The Enigmatic Choris and Old Whaling Cultures of the Western Arctic

Author(s):  
Christyann Darwent ◽  
John Darwent

The Choris (750–400 B.C.) and Old Whaling (1150–850 B.C.) cultures are both enigmatic manifestations in the archaeological record in a time of significant cultural “flux” in northwestern Alaskan prehistory. Both cultures represent potential first occurrences in the region—novel lithic assemblage and housing forms (implying the movement of new people into the region) and the possibility of whaling in the case of Old Whaling, and the introduction of pottery and new communal house structures for Choris. However, most of the solid evidence for Choris comes from primarily two locations—Choris Peninsula and Onion Portage, and thus far Old Whaling has only been identified at Cape Krusenstern. The chapter explores both of these archaeological cultures, their chronology and geographic distribution, associated artifacts, subsistence economy, and how they articulate with broader culture history of the western Arctic.

1990 ◽  
Vol 1 (2) ◽  
pp. 97-116 ◽  
Author(s):  
Gordon F. McEwan

The degree and nature of the influence of the Middle Horizon Wari empire (ca. A.D. 540-900) on the culture history of Peru's north coast has been a topic of much heated debate over the past two decades. The arguments have tended to polarize around the issue of whether or not there was a Wari invasion of the north coast. Those arguing against the invasion hypothesis have claimed that there was no direct Wari influence on north coast cultural history. Those arguing in favor of the invasion hypothesis have attributed nearly all changes evident in the archaeological record to the results of a Wari military conquest. An attempt is made here to decouple the issues of Wari influence and Wari invasion. In an analysis of the architecture of the Wari imperial administrative sites and the ciudadela architecture of Chan Chan, capital of the north coastal Chimu empire, some remarkable similarities are seen. The shift from the pre-Middle Horizon Moche (ca. 100 B.C.-A.D. 650) pattern of pyramid-dominated ceremonial centers to the Late Intermediate period (ca. A.D. 900-1476) ciudadela form of the Chimu is seen as a result of conscious imitation of the prestige Wari imperial style. It is argued that this imitation is a likely result regardless of whether or not there was a Wari invasion.


2020 ◽  
Vol 29 (1) ◽  
pp. 33-57
Author(s):  
V.M. Loskot ◽  
G.B. Bakhtadze

Geographic distribution and habitat preferences of Saxicola rubicola rubicola (Linnaeus, 1766), S. maurus variegatus (S.G. Gmelin, 1774), and S. m. armenicus (Stegman, 1935) inhabiting the Caucasian Isthmus and adjacent areas are described in detail. We examined the individual, sexual, age, seasonal and geographical variations of seven main diagnostic features of both plumage and morphometrics (exactly, the length of wing and tail) using 381 skin specimens. Substantially improved diagnoses of S. m. variegatus and S. m. armenicus are provided. After a thorough examination of the materials and history of the expedition of Samuel Gmelin in 1768–1774, and his description of Parus variegatus, it was concluded that the type locality of this taxon was the vicinity of Shamakhi in Azerbaijan not Enzeli in North-Western Turkey. It is also shown the fallacy of the recently proposed attribution of the holotype of the northern subspecies S. m. variegatus to the southern taxon S. m. armenicus and synonymisation of these names, as well as the replacement of the name S. m. variegatus by its junior synonym S. m. hemrichii Ehrenberg, 1833 for the northern subspecies.


2003 ◽  
Vol 1 (1) ◽  
pp. 3-35 ◽  
Author(s):  
Judy Sterner ◽  
Nicholas David

The publication, largely by ethnoarchaeologists, of new data on the tamper and concave anvil technique of pot-forming (TCA) permits a reassessment of this uniquely African technique, its toolkit, and its culture history. A survey, inspired by the technologie culturelle school, of its varied expressions in the southern Saharan, Sahelian and northern Sudan zones from Mali to Sudan and extending north into Egypt emphasises the potential of the technique for the efficient production of spherical water jars of high volume to weight ratio, much appreciated in arid environments. The technique is demanding and therefore practised for the most part by specialists. The origins and diffusion of the technique are assessed in the light of the ethnological, archaeological, linguistic, and historical evidence, and a four stage historical development is sketched.


2019 ◽  
Vol 84 (3) ◽  
pp. 400-419 ◽  
Author(s):  
Molly Carney ◽  
Jade d'Alpoim Guedes ◽  
Kevin J. Lyons ◽  
Melissa Goodman Elgar

This project considered the deposition history of a burned structure located on the Kalispel Tribe of Indians ancestral lands at the Flying Goose site in northeastern Washington. Excavation of the structure revealed stratified deposits that do not conform to established Columbia Plateau architectural types. The small size, location, and absence of artifacts lead us to hypothesize that this site was once a non-domestic structure. We tested this hypothesis with paleoethnobotanical, bulk geoarchaeological, thin section, and experimental firing data to deduce the structural remains and the post-occupation sequence. The structure burned at a relatively low temperature, was buried soon afterward with imported rubified sediment, and was exposed to seasonal river inundation. Subsequently, a second fire consumed a unique assemblage of plant remains. Drawing on recent approaches to structured deposition and historic processes, we incorporate ethnography to argue that this structure was a menstrual lodge. These structures are common in ethnographic descriptions, although no menstrual lodges have been positively identified in the archaeological record of the North American Pacific Northwest. This interpretation is important to understanding the development and time depth of gendered practices of Interior Northwest groups.


2009 ◽  
Vol 83 (1) ◽  
pp. 30-44 ◽  
Author(s):  
Lin Dong ◽  
Shuhai Xiao ◽  
Bing Shen ◽  
Chuanming Zhou ◽  
Guoxiang Li ◽  
...  

The basal Cambrian marks the beginning of an important chapter in the history of life. However, most paleontological work on the basal Cambrian has been focused on skeletal animal fossils, and our knowledge about the primary producers—cyanobacteria and eukaryotic phytoplankton (e.g., acritarchs)—is limited. In this research, we have investigated basal Cambrian acritarchs, coccoidal microfossils, and cyanobacteria preserved in phosphorites and cherts of the Yanjiahe Formation in the Yangtze Gorges area (South China) and the Yurtus Formation in the Aksu area (Tarim Block, northwestern China). Our study confirms the occurrence in these two formations of small acanthomorphic acritarchs characteristic of the basal CambrianAsteridium–Comasphaeridium–Heliosphaeridium(ACH) assemblage. These acritarchs include abundantHeliosphaeridium ampliatimi(Wang, 1985) Yao et al., 2005, commonYurtusia uniformisn. gen. and n. sp., and rareComasphaeridium annulare(Wang, 1985) Yao et al., 2005. In addition, these basal Cambrian successions also contain the clustered coccoidal microfossilArchaeophycus yunnanensis(SonginLuo et al., 1982) n. comb., several filamentous cyanobacteria [Cyanonema majusn. sp.,Oscillatoriopsis longaTimofeev and Hermann, 1979, andSiphonophycus robustum(Schopf, 1968) Knoll et al., 1991], and the tabulate tubular microfossilMegathrix longusL. Yin, 1987a, n. emend. Some of these taxa (e.g.,H. ampliatum, C. annulare, andM. longus) have a wide geographic distribution but occur exclusively in basal Cambrian successions, supporting their biostratigraphic importance. Comparison between the stratigraphic occurrences of microfossils reported here and skeletal animal fossils published by others suggests that animals and phytoplankton radiated in tandem during the Cambrian explosion.


Author(s):  
Zinaida Kh. Tedtoeva

The problem of perceiving fiction has aesthetic, sociological, historical and psychological aspects. In this regard, in the methodology of teaching Russian literature to the national audience, special attention is paid to the deep, faithful and subtle reproduction of the literary works of writers, the development of the reader’s talent. Fiction as a form of art is a special area of the aesthetic. In a truly fictional work, all its elements are subordinate to the expression of a certain content, expressive, figurative, therefore, the reader’s understanding of a literary work is not only aesthetic, but also evaluative in nature. There are three stages of students’ perception of the writer’s creation: 1) recreation and experience of images of the work, with the leading process of imagination; 2) understanding of the ideological content; V.G. Belinsky called this stage “true pleasure”; 3) the influence of fiction on the personality of the reader as a result of the perception of the work. Fiction affects the worldview, speech, moral behavior in society, aesthetic and artistic development, in general, the formation of a person’s personality. The teacher tries to ensure that students have the necessary knowledge, developed, recreational imagination, emotional sensitivity, a sense of the poetic word, observation, the ability to make comparisons, comparisons, generalizations, conclusions. Their perception of a work of art is a difficult process that directly depends on previous knowledge of literature, facts of the history of culture, history of society. The complexity of the spiritual world of a modern young person is due to the development of personality in the context of the rapid progress of society. All this poses a difficult task for methodological science - to diversify the means of analysis, its types and techniques, effective ways of influencing art on students. In the national audience, the main problem of studying Russian literature - the teacher needs to reveal Russian-national literary ties with specific examples, based on certain historical conditions, national specifics, use translations of the works of the Russian writer into the native language of students, literary local history material, highlight the attitude of cultural figures of the native people to the work of the Russian writer, to his personality.


Radiocarbon ◽  
2007 ◽  
Vol 49 (3) ◽  
pp. 1273-1322 ◽  
Author(s):  
Mark D McCoy

Building directly upon a previous summary of 45 dates (Weisler 1989), this paper presents radiocarbon age determinations for 175 samples from archaeological and natural contexts and a revised culture history of Moloka'i Island, Hawai'i (cal AD 800 and 1795). Significant culture historical trends include an early settlement pattern apparently generalized with respect to ecozone; a remarkably long initial period of marine and endemic bird exploitation; strong material evidence for the concurrent intensification of subsistence economies, population increase, and the structuring of the social landscape through ritual; and links between island politics as described in oral traditions and site construction. Moreover, these results support a late chronology for the colonization of Hawai'i and demonstrate the value of spatial technology for building large chronometric databases.


Author(s):  
Rosimeire Aparecida Soares Borges ◽  
Cristiano José de Oliveira

Este estudo histórico investigou apropriações das propostas reformistas da Escola Nova no que tange ao ensino da Aritmética para a escola primária em cinco cadernos de um aluno, de terceiro e quarto anos do curso primário, dos anos de 1952 e 1953, respectivamente, e no primeiro volume do manual didático “Práticas Escolares” que teve sua primeira edição em 1940 e décima edição em 1965, de autoria de Antonio D’Ávila. Utiliza-se como base teórico-metodológica a História Cultural na direção de dar significado às apropriações que foram feitas em relação à aritmética da escola primária em tempos da Escola Nova. Há uma predominância da resolução de problemas aritméticos ligados ao cotidiano dos alunos, indicando uma preocupação com a abstração dos conceitos com foco em uma aritmética prática, que tinha por finalidade preparar o aluno para a vida fora da escola após quatro anos de estudo no curso primário. Observa-se uma valorização do aluno como indivíduo, com respeito ao seu ritmo e dificuldades apresentadas na aprendizagem da Aritmética, um dos aspectos marcantes da Escola Nova, o aluno considerado como protagonista do processo de ensino e de aprendizagem, podendo interagir no meio social em uma formação mais humana.Palavras-chave: Aritmética. Ensino Primário. Manual Didático para Professores. Cadernos de aluno. Cultura escolar. História da Educação Matemática.AbstractThis historical study investigated appropriations of the New School for the teaching of Arithmetic for the primary school in five books of a student, of the third and the fourth years of the primary course, of the years of 1952 and 1953, respectively, And in the first Volume of the didactic manual “School Practices” that had its first edition in 1940 and tenth edition in 1965, authored by Antonio D’Ávila. It is used as a theoretical-methodological basis for the Cultural History in the direction of provide meaning the appropriations that were made in relation to the primary school in times of the New School. There is a predominance of solving arithmetic problems related to students’ daily life, indicating a preoccupation with an abstraction of concepts with a focus on an arithmetic practice, whose purpose was to prepare a student for the life outside of school after four years of primary school. It is observed the evaluation of the student as an individual, with respect to its rhythm and difficulties presented in the learning of Arithmetic, one of the markers of the New School, the student considered the protagonist of the process of teaching and learning, being able To interact in the social environment in a more humane formation.Keywords: Arithmetic. Primary school. Didactic Manual for Teachers. Books of a student. School culture. History of Mathematics Education.


2018 ◽  
Vol 17 (1) ◽  
pp. 85
Author(s):  
Geraldo Inácio Filho

Os manuais escolares são utilizados no Brasil, para uso de professores e alunos desde fins do século XIX e, no decorrer do século XX firmaram-se como objetos ou utensílios da cultura escolar. Este artigo analisa um manual escolar produzido no Brasil em 1895 – Princípios de Composição por Guilherme do Prado. A investigação centra-se nas prescrições para o ensino da redação/composição na escola e procura ressaltar como o autor assimilou conhecimentos que contribuíram para fazer da composição/redação um saber escolarizado.Palavras-chave: Manual escolar. Redação. Cultura escolar; História da Educação. AbstractSchool manuals to be used by teachers and students were established in Brazil in the late 19th century and were consolidated throughout the 20th century as objects or instruments of school culture. This article examines a school manual produced in Brazil at 1895 – Princípios de Composição, by Ghuilherme do Prado. This research focuses on the requirements for the teaching of writing at school and seeks to highlight how authors used knowledge that contributed to make writing a school knowledge.Keywords: School textbook. Writing. School culture. History of Education.ResumenLos manuales escolares han sido utilizados en Brasil para uso de profesores y alunos desde finales del siglo XIX y se consolidaron a lo largo del siglo XX como objetos ou instrumentos de la cultura escolar. Este articulo analiza un manual escolar produzido en Brasil nel año 1895 por Guilherme do Prado. La investigación se centra en las prescripciones para la enseñanza de la escritura y procura ressaltar como el autor ha integrado conocimientos que contribuyeron a hacer de la escritura un saber escolarizado.Palabras-clave: Manual escolar. Escritura. Cultura escolar. Historia de la Educación.


Sign in / Sign up

Export Citation Format

Share Document