scholarly journals Reflections on (Re)making History

2021 ◽  
Vol 16 (2) ◽  
pp. 295-309
Author(s):  
Eana Meng

Abstract Who and what makes history? This essay describes how physician-activist Tolbert Small (b. 1942) has been collecting, preserving, and recording his own history, as well as of those around him. Small has been practicing medicine in California’s San Francisco Bay Area since 1968, serving a diversity of patients: from thousands of community members to revolutionaries such as Angela Davis and George Jackson. A physician for the Black Panther Party from 1970 to 1974, Small joined the party’s 1972 delegation to China, where he witnessed acupuncture. He then integrated the practice into his medical toolkit upon returning home. Small’s personal archives document an important chapter of American social and medical history. His stories, along with those of the revolutionaries who introduced acupuncture into New York City’s Lincoln Detox Center during the 1970s, ask us to revisit conventional historical narratives as well as the way in which acupuncture history is made.

2020 ◽  
Vol 20 (2) ◽  
pp. 45-54
Author(s):  
Samuel H. Yamashita

In the 1970s, Japanese cooks began to appear in the kitchens of nouvelle cuisine chefs in France for further training, with scores more arriving in the next decades. Paul Bocuse, Alain Chapel, Joël Robuchon, and other leading French chefs started visiting Japan to teach, cook, and sample Japanese cuisine, and ten of them eventually opened restaurants there. In the 1980s and 1990s, these chefs' frequent visits to Japan and the steady flow of Japanese stagiaires to French restaurants in Europe and the United States encouraged a series of changes that I am calling the “Japanese turn,” which found chefs at fine-dining establishments in Los Angeles, New York City, and later the San Francisco Bay Area using an ever-widening array of Japanese ingredients, employing Japanese culinary techniques, and adding Japanese dishes to their menus. By the second decade of the twenty-first century, the wide acceptance of not only Japanese ingredients and techniques but also concepts like umami (savory tastiness) and shun (seasonality) suggest that Japanese cuisine is now well known to many American chefs.


2011 ◽  
Vol 115 (6) ◽  
pp. 1072-1077 ◽  
Author(s):  
Elizabeth B. Claus ◽  
Lisa Calvocoressi ◽  
Melissa L. Bondy ◽  
Joellen M. Schildkraut ◽  
Joseph L. Wiemels ◽  
...  

Object Little is known about the epidemiology of meningioma, the most frequently reported primary brain tumor in the US. The authors undertook a case-control study to examine the relationship between family and personal medical history and meningioma risk. Methods The authors compared the personal and first-degree family histories of 1124 patients with meningioma (age range 20–79 years) in Connecticut, Massachusetts, North Carolina, the San Francisco Bay Area, and 8 Houston counties between May 1, 2006, and February 26, 2010, and the histories of 1000 control individuals who were frequency-matched for age, sex, and geography. Results The patients were more likely than the controls to report a first-degree family history of meningioma (OR 4.4, 95% CI 1.6–11.5), and there was an even stronger association in younger cases. The patients were less likely than controls to report immune conditions including allergy (OR 0.6, 95% CI 0.5–0.7) but were more likely to report a history of thyroid cancer (OR 4.7, 95% CI 1.02–21.5) or leukemia (OR 5.4, 95% CI 1.2–24.1) (most after radiotherapy). Among women, patients were more likely than controls to report hormonally related conditions—uterine fibroid tumors (OR 1.2, 95% CI 1.0–1.5), endometriosis (OR 1.5, 95% CI 1.5–2.1), and breast cancer (OR 1.4, 95% CI 0.8–2.3). Conclusions The influence of genetics, the immune system, and radiation near the head on meningioma risk is suggested in the authors' findings; the role of hormones is intriguing but requires further study.


Author(s):  
Eric Nay

The Bay Area Figurative Movement, also commonly referred to as the Bay Area Figurative School, was an art movement in the 1950s and 1960s. It was made up of a group of artists working in the San Francisco Bay Area who, in a move away from the New York School mode of abstraction, abandoned painting in the established style of Abstract Expressionism. These West Coast artists focused predominantly on the human body as their subject matter and eschewed Abstract Expressionism’s rejection of representation. The artists’ concentration on figurative work ultimately lent the group its name, although its subject matter included landscapes, cityscapes and still lifes as well. The Bay Area artists shared mutual interests and evolved a shared stylistic vocabulary. They received significant critical recognition, and helped redefine figurative art following Abstract Expressionism through a uniquely regional interpretation of modernist painting. The evolution of the Bay Area Figurative Movement was also culturally associated with the rise of beat culture in San Francisco, West Coast jazz, and reactions to World War II. It remains highly contested whether the Bay Area Figurative Movement was a deliberate and rebellious break with Abstract Expressionism or simply a cyclical return to the human figure as subject matter.


2019 ◽  
Vol 9 (3) ◽  
pp. 325-336
Author(s):  
Man-Kong Chow ◽  
Jingbo Hua ◽  
Wing-Lok Hung

Purpose The purpose of this paper is to discuss the necessity of tertiary education in promoting innovations of the Guangdong-Hong Kong-Macau Greater Bay Area by using cases from other well-developed bay areas. Design/methodology/approach The paper used cases from bay areas of the USA and Japan to discover approaches that have been used to strengthen collaborations between tertiary education and industries by innovations. Findings This paper found that bay areas in the USA and Japan have adopted or developed various approaches to enhancing collaborations between tertiary education and industries. In the San Francisco Bay Area, the well-established knowledge transfer offices in universities help scholars to discover the commercial value of academic findings and help business in reverse. In New York Bay Area, big corporations built research institutes for universities with considerable findings. In Tokyo Bay Area, corporations and universities have developed various internship programs for different levels of students and also provide funds for universities to conduct research works. Originality/value This paper analysed approaches that using by other well-developed bay areas through real cases, and suggested that the Guangdong-Hong Kong-Macau Greater Bay Area should adopt these experiences in order to strengthen collaborations between tertiary education and industries to promote innovations.


2020 ◽  
Vol 26 (2) ◽  
pp. 29-51
Author(s):  
Frederic Leriche

Within the US motion picture industry, Hollywood is a (big) tree that hides the forest. Indeed, in this industry, besides this powerful and dominating industrial cluster, there are other — though minor — clusters, particularly in New York and San Francisco. The paper focuses on the latter and argues that the development of the film industry in the San Francisco Bay Area relies on specific regional assets: (1) a unique urban context and experience, (2) a unique alternative culture, and (3) a world-class technological cluster. The paper starts by briefly describing the path dependency of the film industry in the Bay Area, and how the city of San Francisco has started (in the 1980s) to implement a dedicated policy aimed at promoting the development of this industry. In this context, the paper explores the way that the San Francisco Bay Area became an attractive place for filmmakers and the fact that the 1970s marked the beginning of a new regime of film shootings. The paper then describes how, since then, the Bay Area asserted itself as a place for film production, and that has resulted in a multisite and smoothly expanding industrial cluster with a quite dynamic local labor market. Finally, the paper questions the mechanics of the film industry cluster in the Bay Area, its connections with Hollywood, and its impacts on the global influence of San Francisco.


2019 ◽  
Vol 11 (2) ◽  
pp. 1-39 ◽  
Author(s):  
Chang-Tai Hsieh ◽  
Enrico Moretti

We quantify the amount of spatial misallocation of labor across US cities and its aggregate costs. Misallocation arises because high productivity cities like New York and the San Francisco Bay Area have adopted stringent restrictions to new housing supply, effectively limiting the number of workers who have access to such high productivity. Using a spatial equilibrium model and data from 220 metropolitan areas we find that these constraints lowered aggregate US growth by 36 percent from 1964 to 2009. (JEL E23, J24, J31, R23, R31)


2021 ◽  
Author(s):  
Gillian Gualtieri

Abstract Elite cultural fields are often not diverse. Existing studies have examined how marginalized cultural producers are actively discriminated against or excluded from positions of prestige, but less is known about how ethnoracial inequality affects the evaluative processes used to assess products in fields of cultural production. This article analyzes 120 in-depth interviews with critically-recognized chefs in New York City and the San Francisco Bay Area and 1,380 Michelin restaurant reviews to uncover the system of insidious racial inequality that shapes evaluation in the American fine dining field. I find that there are three logics of evaluation—of (1) technique, (2) creativity, and (3) authenticity—that are differentially enacted for distinct ethnoracial categories of restaurants in the field. I show how these different, racialized evaluative processes result in the systematic devaluation of culinary products categorically associated with non-whiteness, what I call Ethnic restaurants, and disproportionate consecration of products associated with whiteness, which I term Classic and Flexible restaurants. I bring the race/ethnicity and sociology of culture literatures together to illuminate the ways in which inequality infiltrates the logics that organize systems of value in fields of cultural production.


2017 ◽  
Vol 86 (4) ◽  
pp. 691-722
Author(s):  
Aaron Byungjoo Bae

This article examines the 1967–1971 political prisoner solidarity movement for Black Panther Party co-founder Huey P. Newton as a case study of multiracial radical alliances in the San Francisco Bay Area. In contrast to the predominant trope of “unlikely allies,” I argue that the activists examined in this article who formed alliances with Newton and the Panthers were predisposed to collaborative activism through their common anti-imperialist orientation, expressed as anti-racism, anti-capitalism, and anti–U.S. military interventionism. In addition, I show that earlier alliances laid the foundation for alliances with later movements and organizations, creating what I term “genealogies of alliance” within the Free Huey Movement that demonstrate a persistent desire for collaborative activism throughout this era. This article prompts a reconsideration of Sixties radicalism; in contrast to scholarly and popular interpretations that focus on activists’ sectarianism and divisiveness, the Free Huey Movement illuminates how activists theorized and endeavored to work toward the collective liberation of all people.


Author(s):  
Sheigla Murphy ◽  
Paloma Sales ◽  
Micheline Duterte ◽  
Camille Jacinto

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