Women’S Magazines, 1940-1960: Gender Roles and the Popular Press.

2000 ◽  
Vol 17 (2) ◽  
pp. 115-116
Author(s):  
Kathleen L. Endres
2000 ◽  
Vol 22 ◽  
pp. 61-84
Author(s):  
Süheyla Kırca

The category of “woman” has historically been used not only to locate but also to regulate women. Women's magazines were and are part of that process, as Beetham maintains: “[T]hey not only defined readers as ‘women,’ they sought to bring into being the women they addressed” (Beetham 1996, p. ix). Since femininity is always represented as something to be achieved in women's magazines, they provide a context through which women learn their gender roles in the process of becoming feminine. The notion of femininity is not fixed and stable; on the contrary, definitions are continually changing, as evidenced by the consumer discourses that redefined femininity in almost every decade of the twentieth century. These various representations of femininity are ultimately related to the politics of identity. Magazines are, therefore, significant sources in circulating collective meanings, recognizing diverse female subjectivities, and constructing sexual differences.


2002 ◽  
pp. 267-278
Author(s):  
Isidora Jaric

The main intention of the research is to retrospectively decode changes in mainstream construct of female gender roles within the period of ''developed self-management socialism'' (1970s), period of structural crisis of socialism (1980s) and post-socialist period of Serbian/Yugoslav society. The mainstream construct of female gender roles will be reconstruct from Serbian women's magazine 'Bazar''. Through the basic presumptions of theoretical framework the research will try to conceptualize theoretical approach which will correspond with co called 'new communicative research model' which will be capable to incorporate contemporary changes within the process of communication among the emitter and recipients in order to better understand the content of the message.


Author(s):  
Alexis Easley

This chapter examines conflicts between different generations of women in the late decades of the nineteenth century as played out in the popular press, including the burgeoning market for women’s magazines. It shows how print culture, including in new feminist magazines, constructed and then exploited divisions between the ‘old lady’, ‘new woman’ and ‘new girl’, often for the purposes of advertising new products. It shows how at this time the modern woman was represented in the periodical press as a consumer and advertising commodity, as a sensationalist figure of controversy, as well as a symbol of the new age.


Modern Italy ◽  
2017 ◽  
Vol 22 (3) ◽  
pp. 247-260 ◽  
Author(s):  
Rachel Haworth

Celebrity scandals are a useful tool to reveal the pervasiveness of expected ways of behaving within a particular culture or society. Italy of the early 1960s was particularly marked by these kinds of scandals, including that of singer Mina’s pregnancy by Corrado Pani in 1963. This article takes this scandal as a case study to explore how star image in this period in Italy was influenced by the established ideologies that governed social convention, morality, and traditional gender roles. It examines in detail the ways in which the popular press reported on this scandal, using the reports that covered the announcement of the pregnancy and then the birth to cast light on the extent to which the mainstream social values and ideas regarding the status quo and expected ways of behaving for women in Italy during the early 1960s were destabilised and/or reasserted through the star persona of Mina.


2021 ◽  
Author(s):  
◽  
Sophie Beaumont

<p>Women’s magazines have a role in constructing and defining what it means to be a woman. Deciphering messages in mediums specifically designed for women is therefore key to understanding what women may be learning about femininity. This thesis examines the depiction of women in women’s magazines, focussing on sexualisation and the portrayal of traditional gender roles. Traditional gender stereotypes and the sexual objectification of women are key mechanisms contributing to the subordinate position of women in society. This thesis argues that alongside their contributions to gender inequality, such depictions can also reinforce ideas that sustain rape culture with the latter referring to a climate where sexual violence is normalised and trivialised. By conducting a longitudinal content analysis (1975 –2015) of cover pages from New Zealand women’s magazines, this thesis investigates whether there are any changes in the level of sexualisation and depiction of traditional gender roles across prominent women’s magazines. The findings of this thesis indicate that overall there is a low level of sexualisation present in cover page images from women’s magazines, and significant differences exist both between publications as well as across the four decades of analysis. The depiction of traditional gender roles is consistent across the time period studied, and when such gender stereotypes are present they remove agency from women reducing them to ‘decorative’ objects within images. Messages suggesting women should be sexualised and decorative may reinforce ideas central to gender inequality, rape culture, and sexual violence against women. The implications of this thesis suggest that women’s magazines may not be a safe space for readers to celebrate their gender – rather, such publications may influence ideas that facilitate gender inequality.</p>


2020 ◽  
Vol 4 (Supplement_1) ◽  
pp. 324-324
Author(s):  
Ann O'Hanlon ◽  
Therese Mendez ◽  
Melissa Morrissette

Abstract Magazines and other media promote beauty standards and gender roles in feature articles and advertising. Publications present idealized images of women often in contrast to the average reader’s appearance. Analyses of such images suggest gender roles are reinforced through subtle cues embedded in hand gestures, eye gaze, head posture, and body position (Goffman, 1976). This study analyzed a recurrent feature in two different magazine presenting an idealized standard of aging to mature women. The first magazine, MORE, featured mature women, typically between the ages of 40 and 60, with the banner of “This is what (woman’s age) looks like.” MORE magazine is no longer in press, but another magazine, Women’s Day, began a similar recurrent column featuring a women between 40 and 60 with the title “Own Your Age—Yes, I am (women’s age).” Both features included copy describing the woman’s perspective on life and aging and a listing of specific beauty products that she uses. These features were analyzed as advertisements, because they promote a message about being a woman of a certain age and the specific products used to achieve that look. Three researchers coded 43 images from MORE magazine and 30 images from Woman’s Day for physical characteristics of aging and evidence of Goffman’s gender codes. Most photos presented women who appeared younger than their stated age. Images showed the presence of Goffman’s gender codes including feminine touch, ritualization of subordination, licensed withdrawal, and infantilization and were more prevalent in the MORE feature than Woman’s Day column.


2021 ◽  
Author(s):  
◽  
Sophie Beaumont

<p>Women’s magazines have a role in constructing and defining what it means to be a woman. Deciphering messages in mediums specifically designed for women is therefore key to understanding what women may be learning about femininity. This thesis examines the depiction of women in women’s magazines, focussing on sexualisation and the portrayal of traditional gender roles. Traditional gender stereotypes and the sexual objectification of women are key mechanisms contributing to the subordinate position of women in society. This thesis argues that alongside their contributions to gender inequality, such depictions can also reinforce ideas that sustain rape culture with the latter referring to a climate where sexual violence is normalised and trivialised. By conducting a longitudinal content analysis (1975 –2015) of cover pages from New Zealand women’s magazines, this thesis investigates whether there are any changes in the level of sexualisation and depiction of traditional gender roles across prominent women’s magazines. The findings of this thesis indicate that overall there is a low level of sexualisation present in cover page images from women’s magazines, and significant differences exist both between publications as well as across the four decades of analysis. The depiction of traditional gender roles is consistent across the time period studied, and when such gender stereotypes are present they remove agency from women reducing them to ‘decorative’ objects within images. Messages suggesting women should be sexualised and decorative may reinforce ideas central to gender inequality, rape culture, and sexual violence against women. The implications of this thesis suggest that women’s magazines may not be a safe space for readers to celebrate their gender – rather, such publications may influence ideas that facilitate gender inequality.</p>


2009 ◽  
Vol 23 (2) ◽  
pp. 77-84 ◽  
Author(s):  
Matthew C. Whited ◽  
Kevin T. Larkin

Sex differences in cardiovascular reactivity to stress are well documented, with some studies showing women having greater heart rate responses than men, and men having greater blood pressure responses than women, while other studies show conflicting evidence. Few studies have attended to the gender relevance of tasks employed in these studies. This study investigated cardiovascular reactivity to two interpersonal stressors consistent with different gender roles to determine whether response differences exist between men and women. A total of 26 men and 31 women were assigned to either a traditional male-oriented task that involved interpersonal conflict (Conflict Task) or a traditional female-oriented task that involved comforting another person (Comfort Task). Results demonstrated that women exhibited greater heart rate reactions than men independent of the task type, and that men did not display a higher reactivity than women on any measure. These findings indicate that sex of participant was more important than gender relevance of the task in eliciting sex differences in cardiovascular responding.


2000 ◽  
Vol 55 (9) ◽  
pp. 1022-1024 ◽  
Author(s):  
Wade E. Pickren
Keyword(s):  

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