"BUT TOUCH THE LAW AND THE SECT WILL SPLIT:" LEGAL DISPUTE AS THE CAUSE OF SECTARIAN SCHISM

2002 ◽  
Vol 5 (3) ◽  
pp. 301-315 ◽  
Author(s):  
Albert Baumgarten

AbstractMy intention in this paper is to take issue with a view widely held among scholars in the field, an opinion I shared in the past but that I have also questioned and ultimately come to reject. To set the stage for accomplishing this goal let me begin with a definition of a historian offered by my late teacher, Professor Elias Bickerman. He called a historian a "digger in texts." The comparison to an archeologist, who digs in the ground, is enlightening. Every layer of a site contributes something to the complete history of its occupation, and that total picture can only be drawn on the basis of information from every layer, in which each layer teaches us something about any and all of the other layers. Nevertheless, an archeologist digging at a particular site is usually most interested in the remains from one particular stratum. For that archeologist, these remains are of the greatest importance.

2021 ◽  
Author(s):  
◽  
Max Wiles

<p>The tendency to record only built memory and significant events in architectural practice means that less tangible cultural memory is prone to erasure. This is prevalent in the memories of the other which often diverge from the majority, and so are not considered for preservation. In this context, cultural memory refers to the intangible qualities and experiences which define place, associated with a particular group. While initiatives such as heritage listings can preserve the physical history of place, little is done to preserve intangible history which has been lost through development and gentrification.  To investigate strategies for reasserting cultural memory in urban space, Haining Street in Wellington is engaged as a site. From approximately 1890 to 1960, Haining Street was Wellington’s Chinatown and home to the largest Chinese population in New Zealand. Despite a long, and often controversial history, this legacy has virtually been erased from the contemporary streetscape, creating an area of note only for a vanished past. This thesis proposes that the memory of Haining Street’s Chinese past can be reasserted through an artist in residence scheme, consisting of a gallery, workshop and accommodation.  Architectural intervention within spaces where history has been erased can reassert memory of the other, creating an identifiable place by: memorialising the intangible qualities of place, engaging with the legacy of race in the built environment, and creating a sensual experience of place. This research suggests that architecture has the potential to reconcile conflicted recollections of the past through an active engagement with the memory of place.</p>


2017 ◽  
Vol 2 (2) ◽  
pp. 241
Author(s):  
Matthias Dreyer

Taking into account the intertwining of the theory of tragedy on the one hand and theatrical work on ancient tragic texts on the other, the paper explores the way in which tragedy poses the question of history. This is especially the case in conceptions of tragedy as an interruption in a continuum. Hölderlin’s idea of caesura, its reflection in Benjamin’s understanding of tragedy as a revision of myth are in the center of a critical dramaturgy of this kind. By analysing Brecht’s work on Antigone as well as the stagings of critical theatre makers that came after Brecht (Einar Schleef, Dimiter Gotscheff), the paper shows the consequences of the concept ‘tragedy as caesura‘ on the level of the aesthetics of the theatre, unclosing in a radical way the temporality of the tragic process. From this point of view, tragedy is understood as a site of encounter with the persisting powers of the past; as reflexive rupture in the transition between times, that undermines the established order, but without, however, arriving at a new one. Although in the history of theatre and thought tragedy has been too often associated with the universal and timeless, how is it possible to think of historicity in a way negating submission under the universal without losing the genre of tragedy itself?


2020 ◽  
pp. 26-32
Author(s):  
Yael Tamir

This chapter argues that nationalism is a deceptive ideology; one of its faces looks to the past, the other looks to the future. It discusses the negative descriptions of nationalism that emphasize its backward-looking face. The chapter also explains how nationalism tried to revive (or invent) an image of a magnificent past. It examines the history of nationalism, and one of its most fascinating features, modernizing powers. Despite the common perception of nationalism as identified with primordial, tribal feelings, the chapter asserts that true power of nationalism in modern times is grounded in its ability to promote processes of modernization and industrialization that go hand in hand with the universalization of education, information, and technology. Ultimately, the chapter portrays nationalism as an expression of a populist state of mind. It further presents the most interesting definition of populism.


2021 ◽  
Author(s):  
◽  
Max Wiles

<p>The tendency to record only built memory and significant events in architectural practice means that less tangible cultural memory is prone to erasure. This is prevalent in the memories of the other which often diverge from the majority, and so are not considered for preservation. In this context, cultural memory refers to the intangible qualities and experiences which define place, associated with a particular group. While initiatives such as heritage listings can preserve the physical history of place, little is done to preserve intangible history which has been lost through development and gentrification.  To investigate strategies for reasserting cultural memory in urban space, Haining Street in Wellington is engaged as a site. From approximately 1890 to 1960, Haining Street was Wellington’s Chinatown and home to the largest Chinese population in New Zealand. Despite a long, and often controversial history, this legacy has virtually been erased from the contemporary streetscape, creating an area of note only for a vanished past. This thesis proposes that the memory of Haining Street’s Chinese past can be reasserted through an artist in residence scheme, consisting of a gallery, workshop and accommodation.  Architectural intervention within spaces where history has been erased can reassert memory of the other, creating an identifiable place by: memorialising the intangible qualities of place, engaging with the legacy of race in the built environment, and creating a sensual experience of place. This research suggests that architecture has the potential to reconcile conflicted recollections of the past through an active engagement with the memory of place.</p>


Author(s):  
K. T. Tokuyasu

During the past investigations of immunoferritin localization of intracellular antigens in ultrathin frozen sections, we found that the degree of negative staining required to delineate u1trastructural details was often too dense for the recognition of ferritin particles. The quality of positive staining of ultrathin frozen sections, on the other hand, has generally been far inferior to that attainable in conventional plastic embedded sections, particularly in the definition of membranes. As we discussed before, a main cause of this difficulty seemed to be the vulnerability of frozen sections to the damaging effects of air-water surface tension at the time of drying of the sections.Indeed, we found that the quality of positive staining is greatly improved when positively stained frozen sections are protected against the effects of surface tension by embedding them in thin layers of mechanically stable materials at the time of drying (unpublished).


2020 ◽  
Vol 30 ◽  
pp. 77-96
Author(s):  
Sujit Sivasundaram

AbstractThe Pacific has often been invisible in global histories written in the UK. Yet it has consistently been a site for contemplating the past and the future, even among Britons cast on its shores. In this lecture, I reconsider a critical moment of globalisation and empire, the ‘age of revolutions’ at the end of the eighteenth century and the start of the nineteenth century, by journeying with European voyagers to the Pacific Ocean. The lecture will point to what this age meant for Pacific islanders, in social, political and cultural terms. It works with a definition of the Pacific's age of revolutions as a surge of indigeneity met by a counter-revolutionary imperialism. What was involved in undertaking a European voyage changed in this era, even as one important expedition was interrupted by news from revolutionary Europe. Yet more fundamentally vocabularies and practices of monarchy were consolidated by islanders across the Pacific. This was followed by the outworkings of counter-revolutionary imperialism through agreements of alliance and alleged cessation. Such an argument allows me, for instance, to place the 1806 wreck of the Port-au-Prince within the Pacific's age of revolutions. This was an English ship used to raid French and Spanish targets in the Pacific, but which was stripped of its guns, iron, gunpowder and carronades by Tongans. To chart the trajectory from revolution and islander agency on to violence and empire is to appreciate the unsettled paths that gave rise to our modern world. This view foregrounds people who inhabited and travelled through the earth's oceanic frontiers. It is a global history from a specific place in the oceanic south, on the opposite side of the planet to Europe.


PMLA ◽  
1967 ◽  
Vol 82 (1) ◽  
pp. 14-27
Author(s):  
Leon F. Seltzer

In recent years, The Confidence-Man: His Masquerade, a difficult work and for long an unjustly neglected one, has begun to command increasingly greater critical attention and esteem. As more than one contemporary writer has noted, the verdict of the late Richard Chase in 1949, that the novel represents Melville's “second best achievement,” has served to prompt many to undertake a second reading (or at least a first) of the book. Before this time, the novel had traditionally been the one Melville readers have shied away from—as overly discursive, too rambling altogether, on the one hand, or as an unfortunate outgrowth of the author's morbidity on the other. Elizabeth Foster, in the admirably comprehensive introduction to her valuable edition of The Confidence-Man (1954), systematically traces the history of the book's reputation and observes that even with the Melville renaissance of the twenties, the work stands as the last piece of the author's fiction to be redeemed. Only lately, she comments, has it ceased to be regarded as “the ugly duckling” of Melville's creations. But recognition does not imply agreement, and it should not be thought that in the past fifteen years critics have reached any sort of unanimity on the novel's content. Since Mr. Chase's study, which approached the puzzling work as a satire on the American spirit—or, more specifically, as an attack on the liberalism of the day—and which speculated upon the novel's controlling folk and mythic figures, other critics, by now ready to assume that the book repaid careful analysis, have read the work in a variety of ways. It has been treated, among other things, as a religious allegory, as a philosophic satire on optimism, and as a Shandian comedy. One critic has conveniently summarized the prevailing situation by remarking that “the literary, philosophical, and cultural materials in this book are fused in so enigmatic a fashion that its interpreters have differed as to what the book is really about.”


2012 ◽  
Vol 39 (4) ◽  
pp. 859-880 ◽  
Author(s):  
PETER LEE

AbstractOver the past three decades Jean Bethke Elshtain has used her critique and application of just war as a means of engaging with multiple overlapping aspects of identity. Though Elshtain ostensibly writes about war and the justice, or lack of justice, therein, she also uses just war a site of analysis within which different strands of subjectivity are investigated and articulated as part of her broader political theory. This article explores the proposition that Elshtain's most important contribution to the just war tradition is not be found in her provision of codes or her analysis of ad bellum or in bello criteria, conformity to which adjudges war or military intervention to be just or otherwise. Rather, that she enriches just war debate because of the unique and sometimes provocative perspective she brings as political theorist and International Relations scholar who adopts, adapts, and deploys familiar but, for some, uncomfortable discursive artefacts from the history of the Christian West: suffused with her own Christian faith and theology. In so doing she continually reminds us that human lives, with all their attendant political, social, and religious complexities, should be the focus when military force is used, or even proposed, for political ends.


1984 ◽  
Vol 49 (1) ◽  
pp. 47-50 ◽  
Author(s):  
Frederic B. Fitch

In [3] a definition of negation was presented for the system K′ of extended basic logic [1], but it has since been shown by Peter Päppinghaus (personal communication) that this definition fails to give rise to the law of double negation as I claimed it did. The purpose of this note is to revise this defective definition in such a way that it clearly does give rise to the law of double negation, as well as to the other negation rules of K′.Although Päppinghaus's original letter to me was dated September 19, 1972, the matter has remained unresolved all this time. Only recently have I seen that there is a simple way to correct the definition. I am of course very grateful to Päppinghaus for pointing out my error in claiming to be able to derive the rule of double negation from the original form of the definition.The corrected definition will, as before, use fixed-point operators to give the effect of the required kind of transfinite induction, but this time a double transfinite induction will be used, somewhat like the double transfinite induction used in [5] to define simultaneously the theorems and antitheorems of system CΓ.


PMLA ◽  
1920 ◽  
Vol 35 (1) ◽  
pp. 116-122
Author(s):  
Harry Glicksman

Separate editions of Milton's History of Britain appeared in 1670, 1677, 1695, and 1818. It has been included in all the important collections of his prose works. In 1706, moreover, Dr. White Kennett, whose Complete History of England is a series of historical writings from the pens of various authors, chose Milton's work to do duty for the period preceding the Norman Conquest. Foot-notes were added, though of no remarkable value. The first of Kennett's three folio volumes was republished in 1719; in 1870 Milton's history, and along with it two of the other contributions to the first volume, were reprinted under one octavo cover; in 1878 appeared a stereotype reproduction of the volume of 1870.


Sign in / Sign up

Export Citation Format

Share Document