Jung, Neumann and Gebser

2020 ◽  
Vol 12 (1) ◽  
pp. 41-59
Author(s):  
Robert L. Mitchell
Keyword(s):  
Cultural Identity ◽  
Cross Cultural ◽  
Cultural Identities ◽  
Human Consciousness ◽  
Mature Adult ◽  
Individuation Process ◽  
Recapitulation Theory

Abstract In recent decades, indeterminate states of cultural identity in both individuals and nations have resulted from cross-cultural migrations and the resistance of host nations to critically re-evaluate traditional cultural complexes and welcome new influences. Jung’s theory of individuation, Neumann’s centroversion and Gebser’s integrality provide a new foundation in consciousness for re-evaluating both individual and national cultural identities. In terms of the development and education of children, the two common threads in these three theories are individuation and recapitulation theory. Individuation, re-imagined by Neumann as centroversion, parallels Gebser’s concept of integrality and provides a mediating foundation for comparing individuation and integrality. Both concepts are compared in terms of the first phase of the individuation process, characterized by the development and education of the child. The objective is to achieve an individuated-integral, spiritualized personality in the first half of life so that the spiritually mature adult can contribute to an evolved human consciousness and global cultural identity in the second half of life.

scholarly journals Bahasa sebagai Identitas dan Perlawanan Kultural Masyarakat Banyumas Pascakolonial

2017 ◽  
Author(s):  
Teguh Trianton
Keyword(s):  
Cultural Identity ◽  
Cross Cultural ◽  
Border Region ◽  
Cultural Identities ◽  
Cultural Reproduction ◽  
Cultural Resistance ◽  
Cultural Domain

This article describes about existence of Banyumas language as cultural identity and cultural resistance Banyumas community at the time of postcolonial. Banyumas society past geopolitics and geocultur in the border region between the cultural domain palace (negari agung) and the realm of coastal culture. Banyumas is also located in the border region between Mataram and Sundanese culture. Therefore, Banyumas be a result of cross cultural reproduction area of culture. However, people Banyumas have traditional cultural identities that language. Banyumas language is also a feature of cultural resistance in the postcolonial.

scholarly journals Cultural Differences in the Hedonic Rewards of Recalling Kindness: Priming Cultural Identity with Language

2021 ◽  
Vol 2 (1) ◽  
pp. 80-90
Author(s):  
Lilian J. Shin ◽  
Seth M. Margolis ◽  
Lisa C. Walsh ◽  
Sylvia Y. C. L. Kwok ◽  
Xiaodong Yue ◽  
...  
Keyword(s):  
Hong Kong ◽  
Cultural Identity ◽  
Emotional Experience ◽  
Chinese Language ◽  
Well Being ◽  
Cultural Identities ◽  
Weak Ties ◽  
Recent Theory ◽  
Emotional Experiences ◽  
The Usa

AbstractRecent theory suggests that members of interdependent (collectivist) cultures prioritize in-group happiness, whereas members of independent (individualist) cultures prioritize personal happiness (Uchida et al. Journal of Happiness Studies, 5(3), 223–239 Uchida et al., 2004). Thus, the well-being of friends and family may contribute more to the emotional experience of individuals with collectivist rather than individualist identities. We tested this hypothesis by asking participants to recall a kind act they had done to benefit either close others (e.g., family members) or distant others (e.g., strangers). Study 1 primed collectivist and individualist cultural identities by asking bicultural undergraduates (N = 357) from Hong Kong to recall kindnesses towards close versus distant others in both English and Chinese, while Study 2 compared university students in the USA (n = 106) and Hong Kong (n = 93). In Study 1, after being primed with the Chinese language (but not after being primed with English), participants reported significantly improved affect valence after recalling kind acts towards friends and family than after recalling kind acts towards strangers. Extending this result, in Study 2, respondents from Hong Kong (but not the USA) who recalled kind acts towards friends and family showed higher positive affect than those who recalled kind acts towards strangers. These findings suggest that people with collectivist cultural identities may have relatively more positive and less negative emotional experiences when they focus on prosocial interactions with close rather than weak ties.

scholarly journals Human Rights and Cultural Identity

2015 ◽  
Vol 8 (2) ◽  
pp. 112-135 ◽  
Author(s):  
Gordon John-Stewart
Keyword(s):  
Human Rights ◽  
Cultural Identity ◽  
Culturally Sensitive ◽  
Cultural Identities ◽  
Ethical Relativism ◽  
Small Core ◽  
Starting Point ◽  
Universal Human Rights

Abstract Universal human rights and particular cultural identities, which are relativistic by nature, seem to stand in conflict with each other. It is commonly suggested that the relativistic natures of cultural identities undermine universal human rights and that human rights might compromise particular cultural identities in a globalised world. This article examines this supposed clash and suggests that it is possible to frame a human rights approach in such a way that it becomes the starting point and constraining framework for all non-deficient cultural identities. In other words, it is possible to depict human rights in a culturally sensitive way so that universal human rights can meet the demands of a moderate version of meta-ethical relativism which acknowledges a small universal core of objectively true or false moral statements and avers that, beyond that small core, all other moral statements are neither objectively true nor false.

CULTURAL IDENTITY AND SYMBOLIC INTERACTIONISM IN KARMA BROWN’S NOVEL “RECIPE FOR A PERFECT WIFE”

2021 ◽  
Vol 8 (2) ◽  
Author(s):  
Alia Afiyati ◽  
Divya Widyastuti ◽  
Yoga Pratama
Keyword(s):  
Cultural Identity ◽  
Symbolic Interactionism ◽  
Literary Work ◽  
Cultural Identities ◽  
George Herbert ◽  
The Novel ◽  
Female Characters ◽  
George Herbert Mead ◽  
The Past ◽  
Stuart Hall

In a literary work, two characters can be narrated as the attention center that contains the cultural identity from certain generation. Meanwhile, a symbol actually can cause an interaction within characters. This research discusses about cultural identity and symbolic interactionism reflected in a novel. There is a novel entitled “Recipe for a Perfect Wife” by Karma Brown that tells about two female characters that are represented as a housewife from different generation. This research uses descriptive qualitative as the research methodology and content  analysis as the method in analyzing the object of the research, a novel entitled “Recipe for a Perfect Wife”. This research also uses the intrinsic approach to analyze the characterization, plot, and setting. This research reveals two kinds of a housewife. They are a housewife and working woman, and a full-housewife. This research finds five cultural identities in the past and present time that is related with a housewife reflected by two female characters in the novel by using cultural identity theory by Stuart Hall. This research also reveals the symbol and memory even three concepts of symbolic interactionism that is mind, self, and society based on symbolic interactionism theory by George Herbert Mead.

Summaries

2018 ◽  
Vol 46 (4) ◽  
Keyword(s):  
Cultural Identity ◽  
Cultural Adaptation ◽  
Theoretical Background ◽  
Cross Cultural ◽  
National Identities ◽  
Female Characters ◽  
Low Countries ◽  
Cultural Stereotypes ◽  
Cross Cultural Adaptation ◽  
Representation Of Sexuality

Eduard Cuelenaere, Gertjan Willems & Stijn Joye Same same same, but different: a comparative film analysis of the Belgian, Dutch and American Loft Against the theoretical background of the concept ‘karaoke-Americanism’, this article compares the Belgian, Dutch and American version of the film Loft. Several (dis)similarities in the representation of sexuality, female characters, and ethnicity, as well as some formal changes, are observed. By combining these results with self-conducted, in-depth and press interviews with the filmmakers of these films, it is ascertained that, although the three versions share a similar use of specific Hollywood conventions, the changes in representation were motivated by perceived cultural differences. Building on known cultural stereotypes and clichés, filmmakers reinforce specific cultural (and national) identities, with the aim of enhancing the recognizability for their local audiences. In conclusion, the Dutch and Belgian filmmakers, in an attempt of localizing the universal, realized a hyperreal version of their own or another culture. Keywords: film remakes, cross-cultural adaptation, cinema in the Low Countries, karaoke-Americanism, cultural identity

scholarly journals Cultural identity and democracy standards: Integration processes in Serbia

2007 ◽  
Vol 18 (3) ◽  
pp. 149-165
Author(s):  
Jelena Djuric
Keyword(s):  
Cultural Identity ◽  
Identity Transformation ◽  
Cultural Identities ◽  
Instrumental Reasoning ◽  
Cultural Transformations ◽  
Global Meaning ◽  
Standards Integration

This text is aimed at showing that particularity of different cultural identities is compatible with the generality of standards - the differences can be organically included in the whole which gives them the meaning. Global meaning of the identity transformation is in the need for freedom and real democracy, that means overcoming mechanisms of instrumental reasoning and power usurpation. The process of cultural transformations requires deliberate choices which provide us identity and value to our humane standards.

scholarly journals The Construction of Cultural Identity on “Tamu dari Jakarta” Short Story

2019 ◽  
Vol 8 (2) ◽  
Author(s):  
Puri Bestari Mardani
Keyword(s):  
Cultural Identity ◽  
Short Story ◽  
Cross Cultural ◽  
Cultural Interaction ◽  
Cross Culture ◽  
The Past ◽  
Interesting Topic ◽  
Big City ◽  
Stuart Hall ◽  
Identity Problems

Identity is liquid and changeable as time goes by. The change of identity is possible since identity can be formed both from the past and from the future. In the case of cross culture, one’s identity may have certain problems especially in determining cultural identity. Problems in cultural identity have become an interesting topic to be discussed. It was also an interesting topic for writer to color their literature work.The focus of this research is the cultural identity in “Tamu dari Jakarta” (2002) short story by Jujur Prananto. This story brings out an interesting topic about a villager named Ratna who move into a big city (Jakarta). Problem of cultural identity was clearly seen when she visited her hometown (Klaten), the villagers no longer see her as one of them instead the saw her as a visitor or according to the title of this short story, a guest from Jakarta.The form of this research is a textual analysis research using the concept of cultural identity by Stuart Hall. This research shows that the cultural identity of Ratna is constructed through positioned and positioning identity that is shown from the cross-cultural interaction between characters in this story. Furthermore, the proses of being positioned and positioning was based on the stereotype of Jakarta citizen. However this story gave a different view and new insight on the stereotype of Jakarta citizen.   Keywords: cultural identity, cross-cultural, Jakarta citizen

scholarly journals Gringo/a as Sociolinguistic Fractal

Ethnologies ◽  
2014 ◽  
Vol 35 (1) ◽  
pp. 3-27 ◽  
Author(s):  
Stephanie C. Kane ◽  
Harriet E. Manelis Klein
Keyword(s):  
Latin America ◽  
Cultural Identity ◽  
Personal Experience ◽  
Cross Cultural ◽  
Professional Goals ◽  
Fractal Character ◽  
Personal Experience Narratives ◽  
Socially Situated

The polysemic term “gringo” inevitably mediates the negotiation of cultural identity for anthropologists carrying out fieldwork in Latin America. Drawing on experiences from the authors’ interactions in pursuit of professional goals, this analysis shows how nation, religion, gender, race, and the histories of colonization, migration, and alliance emerge and recede in kaleidoscopic encounters between hemispheric stereotypes and cross-cultural travelers. The intertwined personal experience narratives of ‘gringo-hood’ we present reveal the fractal character of knowledge and experience. This article, therefore, shows how linguistic, cultural, and especially folkloric interactions mediate the various dimensions of our socially situated experiences and the different forms of talk we encountered.

Transformation and Glamour in the Cross-Cultural Makeover: Return to Eden, Khoon Bhari Maang and the Avenging Woman in Popular Hindi Cinema

2017 ◽  
Author(s):  
Michael Lawrence
Keyword(s):  
Cultural Identity ◽  
Plastic Surgery ◽  
Soap Opera ◽  
Cross Cultural ◽  
Prime Time ◽  
The Cross ◽  
Hindi Cinema ◽  
Transnational Film ◽  
James Dobson

Rakesh Roshan’s Khoon Bhari Maang (Blood-Smeared Forehead, India, 1988) is closely modelled on the iconic Australian television 3-part, mini-series Return to Eden (Karen Arthur, Kevin James Dobson, 1983), itself a self-conscious appropriation and strategic indigenisation of the melodramatic conventions and “feminised address” of the prime time American soap opera. In Return to Eden, a treacherous tennis champ marries a meek and dowdy heiress, Stephanie Harper, and throws her into alligator-infested waters; she survives, has plastic surgery, becomes a supermodel, and returns to exact revenge on her husband. In the transnational film remake, Khoon Bhari Maang, the heroine’s transformation is more extreme – in accordance with her revenge, which is more violent – and also more complex, in terms of cultural identity, since her journey, from frumpy Aarti to the sultry Jyoti, necessitates a negotiation of traditional/modern and Indian/non-Indian modes of womanhood (and this also resonates with the ‘reinvention’ of its star, Rekha, in the late 1970s). Drawing on recent discussions of the anxious “assemblage” of femininity in popular Hindi cinema this chapter focuses on issues raised by Khoon Bhari Maang’s presentation of the make-over conceit.

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