions: 1) between Spanish and Portuguese, 2) from the rank of imposition of the object and the petition, and 3) according to the social distance and the relative power of the participants. The results show that, although using different linguistic and politeness strategies, the expression of petitions is similar between Spanish and Portuguese speakers, although the latter take the social distance and the relative power of the hearer more into account than the Spanish speakers at the moment of choosing politeness forms.


2011 ◽  
Vol 55 (3) ◽  
pp. 289-294 ◽  
Author(s):  
Roger Cooter

The ‘death’ of the social history of medicine was predicated on two insights from postmodern thinking: first, that ‘the social’ was an essentialist category strategically fashioned in the course of the nineteenth and twentieth centuries; and second, that the disciplines of medicine and history-writing grew up together, the one (medicine) seeking to objectify the body, the other (history-writing) seeking to objectify the past. Not surprisingly, in the face of these revelations, historians of medicine retreated from the critical and ‘big-picture’ perspectives they entertained in the 1970s and 1980s. Their political flame went out, and doing the same old thing increasingly looked more like an apology for, than a critical inquiry into, medicine and its humanist project. Unable to face the present, let alone the future, they retreated from both, suffering the same paralysis of will as other historians stymied by the intellectual movement of postmodernism. Ironically, this occurred (occurs) at a moment when ‘medicine’ – writ large to include the biosciences and biotechnology – could easily be said to be the most relevant and compelling subject for understanding contemporary life and politics (global, local, and individual) and, as such, the place to justify the practice of history-writing as a whole. God knows, legitimacy has never been more urgent. But how can this be effected? Political action seems more likely than prayer. But let us begin by reviewing the nature of the problem that demands this response.


2020 ◽  
Vol nr specjalny 1(2020) ◽  
pp. 121-149 ◽  
Author(s):  
Monika Kardasz ◽  

The article is an attempt to interpret a hardly known collection of poems by Walenty Bartoszewski, a Jesuit in Vilnius, published in reaction to the outbreak of the plague in Vilnius in the years 1629–1632, which constitutes the testimony of increased religiousness in the face of an epidemic. In the article, the author of the collection is presented, as well as his poetic oeuvre. Also, a brief description of the social background of those events is given. Then, other texts from the 16th–18th centuries, concerned with the topic of the epidemic are characterized. They include sermons, secular works, religious songs and prayers. The main part of the article is devoted to the interpretation of the collection by Bartoszewski in the context of the most important aspects of the volume „Bezoar z łez ludzkich czasu powietrza morowego” [Bezoar of Human Tears Shed at the Time of the Plague], which include: the manifestation of religiousness at the beginning of the 18th century, the realities of the epidemic depicted in lyrics, the vision of God and Christ, ways of protecting the faithful against the plague, and the intercession of the Mother of God.


2018 ◽  
Vol 35 (5) ◽  
pp. 70-74
Author(s):  
N. I. Khramtsova ◽  
S. A. Plaksin ◽  
T. M. Lebedeva ◽  
M. A. Ens ◽  
O. S. Belyakova

Aim. To determine the availability of social networks for involvement of clients in the sphere of esthetic surgery. Materials and methods. The data of a social group from The Clinic of Esthetic Surgery “EstMed” in the social network vkontakte were analyzed. Results. The number of subscribers was 533, the main contingent – women aged 25 to 44 years; 48 % of users look through the group posts by means of mobile devices. The participants of this group were not satisfied with the form and dimension of their breast, pendulous abdomen, wrinkles on the face, “ears” on the femurs and form of buttocks; 95 % voted for plastic surgery as an appropriate way to fight with aging. Most subscribers were ready for surgery; 50 % of interrogated persons consider psychologist’s consultation to be necessary. The greatest number of persons consider buttocks, breast and legs to be the most sexual part of the body. One third of the questioned persons have breast size number one, but the majority of interrogated persons consider that men prefer breast size number three. Posts, containing jokes, arouse the greatest interest, information not concerned with the subject matter of the group – the least. Conclusions. When used professionally, social networks can be a strong instrument to involve clients.


First Monday ◽  
2019 ◽  
Author(s):  
Jacquelyn Burkell ◽  
Chandell Gosse

In the last year and a half, deepfakes have garnered a lot of attention as the newest form of digital manipulation. While not problematic in and of itself, deepfake technology exists in a social environment rife with cybermisogyny, toxic-technocultures, and attitudes that devalue, objectify, and use women’s bodies against them. The basic technology, which in fact embodies none of these characteristics, is deployed within this harmful environment to produce problematic outcomes, such as the creation of fake and non-consensual pornography. The sophisticated technology and metaphysical nature of deepfakes as both real and not real (the body of one person, the face of another) makes them impervious to many technical, legal, and regulatory solutions. For these same reasons, defining the harm deepfakes causes to those targeted is similarly difficult and very often targets of deepfakes are not afforded the protection they require. We argue that it is important to put an emphasis on the social and cultural attitudes that underscore the nefarious use of deepfakes and thus to adopt a more material-based approach, opposed to technological, to understanding the harm presented by deepfakes.


2020 ◽  
Vol 7 ◽  
pp. 1-16
Author(s):  
Leandro Olegário ◽  
Heidy Vargas

This article maps elements of laboratory production of the ESPM no Ar newscast conducted by ESPM / SP during the pandemic period of the new coronavirus. The context of remote education promoted the integrated work of subjects from the Journalism courses in São Paulo, Porto Alegre andRio de Janeiro in a program shown live. The case study is adopted as methodology in order to observe aspects of the construction of the informative audiovisual product in the light of the changes stressed by technology and media convergence. Changes in the production routine and changesin the teacher-student learning relationship are identified in the face of the social distance and entirely online classes.


2019 ◽  
Vol 22 (9-10) ◽  
pp. 29-36
Author(s):  
Г. І. Савонова

The article examines the role of value conglomerate currents in sections of willing machines inthe philosophy of G. Deleuze and F. Guattari. The movement and current of value conglomeratesthrough the person turned away from God is refined and formed. Accordingly, the essence of theconcepts introduced by the philosophers of the «wanting machine» and «body without organs»is clarified. It is noted that the specificity of the terminological apparatus of the collaborationof philosophers is built on the defined ontological plane of diversity and the dichotomouscontradiction of mental and schizoid judgments, where meaning loses the usual forms of logicand is replaced by singularities. The dichotomy of singularities was developed by G. Deleuzein the treatise «The Logic of Meaning», during the study of planes of meaning in the worksof L. Carroll. It is established that the desiring machine becomes the presentation of the basiccomponent of the person - as an organism, mental thinking and unconscious consumption. Havingthe constituent organs of activity, a person is unconsciously formed into a willing machine, thatis, a person moves at will, which is modeled in his instructions for using his own organism. It isnoted that the machine that desires is not just a symbiosis of spare parts, which can be noticed inthe philosophy of G. Deleuze and F. Guattari in the first place, but is a machine that constantlydesires, even when something sucks in itself. Desire pushes the machine to interconnect withother machines, so it becomes a slave of its own desires, and the range of these desires expandsand then narrows like a pendulum oscillation. The desires themselves are irresistible, so someof them are controlled by capitalism and psychiatry through the structure of a society of control,digitization and detritorialization. It is the machines that desire to do everything by the body, butit causes the body to suffer, because the body is already a concept of docking, levers, standards ofconnection, moral regulators of the superconscious. It is determined that the body without organscomes into conflict with the wanting machine, because the body searches for the cause of sufferingin the presence of organs, and therefore removes them, becomes sterile. However, philosopherspoint to the constant repetition of motions not only of the desiring machine, but also of the bodywithout organs: decipherment returns to digitization, the body being filled by the organs of desire.The processes of constant return are deteritized by capitalism. Value conglomerates themselvescombine into the horrible twin of God and the devil, good and evil. The minority replaces themajority. An example of the metamorphosis of a minority homosexual into the majority of LGBTpeople is given. It is stated that the most valuable conglomerates are embedded in the ontologicalmetamorphosis, not in the dualism of the pairs of good and evil. The values themselves are definedas the lines of cutting a person through the pendulum movements of the jacket of good and evil,and therefore, as such, they are not internal to the wanting machine. The model of movement ofthe flows of value conglomerates, which is represented as a continuous cutting of the lines of thegood and evil desires of passive thinking machines, driven into the judgment of the social systemby the method of psychoanalytic compulsion, is defined. In this model, the face of God is alwaysturned away from man, and the desire of man crosses God as if sewing him to his own judgment.


Author(s):  
Yelena Baraz

This chapter examines the preface as an interactive process, a journey during which the author strives to win over the reader so as to obtain a favorable reception for his text before the reader actually encounters the body of the work. It considers the importance of Cicero’s insertion of his project into the social institution of amicitia and the way in which texts associated with circles of amicitia establish relations between an author and his readers. It also discusses Cicero’s invoking of tradition in the form of quotations, allusions, and the choice of dialogue characters. To illustrate Cicero’s overall rhetorical strategy and to reconstruct the step-by-step progression that he creates for the ideal reader approaching his work, the chapter offers a reading of the prefaces to Topica and De Senectute.


Dancing Women ◽  
2020 ◽  
pp. 59-90
Author(s):  
Usha Iyer

Chapter 2 develops a body-space-movement framework that studies the spaces of dance, the movement vocabularies used, and the resulting construction of star bodies. This framework uncovers the production processes behind the fetishized space of the Hindi film cabaret, an “architecture of public intimacy,” whose spatial and choreographic operations arouse intense sensorial stimulation. Through a focus on cabaret numbers featuring the dancing star Helen, this chapter discusses the cine-choreographic practices that produce a collision of infrastructures, bodies, and spaces. The body-space-movement framework is also employed to analyze film dance in relation to Indian “classical” and “folk” dance forms. Borrowing from Indian performance treatises like the Natya Shastra and Abhinaya Darpana, this chapter deconstructs the dancing female body into three broad zones—the face, the torso, and the limbs—each of which is capable of a variety of addresses depending on the social connotations of those gestural articulations at certain historical moments.


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