Political, Social, and Cultural Legacies

Author(s):  
J.S. Grewal

A long struggle for political power that culminated in the establishment of Khalsa Raj in the third quarter of the eighteenth century was the most striking legacy of Guru Gobind Singh. Significantly, a wide range of literature was produced during this period by Sikh writers in new as well as old literary forms. The Dasam Granth emerged as a text of considerable importance. The doctrines of Guru Granth and Guru Panth crystallized, and influenced the religious, social and political life of the Khalsa. The Singhs formed the main stream of the Sikh Panth at the end of the century. Singh identity was sharpened to make the Khalsa visibly the ‘third community’ (tisar panth).

1940 ◽  
Vol 2 (5) ◽  
pp. 12-53
Author(s):  
R. B. McDowell

One of the most noticeable features of Irish political life in the 'later eighteenth century, is, that though political power was :oncentrated in comparatively few hands, there was a very large leasure of political freedom. One could in fact sum up the system by saying that it was oligarchy tempered by discussion. As a result, voluntary and unofficial societies and clubs arose for the purpose of educating and influencing public opinion, and were the nuclei of much political thought and action. There [were Whig Clubs, Constitutional Clubs, Societies for the [Preservation of Liberty and Peace and Associations of Independent Voters. Thus there was nothing very strange in the Iformation, in November 1791, of a Dublin branch of the newly bounded Society of United Irishmen. But this group was to prove unique in at least one respect.


Rural History ◽  
2008 ◽  
Vol 19 (2) ◽  
pp. 179-199 ◽  
Author(s):  
ANNIE TINDLEY

AbstractThere has been much historical debate over the role of aristocratic landed families in local and national politics throughout the nineteenth century, and the impact of the First, Second and Third Reform Acts on that role. Additionally, the period from 1881 in the Scottish Highlands was one of acute political and ideological crisis, as the debate over the reform of the Land Laws took a violent turn, and Highland landowners were forced to address the demands of their small tenants. This article addresses these debates, taking as its case-study the ducal house of Sutherland. The Leveson-Gower family owned almost the whole county of Sutherland and until 1884 dominated political life in the region. This article examines the gradual breakdown of that political power, in line with a more general decline in financial and territorial influence, both in terms of the personal role of the Fourth and Fifth Dukes of Sutherland, and the broader impact of the estate management on the mechanics and expectations of politics in the county.


1981 ◽  
Vol 22 (88) ◽  
pp. 313-330 ◽  
Author(s):  
Thomas Bartlett

Political life in Ireland in the third quarter of the eighteenth century was disturbed by three major opposition campaigns. From 1753 to 1756 there was the so-called money bill dispute in which Henry Boyle (later first earl of Shannon) mounted a formidable and largely successful opposition to the designs of the Dublin Castle administration for replacing him as chief undertaker. The years 1769-71 saw a noisy but ineffective opposition to Viscount Townshend’s plans for re-modelling the way Ireland was governed. And from 1778 to 1783 there was the famous patriot opposition led by Henry Grattan and Henry Flood which won for Ireland ‘a free trade’ and the ‘constitution of ’82’ The first and last ofthese opposition campaigns have been studied in detail; but the opposition to Townshend has been comparatively neglected, perhaps because the result was so unequivocally a victory for the Castle and hence less ‘heroic’ in its outcome than the other two campaigns. This paper sets out in the first instance to correct this imbalance by examining the reasons for the failure of the Irish opposition to Townshend.


Writing from a wide range of historical perspectives, contributors to the anthology shed new light on historical, theoretical and empirical issues pertaining to the documentary film, in order to better comprehend the significant transformations of the form in colonial, late colonial and immediate post-colonial and postcolonial times in South and South-East Asia. In doing so, this anthology addresses an important gap in the global understanding of documentary discourses, practices, uses and styles. Based upon in-depth essays written by international authorities in the field and cutting-edge doctoral projects, this anthology is the first to encompass different periods, national contexts, subject matter and style in order to address important and also relatively little-known issues in colonial documentary film in the South and South-East Asian regions. This anthology is divided into three main thematic sections, each of which crosses national or geographical boundaries. The first section addresses issues of colonialism, late colonialism and independence. The second section looks at the use of the documentary film by missionaries and Christian evangelists, whilst the third explores the relation between documentary film, nationalism and representation.


2018 ◽  
Vol 38 (1) ◽  
pp. 73-87 ◽  
Author(s):  
Bruce Lenman

This article begins with the idea that there was a vigorous political life in Scotland in the first half of the eighteenth century which could focus on issues other than Jacobitism or government patronage. The article focuses on the non-dynastic issues in Scottish politics that predated the Union and which carried on into the Westminster parliament to the accompaniment of considerable activism in Scotland, and a distinctive contribution from Scottish members of both houses of the legislature. The example here examined is the burning issue of securing commercial access to the forbidden lands of Spanish America. Studying it reveals very clearly that ‘The theme of Scotland's partial integration into the British state’ and the way in which it ‘was never wholly successful’, goes back to the very start of the eighteenth century.


2020 ◽  
Vol 38 (1) ◽  
pp. 44-66
Author(s):  
Christine Adams

The relationship of the French king and royal mistress, complementary but unequal, embodied the Gallic singularity; the royal mistress exercised a civilizing manner and the soft power of women on the king’s behalf. However, both her contemporaries and nineteenth- and early twentieth-century historians were uncomfortable with the mistress’s political power. Furthermore, paradoxical attitudes about French womanhood have led to analyses of her role that are often contradictory. Royal mistresses have simultaneously been celebrated for their civilizing effect in the realm of culture, chided for their frivolous expenditures on clothing and jewelry, and excoriated for their dangerous meddling in politics. Their increasing visibility in the political realm by the eighteenth century led many to blame Louis XV’s mistresses—along with Queen Marie-Antoinette, who exercised a similar influence over her husband, Louis XVI—for the degradation and eventual fall of the monarchy. This article reexamines the historiography of the royal mistress.


Transfers ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 115-119 ◽  
Author(s):  
Susan E. Bell ◽  
Kathy Davis

Translocation – Transformation is an ambitious contribution to the subject of mobility. Materially, it interlinks seemingly disparate objects into a surprisingly unified exhibition on mobile histories and heritages: twelve bronze zodiac heads, silk and bamboo creatures, worn life vests, pressed Pu-erh tea, thousands of broken antique teapot spouts, and an ancestral wooden temple from the Ming dynasty (1368–1644) used by a tea-trading family. Historically and politically, the exhibition engages Chinese stories from the third century BCE, empires in eighteenth-century Austria and China, the Second Opium War in the nineteenth century, the Chinese Cultural Revolution of the mid-twentieth century, and today’s global refugee crisis.


2019 ◽  
Vol 6 (1) ◽  
pp. 175-191
Author(s):  
James R. Currie

The third in a set of review articles treating Wye Allanbrook's posthumously published Secular Commedia (University of California Press, 2014). The reviews originated as a panel discussion organized by Edmund J. Goehring at the Mozart Society of America's 2018 meeting at the University of Western Ontario.


Author(s):  
John West

Literary history often positions Dryden as the precursor to the great Tory satirists of the eighteenth century, like Pope and Swift. Yet a surprising number of Whig writers expressed deep admiration for Dryden, despite their political and religious differences. They were particularly drawn to the enthusiastic dimensions of his writing. After a short reading of Dryden’s poem to his younger Whig contemporary William Congreve, this concluding chapter presents three case studies of Whig writers who used Dryden to develop their own ideas of enthusiastic literature. These three writers are Elizabeth Singer Rowe, John Dennis, and the Third Earl of Shaftesbury. These case studies are used to critique the political polarizations of seventeenth- and eighteenth-century literary history and to stress instead how literary friendship crossed political allegiances, and how writers of differing ideological positions competed to control mutually appealing ideas and vocabularies.


Author(s):  
Andrew Kahn ◽  
Mark Lipovetsky ◽  
Irina Reyfman ◽  
Stephanie Sandler

In the context of Sentimentalism in the 1770s, literary culture opened up to representations of human subjectivity. The chapter considers genres of poetry devoted to the themes of pleasure, death, and posterity. It also considers the spaces of poetry and modes of exchange, whether through the album, the salon, and the verse epistle. Two case studies explore the use of different literary forms in the further development of identity, individual and also authorial. The first looks at Radishchev’s experiment in writing a fictional diary as a psychological exercise. The second examines the tradition of imitation of Horace’s Monument poem in Russian poetry in the eighteenth century as well as by later poets, such as Pushkin and Brodsky. The case study shows how these Russian versions express changing ideas about imitation and originality as well as poets’ concern with posterity.


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