Public Space in North American Cities

Author(s):  
Jessica Ellen Sewell

From 1800 to 2000, cities grew enormously, and saw an expansion of public spaces to serve the varied needs of a diverse population living in ever more cramped and urban circumstances. While a wide range of commercial semipublic spaces became common in the late 19th century, parks and streets were the best examples of truly public spaces with full freedom of access. Changes in the design and management of streets, sidewalks, squares, parks, and plazas during this period reflect changing ideas about the purpose of public space and how it should be used. Streets shifted from being used for a wide range of activities, including vending, playing games, and storing goods, to becoming increasingly specialized spaces of movement, designed and managed by the early twentieth century for automobile traffic. Sidewalks, which in the early nineteenth century were paid for and liberally used by adjacent businesses, were similarly specialized as spaces of pedestrian movement. However, the tradition of using streets and sidewalks as a space of public celebration and public speech remained strong throughout the period. During parades and protests, streets and sidewalks were temporarily remade as spaces of the performance of the public, and the daily activities of circulation and commerce were set aside. In 1800, the main open public spaces in cities were public squares or commons, often used for militia training and public celebration. In the second half of the 19th century, these were augmented by large picturesque parks. Designed as an antidote to urbanity, these parks served the public as a place for leisure, redefining public space as a polite leisure amenity, rather than a place for people to congregate as a public. The addition of playgrounds, recreational spaces, and public plazas in the 20th century served both the physical and mental health of the public. In the late 20th century, responding to neoliberal ideas and urban fiscal crises, the ownership and management of public parks and plazas was increasingly privatized, further challenging public accessibility.

2021 ◽  
Author(s):  
◽  
Anna Constable

<p>This thesis aims to investigate, through design, spatial agency within the realm of New York City’s Privately Owned Public Spaces. The notion of agency in architecture is directly linked to social and political power. Starting in 1961, New York’s city planners introduced an incentive zoning scheme (POPS) which encouraged private builders to include public spaces in their developments. Many are in active public use, but others are hard to find, under surveillance, or essentially inaccessible. Within the existing POPS sites, tension is current between the ideals of public space - completely open, accessible - and the limitations imposed by those who create and control it. Designed to be singular, contained, and mono-functional, POPS do not yet allow for newer ideas of public space as multi-functional, not contained/bounded but extending and overlapping outward.  As public-private partnerships become the model for catalyzing urban (re)development in the late 20th century, bonus space is an increasingly common land use type in major cities across the world. The quality and nature of bonus spaces created in exchange for floor area bonuses varies greatly. In many cases, tensions in privately owned space produce a severely constricted definition of the public and public life. Incentive zoning programmes continue to serve as a model for numerous urban zoning regulations, so changing ideas of public space and its design need to be tested in such spaces.  These urban plazas offer a test case through which to examine agency, exploring how social space is also political space, charged with the dynamics of power/ empowerment, interaction/ isolation, control/ freedom. This thesis looks at one such site, the connecting plaza sites along Sixth Avenue between West 47th St and West 51st St. This is an extreme example of concentrated POPS sites in New York City. Here one’s perception and occupation of space is profoundly affected by the underlying design of that space which reflects its private ownership. Privately Owned Public Space can be designed that is capable of/ challenging the notion of the public in public space, and modifying the structure of the city and its social life.</p>


2009 ◽  
Vol 64 (1) ◽  
pp. 21-29 ◽  
Author(s):  
H. Kaspar ◽  
E. Bühler

Abstract. Wahlenpark is currently one of Zurich's most recent urban public parks. It is located in a neighbourhood which has been totally rebuilt during the last 20 years. Based on a constructivist conception of space, this article looks at the kind of spaces that have been, and still are, produced at Wahlenpark. It is argued that various groups of actors are, and have been, involved in this production of spaces: city planners in the role of constructors, landscape architects in the role of designers and «the population» in the role of users. By defining requirements, city planners constitute space, at first on a mental level «only». As constructors they perform – through the designers' plans – a powerful spacing act: they physically construct a park. Park users in their dual role as actors and «park element» subsequently (re-)produce manifold spaces by uniting social goods and people to spaces (see Löw 2001). It is argued that openness is an important reference point in the production and appropriation of space at Wahlenpark by planners, designers and users, albeit with different meanings. The statements of park users show that they experience openness differently, sometimes even in a contradictory manner, thereby highlighting the variability of subjective perception, resulting in both the inclusion and exclusion of the perceiver. In view of greater inclusiveness of public spaces, a better understanding of the manner in which people perceive and use these spaces is needed.


2021 ◽  
pp. 235-240
Author(s):  
Elaf Raslan ◽  
Lubna Shaheen

The Arab Region has been facing several challenges. While some countries are facing socio-economic issues, others have been civil strife and conflict. In both cases, public spaces play an important role in tackling these issues, and in cities’ social, economic, health and environmental life, since they contribute to build social cohesion, improve the quality of human interactions and the physical and mental health of inhabitants. Based on this, UN-Habitat has been supporting the development of ‘Public Spaces in the Arab Region’ programme since 2016. The programme has been rehabilitating public spaces using participatory tools to foster sustainable development and ultimately achieve SDG 11, target 11.7. However, the implementation of these siloed projects, coupled with lack of data, inadequate design and improper management didn’t allow for the development of a strategic plan for public spaces in the cities of the Arab Region. Acknowledging such issues and challenges, the programme in cooperation with the UN-Habitat's Global Public Space programme is further developing the regional approach to focus on rehabilitating public spaces that are safe for the most vulnerable groups, in particular women and girls, given the violence they face in the public domain. The programme is also working with relevant stakeholders and authorities to upscale such projects and to develop a city-wide public space network that is aligned with a strategic action plan.


Religions ◽  
2020 ◽  
Vol 11 (4) ◽  
pp. 159 ◽  
Author(s):  
Shani Umiel-Feldman

The term ‘Public Sphere’ is used to distinguish it from the private. Here, we will use the term ‘Public Spaces’ to distinguish between various types of public spheres, differing from one another not only in their controlling identity, but also in the level of obligation to be in them and the extent in which they demand obedience from their participants. The new typology proposed in this paper conceptualizes the Israel Defense Forces [IDF] as a legally binding Public Space, using the case study of the Jewish religious law prohibiting Orthodox men to listen to a woman’s singing voice. This prohibition has sparked a strong public controversy and ongoing clashes between the army and religion. The case study illustrates a wide range of confrontations over the identity of the IDF’s space. While examining similar cases in other armies around the world, the paper presents a model explaining the terms and conditions for disputes on the nature of Public Spaces around the world, and when to expect confrontations between identities in different Public Spaces. Finally, the paper attempts to predict the extent and scope of such confrontations, on four dimensions: (a) The level of obligation to be in the Public Space; (b) the level of greediness of the Public Space; (c) the level of heterogeneity of identities within the Public Space; and (d) the level of personal identity greediness of persons and groups whose identity differs from the hegemonic identity in the public space.


2021 ◽  
Author(s):  
◽  
Anna Constable

<p>This thesis aims to investigate, through design, spatial agency within the realm of New York City’s Privately Owned Public Spaces. The notion of agency in architecture is directly linked to social and political power. Starting in 1961, New York’s city planners introduced an incentive zoning scheme (POPS) which encouraged private builders to include public spaces in their developments. Many are in active public use, but others are hard to find, under surveillance, or essentially inaccessible. Within the existing POPS sites, tension is current between the ideals of public space - completely open, accessible - and the limitations imposed by those who create and control it. Designed to be singular, contained, and mono-functional, POPS do not yet allow for newer ideas of public space as multi-functional, not contained/bounded but extending and overlapping outward.  As public-private partnerships become the model for catalyzing urban (re)development in the late 20th century, bonus space is an increasingly common land use type in major cities across the world. The quality and nature of bonus spaces created in exchange for floor area bonuses varies greatly. In many cases, tensions in privately owned space produce a severely constricted definition of the public and public life. Incentive zoning programmes continue to serve as a model for numerous urban zoning regulations, so changing ideas of public space and its design need to be tested in such spaces.  These urban plazas offer a test case through which to examine agency, exploring how social space is also political space, charged with the dynamics of power/ empowerment, interaction/ isolation, control/ freedom. This thesis looks at one such site, the connecting plaza sites along Sixth Avenue between West 47th St and West 51st St. This is an extreme example of concentrated POPS sites in New York City. Here one’s perception and occupation of space is profoundly affected by the underlying design of that space which reflects its private ownership. Privately Owned Public Space can be designed that is capable of/ challenging the notion of the public in public space, and modifying the structure of the city and its social life.</p>


2021 ◽  
pp. 239965442110338
Author(s):  
David Jenkins ◽  
Lipin Ram

Public space is often understood as an important ‘node’ of the public sphere. Typically, theorists of public space argue that it is through the trust, civility and openness to others which citizens cultivate within a democracy’s public spaces, that they learn how to relate to one another as fellow members of a shared polity. However, such theorizing fails to articulate how these democratic comportments learned within public spaces relate to the public sphere’s purported role in holding state power to account. In this paper, we examine the ways in which what we call ‘partisan interventions’ into public space can correct for this gap. Using the example of the Communist Party of India (Marxist) (CPIM), we argue that the ways in which CPIM partisans actively cultivate sites of historical regional importance – such as in the village of Kayyur – should be understood as an aspect of the party’s more general concern to present itself to citizens as an agent both capable and worthy of wielding state power. Drawing on histories of supreme partisan contribution and sacrifice, the party influences the ideational background – in competition with other parties – against which it stakes its claims to democratic legitimacy. In contrast to those theorizations of public space that celebrate its separateness from the institutions of formal democratic politics and the state more broadly, the CPIM’s partisan interventions demonstrate how parties’ locations at the intersections of the state and civil society can connect the public sphere to its task of holding state power to account, thereby bringing the explicitly political questions of democratic legitimacy into the everyday spaces of a political community.


2021 ◽  
Vol 13 (8) ◽  
pp. 4577
Author(s):  
Carmela Cucuzzella ◽  
Morteza Hazbei ◽  
Sherif Goubran

This paper explores how design in the public realm can integrate city data to help disseminate the information embedded within it and provide urban opportunities for knowledge exchange. The hypothesis is that such art and design practices in public spaces, as places of knowledge exchange, may enable more sustainable communities and cities through the visualization of data. To achieve this, we developed a methodology to compare various design approaches for integrating three main elements in public-space design projects: city data, specific issues of sustainability, and varying methods for activating the data. To test this methodology, we applied it to a pedogeological project where students were required to render city data visible. We analyze the proposals presented by the young designers to understand their approaches to design, data, and education. We study how they “educate” and “dialogue” with the community about sustainable issues. Specifically, the research attempts to answer the following questions: (1) How can we use data in the design of public spaces as a means for sustainability knowledge exchange in the city? (2) How can community-based design contribute to innovative data collection and dissemination for advancing sustainability in the city? (3) What are the overlaps between the projects’ intended impacts and the 17 United Nations Sustainable Development Goals (SDGs)? Our findings suggest that there is a need for such creative practices, as they make information available to the community, using unconventional methods. Furthermore, more research is needed to better understand the short- and long-term outcomes of these works in the public realm.


Author(s):  
Minh-Tung Tran ◽  
◽  
Tien-Hau Phan ◽  
Ngoc-Huyen Chu ◽  
◽  
...  

Public spaces are designed and managed in many different ways. In Hanoi, after the Doi moi policy in 1986, the transfer of the public spaces creation at the neighborhood-level to the private sector has prospered na-ture of public and added a large amount of public space for the city, directly impacting on citizen's daily life, creating a new trend, new concept of public spaces. This article looks forward to understanding the public spaces-making and operating in KDTMs (Khu Do Thi Moi - new urban areas) in Hanoi to answer the question of whether ‘socialization’/privatization of these public spaces will put an end to the urban public or the new means of public-making trend. Based on the comparison and literature review of studies in the world on public spaces privatization with domestic studies to see the differences in the Vietnamese context leading to differences in definitions and roles and the concept of public spaces in KDTMs of Hanoi. Through adducing and analyzing practical cases, the article also mentions the trends, the issues, the ways and the technologies of public-making and public-spaces-making in KDTMs of Hanoi. Win/loss and the relationship of the three most important influential actors in this process (municipality, KDTM owners, inhabitants/citizens) is also considered to reconceptualize the public spaces of KDTMs in Hanoi.


2006 ◽  
Vol 55 (2) ◽  
pp. 154-160 ◽  
Author(s):  
Antonio Egidio Nardi

This article aims to describe important points in the history of panic disorder concept, as well as to highlight the importance of its diagnosis for clinical and research developments. Panic disorder has been described in several literary reports and folklore. One of the oldest examples lies in Greek mythology - the god Pan, responsible for the term panic. The first half of the 19th century witnessed the culmination of medical approach. During the second half of the 19th century came the psychological approach of anxiety. The 20th century associated panic disorder to hereditary, organic and psychological factors, dividing anxiety into simple and phobic anxious states. Therapeutic development was also observed in psychopharmacological and psychotherapeutic fields. Official classifications began to include panic disorder as a category since the third edition of the American Classification Manual (1980). Some biological theories dealing with etiology were widely discussed during the last decades of the 20th century. They were based on laboratory studies of physiological, cognitive and biochemical tests, as the false suffocation alarm theory and the fear network. Such theories were important in creating new diagnostic paradigms to modern psychiatry. That suggests the need to consider a wide range of historical variables to understand how particular features for panic disorder diagnosis have been developed and how treatment has emerged.


2020 ◽  
Vol 10 (6) ◽  
pp. 2102
Author(s):  
Tin Oberman ◽  
Kristian Jambrošić ◽  
Marko Horvat ◽  
Bojana Bojanić Obad Šćitaroci

This paper discusses the soundscape assessment approaches to soundscape interventions with musical features introduced to public spaces as permanent sound art, with a focus on the ISO 12913 series, Method A for data collection applied in a laboratory study. Three soundscape interventions in three cities are investigated. The virtual soundwalk is used to combine the benefits of the on-site and laboratory settings. Two measurement points per location were recorded—one at a position where the intervention was clearly perceptible, the other further away to serve as a baseline condition. The participants (N = 44) were exposed to acoustic environments (N = 6) recorded using the first-order Ambisonics microphone on-site and then reproduced via the second-order Ambisonics system in laboratory. A series of rank-based Kruskal–Wallis tests were performed on the results of the subjective responses. Results revealed a statistically significant positive effect on soundscape at two locations, and limitations related to sound source identification due to cultural factors and geometrical configuration of the public space at one location.


Sign in / Sign up

Export Citation Format

Share Document