PAN

2021 ◽  
pp. 166-187
Author(s):  
James Loxton
Keyword(s):  
El Salvador ◽  
Final Section ◽  
Right Wing ◽  
Military Rule ◽  
Starting Position ◽  
The Third ◽  
History Of

This chapter examines the failure of the PAN in Guatemala, and compares it to the success of ARENA in El Salvador. The first section discusses the country’s history of right-wing military rule. The second section asks why no “Guatemalan ARENA” formed, arguing that this was due to the sui generis nature of the Ríos Montt dictatorship (1982–1983) and the resulting formation of an important non-conservative authoritarian successor party (FRG). The third section examines the formation of the PAN, drawing attention to the relative weakness of its starting position. The final section looks at the series of schisms that led to the PAN’s demise, highlighting the complete absence of the mechanisms of cohesion found in ARENA—a problem made worse by the quick-fix solution that it found to its problem of organizational weakness: incorporating local bosses from an existing party, who had little loyalty to the PAN’s founders and would later turn against them.

ARENA

2021 ◽  
pp. 126-165
Author(s):  
James Loxton
Keyword(s):  
Large Scale ◽  
Right Wing ◽  
Left Wing ◽  
Military Rule ◽  
Death Squad ◽  
Powerful Source ◽  
Fourth Section ◽  
The Third ◽  
History Of ◽  
High Level

This chapter examines ARENA in El Salvador and argues that, like the UDI in Chile, its success was the product of authoritarian inheritance and counterrevolutionary struggle. The first section discusses El Salvador’s long history of right-wing military rule. The second section examines the October 1979 coup and the resulting establishment of a left-wing Revolutionary Governing Junta. The third section discusses the intense counterrevolutionary response that the junta triggered. This included large-scale death squad violence, with future ARENA founder Roberto D’Aubuisson playing a key role. The fourth section examines the formation of ARENA in response to an impending transition to competitive elections. The fifth section shows how D’Aubuisson’s role as a high-level official in the pre-1979 military regime endowed ARENA with several valuable resources. The final section discusses how ARENA’s origins in counterrevolutionary struggle served as a powerful source of cohesion.

Same Address, Different Doors: Post-Heritage Deconstruction of the Heritage Household in Upstairs Downstairs in the 1970s and 2010s

2020 ◽  
Author(s):  
William Abbiss
Keyword(s):  
Final Section ◽  
Social Structures ◽  
The Third ◽  
The Past ◽  
War Narrative ◽  
Critical History ◽  
The Social ◽  
Fourth Series ◽  
History Of ◽  
Multiple Episodes

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.

Same Address, Different Doors: Post-Heritage Deconstruction of the Heritage Household in Upstairs Downstairs in the 1970s and 2010s

2020 ◽  
Author(s):  
William Abbiss
Keyword(s):  
Final Section ◽  
Social Structures ◽  
The Third ◽  
The Past ◽  
War Narrative ◽  
Critical History ◽  
The Social ◽  
Fourth Series ◽  
History Of ◽  
Multiple Episodes

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.

Subaltern Migrations and the State

2017 ◽  
Author(s):  
Philipp Zehmisch
Keyword(s):  
Final Section ◽  
Social Engineering ◽  
The State ◽  
Penal Colony ◽  
The Third ◽  
Dynamic Relationship ◽  
Historical Processes ◽  
Subaltern Agency ◽  
History Of ◽  
Media Reports

This chapter considers the history of Andaman migration from the institutionalization of a penal colony in 1858 to the present. It unpicks the dynamic relationship between the state and the population by investigating genealogies of power and knowledge. Apart from elaborating on subaltern domination, the chapter also reconstructs subaltern agency in historical processes by re-reading scholarly literature, administrative publications, and media reports as well as by interpreting fieldwork data and oral history accounts. The first part of the chapter defines migration and shows how it applies to the Andamans. The second part concentrates on colonial policies of subaltern population transfer to the islands and on the effects of social engineering processes. The third part analyses the institutionalization of the postcolonial regime in the islands and elaborates on the various types of migration since Indian Independence. The final section considers contemporary political negotiations of migration in the islands.

scholarly journals Matrices of ‘Love and Theft’: Joan Baez Imitates Bob Dylan

2021 ◽  
pp. 1-31
Author(s):  
MIMI HADDON
Keyword(s):  
Final Section ◽  
Theoretical Work ◽  
First Century ◽  
Post Colonial ◽  
The Third ◽  
Bob Dylan ◽  
Colonial Theory ◽  
History Of ◽  
Asymmetrical Power ◽  
American Popular Music

Abstract This article uses Joan Baez's impersonations of Bob Dylan from the mid-1960s to the beginning of the twenty-first century as performances where multiple fields of complementary discourse converge. The article is organized in three parts. The first part addresses the musical details of Baez's acts of mimicry and their uncanny ability to summon Dylan's predecessors. The second considers mimicry in the context of identity, specifically race and asymmetrical power relations in the history of American popular music. The third and final section analyses her imitations in the context of gender and reproductive labour, focusing on the way various media have shaped her persona and her relationship to Dylan. The article engages critical theoretical work informed by psychoanalysis, post-colonial theory, and Marxist feminism.

The practice and theory of property in seventeenth-century Bengal

2017 ◽  
Vol 54 (2) ◽  
pp. 147-182 ◽  
Author(s):  
Samuel Wright
Keyword(s):  
Seventeenth Century ◽  
Final Section ◽  
Detailed Examination ◽  
The Third ◽  
Economic Practices ◽  
Shared Language ◽  
History Of ◽  
Analytical Category ◽  
Theoretical Issues

This study reconstructs the connected history of socio-economic and intellectual practices related to property in seventeenth-century Bengal. From the perspective of socio-economic practices, this study is concerned with the legal transfer of immovable property between individuals. From the perspective of intellectual practice, this study is concerned with how property was understood as an analytical category that stood in a particular relation to an individual. Their connected history is examined by analysing socio-economic practices exemplified in a number of documents detailing the sale and donation of land and then situating these practices within the scholarly analysis of property undertaken by authors within the discipline of nyāya—the Sanskrit discipline dealing primarily with ontology and epistemology. In the first section of the essay, I undertake a detailed examination of available land documents in order to highlight particular conceptions of property. In the second section of the essay, I draw out theoretical issues examined in nyāya texts that relate directly to the concepts expressed in the land documents. In the third and final section of the essay, I discuss the shared language and shared concepts between the documents and nyāya texts. This last section also addresses how the nyāya analysis of property facilitates a better understanding of claims in the documents and what nyāya authors may have been doing in writing about property.

Contacts and Networks in the Baltic Sea Region

2019 ◽  
Keyword(s):  
Baltic Sea ◽  
Final Section ◽  
Religious Studies ◽  
The Baltic Sea ◽  
Cultural Goods ◽  
The Third ◽  
Baltic Sea Region ◽  
The World ◽  
History Of ◽  
The Baltic

Since prehistoric times, the Baltic Sea has functioned as a northern mare nostrum — a crucial nexus that has shaped the languages, folklore, religions, literature, technology, and identities of the Germanic, Finnic, Sámi, Baltic, and Slavic peoples. This anthology explores the networks among those peoples. The contributions to Contacts and Networks in the Baltic Sea Region: Austmarr as a Northern mare nostrum, ca. 500-1500 ad address different aspects of cultural contacts around and across the Baltic from the perspectives of history, archaeology, linguistics, literary studies, religious studies, and folklore. The introduction offers a general overview of crosscultural contacts in the Baltic Sea region as a framework for contextualizing the volume’s twelve chapters, organized in four sections. The first section concerns geographical conceptions as revealed in Old Norse and in classical texts through place names, terms of direction, and geographical descriptions. The second section discusses the movement of cultural goods and persons in connection with elite mobility, the slave trade, and rune-carving practice. The third section turns to the history of language contacts and influences, using examples of Finnic names in runic inscriptions and Low German loanwords in Finnish. The final section analyzes intercultural connections related to mythology and religion spanning Baltic, Finnic, Germanic, and Sámi cultures. Together these diverse articles present a dynamic picture of this distinctive part of the world.

UCEDE

2021 ◽  
pp. 97-125
Author(s):  
James Loxton
Keyword(s):  
Conservative Party ◽  
Military Regime ◽  
Sharp Drop ◽  
Proximate Cause ◽  
Fourth Section ◽  
Starting Position ◽  
The Third ◽  
Electoral Support ◽  
Economic Program ◽  
History Of

This chapter examines the failure of the UCEDE in Argentina, and compares it to the success of the UDI in Chile. The first section discusses the long history of conservative party weakness in Argentina. The second section asks why no “Argentine UDI” emerged from the 1976–1983 military regime, arguing that its poor governing performance—including, notably, its defeat in the 1982 Falklands/Malvinas War—made the formation of such a party unviable. The third section examines the emergence of the UCEDE, emphasizing its much weaker starting position relative to the UDI. The fourth section discusses the fall of the UCEDE, which suffered a series of schisms and a sharp drop in electoral support after newly elected President Carlos Menem (1989–1999), a Peronist, began to implement much of its economic program. While the proximate cause of the UCEDE’s collapse was the Menem government, the chapter argues that the deeper cause was the party’s various built-in weaknesses.

People-Trafficking: Some Reflections on the EU Legislation, and its Implementation in the UK

2009 ◽  
Vol 11 ◽  
pp. 189-210
Author(s):  
John R Spencer
Keyword(s):  
Criminal Law ◽  
Final Section ◽  
Framework Decision ◽  
Eu Legislation ◽  
The Third ◽  
History Of ◽  
Academic Network ◽  
The Uk ◽  
European Criminal Law ◽  
The Eu

Abstract This chapter examines the efforts in Europe and and the UK to deal with the problem of people-trafficking. As readers will see, it is in five Sections. The first sets the scene by explaining what ‘people-trafficking’ is, and outlining the history of international attempts to repress it and to relieve its human consequences. The second describes the recent legislative attempts to deal with it in Europe, and in particular, the EU Framework Decision of 2002. The third examines the UK legislation enacted with the aim—not entirely accurate, as we shall see—of implementing it. The fourth looks at the way the UK legislation is working. And the final section concludes with two general reflections. It is based on a study carried out in 2007 for ECLAN, the European Criminal Law Academic Network. Any reader who reaches the end with a thirst for further knowledge will find further refreshment in the book that resulted from the ECLAN study, which was published earlier this year.

Nascent Judaism

2018 ◽  
pp. 341-356
Author(s):  
Jon L. Berquist
Keyword(s):  
Turning Point ◽  
Final Section ◽  
Persian Empire ◽  
The Third ◽  
Israelite Religion ◽  
History Of ◽  
The City ◽  
Crucial Part ◽  
Pluralistic World

The third and final section of the Hebrew Bible, known as the Writings, is a crucial part of the biblical canon and a key turning point in the history of Israelite religion. The Writings were written and shaped during the time of Persian imperial rule as well as Hellenistic influence, perhaps 450–300 bce. The city of Jerusalem and the province of Yehud existed as a part of the continent-spanning Persian Empire, in which increased scribalism and communications supported the long-term purposes of imperial order, but which also accepted a higher level of pluralism than earlier empires and monarchies. The Writings of this time, expressed in diverse genres and with great variations of affect and theology, formed nascent Judaism in ways that would maximize its relevance to a new imperial, multicultural, and pluralistic world situation as well as enhance the opportunities for Judaism to survive and thrive in future centuries.

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