What Do Americans Know about Campaign Finance?

Author(s):  
Daron R. Shaw ◽  
Brian E. Roberts ◽  
Mijeong Baek

Chapter 2 establishes a baseline by reviewing public opinion concerning money and politics, pre– and post–Citizens United, focusing on what Americans know about money in politics and campaign spending. On the one hand, given that citizens are typically not well informed about politics, it should come as no surprise that they do not know all that much about candidate spending or campaign finance. On the other hand, the public is not completely off base with respect to its sense of money in politics, and this basic intuition is perhaps even sharper in the post–Citizens United era. The data suggest that while Americans know a little bit about campaign finance, there is no systematic correlation between the regulatory environment of the state and how much people in that state know about campaign finance.

Author(s):  
Daron R. Shaw ◽  
Brian E. Roberts ◽  
Mijeong Baek

Chapter 3 aims to gauge both the reality of, as well as public opinion on, the central issue of corruption. It investigates public opinion on corruption among elected officials, source of corruption, effectiveness of laws and regulations in mitigating corruption, support for campaign finance reforms, etc. The data strongly suggest that people think corruption is rampant despite limited evidence that quid pro quo corruption is anything more than a minor problem. This fundamental attitude has not changed much in the wake of the Citizens United decision. Furthermore, they believe the problem is mostly intractable and that most of the commonly proposed reforms of the campaign finance system will not work. Nevertheless, they still support these reforms. Moving from simple descriptive data to more associational analyses, this chapter also explores the effect of campaign finance laws on campaign spending and then the effect of both on corruption attitudes. The results are not what the Court would have expected.


2021 ◽  
Vol 10 (1) ◽  
pp. e58909
Author(s):  
Flávia Foresto Porto da Costa

Criadas em 1994 como uma confederação de exércitos privados colombianos, as Autodefesas Unidas da Colômbia (AUC) marcaram uma expansão do paramilitarismo e um recrudescimento do conflito armado naquele país, tendo sido atuantes até seu processo de desmobilização, em 2002. Buscando compreender as origens, a organização e os discursos desse fenômeno paramilitar, o presente trabalho realiza uma pesquisa bibliográfica e documental que inclui, entre outros, os documentos originais das AUC e entrevistas com suas principais lideranças. Verifica-se que as AUC constituíram, por um lado, uma continuidade em relação ao paramilitarismo das doutrinas contrainsurgentes da Guerra Fria e aos grupos de civis armados financiados por narcotraficantes e proprietários de terra do final dos anos 70, e, por outro, um ponto de inflexão da estratégia paramilitar na Colômbia, quando esses exércitos buscam se projetar como atores políticos e independentes diante da opinião pública, buscando imitar pelo avesso a retórica e as estruturas guerrilheiras.Palavras-Chave: Paramilitarismo; Contrainsurgência; Colômbia.ABSTRACTCreated in 1994 as a confederation of Colombian private armies, the United Self-Defense Forces of Colombia (AUC) marked an expansion of paramilitary and a renewed armed conflict in that country, having been active until its demobilization process in 2002. Seeking to understand the origins, the organization and the speeches of this paramilitary phenomenon, the present work conducts a bibliographic and documentary research that includes, among others, the original documents of the AUC and interviews with its main leaders. It appears that the AUC constituted, on the one hand, a continuity in relation to the paramilitarism of counterinsurgent Cold War doctrines and groups of armed civilians financed by drug traffickers and landowners in the late 1970s, and, on the other hand, a point inflection of the paramilitary strategy in Colombia, when these armies seek to project themselves as political and independent actors before the public opinion, trying to imitate the rhetoric and guerrilla structures inside out.Keywords: Paramilitarism; Counterinsurgency; Colombia. Recebido em: 04/04/2021 | Aceito em: 09/06/2021. 


2016 ◽  
Vol 44 (1) ◽  
pp. 144-164 ◽  
Author(s):  
Serhun Al ◽  
Daniel Karell

Is Turkish nationality one singular identity that does not permit ethnic modifiers? Or can it be understood as pluralistic, with identities nested — “hyphenated” — with Turkishness? Then, are Turkish and Kurdish identities necessarily mutually exclusive? Such questions over the boundaries of Turkishness have long been framed in the civic versus ethnic dichotomy — an approach that does not ask whether Turkish nationhood is monolithic or pluralistic. In response, this article aims to advance the public and scholarly debates over nationhood in Turkey by turning to the question of ways in which Turkishness can be hyphenated with other identity categories in Turkey, most particularly Kurdishness. First, we reframe the debate over identity by using the combinatorial approach to ethnicity to outline how Turkishness and Kurdishness can be overlapping and nested, or a hyphenated identity. Second, we draw on public opinion data to show that such a hyphenated identity is both theoretically possible and potentially salient in Turkey today. Together, these steps deconstruct the primordialist understandings of Turkishness and Kurdishness, on the one hand, and the taken-for-granted civic claims of Turkishness, on the other.


Revue Romane ◽  
2014 ◽  
Vol 49 (2) ◽  
pp. 333-348
Author(s):  
Stefano Jossa

The discussion on Italian identity has recently been brought to the attention of the public opinion in Italy as an outcome of the so-called “fine della prima Repubblica” (“end of the first Republic”). Literary identity has soon become a core issue, in order to promote a reflection on the idea of Italy independently of its political unity. This essay aims to reconstruct the various positions pro and contra the hypothesis of a literary identity, which can be seen, on the one hand, as an outcome of Risorgimento and Fascist propaganda, but also, on the other hand, as a means to overcome political divides and develop a shared rather than ethnical community.


2004 ◽  
Vol 94 (4) ◽  
pp. 1034-1054 ◽  
Author(s):  
Eric Maskin ◽  
Jean Tirole

We build a simple model to capture the major virtues and drawbacks of making public officials accountable (i.e., subjecting them to reelection): On the one hand, accountability allows the public to screen and discipline their officials; on the other, it may induce those officials to pander to public opinion and put too little weight on minority welfare. We study when decision-making powers should be allocated to the public directly (direct democracy), to accountable officials (called “politicians”), or to nonaccountable officials (called “judges”).


2010 ◽  
Vol 2 (1-2) ◽  
pp. 101-110 ◽  
Author(s):  
Daniela Ćurko

In Joyce’s novel A Portrait of the Artist as a Young Man the representation of the Irish nation is closely interwoven with that of Irish women. Two groups can be distinguished among the women and girl characters: the women who are a symbol of authority and those who embody desire. Stephen’s mother and Dante Riordan, a family relative and re ligious fanatic who closely surveyed and inf luenced his early childhood, symbolize those Irish who firmly supported the dogma that the Irish nation’s identity was not to be sepa rated from the nation’s necessity in being a Roman Catholic one, subdued to the domina tion of both Rome and London. Stephen, after having accepted this view as a child, refuses this standpoint as rigid and narrowminded; in one word, as a dangerous stereotype with disastrous consequences for the future of Ireland as he becomes an adolescent.As for the other group, the girl named (Stephen’s) desire, the one central and recur rent image which appears in its description is that of the “batlike soul”. The metaphor is deeply significant for the theme of this essay, as the girl characters are portrayed as unaware of themselves and only coming to consciousness, just as the Ireland of the epoch was seen and portrayed by young Stephen. The women, object of desire, are also seen as adulterous: but to betray, Stephen soon gets to understand, is the only way to be faithful – to himself and to his vision of what Ireland is yet to become.Thus the representation of the Irish nation is not only in connection with that of Irish women, but also in relation with a process of creation of Stephen’s own identity, as he slowly liberates himself from the public opinion and becomes a free minded and inde pendent adult, aware of the impact and importance his future artist vocation will have for him, as well as for his whole country.


APRIA Journal ◽  
2020 ◽  
Vol 1 (1) ◽  
pp. 11-16
Author(s):  
José Teunissen

In the last few years, it has often been said that the current fashion system is outdated, still operating by a twentieth-century model that celebrates the individualism of the 'star designer'. In I- D, Sarah Mower recently stated that for the last twenty years, fashion has been at a cocktail party and has completely lost any connection with the public and daily life. On the one hand, designers and big brands experience the enormous pressure to produce new collections at an ever higher pace, leaving less room for reflection, contemplation, and innovation. On the other hand, there is the continuous race to produce at even lower costs and implement more rapid life cycles, resulting in disastrous consequences for society and the environment.


Author(s):  
Mohammad Al-Bsheish ◽  
Mu’taman Jarrar ◽  
Amanda Scarbrough

The outbreak of COVID-19 has placed a heavy burden on society, threatening the future of the entire world as the pandemic has hit health systems and economic sectors hard. Where time moves fast, continuing curfews and lockdown is impossible. This paper assembles three main safety behaviors, social distancing, wearing a facemask, and hygiene in one model (PSC Triangle) to be practiced by the public. Integrating public safety compliance with these behaviors is the main recommendation to slow the spread of COVID-19. Although some concerns and challenges face these practices, the shifting of public behaviors to be more safety-centered is appropriate and available as an urgent desire exists to return to normal life on the one hand and the medical effort to find effective cure or vaccine that has not yet succeeded on the other hand. Recommendations to enhance public safety compliance are provided.


2021 ◽  
Vol 7 (1) ◽  
pp. 519-539
Author(s):  
Thiago Minete Cardozo ◽  
Costas Papadopoulos

Abstract Museums have been increasingly investing in their digital presence. This became more pressing during the COVID-19 pandemic since heritage institutions had, on the one hand, to temporarily close their doors to visitors while, on the other, find ways to communicate their collections to the public. Virtual tours, revamped websites, and 3D models of cultural artefacts were only a few of the means that museums devised to create alternative ways of digital engagement and counteract the physical and social distancing measures. Although 3D models and collections provide novel ways to interact, visualise, and comprehend the materiality and sensoriality of physical objects, their mediation in digital forms misses essential elements that contribute to (virtual) visitor/user experience. This article explores three-dimensional digitisations of museum artefacts, particularly problematising their aura and authenticity in comparison to their physical counterparts. Building on several studies that have problematised these two concepts, this article establishes an exploratory framework aimed at evaluating the experience of aura and authenticity in 3D digitisations. This exploration allowed us to conclude that even though some aspects of aura and authenticity are intrinsically related to the physicality and materiality of the original, 3D models can still manifest aura and authenticity, as long as a series of parameters, including multimodal contextualisation, interactivity, and affective experiences are facilitated.


2021 ◽  
Vol 29 (1) ◽  
pp. 36-61
Author(s):  
Michael Poznic ◽  
Rafaela Hillerbrand

Climatologists have recently introduced a distinction between projections as scenario-based model results on the one hand and predictions on the other hand. The interpretation and usage of both terms is, however, not univocal. It is stated that the ambiguities of the interpretations may cause problems in the communication of climate science within the scientific community and to the public realm. This paper suggests an account of scenarios as props in games of make-belive. With this account, we explain the difference between projections that should be make-believed and other model results that should be believed.


Sign in / Sign up

Export Citation Format

Share Document