Contextualising the Media and the Uprisings: A Return to History

2012 ◽  
Vol 5 (1) ◽  
pp. 75-79 ◽  
Author(s):  
Dina Matar
Keyword(s):  
Historical Perspective ◽  
Arab World ◽  
The Political ◽  
Capitalist Class ◽  
Arab Uprisings ◽  
Nation States ◽  
Historical Processes ◽  
The Media ◽  
Short Intervention

The 2011 Arab uprisings have called into question the assumptions and questions that have defined much of the scholarship on the media of and about the Arab world and its various publics. Much of this scholarship remains largely shaped by the ‘political’ agendas of the dominant analytical paradigms prominent in the 1970s, including the modernisation paradigm. Furthermore, many studies consider mediated cultures as being of the ‘here’ and the ‘now’ rather than a product of ongoing historical processes and conjunctures. This short intervention calls for rethinking the broad assumptions about the role of media in the ongoing protests. While not ignoring the role of media, it suggests broadening our conceptual and research agendas to incorporate a historical perspective that would also seriously consider the material and immaterial ‘geneaologies’—particular histories of nation-states, religion(s), capitalist class formations, national, regional and international politics as well as cultural and discursive formations.

Mass Media

2019 ◽  
pp. 558-563
Author(s):  
Barbara Thomaß
Keyword(s):  
Mass Media ◽  
Arab World ◽  
The Political ◽  
Cultural Dimension ◽  
Media System ◽  
Pluralistic Societies ◽  
Starting Point ◽  
The Media ◽  
Transformation Processes

A normative or a functionalist perspective on the role of mass media in pluralistic societies is the starting point for analysis of the role of the media in changing societal systems. The correlation between media shifts and societal shifts is striking in transformation processes. Communication scholars have studied this correlation in respect of the transformation in Eastern Europe, the upheavals in the Arab world, but less in the various waves of transformation and case groups. The uncoupling of the media system from the political system, which is typical for the shift from a totalitarian or authoritarian society to a pluralist one, is restructuring processes with an organizational, an economic, and a cultural dimension. It has been modelled in several phases although the actual developments show how these phases can overlap, sustain setbacks, or occur rapidly. Recent research concentrates on these new patterns of transitions and the inherent conflicts.

The Role of Religious Force in the Wukan Incident

2013 ◽  
Vol 5 (1) ◽  
pp. 155-175 ◽  
Author(s):  
Hou Yuxin
Keyword(s):  
Human Rights ◽  
Religious Beliefs ◽  
The Political ◽  
The People ◽  
The World ◽  
History Of ◽  
The Media ◽  
Social Management ◽  
The Village

Abstract The Wukan Incident attracted extensive attention both in China and around the world, and has been interpreted from many different perspectives. In both the media and academia, the focus has very much been on the temporal level of the Incident. The political and legal dimensions, as well as the implications of the Incident in terms of human rights have all been pored over. However, what all of these discussions have overlooked is the role played by religious force during the Incident. The village of Wukan has a history of over four hundred years, and is deeply influenced by the religious beliefs of its people. Within both the system of religious beliefs and in everyday life in the village, the divine immortal Zhenxiu Xianweng and the religious rite of casting shengbei have a powerful influence. In times of peace, Xianweng and casting shengbei work to bestow good fortune, wealth and longevity on both the village itself, and the individuals who live there. During the Wukan Incident, they had a harmonizing influence, and helped to unify and protect the people. Looking at the specific roles played by religion throughout the Wukan Incident will not only enable us to develop a more meaningful understanding of the cultural nature and the complexity of the Incident itself, it will also enrich our understanding, on a divine level, of innovations in social management.

Terrorism Manifestations

2014 ◽  
pp. 45-60
Author(s):  
Jonathan R. White
Keyword(s):  
21St Century ◽  
Small Groups ◽  
Unconventional Warfare ◽  
International Alliances ◽  
Nation States ◽  
Terrorist Groups ◽  
War And Conflict ◽  
The Media ◽  
Large Groups

This chapter examines the tactical aspects of terrorism. It begins by focusing on the nature of war and conflict in the 21st century, suggesting that technology, economic structures, and communication have changed the way war is waged. It argues that small groups of aggrieved people may conduct campaigns of unconventional warfare against individual nations or international alliances. Although such violence is manifested in many ways, it is typically labeled as “terrorism.” The chapter also demonstrates how large groups and nation states may participate in terrorist activities by either using terrorist tactics or supporting terrorist groups. The next part of the chapter focuses on the specific actions that constitute the tactics of terrorism, examining tactical innovations within various campaigns. The chapter concludes with an analysis of tactical force multipliers, and it introduces the role of the media within this context.

Indymedia in Belgium: the delicate balance between media activism and political activism

2020 ◽  
Vol 42 (6) ◽  
pp. 1031-1038
Author(s):  
Robin Van Leeckwyck ◽  
Pieter Maeseele ◽  
Maud Peeters ◽  
David Domingo
Keyword(s):  
Social Movements ◽  
Civil Society ◽  
Political Activism ◽  
Civil Society Organizations ◽  
European Countries ◽  
The Political ◽  
Media Activism ◽  
The Media ◽  
Original Website

Belgium was one of the first European countries to establish a local ‘national’ branch of the global Indymedia network. The diversity of those involved in this ‘national movement’ ultimately turned out to be both the strength of the original website and the cause of its decline. Indeed, due to political and organizational disagreement, many activists decided to create their own ‘local’ Independent Media Centre (IMC). This article distinguishes two perspectives on the role of Indymedia: the political activists saw Indymedia as a means to an end, as an instrument to discuss strategies and tactics, and to coordinate social movements and grassroots movements. The media activists, on the contrary, saw Indymedia as an end in itself, as a platform for civil society organizations to make their voices heard and facilitate democratic debate – in this vein, the experience of Indymedia.be was transformed into the alternative news site DeWereldMorgen.be.

Framing media populism: The political role of news media editorials in Duterte’s Philippines

Journalism ◽  
2020 ◽  
pp. 146488492095950
Author(s):  
Jefferson Lyndon D Ragragio
Keyword(s):  
News Media ◽  
The Philippines ◽  
The Political ◽  
Fourth Estate ◽  
Political Actors ◽  
Media Frames ◽  
Political Role ◽  
The Media ◽  
The Government

Editorials are a political force used by news media to fulfil its watchdog function in fragile democracies like the Philippines. However, they also serve as a platform to invite a more positive reading of strongman administration. Against the backdrop of media populism, the article will problematize how the Fourth Estate articulates its political stance by examining the tensions and complexities in editorials. It will highlight the ways the media deals with subjects and stories surrounding Rodrigo Duterte. Through an analysis of editorials of four leading dominant news outlets (Bulletin, Inquirer, Rappler, and Star), three meta-thematic categories of media frames are uncovered. First, character degradation frames delineate how the media denounces the ties of Duterte with other political actors, particularly the Marcoses and China’s Xi. Second, pro-establishment frames echo the optimistic mantra of the government amid crisis. And third, non-editorial frames exhibit the failure of media to publish watchdog-inspired editorials. Each of these categories has underlying frames that are indicative of the democratic potential, or lack thereof, of news media.

Enquête sur le rapport des journalistes à la démocratie : le rôle de médiateur en question

2012 ◽  
Vol 45 (3) ◽  
pp. 685-710 ◽  
Author(s):  
Anne-Marie Gingras
Keyword(s):  
Political System ◽  
Active Role ◽  
The Political ◽  
Conceptual Approach ◽  
Liberal Societies ◽  
The Face ◽  
The Media ◽  
Selection Of

Résumé.Dans ce texte, nous tentons d'évaluer le rôle sociopolitique des journalistes en posant les éléments fondamentaux d'une conceptualisation du rôle des médias en démocratie et en analysant les résultats d'une recherche empirique sur l'engagement des journalistes envers la démocratie menée de l'été 2008 au printemps 2010. Notre étude prend appui sur la dichotomie entre un rôle actif des médias et un rôle instrumental face au système politique, dichotomie que nous faisons porter sur les journalistes. Nous prétendons que les médias et les journalistes jouent le rôle de « médiateurs » dans les sociétés libérales, c'est-à-dire d'agents individuels ou collectifs par qui transitent des messages explicites ou implicites; ces agents ajoutent une couche de sens par diverses méthodes dont la sélection des nouvelles, la hiérarchisation des sujets ou le cadrage de personnes ou d'événements.Abstract.This paper aims to assess the sociopolitical role of journalists through a conceptual approach linking media and democracy and through an analysis of the data resulting from an investigation of journalists' commitment to democracy that was conducted from the summer of 2008 to the spring of 2010. Our study is founded on the dichotomy between an active role for the media and an instrumental one in the face of the political system, and this dichotomy is applied to journalists. We believe that the media and journalists function as “mediators” in liberal societies, that is, as individual or collective agents through whom explicit or implicit messages pass; these agents add a layer of signification by diverse methods, among which are the selection of news, the categorization of issues or the framing of individuals or events.

Advertising nationalism: Commemorating the liberation war in Bangladeshi print advertisements

2020 ◽  
pp. 175063522095036
Author(s):  
Kajalie Shehreen Islam
Keyword(s):  
Discourse Analysis ◽  
Political Context ◽  
The Political ◽  
Print Advertisements ◽  
The Media ◽  
National Significance ◽  
Discursive Constructions ◽  
Oriented Approach ◽  
Underlying Theme

This article explores the role of the media as a discursive tool in the commemoration of Bangladesh’s war of liberation. The author critically engages with the notion of mediated memory in the foreground of corporate nationalism. Through a discourse analysis of print advertisements published in Bangladeshi newspapers on the country’s Independence and Victory Days over five decades, she traces the use of nationalism in advertising discourse and the shift from a development-oriented approach to corporate nationalism, with the underlying theme of glorification of war. The study found that nationalistic-based discourse is a key theme of Bangladeshi advertisements published on its days of national significance – history and its heroes, symbols and images, poetry and song, are all used to invoke a banal nationalism. These discursive constructions depend largely on the political context but, as long as the political line is adhered to, advertisers are free to use nationalistic discourse to promote their brands, products and services.

scholarly journals Transition, Flow, and Divergent Times

2013 ◽  
Vol 45 (3) ◽  
pp. 581-584
Author(s):  
Avinoam Shalem
Keyword(s):  
21St Century ◽  
North Africa ◽  
Arab World ◽  
The Political ◽  
Global History ◽  
Transition Flow ◽  
Recording Time ◽  
The Past ◽  
Historical Processes ◽  
History Of

The Western academy's growing interest in the contemporary arts in the Arab world illustrates the desire to map “Islam”—problematic as this term is—within the global history of cultures and to integrate it into “Western” models of the writing and documenting of the past. As positive and corrective as these academic approaches may seem, the notion of recording time—that is, writing history—is still firmly bound at the beginning of the 21st century to the idea of continuity, and the pattern of “Western”-centric thinking imposes that notion upon contemporary artists and art historians. Yet the political changes and spontaneous eruptions that the Middle East and North Africa are experiencing, especially since the beginning of 2011, defy and resist conventional interpretations of historical processes and therefore demand a rethinking of the configuration of the past.

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