Comparative media research: The world according to America

1988 ◽  
Vol 5 (2) ◽  
pp. 129-146 ◽  
Author(s):  
Hanno Hardt
Author(s):  
Wei Zhang ◽  
Cheris Kramarae

To further open the conversation about women's empowerment and global collaborations using new networking technologies, this chapter problematizes some prevalent ideas about creativity and social networking, notes suggested change that carry anti-feminist sentiments throughout the world, and suggests a number of ways that women and men can all benefit from an opening of queries about innovative ways of working together online. With the suggested expansions, the authors welcome more inclusive and invitational discussion about future digital media research and development.


Author(s):  
Melissa A. Click

This chapter examines the meaning of Fifty Shades of Grey to the women who read it, within the context of a postfeminist sexualized culture. Like the Twilight series upon which it is based, Fifty Shades has resonated deeply with readers around the world. To investigate Fifty Shades' appeal, the chapter presents interviews of thirty-six readers and grounds their reflections with feminist media research that explores women's use of romance reading. In the process, this chapter explores the series' messages about gender roles, romance, and sexuality, bringing crucial attention to the cultural and social aspects of the Fifty Shades phenomenon. Overall, it argues that Fifty Shades' appeal is rooted in women's use of the series' recurrent themes of fantasy, romance, and sex to make sense of the sexualized cultural environment in which they are immersed.


1994 ◽  
Vol 10 (2) ◽  
pp. 173-197 ◽  
Author(s):  
Douglas H. Clements ◽  
Michael T. Battista

Given their graphic capabilities, computers may facilitate the construction of geometric concepts. Comparative media research, however, reveals few differences between media; alterations in curricula or teaching strategies might also explain the positive results of many studies that compare computer to noncomputer media. Yet, there remain certain computer functions that non-computer media may not easily duplicate. This article reviews research to describe such functions of construction-oriented environments and to evaluate their unique contributions to students' learning of geometry. Implications for the design of geometric computer environments for geometry education are drawn.


2003 ◽  
Vol 8 (3) ◽  
pp. 249-272 ◽  
Author(s):  
Paul Almeida ◽  
Mark Lichbach

We compare activist-based internet data with four other media sources—Lexis Nexis Academic Universe, The Seattle Times, Global Newsbank, and The New York Times—on their coverage of the local, national, and international protests that accompanied the World Trade Organization's (WTO) Third Ministerial Conference in Seattle, Washington in late 1999. Using the Media Sensitivity-Protest Intensity Model of event reporting, we find that activist-based web sites report a greater number of transnational protest events at the local, national, and international level. We also find that activist-based websites are less positively influenced by the intensity properties of protest events. In the age of globalization, research on transnational movements should therefore combine conventional media sources and activist-based web sources.


2016 ◽  
Vol 1 (1) ◽  
pp. 1-3
Author(s):  
Hannah Ditchfield ◽  
Shuhan Chen

The first issue of for(e)dialogue is composed of a collection of papers given at the New Directions in Media Research (NDiMR) postgraduate conference in June 2015 at the University of Leicester. NDiMR is a one-day postgraduate focused conference organised by PhD students from the Department of Media and Communication. This conference has a similar aim and purpose of this journal as a whole which is to provide postgraduate students, PhD students and early career researchers with a platform and opportunity to develop and share their research and critically contribute to discussions of theory and methodology on a variety of Media and Communication issues. The NDiMR conference has been held annually since 2012, each year growing in size and attracting more delegates and presenters from across the world. However, this is the first time that some of the events’ presentation papers have been collected for a published conference proceedings.


2021 ◽  
Vol 36 (5) ◽  
pp. 446-449
Author(s):  
Christina Holtz-Bacha

2013 ◽  
Vol 146 (1) ◽  
pp. 133-142
Author(s):  
Maureen Burns

Like all our objects of research, public service media are not prey waiting in the world – we create them as research objects when we research and when we write. This is easy to forget in the case of public service media, which seem so familiar as research objects because they are already so overwritten. Often we begin the creation of our public service media research object from assumptions that we don't even feel the need to unpack. Public service media institutions might be (and have been) written as discourses, practices, philosophies, politics and/or histories. This article examines what it means to write and research public service media, and it discusses whether descriptions of assemblages that favour particular types of human agency over others – and human agency generally over non-human agents – are sufficient, or whether our research and writing practices might benefit from a hybridisation of methods as well as object(s).


2002 ◽  
Vol 50 (4) ◽  
pp. 461-481 ◽  
Author(s):  
Bronislaw Szerszynski ◽  
John Urry

This paper is concerned with whether a culture of cosmopolitanism is currently emerging out of massively wide-ranging global processes. The authors develop certain theoretical components of such a culture they consider ongoing research concerned with belongingness to different geographical entities including the world as a whole, and they present their own empirical research findings. From their media research they show that there is something that could be called a banal globalism. From focus group research they show that there is a wide awareness of the global but they this is combined in complex ways with notions of the local and grounded and from media interviews they demonstrate that there is a reflexive awareness of a cultures of the cosmopolitan. On the basis of their data from the UK, they conclude that a publicly screened cosmopolitan culture is emergent and likely to orehestrate much of social and political life in future decades.


Seminar.net ◽  
2012 ◽  
Vol 8 (1) ◽  
Author(s):  
Heidi Philipsen

How is it possible to make an entire short film in only 48 hours? This task was carried out in the global online film contest, called PlayOFF, held by Odense International Film Festival (OFF) in August 2010 and -11. Contestants came from all over the world — from countries as different as Palestine, China and Romania. I believe this kind of contest to be a fruitful area for research, giving better understanding of how motivation, flow and creative ways of thinking can be initiated through filmmaking. Creative competences, environments, educations, classes etc. are in constant demand. Nevertheless, only a few scholars have actually studied conditions behind these elements, and even fewer have researched them in relation to filmmaking. I will seek to expand knowledge in this field which has hitherto been assigned insufficient priority in media research. How to analyse and experience films is very well described, but when it comes to the process of creating films we find almost no scientifically based research or qualifying designs for stimulating creativity. While other media researchers focus on successful films, I find it crucial to study the idea-making, team work and other conditions behind the productions. This article is based on an empirical study of film processes in PlayOFF 2010 and -11, and I will point out how these findings could be used in developing creativity. Based on my empirical studies I will suggest a learning design for scaffolded filmmaking and propose some ideas of how to transfer this knowledge to an educational context.


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