Interpretative Frames, Phenomenology, and the Question of the Republican Character of Polish and Czech Dissident Movements of the 1970s and 1980s

The Polish Solidarity movement of 1980–1981 and the Czechoslovak dissident movement both developed an original model of democracy. The dissidents sought to reconcile the tensions between the individual and the community—personal independence and engagement with public affairs—by building a pluralist, debating civic community entrenched in objective values. Calling upon on the phenomenological tradition and the interpretative frames perspective used in social movement studies, the author seeks to interrogate the intellectual roots of the dissident vision of democracy and the reasons behind one of its future interpretations, which viewed it through the lens of the republican political tradition. Drawing on the popularity and the character of the phenomenological tradition, the author explains the differences in the understanding of community in Poland and Czechoslovakia.

You start where you are: Literary spaces of Palestine solidarity

This essay discusses the contributions that three of the most prominent diasporic Palestinian Anglophone spoken word poets—Suheir Hammad (US), Remi Kanazi (US), and Rafeef Ziadah (Tunisia/Canada/UK)—have made to a contemporary literature of Palestine solidarity, in relation to the tension between liberationist and humanitarian articulations of solidarity that characterizes many contemporary appeals for solidarity with Palestine. I focus on their political and stylistic commitment to plain speaking, an approach that distances their work from the stylistic conventions of human rights advocacy and literary modernism, which both tend to discourage the explicit articulation of political belief. These poets demand that the listener/reader “start where you are,” as Hammad puts it, and conceive of the Palestine solidarity movement as part of a global liberation struggle in which we are all implicated. An examination of how each poet constructs the solidarity relation through their creative uses of analogy, address, voice, and performance helps us to see how this forthright invitation to the listener/reader works in practice.

Reshaping the Gdańsk Shipyard—The Birthplace of the Solidarity Movement. The Complexity of Adaptive Reuse in the Heritage Context

The Gdańsk Shipyard—the birthplace of the Solidarity movement—is host to a unique example of a multi-layered brownfield redevelopment project, an area that is burdened by a complex history, overlapping heritage, and multiple memories. These circumstances require an integrated yet differentiated approach to the site’s heritage and make the creation of one homogeneous narration of its future impossible. At the same time, the size of the area, as well as its location within Gdańsk city centre, has meant that its future has been the subject of numerous discussions and speculations conducted over the last 20 years—starting from the creation of a large-scale open-air museum and continuing to the localization of the new Central Business District of the city. Consequently, that broad discussion carried out regarding the scope of redevelopment projects has been rooted in the possible introduction of diverse models of adaptive reuse. This variety of possible approaches also includes discussion on the mode of integrating heritage in the redevelopment processes. The goal of this paper—written just before the initiation of the final stage of the conceptual part of the project—is to present the complexity of approaches to issues related to redevelopment and heritage preservation.

Refleksi Pandemi Covid-19: Dampak Dan Peluang Membangun Peradaban Berbasis Solidaritas Global

Even though the theme discussed in this paper is the Covid-19 pandemic, the real background is the world that behind the Covid-19 pandemic, namely, civilization which today has filled with fear, conspiracy, group interests, indifference and injustice. They are actually caused by the humans themselves. Based on this context, the author tries to show that the Covid-19 pandemic is not only a disaster but also an opportunity to lead for a new civilization of global solidarity in the world. Using the literature method (library research), this research was conducted by, first, reading the phenomenon about Covid-19 from the literature. Second, comparing it with central areas in life, and third, draws normative ethical implication which is global solidarity and theological implications in faith inspires a global solidarity movement, especially for Christians, rests on the cross and the resurrection. Keywords: Covid-19; Civilization; Normative-Ethical Implication; Theological Implication; Global Solidarity.

Social solidarity movement to prevent the spread of COVID-19 pandemic in Indonesia

The COVID-19 pandemic has affected many sectors, especially the health and economic aspects. On the bright side, the potential for social solidarity in the community has been increased. New media technology becomes an oasis in the midst of anxiety when people are forced to distance themselves or carrying out social distancing. Net citizens are using new media technology to raise solidarity and appeal to prevent the spread of COVID-19 from various campaigns on social media. This research aimed to study social movements to prevent the spread of COVID-19 and employed a qualitative approach using content analysis. The results showed that the pandemic triggered the public to take advantage of various social media platforms by creating content about public education and campaigning to raise funds or crowdfunding. It is as if a blessing in disguise when this disaster resulted in the value of collaborative work or gotong-royong that comes from Pancasila, which characterizes the nation’s values so that people are motivated to remind each other to maintain health and also help others to ease the burden of those affected. The analysis of the study by the researchers revealed that public figures dominated this solidarity movement.

Consequences of Group Style for Differential Participation

This article proposes a theory of how interaction in groups influences differential participation in political activism and interrogates this theory through an empirical analysis of online Facebook group interaction. We study the refugee solidarity movement in a mixed methods design employing online ethnography, survey, and “big” social media data. Instead of conceptualizing the group as a social network or social movement organization (SMO), we argue that the group’s culture emerges as patterns of interaction that have implications for what kind of activities in which group members participate. Based on observations from our online ethnography, we suggest that group interaction influences differential individual participation through processes of (1) encoding different habits and (2) attuning the activist to different aspects of situations. We support our theoretical propositions with six statistical tests of the relationship between the group-level variable of contentious group style and the individual-level variable of participation in political protest. The dependent variable, political protest, and a comprehensive set of controls stem from an original survey of the Danish refugee solidarity movement with 2,283 respondents. We link the survey data with “big” social media data used to estimate the focal explanatory variable, contentious group style, generated from content analysis of online interaction in 119 Facebook groups quantified with supervised machine learning. The results show that group style has a consistently positive relationship with the individual’s degree of participation independent of networks, SMO framing, and individual attributes.

Introduction

The introduction defines “political action” and “solidarity” theoretically, as frameworks for organizing and dispersing the relationship between music and protest. It also introduces the Polish opposition to state socialism, giving an overview of the political agents (activists, critics, citizens, priests, bureaucrats, Party members, journalists) who are the main protagonists of this history and who guide the musics and scenes upon which the book focuses. One cabaret anthem, Jan Pietrzak’s “So That Poland Will Be Poland,” serves as an orientation point. The song’s text, key performances in Warsaw, and use by the US Information Agency for propaganda give insight into national and international perspectives on the Solidarity movement and its historiography from the 1980s into the present.