Temporalities

2018 ◽  
pp. 233-270
Author(s):  
Martin Scherzinger
Keyword(s):  
Linear Time ◽  
Philosophy Of Time ◽  
The West ◽  
The Past ◽  
Colonial Expansion ◽  
Cyclical Time ◽  
History Of ◽  
Material History ◽  
Rhythm And Meter ◽  
The One

This chapter examines the question of musical temporality in broad historical perspective. Through a series of reflections on the philosophy of time, theories of musical time, and the material history of time in the past 250 years, the chapter outlines the basic temporal antinomies of the West. This modern conception of temporality, broadly construed as a precisely-segmented linear time set against narratives of alternative, cyclical time, is shown to be bound up with the project of colonial expansion. The chapter furthermore argues that the value brought to analyses of global time by new phenomenologies of listening, on the one hand, and by disjunctures and differences of polychronic scale, on the other, are grounded in ab initio exclusions of certain modes of practice and thought. By scrutinizing the double conceptions of rhythm and meter in relation to African musical practice, the chapter suggests an opening for thinking outside of hegemonic time.

The Invention of Papal History

2019 ◽  
Author(s):  
Stefan Bauer
Keyword(s):  
Catholic Reformation ◽  
History Writing ◽  
Historical Texts ◽  
The Past ◽  
History Of ◽  
Cultural Standards ◽  
Commissioned Works ◽  
The One ◽  
Late Renaissance ◽  
The Church

How was the history of post-classical Rome and of the Church written in the Catholic Reformation? Historical texts composed in Rome at this time have been considered secondary to the city’s significance for the history of art. The Invention of Papal History corrects this distorting emphasis and shows how history-writing became part of a comprehensive formation of the image and self-perception of the papacy. By presenting and fully contextualizing the path-breaking works of the Augustinian historian Onofrio Panvinio (1530–68), this book shows what type of historical research was possible in the late Renaissance and the Catholic Reformation. Historiography in this period by no means consisted entirely of commissioned works written for patrons; rather, a creative interplay existed between, on the one hand, the endeavours of authors to explore the past and, on the other hand, the constraints of patronage and ideology placed on them. This book sheds new light on the changing priorities, mentalities, and cultural standards that flourished in the transition from the Renaissance to the Catholic Reformation.

Camus's Absurd and the World of Melville's Confidence-Man

PMLA ◽  
1967 ◽  
Vol 82 (1) ◽  
pp. 14-27
Author(s):  
Leon F. Seltzer
Keyword(s):  
Careful Analysis ◽  
The Other ◽  
The Novel ◽  
The Past ◽  
The World ◽  
Critical Attention ◽  
Confidence Man ◽  
Ugly Duckling ◽  
History Of ◽  
The One

In recent years, The Confidence-Man: His Masquerade, a difficult work and for long an unjustly neglected one, has begun to command increasingly greater critical attention and esteem. As more than one contemporary writer has noted, the verdict of the late Richard Chase in 1949, that the novel represents Melville's “second best achievement,” has served to prompt many to undertake a second reading (or at least a first) of the book. Before this time, the novel had traditionally been the one Melville readers have shied away from—as overly discursive, too rambling altogether, on the one hand, or as an unfortunate outgrowth of the author's morbidity on the other. Elizabeth Foster, in the admirably comprehensive introduction to her valuable edition of The Confidence-Man (1954), systematically traces the history of the book's reputation and observes that even with the Melville renaissance of the twenties, the work stands as the last piece of the author's fiction to be redeemed. Only lately, she comments, has it ceased to be regarded as “the ugly duckling” of Melville's creations. But recognition does not imply agreement, and it should not be thought that in the past fifteen years critics have reached any sort of unanimity on the novel's content. Since Mr. Chase's study, which approached the puzzling work as a satire on the American spirit—or, more specifically, as an attack on the liberalism of the day—and which speculated upon the novel's controlling folk and mythic figures, other critics, by now ready to assume that the book repaid careful analysis, have read the work in a variety of ways. It has been treated, among other things, as a religious allegory, as a philosophic satire on optimism, and as a Shandian comedy. One critic has conveniently summarized the prevailing situation by remarking that “the literary, philosophical, and cultural materials in this book are fused in so enigmatic a fashion that its interpreters have differed as to what the book is really about.”

WHY STUDYING THE HISTORY OF PHILOSOPHY MATTERS

Think ◽  
2021 ◽  
Vol 21 (60) ◽  
pp. 5-20
Author(s):  
Anna Marmodoro
Keyword(s):  
Ancient Philosophy ◽  
History Of Philosophy ◽  
Special Focus ◽  
The Past ◽  
History Of ◽  
The One

The debate over whether and how philosophers of today may usefully engage with philosophers of the past is nearly as old as the history of philosophy itself. Does the study of the history of philosophy train or corrupt the budding philosopher's mind? Why study the history of philosophy? And, how to study the history of philosophy? I discuss some mainstream approaches to the study of the history of philosophy (with special focus on ancient philosophy), before explicating the one I adopt and commend.

“A composItIon wrItten wIthout creatIve lImItatIons” – Wanda Landowska and concerto for harpsichord and five instruments by ManueL de Falla (1923)

2021 ◽  
Vol 1 (15) ◽  
pp. 67-107
Author(s):  
Ines R. Artola
Keyword(s):  
Strict Sense ◽  
Sonata Form ◽  
Historical Sources ◽  
Avant Garde ◽  
20Th Century Music ◽  
The Third ◽  
Word Analysis ◽  
The Past ◽  
History Of ◽  
The One

The aim of the present article is the analysis of Concerto for harpsichord and five instruments by Manuel de Falla – a piece which was dedicated by the composer to Wanda Landowska, an outstanding Polish harpsichord player. The piece was meant to commemorate the friendship these two artists shared as well as their collaboration. Written in the period of 1923-1926, the Concerto was the first composition in the history of 20th century music where harpsichord was the soloist instrument. The first element of the article is the context in which the piece was written. We shall look into the musical influences that shaped its form. On the one hand, it was the music of the past: from Cancionero Felipe Pedrell through mainly Bach’s polyphony to works by Scarlatti which preceded the Classicism (this influence is particularly noticeable in the third movement of the Concerto). On the other hand, it was music from the time of de Falla: first of all – Neo-Classicism and works by Stravinsky. The author refers to historical sources – critics’ reviews, testimonies of de Falla’s contemporaries and, obviously, his own remarks as to the interpretation of the piece. Next, Inés R. Artola analyses the score in the strict sense of the word “analysis”. In this part of the article, she quotes specific fragments of the composition, which reflect both traditional musical means (counterpoint, canon, Scarlatti-style sonata form, influence of old popular music) and the avant-garde ones (polytonality, orchestration, elements of neo-classical harmony).

The Diaspora of the Novel

1992 ◽  
Vol 2 (1) ◽  
pp. 131-146
Author(s):  
Artemis Leontis
Keyword(s):  
Uneven Development ◽  
Literary Genre ◽  
The Novel ◽  
History Of The Novel ◽  
The West ◽  
The Past ◽  
The Social ◽  
Economic Transformations ◽  
History Of ◽  
New Type

Reflection on the history of the novel usually begins with consideration of the social, political, and economic transformations within society that favored the “rise” of a new type of narrative. This remains true even with the numerous and important studies appearing during the past ten years, which relate the novel to an everbroadening spectrum of ideological issues—gender, class, race, and, most recently, nationalism. Yet a history of the genre might reflect not just on the novel’s national, but also its transnational, trajectory, its spread across the globe, away from its original points of emergence. Such a history would take into account the expansion of western markets—the growing exportation of goods and ideas, as well as of social, political, and cultural forms from the West—that promoted the novel’s importation by nonwestern societies. Furthermore, it could lead one to examine the very interesting inverse relationship between two kinds of migration, both of which are tied to the First World’s uneven “development” of the Third. In a world system that draws out natural resources in exchange for technologically mediated goods, the emigration of laborers and intellectuals from peripheral societies to the centers of power of the West and the immigration of a western literary genre into these same societies must be viewed as related phenomena.

scholarly journals OIL AND GAS MODELING GENERARION IN THE JURASSIC SEDIMENTS IN THE SOUTH-EASTERN OF THE WEST SIBERIAN PETROLEUM PROVINSE

2021 ◽  
Vol 2 (1) ◽  
pp. 38-43
Author(s):  
Elena A. Glukhova ◽  
Pavel I. Safronov ◽  
Lev M. Burshtein
Keyword(s):  
Heat Flow ◽  
Thermal History ◽  
Oil And Gas ◽  
Flow Density ◽  
Basin Modeling ◽  
Heat Flow Density ◽  
The West ◽  
One Dimensional ◽  
History Of ◽  
The One

The article presents the one-dimensional basin modeling performed in four wells to reconstruct the thermal history of deposits and reconstruct the effective values of the heat flow density.

scholarly journals Past as the Other – The Other as Past

2010 ◽  
Vol 5 (2) ◽  
pp. 259-268
Author(s):  
Staša Babić
Keyword(s):  
The Other ◽  
European Countries ◽  
Academic Disciplines ◽  
The West ◽  
The Past ◽  
Colonial Expansion ◽  
The Times ◽  
Modern Identity ◽  
Material Evidence ◽  
Written Sources

Modern academic disciplines of anthropology, history and archaeology are founded in the cultural, social, political context of the 18th and 19th centuries, at the times of the colonial expansion of the West European countries. Although demarcated by the objects of their study ("primitive societies", the past according to written sources, or material evidence), all these disciplines are grounded in the need to distinguish and strengthen the modern identity of the Europeans as opposed to the Others in space and time.

Developing expertise in psychoanalytic couple and family therapy in China

2021 ◽  
Vol 4 (2) ◽  
pp. 240-246
Author(s):  
Janine Wanlass
Keyword(s):  
Cultural Revolution ◽  
Training Programme ◽  
The West ◽  
Couple And Family Therapy ◽  
Psychoanalytic Training ◽  
The Past ◽  
One Child Policy ◽  
Child Policy ◽  
Divorce Rates ◽  
The One

The author traces the development of a collaborative psychoanalytic training programme for couple and family therapists in China, launched through the shared efforts of Drs David Scharff, Jill Savege Scharff, Janine Wanlass, Fang Xin and Gao Jun, enrolling more than 400 students over the past twelve years. The stressors of economic change, greater interaction with the West, legacies left by the Cultural Revolution, challenges associated with the one-child policy, and escalating divorce rates created a need for therapists to intervene with Chinese couples and families exhibiting distress (Scharff, 2020, 2021). A training programme was conceived, including didactic teaching from an object relations perspective, a live clinical demonstration of psychotherapy with a couple or family, and small process groups led by Chinese therapists to help trainees integrate affective, cognitive, and behavioural learning components. The author contends that the success of this programme was largely dependent on a collaboration of cultures and personnel, as American teachers learned about psychoanalytic thinking from a Chinese cultural lens and Chinese administrators, faculty, and students discovered effective ways to address the mental health struggles of Chinese couples and families.

III.—The Pre-Cambrian Rocks of Wales

1893 ◽  
Vol 10 (9) ◽  
pp. 396-401
Author(s):  
Henry Hicks
Keyword(s):  
Recent Article ◽  
British Isles ◽  
The West ◽  
British Geological Survey ◽  
England And Wales ◽  
North West ◽  
The Past ◽  
The North ◽  
History Of ◽  
Lithological Character

In a recent article on the Pre-Cambrian Rocks of the British Isles in the Journal of Geology, vol. i., No. 1, Sir Archibald Geikie makes the following statement: “There cannot, I think, be now any doubt that small tracts of gneiss, quite comparable in lithological character to portions of the Lewisian rocks of the North-West of Scotland, rise to the surface in a few places in England and Wales. In the heart of Anglesey, for example, a tract of such rocks presents some striking external or scenic resemblance to the characteristic types of ground where the oldest gneiss forms the surface in Scotland and the West of Ireland.” To those who have followed the controversy which has been going on for nearly thirty years between the chiefs of the British Geological Survey and some geologists who have been working amongst the rocks in Wales, the importance of the above admission will be readily apparent; but as it is possible that some may be unable to realize what such an admission means in showing geological progress in unravelling the history of the older rocks in Wales during the past thirty years, a brief summary of the results obtained may possibly be considered useful.

Communication as source and motivator of language evolution

2003 ◽  
Vol 27 (3) ◽  
pp. 249-268 ◽  
Author(s):  
Vilmos Benczik
Keyword(s):  
Language Change ◽  
Language Evolution ◽  
Communication Technologies ◽  
Point Of View ◽  
Syntactic Complexity ◽  
Linguistic Resources ◽  
Human Thought ◽  
The Past ◽  
History Of ◽  
The One

Language emerges and changes primarily through communication; therefore communication technologies play a key role in the history of language change. The most powerful communication technology from this point of view is phonetic writing, which has a double effect on language: on the one hand it impoverishes suprasegmental linguistic resources; on the other hand it evokes in language a profound and sophisticated semantic precision, and also syntactic complexity. The huge progress in abstract human thought that has taken place over the past three or four centuries has come about on the basis of these linguistic changes. Today, when writing seems to be losing its earlier hegemony over communication, the question arises as to whether this will lead to the erosion of human language, and also of human thought.

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