Galen

Author(s):  
Daniel King

Galen develops a robustly aetiological approach to diagnosis and therapy which centres on the differentiation of pain perceptions throughout the body. He develops a specific definition of pain as the perception of overwhelming and contrary-to-nature change which links the perception of pain with his understanding of disease. Throughout On Affected Parts, he argues for pain terminology and descriptions that facilitate the communication of experiences and perceptions between doctor and patient. Galen promotes, in this context, a type of ‘common language’ in which familiar terminology communicates effectively the common experiences of doctor and patient: modern categories of subjective and objective language are not effective tools to help understand this complex approach to pain description. Galen’s control of language in this context is mirrored by his attempts to control his patients’ narration of pain symptoms, which moulds their experiences to fit Galen’s understanding of pain, disease, and the body.

Slavic Review ◽  
1968 ◽  
Vol 27 (1) ◽  
pp. 71-84 ◽  
Author(s):  
Raymond Hutchings

In this Article I shall examine the visual form or appearance (shape, size, and other visible qualities) of Soviet socially produced things (excluding any detailed consideration of trends in the fine arts or of individual craftsmanship) in relation to forces in Soviet ideology which seem to have influenced this form or appearance. (I do not attempt to describe all influences which bear on Soviet design, which would require a much more complex approach and a more extended treatment.) My definition of Soviet “ideology” would be the same as Professor Meyer's: the body of doctrine that is taught by the Communist Party to all Soviet citizens. Whether or not this doctrine is true, or thought to be true, as well as why it is propagated, or whether this would be a complete definition—these questions are considered to be irrelevant in the present context.


2019 ◽  
Vol 22 (1) ◽  
pp. 205-243
Author(s):  
Ângelo Cid Neto

Abstract This text is a reflection in action of an artistic process based on a scientific research. ENSAIO is the choreographic project that resulted from the translation mechanisms of laboratory concepts to a bodily approach, where it proposes a possible mainstreaming of artistic and scientific processes combined. This project joined artistic higher education schools in dance and scenic arts (ESD and FCSH) and Polavieja lab, a neuroscience research lab in Champalimaud Foundation – Center for the Unknown. This text aims to reveal the creative choreographic and performative potentials hidden in this scientific research concerning neurosciences. Identifying cross materials to artistic and scientific processes, it was possible to design a structure of the creation process and the construction of a choreographic performance. The common platform has been found in the process of translation and the definition of the same concept substrate, which made possible the approach of the two instances: studio and laboratory. One of its key features is the promotion of the communication among its agents: scientists and dancers. And the possibility of modelling and absorption from what it comes from this sharing and collaboration. The methods and the choreographic procedures mirrored and promoted this sharing and, therefore, the involvement of the body. Where, the body is the agent able to reflect and trigger this process, a body as an essay that is constantly in research. A body able to coordinate between various media and to expand the reflection on itself. Although science and art are individual instances that inevitably specialise and segregated away. Therefore, this text focuses on examples of cross-thinking of both scientific and artistic cultures, and the articulation of the theoretical and practical bodies in a practice-as-research on the development of the ENSAIO creative process.


2021 ◽  
Vol 11 (22) ◽  
pp. 294-304
Author(s):  
Csaba Kutasi

The scientific definition of polyethylene terephthalate (PET) changed for polyester in the common language. It was first manufactured in 1928 and the production of the fibre version started in 1941. Nowadays, 70% of artificial textile raw materials are polyester fibres and a significant amount of plastic waste is generated at the end of the life cycle of polyester clothing and other end products. The injection moulding process introduced in the 1970s made it possible to design and produce three-dimensional objects, and this resulted in the spreading of light, transparent, resistant and non-fragile PET bottles. Given that the degradation of PET is more than 450 years, the increase of recycling and reprocessing is an urgent pressure.


Author(s):  
Walter S. Dekeseredy ◽  
Molly Dragiewicz ◽  
Martin D. Schwartz

This chapter challenges the “common sense” notion that it is essential for a couple to be living apart to be considered separated or divorced. In making this challenge, the authors make the case for a broad, gender-specific definition of separation/divorce violence, one that includes acts of physical violence and psychological means of victimization.


1971 ◽  
Vol 15 (2) ◽  
pp. 132-181 ◽  
Author(s):  
N. A. Ollennu

Many books and learned articles have been written on African Law within the last two or three decades. Almost every one of them has attempted a definition of law, custom and customary law, as a basis for its particular object. Among these definitions is Elias's adaptation of Goodhart's definition of law; this definition appeals to us as it serves many purposes. That adaptive definition is: “ ‘The law of a given community is the body of rules which are recognised as obligatory…’ This recognition must be in accordance with the principles of their social imperative, because operating in every community is a dynamic of social conduct, an accepted norm of behaviour which the vast majority of its members regard as absolutely necessary for the common weal. This determinant of the ethos of the community is its social imperative.” We would not of course include within the concept of law forms of social conduct which are concerned with the less important aspects of social life, which though well-established, yet pertain only to the sphere of social formalities and when violated, merely excite the displeasure or contempt of society; we are concerned with those norms the violation of which calls for the employment of “sanctions directly affecting the liberty, property, or status of the offender (such as imprisonment, fines or loss of civil rights)”. But we would include also those “concerned with serious business of society, the work that must be accomplished in order to secure and guarantee satisfactory conditions for collective life,” which Edgar Bodenheimer classifies as “customary law”.


2007 ◽  
Vol 42 (3) ◽  
pp. 292-313 ◽  
Author(s):  
Jörg Monar

AbstractOn the basis of an analysis of the European Union's common definition of the post-9/11 terrorist threat, this article provides a critical assessment of the EU's response. The EU has arrived at a reasonably specific definition of the common threat that avoids simplistic reductions and is a response that is sufficiently multidimensional to address the different aspects – internal and external, legislative and operational, repressive and preventive – of this threat. Yet the definition is undermined by differences between national threat perceptions. The preference for instruments of cooperation and coordination rather than integration, and poor implementation are having a negative impact on the effectiveness of the common response, the legitimacy of which is also weakened by limited parliamentary and judicial control.


Laws ◽  
2021 ◽  
Vol 10 (3) ◽  
pp. 54
Author(s):  
Nofar Sheffi

Rethinking ‘sharing’ and the relationship between ‘sharing’ and ‘jurisdiction’, this meander proceeds in three parts. It begins with a journey to and through the forests of the nineteenth-century Rhineland, rereading Marx’s journalistic reports on debates in the Sixth Rhine Province Assembly about proposed amendments to forest regulation (including an extension of the definition of ‘wood theft’ to include the gathering of fallen wood) as a reflection on the making of law by legal bodies. From the forests of the Rhineland, the paper journeys to the forests of England, retracing the common story about the development, by legal bodies, of the body of common law principles applicable to ‘innkeeping’. Traveling to and through the ‘concrete jungles’ of the United States of America, the paper concludes with a reflection on Airbnb’s common story of creation as well as debates about the legality of Airbnb, Airbnb-ing, and ‘sharing’.


2020 ◽  
Vol 30 (Supplement_5) ◽  
Author(s):  
Betina Bergmann Madsen

Abstract For diets to meet the FAO definition of sustainable, they must be accessible and secure. One aspect of this is the food available in supermarkets and in people's homes; another is that available in public institutions such as schools, hospitals and workplaces. Public procurement officers are responsible for sourcing food in such spaces; it is therefore necessary for these agents to be empowered with knowledge on sustainable and healthy diets. Ministries need to unite around the common goal that is sustainability. In Copenhagen an innovative approach has been adopted to drive this. The Copenhagen Food Strategy is a multisectoral initiative that has been embedded at the contractual level, changing mindsets and practices with a two-way dialogue between those providing the food and those delivering it. It is important to communicate good examples to demonstrate how policy can work to achieve sustainable and healthy diets for all. A practical manual has been developed to train procurement officers so that best practice can be disseminated across the country. Using the SDGs as a common language, processes can be streamlined and disseminated across multiple sectors and councils to achieve healthy and sustainable diets for all.


Derrida Today ◽  
2013 ◽  
Vol 6 (1) ◽  
pp. 97-114 ◽  
Author(s):  
Christopher Morris

Over the past thirty years, academic debate over pornography in the discourses of feminism and cultural studies has foundered on questions of the performative and of the word's definition. In the polylogue of Droit de regards, pornography is defined as la mise en vente that is taking place in the act of exegesis in progress. (Wills's idiomatic English translation includes an ‘it’ that is absent in the French original). The definition in Droit de regards alludes to the word's etymology (writing by or about prostitutes) but leaves the referent of the ‘sale’ suspended. Pornography as la mise en vente boldly restates the necessary iterability of the sign and anticipates two of Derrida's late arguments: that there is no ‘the’ body and that performatives may be powerless. Deriving a definition of pornography from a truncated etymology exemplifies the prosthesis of origin and challenges other critical discourses to explain how pornography can be understood as anything more than ‘putting (it) up for sale’.


2010 ◽  
Vol 4 (supplement) ◽  
pp. 46-63
Author(s):  
Vidar Thorsteinsson

The paper explores the relation of Michael Hardt and Antonio Negri's work to that of Deleuze and Guattari. The main focus is on Hardt and Negri's concept of ‘the common’ as developed in their most recent book Commonwealth. It is argued that the common can complement what Nicholas Thoburn terms the ‘minor’ characteristics of Deleuze's political thinking while also surpassing certain limitations posed by Hardt and Negri's own previous emphasis on ‘autonomy-in-production’. With reference to Marx's notion of real subsumption and early workerism's social-factory thesis, the discussion circles around showing how a distinction between capital and the common can provide a basis for what Alberto Toscano calls ‘antagonistic separation’ from capital in a more effective way than can the classical capital–labour distinction. To this end, it is demonstrated how the common might benefit from being understood in light of Deleuze and Guattari's conceptual apparatus, with reference primarily to the ‘body without organs’ of Anti-Oedipus. It is argued that the common as body without organs, now understood as constituting its own ‘social production’ separate from the BwO of capital, can provide a new basis for antagonistic separation from capital. Of fundamental importance is how the common potentially invents a novel regime of qualitative valorisation, distinct from capital's limitation to quantity and scarcity.


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