Religion in Hip-Hop: Mapping the New Terrain in the U.S Edited by Monica R. Miller, Anthony B. Pinn, and Bernard ‘Bun B’ Freeman. London: Bloomsbury, 2015. Pp. 296. Paper, $34.95.

2016 ◽  
Vol 42 (3) ◽  
pp. 201-202
Author(s):  
Darren J. N. Middleton
Keyword(s):  
Hip Hop ◽  
The U.S

Conclusion

2020 ◽  
pp. 143-162
Author(s):  
J. Lorenzo Perillo
Keyword(s):  
Feminist Theory ◽  
Cultural Politics ◽  
Hip Hop ◽  
Imaging Technique ◽  
Holistic Approach ◽  
The Philippines ◽  
Black Feminist Theory ◽  
Black Feminist ◽  
Historical Significance ◽  
The U.S

The conclusion reflect on the meaning of Hip-Hop dance as witnessed in the U.S. embassy’s diplomatic convention “America in 3D: Diplomacy, Development, and Defense” (2011) in the Philippines. It argues for more engagement between Black feminist theory and Filipina performances, like “Pinays Rise,” a dance within the convention that challenged gender and class stereotypes of Filipinas as caregivers. The conclusion first analyzes “Pinays Rise,” and then connects the convention’s theme to the historical significance of stereoscopy, or the depth-enhancing imaging technique. The conclusion reviews the book’s main arguments and addresses the potential uses for performative euphemism in academic studies of culture and race. Finally, it calls for a holistic approach to Hip-Hop that reckons with discourses of Filipino cultural politics and dance.

scholarly journals “Homosex, Hermaph, or Trans-a-vest…Hate Fags? The Answer’s Yes”: Hypermasculinity in America and Commodified Homophobia Through the Lens of Hip Hop

2019 ◽  
Vol 3 (1) ◽  
Author(s):  
Annalisa Ciro
Keyword(s):  
Cultural Revolution ◽  
Hip Hop ◽  
Rap Music ◽  
Youth Of Color ◽  
Active Participant ◽  
Marginalized Communities ◽  
Communities Of Color ◽  
Lgbt Community ◽  
American Society ◽  
The U.S

Birthed in the Bronx in response to socioeconomic frustration and political invigoration, hip hop equipped youth of color in the U.S. with a dynamic platform to both communication resentment towards structures of systemic oppression and act as an outlet for fun, innovative, and uninhibited creative expression. However, as this cultural revolution transformed from an underground movement to a mainstream commodity, rap music that reflected stereotypes of Black hyper-masculinity and heteronormativity were prioritized, and rappers who embodied these roles and the ideologies paired with them rose to the top of the charts. As a result of the music industry’s prioritization of hyper-masculine, heteronormative rap, a genre with the power to project the voices of marginalized communities of color in America at the same time became an active participant in the marginalizing of another—the LGBT+ community. Yet as rap music is notorious for its attacks on the LGBT+ community, I argue that this homophobia is not contained or exacerbated within hip hop, but rather is a by-product of a homophobic society that, through hyper-masculine and heteronormative norms, nurtures these attitudes within the male-driven genre. Through a textual analysis of rap lyrics, my paper highlights where the homophobic attitudes within hip hop stem from by locating broader societal structures that foster these ideals outside the genre. Taking this step back and looking at the larger issues within American society that nurture this homophobic environment within hip hop allows us to understand and address the phenomenon within the genre more clearly.

Kristin Solli on Ian Condry

2017 ◽  
Keyword(s):  
United States ◽  
Popular Culture ◽  
Hip Hop ◽  
The United States ◽  
Country Music ◽  
Cultural Imperialism ◽  
Cultural Products ◽  
Global Perspectives ◽  
Global Dynamic ◽  
The U.S

This essay is a response to Ian Condry’s contribution in this book, Global Perspectives on the United States. Solli appreciates Condry’s analysis and ideas about music, location, and power but also extends them by discussing an example that, like Condry’s case, suggests the intricacies and paradoxes that follow in the wake of the global dissemination of U.S. popular culture. More specifically, Solli here examines jazz, a genre that has received considerable attention by scholars interested in the local/global dynamic that Condry addresses. While acknowledging that hip-hop in Japan and jazz in Norway have their important differences, Solli considers some similarities as well, especially the dynamic whereby the music gains meaning from being positioned in relation to a perceived U.S. center. Solli notes that both academic and popular discourses tend to focus on how U.S. cultural products and practices are changed and reworked by people in other places, and she asks if this move might risk recentering the U.S. even if the goal is the opposite. In the end, this essay argues that it is important to show how hip-hop in Japan, jazz in Norway, or country music in Brazil, for example, complicate simplistic models of U.S. cultural imperialism. Has the time now come to examine what is and is not localized?

scholarly journals Hip-Hop Music and Social Identity - An Analysis on the Construction of Jim Smith in the Movie ‘8 Mile’

2021 ◽  
Vol 6 (4) ◽  
pp. 13
Author(s):  
Yi Wang
Keyword(s):  
United States ◽  
Hip Hop ◽  
Rap Music ◽  
Lower Class ◽  
The United States ◽  
The World ◽  
Hip Hop Music ◽  
American Society ◽  
Sharp Criticism ◽  
The U.S

When it comes to American hip-hop music and rap music, people always think of the African American singers in loose clothes, the flashing lights on the dirty stage, all kinds of alcohol and cigarettes, as well as many drunken scenes. However, such a familiar scene is indeed an authentic portrayal of the United States. If you have heard about hip hop music, it is not difficult to find that many hip-hop lyrics are often full of dirty abuse, cold ridicule and sharp criticism. In a sense, hip hop music and rap music can be considered a kind of 'voice resistance' from the lower class of American society. However, it has not changed their current situation, and hip hop music and rap music are still regarded as inappropriate for children and teenagers. It is noteworthy that in recent years, with the popularity of hip-hop music, people from all over the world have gradually paid attention to this unique music style. At the same time, more and more people from the lower class of the United States are also be concerned by the U.S. government.

Where in the world is the hip hop nation?

Popular Music ◽  
2003 ◽  
Vol 22 (2) ◽  
pp. 241-245
Author(s):  
Inez H. Templeton
Keyword(s):  
Hip Hop ◽  
The World

Historical Introduction

1977 ◽  
Vol 35 ◽  
pp. 2-5
Author(s):  
R. D. Heidenreich
Keyword(s):  
Electron Emission ◽  
Secondary Electron ◽  
Secondary Electron Emission ◽  
50Th Anniversary ◽  
Secondary Emission ◽  
Wave Nature ◽  
Nobel Prize In Physics ◽  
Primary Electrons ◽  
The U.S ◽  
Mutual Agreement

This program has been organized by the EMSA to commensurate the 50th anniversary of the experimental verification of the wave nature of the electron. Davisson and Germer in the U.S. and Thomson and Reid in Britian accomplished this at about the same time. Their findings were published in Nature in 1927 by mutual agreement since their independent efforts had led to the same conclusion at about the same time. In 1937 Davisson and Thomson shared the Nobel Prize in physics for demonstrating the wave nature of the electron deduced in 1924 by Louis de Broglie.The Davisson experiments (1921-1927) were concerned with the angular distribution of secondary electron emission from nickel surfaces produced by 150 volt primary electrons. The motivation was the effect of secondary emission on the characteristics of vacuum tubes but significant deviations from the results expected for a corpuscular electron led to a diffraction interpretation suggested by Elasser in 1925.

Variations in Surface Textures of Quartz Sand using Electron Microscopy

1970 ◽  
Vol 28 ◽  
pp. 494-495
Author(s):  
Eugene J. Amaral
Keyword(s):  
Electron Microscopy ◽  
Glass Industry ◽  
Glass Slide ◽  
Distilled Water ◽  
Early Paleozoic ◽  
Secondary Effects ◽  
Surface Textures ◽  
High Silica ◽  
Sand Deposit ◽  
The U.S

Examination of sand grain surfaces from early Paleozoic sandstones by electron microscopy reveals a variety of secondary effects caused by rock-forming processes after final deposition of the sand. Detailed studies were conducted on both coarse (≥0.71mm) and fine (=0.25mm) fractions of St. Peter Sandstone, a widespread sand deposit underlying much of the U.S. Central Interior and used in the glass industry because of its remarkably high silica purity.The very friable sandstone was disaggregated and sieved to obtain the two size fractions, and then cleaned by boiling in HCl to remove any iron impurities and rinsed in distilled water. The sand grains were then partially embedded by sprinkling them onto a glass slide coated with a thin tacky layer of latex. Direct platinum shadowed carbon replicas were made of the exposed sand grain surfaces, and were separated by dissolution of the silica in HF acid.

The Effects of Estradiol on Chronically Damaged Human Fallopian Tubes: A SEM Study

1985 ◽  
Vol 43 ◽  
pp. 648-649
Author(s):  
A. Toledo ◽  
G. Stoelk ◽  
M. Yussman ◽  
R.P. Apkarian
Keyword(s):  
Menstrual Cycle ◽  
Epithelial Cell ◽  
Secretory Cell ◽  
Estrogen Therapy ◽  
Fallopian Tubes ◽  
Cell Surfaces ◽  
Proliferative Phase ◽  
Cyclic Patterns ◽  
Sem Study ◽  
The U.S

Today it is estimated that one of every three women in the U.S. will have problems achieving pregnancy. 20-30% of these women will have some form of oviductal problems as the etiology of their infertility. Chronically damaged oviducts present problems with loss of both ciliary and microvillar epithelial cell surfaces. Estradiol is known to influence cyclic patterns in secretory cell microvilli and tubal ciliogenesis, The purpose of this study was to assess whether estrogen therapy could stimulate ciliogenesis in chronically damaged human fallopian tubes.Tissues from large hydrosalpinges were obtained from six women undergoing tuboplastic repair while in the early proliferative phase of fheir menstrual cycle. In each case the damaged tissue was rinsed in heparinized Ringers-lactate and quartered.

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