Place in Modern Jewish Culture and Society

2018 ◽  
Keyword(s):  
Eastern Europe ◽  
Cultural Landscapes ◽  
Jewish Life ◽  
Focal Point ◽  
Jewish Studies ◽  
Babylonian Talmud ◽  
Jewish Culture ◽  
German Jews ◽  
Jewish Experience ◽  
Production Of Culture

Notions of place have always permeated Jewish life and consciousness. The Babylonian Talmud was pitted against the Jerusalem Talmud; the worlds of Sepharad and Ashkenaz were viewed as two pillars of the Jewish experience; the diaspora was conceived as a wholly different experience from that of Eretz Israel; and Jews from Eastern Europe and “German Jews” were often seen as mirror opposites, whereas Jews under Islam were often characterized pejoratively, especially because of their allegedly uncultured surroundings. Place, or makom, is a strategic opportunity to explore the tensions that characterize Jewish culture in modernity, between the sacred and the secular, the local and the global, the historical and the virtual, Jewish culture and others. The plasticity of the term includes particular geographic places and their cultural landscapes, theological allusions, and an array of other symbolic relations between locus, location, and the production of culture. This volume includes twelve chapters that deal with various aspects of particular places, making each location a focal point for understanding Jewish life and culture. The text sheds light on the vicissitudes of the twentieth century in relation to place and Jewish culture. The chapters continue the ongoing discussion in this realm and provide further insights into the historiographical turn in Jewish studies.

Introduction

2018 ◽  
Author(s):  
Nurit Yaari
Keyword(s):  
Nineteenth Century ◽  
Eastern Europe ◽  
The Political ◽  
Late Nineteenth Century ◽  
Jewish Culture ◽  
The Past ◽  
Future State ◽  
History Of ◽  
Late Nineteenth ◽  
State Of Israel

This chapter examines the lack of continuous tradition of the art of the theatre in the history of Jewish culture. Theatre as art and institution was forbidden for Jews during most of their history, and although there were plays written in different times and places during the past centuries, no tradition of theatre evolved in Jewish culture until the middle of the nineteenth century. In view of this absence, the author discusses the genesis of Jewish theatre in Eastern Europe and in Eretz-Yisrael (The Land of Israel) since the late nineteenth century, encouraged by the Jewish Enlightenment movement, the emergence of Jewish nationalism, and the rebirth of Hebrew as a language of everyday life. Finally, the chapter traces the development of parallel strands of theatre that preceded the Israeli theatre and shadowed the emergence of the political infrastructure of the future State of Israel.

Rediscovering Traces of Memory

2018 ◽  
Author(s):  
Jonathan Webber ◽  
Chris Schwarz ◽  
Jason Francisco
Keyword(s):  
Jewish Life ◽  
Small Towns ◽  
Local People ◽  
Jewish Culture ◽  
The Past ◽  
Jewish Heritage ◽  
The Holocaust ◽  
Set Up ◽  
Bear Witness

The present-day traces of the Jewish past in Poland are complex. Jewish life lay in ruins after the Holocaust. Much evidence of ruin remains, but there are also widespread traces that bear witness to the elaborate Jewish culture that once flourished there, even in villages and small towns. One also sees places where Jews were murdered by the Germans in the war: not only in death camps and ghettos, but also in fields, forests, rivers, and cemeteries. After the war, forty years of communism suppressed even the memory of the destroyed Jewish heritage. Today, by contrast, the historic Jewish culture of Poland is increasingly being memorialized, by local Poles as well as by foreign Jews. Synagogues and cemeteries are being renovated, monuments and museums are being set up. There are festivals of Jewish culture, hasidic pilgrims, and Jewish tourists; and local people who rescued Jews during the war are being honoured. In rediscovering the traces of memory one also finds clear signs of a local Jewish revival. This extensively revised second edition includes forty-five new photographs and updated explanatory texts. Together they suggest how to make sense of the past and discover its relevance for the present. This book will appeal to everyone concerned with questions of history, memory, and identity.

Tradition and Vision

2014 ◽  
Author(s):  
Moulie Vidas
Keyword(s):  
Jewish History ◽  
Active Part ◽  
Babylonian Talmud ◽  
Jewish Culture ◽  
Torah Study ◽  
Alternative Vision

This chapter considers Hekhalot literature to show that the Sar ha-Torah narrative from this corpus responds to the Talmudic academies‘ ideology of Torah study, presenting an alternative vision for Jewish culture in which retention and recitation are central rather than marginalized. It argues that this response correlates with other Hekhalot texts that recruit powerful images such as heavenly vision, transformation, and angelic liturgy to the project of memorizing and reciting the Oral Torah. It also contends that there is some evidence that the individuals whom the Babylonian Talmud marks as its opponents—the tanna'im—had a role in the shaping of Hekhalot traditions. Finally, the chapter suggests, based on the fact that the Hekhalot texts enter Jewish history as texts transmitted by Babylonian reciters, as well as on other connections between the tanna'im and Hekhalot texts, that the Babylonian reciters took active part in the shaping of Hekhalot traditions.

Hybrid with What? The Relationship between Jewish Culture and Other People’s Cultures

2007 ◽  
pp. 82-110
Author(s):  
Moshe Rosman
Keyword(s):  
Cultural History ◽  
Cultural Influence ◽  
Jewish Studies ◽  
Jewish Culture ◽  
Cultural Autonomy ◽  
History Of ◽  
The Relationship ◽  
Hybridity Theory

This chapter examines some problems posed by the Jewish pluralism paradigm. With regard to the metasolution of influence, there is a firm article of faith shared by practically all of today's Judaica scholars that, in all times and places, pre-modern or ‘traditional’ Jews lived in intimate interaction with surrounding cultures to the point where they may be considered to be embedded in them and, consequently, indebted to them in terms of culture. This contrasts with an older conception of Jewish culture which represented Jews as living in at least semi-isolation from the non-Jewish world. The chapter thus demonstrates that there are more than these two possible approaches to the history of Jewish culture, and that these two themselves should be understood in a more sophisticated way. It asserts that the first approach (universal cultural influence, in its incarnation as hybridity theory), when applied mechanically, unimaginatively, and uncritically can be as ideological, dogmatic, and inappropriate as the second (Jewish cultural autonomy) often has been. The chapter next contemplates the metahistories implied by the various approaches to Jewish cultural history and their relationship to intellectual presuppositions for engaging in Jewish studies in the academy.

German-Jewish Literature and Culture and the Field of German-Jewish Studies

2007 ◽  
pp. 165-184
Author(s):  
Mark H. Gelber
Keyword(s):  
Cultural Studies ◽  
German Society ◽  
Jewish Studies ◽  
Jewish Literature ◽  
Jewish Culture ◽  
Host Culture ◽  
European Culture ◽  
German Jewish

This chapter delineates the parameters of developments and relationships to the 'Jewish contribution discourse'. It notes the marginality of Jewish culture in present-day Germany that has enabled the emergence of the quintessential post-modern field of cultural studies in Germany and the basis for diverse criticism. It also mentions Moritz Goldstein, who boldly claimed in his 'Deutsch-jüdischer Parnass' that the Jews in Germany had become the custodians and arbiters of the spiritual treasures of German society. The chapter explores the understanding of European culture as largely Jewish, which militates against the idea of a possible Jewish contribution to that culture since the term 'contribution' appears to make little sense if the Jewish element is the dominant one. It explains the concept of a contribution that rests on the notion of a dominant host culture to which guests might contribute.

Epilogue

2019 ◽  
pp. 261-266
Author(s):  
Philipp Nielsen
Keyword(s):  
Jewish Life ◽  
Concentration Camp ◽  
German Government ◽  
German Jews ◽  
The Holocaust ◽  
Camp System ◽  
German Jewish

THE GERMAN GOVERNMENT might have intended to eliminate Jewish life in Germany, and it succeeded in depriving of their German lives the individuals who illustrated the (im)possibilities of Jews being engaged on and with the German Right in this book. Yet it did not succeed in ending their lives altogether. The majority of the German Jews appearing on these pages managed to survive the Holocaust, through emigration, hiding, or perseverance in the concentration camp system. After the Holocaust they gave testimony, archived their records, and collected those of others. Without their efforts this book on German Jewish conservatives would not exist; and though it ends with their emigration—all but one never returned to Germany for any lengthy period of time—their individual stories were not over. By briefly recounting their lives after 1938, I want to conclude by paying them my respects....

The Revival of Jewish Life

2018 ◽  
pp. 162-182
Author(s):  
Jonathan Webber ◽  
Chris Schwarz ◽  
Jason Francisco
Keyword(s):  
Jewish Life ◽  
Holocaust Survivors ◽  
Jewish Culture ◽  
The Public ◽  
The Past ◽  
Jewish Heritage ◽  
Holocaust Memorial ◽  
The People ◽  
The Holocaust ◽  
Democratic Freedom

This chapter talks about the people who are creating and maintaining projects that memorialize both the Jewish life that existed in Polish Galicia for centuries and the enormity of the Holocaust during which it was destroyed. It discloses the public acknowledgment of the Jewish heritage that has been ongoing since Poland regained its democratic freedom in 1989, which led to the revival of Jewish life. It also describes the main Holocaust memorial in Kraków, which is comprised of symbolic abandoned chairs scattered through an entire city to highlight the Jewish absence. The chapter mentions non-Jewish Poles who have become aware of the past in Poland that included Jews and Jewish culture. It details post-Holocaust Poland in the 1970s that was severely restricted and in danger of facing extinction as 90 percent of Holocaust survivors had emigrated.

Dancing with Death and Salvaging Jewish Culture inAusteriaandThe Dybbuk

Slavic Review ◽  
2000 ◽  
Vol 59 (4) ◽  
pp. 761-781 ◽  
Author(s):  
Gabriella Safran
Keyword(s):  
Twentieth Century ◽  
Jewish Life ◽  
Jewish People ◽  
Film Festivals ◽  
The West ◽  
Martial Law ◽  
Jewish Culture ◽  
The Holocaust ◽  
Humanitarian Values ◽  
Polish Government

Jerzy Kawalerowicz told reporters that he made his 1982 film,Austeria(The inn) to commemorate the Polish-Jewish people and culture destroyed in the Holocaust. This non-Jewish Polish director, known best in the west for hisMother Joanna of the Angels(a depiction of death and possession at a medieval French convent), grew up among Jews in the eastern part of Poland. He had been struck by the Polish-Jewish author Julian Stryjkowski's 1966 novella,Austeria,a haunting depiction of Jewish life in Galicia at the beginning of the twentieth century. Kawalerowicz—with Stryjkowski—immediately decided to turn the book into a movie. After the Six-Day War in 1967 sparked an “anti-Zionist campaign” in Poland, however, the Polish government found the Jewish topic of their screenplay “politically unacceptable.” In 1981, the film was granted permission and funding. It was completed in 1982, following the crackdown on Solidarity and the imposition of martial law. The authorities allowed its distribution, having determined that it displayed “humanitarian values” and that it did not represent a political threat. In the capacity of a quasiofficial expression of Polish regret at the passing of the Jews, and perhaps as a demonstration of liberalism aimed at the western critics of the new regime,Austeriawas widely promoted and exported to film festivals abroad.

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