Explaining Beijing’s Shift from Active to Passive Engagement in Relation to the Arab-Israeli Conflict

2016 ◽  
Vol 4 (1-2) ◽  
pp. 93-112 ◽  
Author(s):  
Guy Burton

As a ‘rising power’, China is expected to play a greater global role. But current Chinese involvement in the long-running and internationalised Arab-Israeli conflict is limited. How to explain this? What does it suggest about China’s regional and global role? Studying Beijing’s involvement since the 1950s, I note Chinese military assistance to the Palestinians during the 1960s-70s and strong criticism of Israel. But from the 1980s Beijing adopted a more diplomatic approach and endorsed the two-state solution. The change was due to China’s broader regional and international relations. During the Cold War Beijing’s ‘active’ pro-Palestinian stance was associated with being ‘outside’ the superpower-dominated international system. By the end of the Cold War Beijing was ‘inside’ the international system and increasingly integrated into the global economy. Commercial considerations trumped political ones, emphasising diplomacy. This suggests China’s exercise of global power may be more nuanced and less overt than otherwise assumed.

2020 ◽  
Vol 26 (1) ◽  
pp. 53-58
Author(s):  
Anca Dinicu

AbstractA misunderstanding or a disagreement, an incompatible situation or a competition between opponents that can generate into violence, conflict is a constant feature of human society. It can lead, depending on the context, to development or, on the contrary, to the dissolution of the organization or society. From the international relations’ point of view, a conflict is a dynamic process based on the clashing of interests of the international system’s participants. After the end of the Cold War, the change of conditions and determinations at the international level imprinted a specific evolution of the international conflict by transforming it in accordance with the conversion recorded by the global power architecture. In the same logic can be explained the reverse of the conditioning relationship, respectively of transforming the structure of the international system depending on the stake and the magnitude of the international conflict.


2013 ◽  
Vol 10 (1) ◽  
pp. 27-48 ◽  
Author(s):  
Alan Burton

Brainwashing assumed the proportions of a cultural fantasy during the Cold War period. The article examines the various political, scientific and cultural contexts of brainwashing, and proceeds to a consideration of the place of mind control in British spy dramas made for cinema and television in the 1960s and 1970s. Particular attention is given to the films The Mind Benders (1963) and The Ipcress File (1965), and to the television dramas Man in a Suitcase (1967–8), The Prisoner (1967–8) and Callan (1967–81), which gave expression to the anxieties surrounding thought-control. Attention is given to the scientific background to the representations of brainwashing, and the significance of spy scandals, treasons and treacheries as a distinct context to the appearance of brainwashing on British screens.


Author(s):  
Marc Trachtenberg

What makes for war or for a stable international system? Are there general principles that should govern foreign policy? This book explores how historical work can throw light on these questions. The essays in this book deal with specific problems—with such matters as nuclear strategy and U.S.–European relations. But the book's main goal is to show how in practice a certain type of scholarly work can be done. The book demonstrates how, in studying international politics, the conceptual and empirical sides of the analysis can be made to connect with each other, and how historical, theoretical, and even policy issues can be tied together in an intellectually respectable way. These essays address a wide variety of topics, from theoretical and policy issues, such as the question of preventive war and the problem of international order, to more historical subjects—for example, American policy on Eastern Europe in 1945 and Franco-American relations during the Nixon–Pompidou period. But in each case, the aim is to show how a theoretical perspective can be brought to bear on the analysis of historical issues, and how historical analysis can shed light on basic conceptual problems.


Author(s):  
Jesse Ferris

This book draws on declassified documents from six countries and original material in Arabic, German, Hebrew, and Russian to present a new understanding of Egypt's disastrous five-year intervention in Yemen, which Egyptian president Gamal Abdel Nasser later referred to as “my Vietnam.” The book argues that Nasser's attempt to export the Egyptian revolution to Yemen played a decisive role in destabilizing Egypt's relations with the Cold War powers, tarnishing its image in the Arab world, ruining its economy, and driving its rulers to instigate the fatal series of missteps that led to war with Israel in 1967. Viewing the Six Day War as an unintended consequence of the Saudi–Egyptian struggle over Yemen, the book demonstrates that the most important Cold War conflict in the Middle East was not the clash between Israel and its neighbors. It was the inter-Arab struggle between monarchies and republics over power and legitimacy. Egypt's defeat in the “Arab Cold War” set the stage for the rise of Saudi Arabia and political Islam. Bold and provocative, this book brings to life a critical phase in the modern history of the Middle East. Its compelling analysis of Egypt's fall from power in the 1960s offers new insights into the decline of Arab nationalism, exposing the deep historical roots of the Arab Spring of 2011.


Author(s):  
Jenny Andersson

The book proposes that the Cold War period saw a key debate about the future as singular or plural. Forms of Cold War science depicted the future as a closed sphere defined by delimited probabilities, but were challenged by alternative notions of the future as a potentially open realm with limits set only by human creativity. The Cold War was a struggle for temporality between the two different future visions of the two blocs, each armed with its set of predictive technologies, but these were rivaled, from the 1960s on, by future visions emerging from decolonization and the emergence of a set of alternative world futures. Futures research has reflected and enacted this debate. In so doing, it offers a window to the post-war history of the social sciences and of contemporary political ideologies of liberalism and neoliberalism, Marxism and revisionist Marxism, critical-systems thinking, ecologism, and postcolonialism.


Author(s):  
William D. James

Abstract Why did Britain withdraw from its military bases in the Arabian Peninsula and Southeast Asia midway through the Cold War? Existing accounts tend to focus on Britain's weak economic position, as well as the domestic political incentives of retrenchment for the ruling Labour Party. This article offers an alternative explanation: the strategic rationale for retaining a permanent presence East of Suez dissolved during the 1960s, as policymakers realised that these military bases were consuming more security than they could generate. These findings have resonance for British officials charting a return East of Suez today under the banner of ‘Global Britain’.


Images ◽  
2014 ◽  
Vol 8 (1) ◽  
pp. 66-90
Author(s):  
Maya Balakirsky Katz

After Stalin consolidated the major animation studios and closed down smaller regional studios to create a single Moscow-based drawn and puppet animation studio in 1934–36, the animation studio Soyuzmultfilm became the largest animation studio in Eastern Europe. In the 1960s, Soviet Jewish animators focused on the theme of social geography and developed individual characters in relationship to social mapping. This essay analyses the enigmatic Cheburashka, the Soviet Mickey Mouse, whose popularity as a Communist ideal led to his starring role as Soyuzmultfilm’s most enduring logo. It is particularly concerned with the development of the ethnically-unidentifiable Cheburashka against the history of the Moscow Zoo and its inter-species exhibitions.


2012 ◽  
Vol 14 (2) ◽  
pp. 68-97 ◽  
Author(s):  
Aryo Makko

Traditionally, Sweden has been portrayed as an active bridge-builder in international politics in the 1960s and 1970s. The country advocated a “third way” toward democratic socialism and greater “justice” in international affairs, but these foreign policy prescriptions were never applied to European affairs. This article examines Sweden's relations with Europe by contrasting European integration with the Cold War. Negotiations on Swedish membership in the European Communities and Swedish policy at the Conference on Security and Cooperation in Europe were influenced by a general Berührungsangst toward Europe, which persisted during the years of détente. Because Swedish decision-makers believed that heavy involvement in European affairs would constrict Sweden's freedom of action, Swedish leaders' moral proclamations were applied exclusively to distant Third World countries rather than the egregious abuses of human rights in the Soviet bloc.


2020 ◽  
Vol 31 (2) ◽  
pp. 102-131
Author(s):  
Pentti Paavolainen

The Centennial of one of the cruelest of European civil wars fought in Finland between the Reds and the Whites from January to May 1918 has evoked a spectrum of theatre productions illustrating variations of styles and approaches on the events. The turn in the treatment of this cultural trauma occurred with the interpretations and narrative perspectives that were fixed in the 1960s, when an understanding for the defeated Red side was expressed in historiography, literature and theatre. Since that, the last six decades the Finnish theatre and public discourse on the Civil War have been dominated by the Red narrative as the memory of the 1918 Civil War provided an important part in the new identity politics for the 1969 generation. Since the 1980’s the topic was mostly put aside so that before the 2018 revivals of the Civil War topic, the productions seem to have been reactions by the artists confronting the developments at the end of the Cold War. Some theatrical events can even be tied to the cultural trauma of the 1969 left evoked by the collapse of the socialist block. The Centennial productions repeated the Red narrative but they also provided more balanced interpretationson the tragic events.


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