Female Homers

2019 ◽  
pp. 57-72
Author(s):  
Catherine Burke
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Literary Criticism ◽  
World War ◽  
Male Response ◽  
Men And Women ◽  
Female Response ◽  
Simone Weil ◽  
Female Writers

Homer’s Iliad and Odyssey have been inspiring a tradition of writers since their inception. Yet while this tradition comprises men and women, the associated literary criticism focuses almost exclusively on the male response. If the female response is addressed, it is subjected to a disproportionate consideration of gender. Simone Weil and Rachel Bespaloff each rewrite the Iliad during World War II yet neither writer responds through the prism of feminism. This paper proposes that through their adaptations Weil and Bespaloff illustrate that the female response is not always one of gender and that they act as precursors to a contemporary wave of female writers transforming Homer’s texts in innovative and subversive ways. With their twentieth-century reworkings of Homer, Weil and Bespaloff set in motion the process of restoring to women the recognition afforded them by Homer and due to them by their peers.

The Formation of a Budding Man Alone: The God Boy (Murray Reece, 1976)

2018 ◽  
Author(s):  
Alistair Fox
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
New Zealand ◽  
Religious Beliefs ◽  
Coming Of Age ◽  
World War ◽  
Value System ◽  
Feature Films ◽  
The Family

This chapter analyses the earliest of the New Zealand coming-of-age feature films, an adaptation of Ian Cross’s novel The God Boy, to demonstrate how it addresses the destructive impact on a child of the puritanical value-system that had dominated Pākehā (white) society through much of the twentieth century, being particularly strong during the interwar years, and the decade immediately following World War II. The discussion explores how dysfunction within the family and repressive religious beliefs eventuate in pressures that cause Jimmy, the protagonist, to act out transgressively, and then to turn inwards to seek refuge in the form of self-containment that makes him a prototype of the Man Alone figure that is ubiquitous in New Zealand fiction.

A war hero or a Hitler soldier?

2019 ◽  
pp. 50-57
Author(s):  
Pavel Gotovetsky
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Interwar Period ◽  
Military Service ◽  
Third Reich ◽  
National Committee ◽  
World War ◽  
The Third ◽  
The World ◽  
The Third Reich

The article is devoted to the biography of General Pavlo Shandruk, an Ukrainian officer who served as a Polish contract officer in the interwar period and at the beginning of the World War II, and in 1945 became the organizer and commander of the Ukrainian National Army fighting alongside the Third Reich in the last months of the war. The author focuses on the symbolic event of 1961, which was the decoration of General Shandruk with the highest Polish (émigré) military decoration – the Virtuti Militari order, for his heroic military service in 1939. By describing the controversy and emotions among Poles and Ukrainians, which accompanied the award of the former Hitler's soldier, the author tries to answer the question of how the General Shandruk’s activities should be assessed in the perspective of the uneasy Twentieth-Century Polish-Ukrainian relations. Keywords: Pavlo Shandruk, Władysław Anders, Virtuti Militari, Ukrainian National Army, Ukrainian National Committee, contract officer.

scholarly journals Using KOCOA Military Terrain Analysis for the Assessment of Twentieth Century Battlefield Landscapes

Heritage ◽  
2020 ◽  
Vol 3 (3) ◽  
pp. 753-781
Author(s):  
Dirk HR Spennemann
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Cultural Landscape ◽  
Aleutian Islands ◽  
Terrain Analysis ◽  
World War ◽  
Physical Evidence ◽  
Aerial Warfare

Military terrain analysis serves as a tool to examine a battle commander’s view of a battlefield and permits to hindcast some of the rationale for actions taken. This can be augmented by physical evidence of the remains of the battle that still exist in the cultural landscape. In the case of World War II-era battlefields, such terrain analysis has to take into account the influence of aerial warfare—the interrelationship between attacking aircraft and the siting of anti-aircraft guns. This paper examines these issues using the case example of the Japanese WWII-era base on Kiska in the Aleutian Islands (Alaska).

LONG-TERM TRENDS IN MARITAL STATUS MORTALITY DIFFERENCES IN THE NETHERLANDS 1850–1970

2001 ◽  
Vol 33 (2) ◽  
pp. 279-303 ◽  
Author(s):  
FRANS VAN POPPEL ◽  
INEZ JOUNG
Keyword(s):  
World War Ii ◽  
The Netherlands ◽  
Marital Status ◽  
Cause Of Death ◽  
Relative Increase ◽  
World War ◽  
Men And Women ◽  
Married Men ◽  
Long Term Trends

This article describes the long-term trends in marital status mortality differences in the Netherlands using a unique dataset relating to the period 1850–1970. Poisson regression analysis was applied to calculate relative mortality risks by marital status. For two periods, cause-of-death by marital status could be used. Clear differences in mortality by marital status were observed, with strongly increasing advantages for married men and women and a relative increase in the mortality of widowed compared with non-married people. Excess mortality among single and formerly married men and women was visible in many cause-of-death categories, and this became more widespread during the last decades of the nineteenth century. Hypotheses are formulated that might explain why married men and women underwent a stronger decrease in mortality up until the end of World War II.

scholarly journals “Reminisces of a Dead World”: Neoclassical Impulses in Stockhausen’s Gesang der Jünglinge

2021 ◽  
Vol 1 (3) ◽  
Author(s):  
Andrew Faulkenberry
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Technical Innovation ◽  
World War ◽  
Strong Connection ◽  
Karlheinz Stockhausen ◽  
Musical Thought ◽  
Biblical Story ◽  
Musical Traditions

In the years following World War II, integral serialist composers declared their intent to defy all previous musical conventions and eradicate all “rem-inisces of a dead world” from their music. Karlheinz Stockhausen was no exception, asserting his desire “to avoid everything which is familiar, generally known or reminiscent of music already composed.” However, Stockhausen’s Gesang der Jünglinge, de-spite its reputation for technical innovation, bears a strong connection to prior musical traditions. In this regard, Stockhausen resembled the neoclassical school of composers that sought to accommodate antiquated musical materials within a modern con-text.To demonstrate these similarities, I apply to Gesang a model of neoclassicism developed by Martha M. Hyde, a scholar on twentieth-century mu-sic. Hyde identifies two modes by which a neoclassi-cal piece “accommodates antiquity”: metamorphic anachronism and allegory. I argue both are present in Gesang. First, Stockhausen adopts elements of the sacred vocal tradition—including a child’s voice and antiphonal writing—and morphs them into something modern. Second, Stockhausen uses the Biblical story on which Gesang is based as an alle-gory for his own conflicted relationship with the mu-sical past. This analysis reframes Gesang’s signifi-cance and connects Stockhausen’s work to seem-ingly unrelated trends in twentieth-century musical thought.

scholarly journals Genre, Computation, and the Varieties of Twentieth-Century U.S. Fiction

2018 ◽  
Author(s):  
Matthew Wilkens
Keyword(s):  
United States ◽  
Twentieth Century ◽  
World War Ii ◽  
The Other ◽  
Literary Fiction ◽  
Contemporary Fiction ◽  
World War ◽  
Detective Story ◽  
Other Hand ◽  
Textual Content

Is "literary fiction" a useful genre label in the post-World War II United States? In some sense, the answer is obviously yes; there are sections marked "literary fiction" on Amazon, in bookstores, and on Goodreads, all of which contain many postwar and contemporary titles. Much of what is taught in contemporary fiction classes also falls under the heading of literary fiction, even if that label isn't always used explicitly. On the other hand, literary fiction, if it hangs together at all, may be defined as much by its (or its consumers') resistance to genre as by its positive textual content. That is, where conventional genres like the detective story or the erotic romance are recognizable by the presence of certain character types, plot events, and narrative styles, it is difficult to find any broadly agreeable set of such features by which literary fiction might be consistently identified.

scholarly journals The Context of the Marxist-Leninist View of Slovak Literature 1945-1969

1986 ◽  
pp. 36
Author(s):  
Norma Rudinsky
Keyword(s):  
World War Ii ◽  
Literary Criticism ◽  
Aesthetic Appreciation ◽  
World War ◽  
Liberal Democratic ◽  
Democratic Aesthetic ◽  
Insight Into

This paper resulted from an attempt to explore factors determining or underlying the "Marxificalion" of Slovak literature after 1945-- an attempt motivated by a hunch that certain Marxisl-Leninisl principles had provided a different insight into Slovak literature from that provided by the liberal, democratic "aesthetic appreciation" school of criticism in prewar Czechoslovakia. The idea that Slovak literary criticism has thrived, relatively, since World War II is by no means new and was advanced, for example, by emigre crilics.

scholarly journals The poet speaks to god: Christian religiosity in modern Serbian poetry

2020 ◽  
pp. 97-112
Author(s):  
Predrag Petrovic
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Christian Ethics ◽  
Virgin Mary ◽  
World War ◽  
Book Of Revelation ◽  
Christian Religion

During the twentieth century Serbian poetry was in intensive dialogue with Christian religion, motives and symbols. In the first half of the century, the inspiration to the Christian religion is evident in the poetry of Jovan Ducic and Momcilo Nastasijevic. In the poetry of Momcilo Nastasijevic there are frequent motives from The Book of Revelation and the reference to Christian ethics. Jovan Ducic in the book Lirika (1943) gives a tragic and sublime vision of life, taking on numerous Christian motives. The renewal of the prayer tone in poetry after World War II will appear in Desanka Maksimovic?s collection Trazim pomilovanje (1964). The culmination of Christian religiosity in Serbian literature of the last century is found in the book Cetiri kanona (1996) by Ivan V. Lalic, in which the figure of the Virgin Mary is especially emphasized.

Trusteeship Council

2008 ◽  
pp. 148-159
Author(s):  
Ralph Wilde
Keyword(s):  
Twentieth Century ◽  
Latin America ◽  
World War Ii ◽  
Middle East ◽  
Political Change ◽  
Self Determination ◽  
World War ◽  
The World ◽  
The Caribbean

This article examines the Trusteeship Council, a principal organ whose work was essential to the settlement arising from World War II. It involved establishing procedures for the independence of the defeated powers' colonies. This article details the pioneering efforts of the UN at facilitating the decolonization of trust territories. This is part of the world organization's contribution to the processes of self-determination for peoples in Africa, Asia, Latin America, the Caribbean, and the Middle East. It also reveals that the work of the Trusteeship Council was linked to what may have been the most important political change of the twentieth century.

The Appearance and Development of Art Informel in European Painting

2019 ◽  
Vol 3 (2) ◽  
Author(s):  
Rumen Zhekov ◽  
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Contemporary Art ◽  
World War ◽  
Art Scene ◽  
American Painting

The article aims to identify and analyze the prerequisites and causes of the emergence of art informel in European painting and to define its first official manifestations of the art scene and it the unusual development of the late 1940s to the 1980s. Are considerate and the socio-political situations and changes after the end of World War II and their reflections on European painting in the second half of the twentieth century. The author brings a parallel with processes running during this period of time in American painting and correspondence with the European one. The main groups and representatives of this movement, manifesto, concepts and ideologies are included. Significant forums were also mentioned, presenting their works, promoted and promoted in contemporary art.

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