Hegel’s antiquity

2019 ◽  
pp. 37-64
Author(s):  
Vered Lev Kenaan

Chapter 2 presents the question of the unconscious in the context of the history of nineteenth-century German reflection on the encounter between moderns and ancients. The Hegelian dialectic of negation and preservation serves to unpack the received, modified memory of antiquity. In contrast to the common nineteenth-century view that regards classical antiquity as humanity’s remote childhood—its primordial past—Hegel’s notion of antiquity emphasizes rather its connectedness to present circumstances. For Hegel, the memory of antiquity is part of the present and therefore has a formative influence on the openness of modern consciousness to its future.

2020 ◽  
Vol 34 (3) ◽  
pp. 537-596
Author(s):  
Carlos S. Alvarado

There is a long history of discussions of mediumship as related to dissociation and the unconscious mind during the Nineteenth Century. After an overview of relevant ideas and observations from the mesmeric, hypnosis, and spiritualistic literatures, I focus on the writings of Jules Baillarger, Alfred Binet, Paul Blocq, Théodore Flournoy, Jules Héricourt, William James, Pierre Janet, Ambroise August Liébeault, Frederic W.H. Myers, Julian Ochorowicz, Charles Richet, Hippolyte Taine, Paul Tascher, and Edouard von Hartmann. While some of their ideas reduced mediumship solely to intra-psychic processes, others considered as well veridical phenomena. The speculations of these individuals, involving personation, and different memory states, were part of a general interest in the unconscious mind, and in automatisms, hysteria, and hypnosis during the period in question. Similar ideas continued into the Twentieth Century.


Author(s):  
John Baker

This chapter examines the history of case-law, legislation, and equity, with particular reference to legal change. The common law was evidenced by judicial precedent, but single decisions were not binding until the nineteenth century. It was also rooted in professional understanding, the ‘common learning’ acquired in the inns of court. It was based on ‘reason’, operating within a rigid procedural framework. Legal change could be effected by fictions, equity, and legislation, but (except during the Interregnum) there was little systematic reform before the nineteenth century. Legislation was external to the common law, but it had to be interpreted by common-law judges and so there was a symbiotic relationship between statute-law and case-law. Codification has sometimes been proposed, but with limited effect.


2019 ◽  
Vol 31 (4) ◽  
pp. 829-839
Author(s):  
Irvin J Hunt

Abstract This article reconsiders the recent turn in political theory to love as a countercapital affect, helping us endure when hope has lost its salience. The article offers the concept of “necromance” to attend to the ways the popular configuration of love as life-giving often overlooks how in the history of slavery and liberal empire love operates as life-taking. Distinct from necromancy, necromance is not a process of reviving the dead but of bringing subjects in ever closer proximity to the dead. Grounded in a reading of W. E. B. Du Bois’s romantic novel The Quest of the Silver Fleece (1911), particularly its vision of a cooperative economy and its response to the evolving meaning of love in American culture at the end of the nineteenth century, necromance is both a structure of feeling and a form of writing. As a resource for activism indebted to the creative powers of melancholic attachments, necromance contests the common conception that in order for grievances to become social movements or collective insurgencies they must be framed to create feelings of outrage, not of grief. By working inside existing conditions of irrevocable loss, necromantic love registers the feeling that the revolution is already here.


Reinardus ◽  
2018 ◽  
Vol 30 ◽  
pp. 81-93
Author(s):  
Wilt L. Idema

Abstract The tale of the war of the mice against the cat has a history of several thousands of years. First known from ancient Egypt, it was wide-spread in Classical antiquity, would remain popular in the Near East until modern times, and also was widely known in Europe in medieval and early modern times in paintings, prints, songs, and mock-epics. In China the most popular tale on the antagonism of mice and cats was the tale of their underworld court case. Starting from the first half of the nineteenth century, some versions of that tale also include an account of the war between the two species. Only one stand-alone treatment of the theme is known from an edition of the 1920s. In Japan the theme of the war of the mice against the cats also makes its first appearance in print in the first half of the nineteenth century. No direct foreign influence can be discerned in the emergence of this theme in either country.


2014 ◽  
Vol 48 (2) ◽  
pp. 233-259 ◽  
Author(s):  
SEAN DYDE

AbstractThis article examines the history of two fields of enquiry in late eighteenth- and early nineteenth-century Scotland: the rise and fall of the common sense school of philosophy and phrenology as presented in the works of George Combe. Although many previous historians have construed these histories as separate, indeed sometimes incommensurate, I propose that their paths were intertwined to a greater extent than has previously been given credit. The philosophy of common sense was a response to problems raised by Enlightenment thinkers, particularly David Hume, and spurred a theory of the mind and its mode of study. In order to succeed, or even to be considered a rival of these established understandings, phrenologists adapted their arguments for the sake of engaging in philosophical dispute. I argue that this debate contributed to the relative success of these groups: phrenology as a well-known historical subject, common sense now largely forgotten. Moreover, this history seeks to question the place of phrenology within the sciences of mind in nineteenth-century Britain.


2020 ◽  
pp. 123-140
Author(s):  
Krystyna Kossakowska-Jarosz

This text is part of the author’s research on the literary culture of the nineteenth-century UpperSilesia. The author shows that at the forefront of modern Europe (at the beginning of industrializationand urbanization of the continent) the autochthon writers of Upper Silesia undertook actionsaimed at fostering cultural awareness amongst their compatriots, who were considered to belong toa national minority, in order to instil patriotic feelings in them. In the current post-colonial discoursetheir struggles are recognized as the “voice of the periphery”. Striving to achieve civic maturity intheir Polish ecumene, these writers demonstrated considerable knowledge of their own Polish rootsas the inhabitants of this region. They assumed they must be aware of their distinctness from thedominant society in the Prussian state. The messages conveyed to their compatriots consisted inemphasizing the common history of Silesians and Poles and remembering the glorious past of thelatter. These were the foundations for shaping the sense of identity as well as for creating strongties with their own land. The development of such an emotional attitude towards the place and itspast among the readers allowed for effective building of patriotic attitudes, which was confirmed bycontemporary observers of the writers’ efforts. They continued coming to Upper Silesia from otherregions of the former Polish Republic to learn about ways of writing “for people.”


2006 ◽  
Vol 20 (6) ◽  
pp. 1-6 ◽  
Author(s):  
Sam Safavi-Abbasi ◽  
Cassius Reis ◽  
Melanie C. Talley ◽  
Nicholas Theodore ◽  
Peter Nakaji ◽  
...  

✓ The history of apoplexy and descriptions of stroke symptoms date back to ancient times. It was not until the mid-nineteenth century, however, that the contributions of Rudolf Ludwig Karl Virchow, including his descriptions of the phenomena he called “embolism” and “thrombosis” as well as the origins of ischemia, changed the understanding of stroke. He suggested three main factors that conduce to venous thrombosis, which are now known as the Virchow triad. He also showed that portions of what he called a “thrombus” could detach and form an “embolus.” Thus, Virchow coined these terms to describe the pathogenesis of the disorder. It was also not until 1863 that Virchow recognized and differentiated almost all of the common types of intracranial malformations: telangiectatic venous malformations, arterial malformations, arteriovenous malformations, cystic angiomas (possibly what are now called hemangioblastomas), and transitional types of these lesions. This article is a review of the contributions of Rudolf Virchow to the current understanding of cerebrovascular pathology, and a summary of the life of this extraordinary personality in his many roles as physician, pathologist, anthropologist, ethnologist, and politician.


Author(s):  
Walter Rech

By illustrating the history of Italian international law from the early seventeenth to the mid-nineteenth century, this chapter explores the question of whether and to what extent this period may have been characterized by a genuinely Italian ‘tradition’ or approach to international legal issues. The chapter questions the notion of a monolithic Italian tradition in international law and shows that the commonality of topics and interests among Italian lawyers can best be read as part of broader trends in the European ‘law of nations’. Although they were concerned with nationally important matters such as maritime trade, the sovereignty of smaller polities and the relationship between State and church, Italian lawyers constantly defended their claims by resorting to the common European vocabulary of the ius naturae and ius gentium.


1952 ◽  
Vol 21 (63) ◽  
pp. 104-111 ◽  
Author(s):  
H. C. Fay

The Iliads of Homer Prince of Poetts, Translated according to the Greeke, by Geo Chapman, was published in 1611, though parts of it had appeared as early as 1598. The Odysses [sic] came out in 1614 and The Crozone of All Homers Workes (i.e. Hymns, Batrachomyomachia, etc.) about 1624. Chapman's position as the greatest translator of Homer lasted for a century. His work was then superseded by Pope's. It came into fashion again in the nineteenth century with the enthusirastic advocacy of Keats, Coleridge, and Lamb, and was reprinted or edited several times. But now it is little read, and that is a pity. I propose to indicate its value both as an English poem and as a document in the history of the classics.The Odysses and most of Chapman's other translations were written in rhymed decasyllables; but the metre of the Iliads is rhymed fourteeners, the Common Measure, as it is called in hymn-books. It had been used by other translators before Chapman; by Phaer for Vergil, by Turberville and by Golding for Ovid, and by one Arthur Hall for a bad translation of Iliad i-x.1 It had the practical advantage that rhymes were not too frequent, and to my mind it has dignity; but it was going out of fashion, and the Iliads was the last great work in which it was used. Neither in the decasyllables nor in the fourteeners does the metre bound the sense, as it does in, say, John Gilpin or Pope's Homer: frequent enjambement and variations of pause and of stress permit an effect (so far as metre is concerned) as free as Homer's unrhymed hexameters.


2007 ◽  
Vol 38 ◽  
pp. 145-159
Author(s):  
Deborah R. Coen

Fin-de-siècle Vienna continues to supply historians and the general public alike with a paradigm of the modernist subversion of rationality. From the birth of the unconscious, to the artistic expression of feral sexuality, to the surge of populist politics, Vienna 1900 stands as the turning point when a nineteenth-century ideal of rationality gave way to a twentieth-century fascination with subjectivity. In fact, we know little as yet about what rationality really meant to those to whom we attribute its undoing. Allan Janik writes that today the “‘big’ questions about Viennese culture” center on “just how ‘rational’ developments there have been,” and to answer these questions, Janik argues, we need research on the history of natural science in Austria. Indeed, as Steven Beller notes, the topic of science has been “strangely absent” from the animated discussions of fin-de-siècle Vienna over the past three decades.


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