Willing Conversations: The Process of Being Between

Leonardo ◽  
2006 ◽  
Vol 39 (5) ◽  
pp. 479-482 ◽  
Author(s):  
Scott deLahunta

The author argues that the role of facilitation within art and science collaboration projects is perhaps best described not as a function or position, that of the facilitator, but as a framework for thinking about relations and how to encourage a certain quality of exchange. The article reflects on how the themes of willingness, inter-profession, conversations and wording, empathy, and collaborative writing relate to the conditions for interdisciplinary collaboration. This is based on the author's experience with collaborative projects, most recently as research organizer and facilitator for Choreography and Cognition, one of the first Arts and Science Research Fellowships jointly funded by the Arts Council England and Arts and Humanities Research Board (U.K.).

2017 ◽  
Vol 13 (3) ◽  
pp. 215-225 ◽  
Author(s):  
Louis Tay ◽  
James O. Pawelski ◽  
Melissa G. Keith

2018 ◽  
Author(s):  
Nathan Bennett ◽  
Robin Roth

Conservation actions most often occur in peopled seascapes and landscapes. As a result, conservation decisions cannot rely solely on evidence from the natural sciences, but must also be guided by the social sciences, the arts and the humanities. However, we are concerned that too much of the current attention is on research that serves an instrumental purpose, by which we mean that the social sciences are used to justify and promote status quo conservation practices. The reasons for engaging the social sciences, as well as the arts and the humanities, go well beyond making conservation more effective. In this editorial, we briefly reflect on how expanding the types of social science research and the contributions of the arts and the humanities can help to achieve the transformative potential of conservation.


2020 ◽  
pp. 135050762096950
Author(s):  
Christopher Michaelson

Business ethics is one of the “unsettled humanities” in a management curriculum that tends to value instrumental and measurable goods. However, the value of business ethics may not be apparent to students until they experience unpredictable challenges to their ethical values at work long after they have left the management classroom. This essay traces my journey to using music – particularly, British rock songs – to reinforce learning and retention of the essential feelings and ideas in my students’ learning experience. It draws upon contrasting theories of ethical and economic value, the role of narrative in ethical theory and pedagogy, and the associative powers of music to show how the lyrics and music of songs might help classroom learning resonate later in life. In doing so, the essay shows how the songs of rebellious rock musicians might unsettle stereotypical conceptions of business and resettle appreciation for the value of the arts and humanities in life and work.


2020 ◽  
Vol 25 (3) ◽  
pp. 140-143
Author(s):  
Alison E While

Quality of life and life enrichment are important throughout the lifespan and no less during ill-health or later life. The role of the arts and gardens and their potential benefits are not prominent within healthcare practice. This paper outlines the evidence reported in two literature reviews, one addressing the arts and the other focusing on gardens and gardening so that district nurses can understand what art-based and gardening opportunities they may offer their clients and their carers.


Somatechnics ◽  
2013 ◽  
Vol 3 (1) ◽  
pp. 190-206
Author(s):  
Sarah Cefai

This article reviews three recent queer studies anthologies: Queer Methods and Methodology: Intersecting Queer Theories and Social Science Research, by Kath Browne and Catherine J. Nash (2010), Anarchism & Sexuality: Ethics, Relationships and Power by Jamie Heckert and Richard Cleminson (2011) , and After Sex? On Writing Since Queer Theory, by Janet Halley and Andrew Parker (2011) . A brief synopsis of the books is followed by discussion on three key observations. First, I discuss the specificity of the queer ‘body’, particularly with regard to the scholarly subjectivity articulated by contributors to these anthologies. Second, I discuss the distillation of queer identity from the field of queer corporeality as a specific move to embrace anti-identitarianism through conceiving identity as fluid. Lastly, questions of queer and identity are reconsidered as methodologically specific and, as such, as entailing sensitivity to the movement of concepts between the different epistemological fields of knowledge called the social sciences and the arts and humanities. Through discussion of these observations, this review aims to stimulate thought and reflection on these texts as responding to and participating in the highly contested institutionalisation of queer studies in the academy.


2000 ◽  
Vol 12 (S1) ◽  
pp. 359-366 ◽  
Author(s):  
Linda A. Gerdner

Historically, the arts and humanities were seldom recognized for their capacity to advance health care and promote quality of life within the fields traditionally reserved for the “hard sciences.” There has been little vision of the powerful analytic and therapeutic applications offered by the myriad of art forms (Rugh & Buckwalter, 1989, unpublished manuscript). However, in recent years, we have seen an increased awareness of the potential value of music, art, and other recreational therapies in persons with dementia. A comprehensive literature review was conducted to identify the most current research in this area. Studies on the use of music and other recreational therapies in patients with dementia are summarized in Table 1.


2019 ◽  
Vol 11 (1) ◽  
pp. 1-1
Author(s):  
Andrew Perkis ◽  
Asim Hameed ◽  
Shafaq Irshad

A transdisciplinary dialogue and innovative research, including technical and artistic research as well as digital humanities are necessary to solve complex issues. We need to support and produce creative practices, and engage in a critical reflection about the social and ethical dimensions of our current technology developments. At the core is an understanding that no single discipline, technology, or field can produce knowledge capable of addressing the complexities and crises of the contemporary world. Moreover, we see the arts and humanities as critical tools for understanding this hyper-complex, mediated, and fragmented global reality. As a use case, we will consider the complexity of extreme weather events, natural disasters and failure of climate change mitigation and adaptation, which are the risks with the highest likelihood of occurrence and largest global impact (World Economic Forum, 2017). Through our project, World of Wild Waters (WoWW), we are using immersive narratives and gamification to create a simpler holistic understanding of cause and effect of natural hazards by creating immersive user experiences based on real data, realistic scenarios and simulations. The objective is to increase societal preparedness for a multitude of stakeholders. Quality of Experience (QoE) modeling and assessment of immersive media experiences are at the heart of the expected impact of the narratives, where we would expect active participation, engagement and change, to play a key role [1]. Here, we present our views of immersion and presence in light of Quality of Experience (QoE). We will discuss the technical and creative considerations needed for QoE modeling and assessment of immersive media experiences. Finally, we will provide some reflections on QoE being an important building block in immersive narratives in general, and especially towards considering Extended Realities (XR) as an instantiation of Digital storytelling.


2020 ◽  
pp. 151-172
Author(s):  
Maria Jesus Agra Pardiñas ◽  
Cristina Trigo ◽  
Ana Vidal

This action was performed during the InSEA European Regional Congress in Lisbon, 2016, in the opening ceremony. 100 kits were distributed with instruction manuals in Portuguese; Spanish and English. The conception and design of the kit by Maria Jesus Agra Pardiñas; Cristina Trigo; Ana Vidal aimed to point the attention of art educators and researchers from the International Society of Education Through Art, InSEA to the cuts in the arts in the educational public systems of neoliberal governments in Europe, which were and still are trying to reduce or even eliminate the role of the arts and humanities in public education.


Nobel laureate Roald Hoffmann's contributions to chemistry are well known. Less well known, however, is that over a career that spans nearly fifty years, Hoffmann has thought and written extensively about a wide variety of other topics, such as chemistry's relationship to philosophy, literature, and the arts, including the nature of chemical reasoning, the role of symbolism and writing in science, and the relationship between art and craft and science. In Roald Hoffmann on the Philosophy, Art, and Science of Chemistry, Jeffrey Kovac and Michael Weisberg bring together twenty-eight of Hoffmann's most important essays. Gathered here are Hoffmann's most philosophically significant and interesting essays and lectures, many of which are not widely accessible. In essays such as "Why Buy That Theory," "Nearly Circular Reasoning," "How Should Chemists Think," "The Metaphor, Unchained," "Art in Science," and "Molecular Beauty," we find the mature reflections of one of America's leading scientists. Organized under the general headings of Chemical Reasoning and Explanation, Writing and Communicating, Art and Science, Education, and Ethics, these stimulating essays provide invaluable insight into the teaching and practice of science.


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