The Crisis (Musical Staves)
This chapter begins with the musical stages that accompany Dante’s ballata in an early twentieth-century English translation. Although the music is a modern fabrication, it calls attention to the distinctive form of the ballata which Dante considers defective in the De vulgari eloquentia because it requires the kind of musical accompaniment these staves provide. This chapter examines how this formal defect also encodes a thematic problem of relying on Beatrice’s greeting. This chapter shows how Dante deals with this crisis through the praise style expressed in the self-sufficient (not defective) form of the canzone Donne ch’avete intelletto. While the canzone’s significance has been widely recognized, this chapter shows how Dante’s expression of this new idea of love by plotting these different poetic forms draws on the two books he read after Beatrice’s death, Boethius’ Consolation of Philosophy and Cicero’s De amicitia. The final section discusses how several later readers transformed and even erased Dante’s innovative idea of love.