scholarly journals The Surge of Young Americans from Minority-White Mixed Families & Its Significance for the Future

Daedalus ◽  
2021 ◽  
Vol 150 (2) ◽  
pp. 199-214
Author(s):  
Richard Alba

Abstract The number of youth from mixed majority-minority families, in which one parent is White and the other minority, is surging in the early twenty-first century. This development is challenging both our statistical schemes for measuring ethnicity and race as well as our thinking about their demographic evolution in the near future. This essay summarizes briefly what we know about mixed minority-White Americans and includes data about their growing numbers as well as key social characteristics of children and adults from mixed backgrounds. The essay concludes that this phenomenon highlights weaknesses in our demographic data system as well as in the majority-minority narrative about how American society is changing.

2017 ◽  
Vol 53 (1) ◽  
pp. 1-27
Author(s):  
TONY SHAW ◽  
TRICIA JENKINS

Film has been an integral part of the propaganda war fought between the United States and North Korea over the past decade. The international controversy surrounding the Hollywood comedy The Interview in 2014 vividly demonstrated this and, in the process, drew attention to hidden dimensions of the US state security–entertainment complex in the early twenty-first century. Using the emails leaked courtesy of the Sony hack of late 2014, this article explores the Interview affair in detail, on the one hand revealing the close links between Sony executives and US foreign-policy advisers and on the other explaining the difficulties studios face when trying to balance commercial and political imperatives in a global market.


2020 ◽  
pp. 38-80
Author(s):  
Raul P. Lejano ◽  
Shondel J. Nero ◽  
Michael Chua

Chapter 3 traces the emergence and evolution of the climate skeptical narrative in the United States, showing how it has become more ideological over time, in tandem with sociopolitical events and movements. It examines the development and shifts in the narrative from the early twenty-first century to the present through narrative and critical discourse analyses of summary plots of articles and accompanying comments in conservative media outlets over five successive periods of time, providing textual evidence of how the narrative grew increasingly ideological in each period. The following textual analyses illustrate how skeptics have constructed an alternative ideological narrative through invariance, repetition, alternative data, binary frames (us vs. them), attributing sinister motives to and demonizing the other side, and reinforcing positions by sharing the narrative with like-minded people. In so doing, they created their own narrative-network by denaturalizing the dominance of anthropogenic climate change, framing it as unsettled science, and linking it to politics and fundamental American values of freedom.


2017 ◽  
Vol 98 (12) ◽  
pp. 2579-2592 ◽  
Author(s):  
Richard R. Heim

Abstract The United States experienced a severe drought that peaked in 2012 and was characterized by near-record extent, record warmth, and record dryness in several areas. For some regions, the 2012 drought was a continuation of drought that began in earlier years and continued through 2014. The 1998–2014 drought episode is compared to the two other major drought episodes of the twentieth century in terms of duration, areal extent, intensity, and spatial pattern using operational datasets produced by the National Oceanic and Atmospheric Administration/National Centers for Environmental Information. It is characterized by more short-term dryness, more concurrent (regional) wetness, and warmer temperatures than the other two drought episodes. The implications of these differences for water resource managers and decision-makers are discussed.


2018 ◽  
Vol 9 (6) ◽  
pp. 223
Author(s):  
Raja Khaleel Al-Khalili

Tennessee William in A Streetcar Named Desire shows the struggles of middle class Americans as they undergo socio-ideological contradictions. The research applies Bakhtin’s theory that is defined in his book The Dialogic Imagination and specifically applies heteroglossia on A Streetcar Named Desire. Edward Said’s concept of “orientalism” is useful because Said’s concept explains the link between the problems of American society and its heterogeneous structure. Theplay explores the effects of diversity on American society. The characters in the play perceive their lives as a reflection of their linguistically diverse surrounding which is closely tied to the American experience. The play also shows how diversity is seen as a negative presence in America. The research shows how the play is heteroglot by examining the characters’ stories. The play’s narratives reflect the two faces of how the middle class white Americans see the diversity of American culture. The research recommends that the analysis of plays based on the concept of “heteroglossia” could yield more insight into the other plays by Williams.


Author(s):  
Dustin D. Stewart

The introductory chapter elaborates definitions of two opposed but entangled poetic tendencies, calling one mortalist and the other spiritualist. It draws extended examples from John Milton (particularly from Paradise Lost [1667] and De Doctrina Christiana); from Edward Young (especially from Night Thoughts [1742–6], identified as the poem central to the study); and from several late twentieth- and early twenty-first-century Anglophone poets, including Lucie Brock-Broido, Michael Symmons Roberts, Danez Smith, Tracy K. Smith, and Kevin Young. Some of these writers, the chapter argues, surprisingly keep alive a poetics of disembodiment derived from the Enlightenment. The introduction ends with a discussion of some relevant questions in literary criticism (concerning materialism, Pre-Romanticism, historical poetics, and lyric studies) and then a personal word about the author’s perspective on the spiritualities explored in the book.


Author(s):  
Volodymyr Luschaj ◽  

The article carries out a comparative analysis of events of the 1956 Hungarian Revolution, on the one hand, and the Revolution of Dignity, the annexation of the Crimea, the war of occupation being waged by the Russian Federation in the east of modern Ukraine, on the other hand. The author stresses that in both cases the imperial states, in the mid-twentieth century - USSR, in the early twenty-first century - The Russian Federation, demonstrate an example of interfering in the internal governance of the other State, with the broad involvement of secret services and military units.


Author(s):  
Mark Juergensmeyer

In the late twentieth and early twenty-first centuries, extreme violence associated with religion has become a global problem, appearing in Christian, Jewish, Muslim, Sikh, Hindu, and Buddhist cultures. Religion is associated with this violence but is not the cause of it. In other words, religion is not the problem, but it is problematic, in two ways. One is the way that religious identities and ideologies have become part of a global rebellion against the European Enlightenment notion of a secular state. The other is the way that certain features of religious actions and images—such as the performance of religious ritual and the awesome notion of cosmic war—are appropriated by violent actors seeking to justify their savage attempts at power and cloak them in religious garb.


2011 ◽  
Vol 45 (3) ◽  
pp. 503-518
Author(s):  
STACY DENTON

In American society, rural spaces – particularly those of the working class – are seen as stagnant holdovers from a temporal past that “modern” society has evolved beyond. As a result, working-class rurality and those living within these places are viewed as static, ignorant, insular and so on: whatever places do not conform to the appearance of “modern” progress and development simply must be regressed, on both socioeconomic and cultural levels. While scholars in some disciplines are attempting to redress this misconception, other disciplines (like literary studies) largely align with the mainstream perspective that rurality represents a regressed past to our evolved present. However, despite the critical lack of attention to rurality as a viable space in the present, we can see in various fictional works that working-class rural spaces can effectively show us the interrelationship of rural spaces with “modern” society and culture in the present, the continuing relevance and deep history alike of said spaces, and the potential of these fictional working-class rural places to confront America's norms of progress and development within and without their fictional borders. Richard Russo's fiction illustrates the potential to bring out this critical working-class rural voice. Russo's fictional treatments afford the reader an opportunity to witness the ever-changing complexity (not the temporal and cultural regression) of working-class rurality. In turn, Russo's fictional working-class rural spaces offer a counterperspective to the mainstream (defined here as middle-class and (sub)urban) notions of progress that otherwise dismiss these perspectives. In his book Empire Falls, Russo uses nostalgia to assert this counterperspective. This nostalgia not only reaffirms the postwar and early twenty-first-century working-class rural identity of Empire Falls, but it also offers a critique of dominant conceptions of progress and development that continue into our present.


Author(s):  
Dale Chapman

Hailed by corporate, philanthropic, and governmental organizations as a metaphor for democratic interaction and business dynamics, contemporary jazz culture has a story to tell about the relationship between political economy and social practice in the era of neoliberal capitalism. The Jazz Bubble approaches the emergence of the neoclassical jazz aesthetic since the 1980s as a powerful, if unexpected, point of departure for a wide-ranging investigation of important social trends during this period. The emergence of financialization as a key dimension of the global economy shapes a variety of aspects of contemporary jazz culture, and jazz culture comments upon this dimension in turn. During the stateside return of Dexter Gordon in the mid-1970s, the cultural turmoil of the New York fiscal crisis served as a crucial backdrop to understanding the resonance of Gordon’s appearances in the city. The financial markets directly inform the structural upheaval that major label jazz subsidiaries must navigate in the music industry of the early twenty-first century, and they inform the disruptive impact of urban redevelopment in communities that have relied upon jazz as a site of economic vibrancy. In examining these issues, The Jazz Bubble seeks to intensify conversations surrounding music, culture, and political economy.


2010 ◽  
Vol 27 (3) ◽  
pp. 1-23 ◽  
Author(s):  
Marie-Luisa Frick

Against the background of the trend of Islamizing human rights on the one hand, as well as increasing skepticism about the compatibility of Islam and human rights on the other, I intend to analyze the potential of Islamic ethics to meet the requirements for vitalizing the idea of human rights. I will argue that the compatibility of Islam and human rights cannot be determined merely on the basis of comparing the specific content of the Islamic moral code(s) with the rights stipulated in the International Bill of Rights, but by scanning (different conceptions of) Islamic ethics for the two indispensable formal prerequisites of any human rights conception: the principle of universalism (i.e., normative equality) and individualism (i.e., the individual enjoyment of rights). In contrast to many contemporary (political) attempts to reconcile Islam and human rights due to urgent (global) societal needs, this contribution is solely committed to philosophical reasoning. Its guiding questions are “What are the conditions for deriving both universalism and individualism from Islamic ethics?” and “What axiological axioms have to be faded out or reorganized hierarchically in return?”


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