scholarly journals “The Jesuit mission proves we were here”: The Case of Eighteenth-Century Jesuit Missions Aiding Twenty-First Century Tribal Recognition

2021 ◽  
Vol 8 (3) ◽  
pp. 454-473
Author(s):  
Andrew R. Beaupré
Keyword(s):  
First Century ◽  
Connecticut River ◽  
Jesuit Missions ◽  
Federal Recognition ◽  
Tribal Governments ◽  
French Colonial ◽  
Tribal Recognition ◽  
The Relationship ◽  
Difficult Road ◽  
Descendant Communities

Abstract Records indicate that during the French colonial period, Jesuits established four mission congregations within the territory now known as Vermont. These missions were established to preach to both French colonists and Native converts on Isle La Motte, on the Missisquoi River in Swanton, at Fort Saint-Frédéric on Lake Champlain, and in the area known as the Koas on the Connecticut River. In the twentieth and twenty-first centuries, the Abenaki peoples of Vermont have had a long and difficult road to gain state and federal recognition. These descendant communities have invoked the existence of Jesuit missions to the Abenaki as proof of the current tribal governments’ legitimacy. This is intriguing considering the blame for cultural destruction is often laid at the feet of Jesuit missionaries. This paper examines the relationship between historical and archaeological evidence of French Jesuits and the legal legitimization of the Abenaki of Vermont.

THE RELATIONSHIP BETWEEN RELIGIOUS BELIEFS AND THE ACCOUNTING AND ECONOMIC PRACTICES OF A SOCIETY: EVIDENCE FROM THE DEAD SEA SCROLLS

2013 ◽  
Vol 40 (2) ◽  
pp. 115-143 ◽  
Author(s):  
David N. Herda ◽  
Stephen A. Reed ◽  
William F. Bowlin
Keyword(s):  
Religious Beliefs ◽  
Dead Sea Scrolls ◽  
Second Temple ◽  
Dead Sea ◽  
First Century ◽  
Second Temple Period ◽  
Economic Practices ◽  
The Dead ◽  
Primary Focus ◽  
The Relationship

This study explores the Dead Sea Scrolls to demonstrate how Essene socio-religious values shaped their accounting and economic practices during the late Second Temple period (ca. first century BCE to 70 CE). Our primary focus is on the accounting and commercial responsibilities of a leader within their community – the Examiner. We contend that certain sectarian accounting practices may be understood as ritual/religious ceremony and address the performative roles of the Essenes' accounting and business procedures in light of their purity laws and eschatological beliefs. Far from being antithetical to religious beliefs, we find that accounting actually enabled the better practice and monitoring of religious behavior. We add to the literature on the interaction of religion with the structures and practices of accounting and regulation within a society.

scholarly journals Capitalism and democracy in the twenty-first century: does it still take two to tango?

2021 ◽  
pp. 1-7
Author(s):  
Matteo Marenco
Keyword(s):  
Political Power ◽  
Negative Relationship ◽  
First Century ◽  
Democratic Politics ◽  
Digital Capitalism ◽  
Global Power ◽  
Rise Of China ◽  
Science Question ◽  
Twenty First Century ◽  
The Relationship

Abstract This article reviews three books that offer thought-provoking insights on a central political science question, namely the relationship between capitalism and democracy in the twenty-first century. First, ‘Democracy and Prosperity’ by Iversen and Soskice posits a symbiotic relationship between capitalism and democracy. Advanced capital thrives on nationally rooted institutions, hence it needs democratic politics. A majority of voters ask for pro-advanced-capital reforms, hence democratic politics needs advanced capital. Second, ‘Capitalism, Alone’ by Milanovic depicts a troubled coexistence between capitalism and democracy. The former's tendency to concentrate economic and political power in the hands of the few is the main reason why democratic politics is under pressure. Third, ‘The Age of Surveillance Capitalism’ by Zuboff suggests a negative relationship between digital capitalism and democracy. Surveillance capitalism increasingly acts as a control means of individuals' behaviour, which undermines democracy at its roots. The last section brings the three contributions together. It maintains that a mutually beneficial coexistence between capitalism and democracy currently faces both internal (from within) and external (from without) challenges. In line with Milanovic and Zuboff, it argues that the concentration of economic and political power in the hands of the few is the most apparent from-within challenge. Drawing on Milanovic, it contends that rise of China as a global power combining capitalism with non-democracy challenges the relationship between capitalism and democracy from without. Finally, it contends that the environmental question and the pandemic represent two windows of opportunity for democracy to recover lost ground and re-establish a more balanced relationship with capitalism.

Temporal Emotions and Historical Vulnerability: Music as a Vehicle of Ideology in Cold War and Peste Noire

2021 ◽  
Vol 5 (1) ◽  
pp. 87-102
Author(s):  
Louise D’Arcens
Keyword(s):  
Cold War ◽  
Middle Ages ◽  
White Supremacy ◽  
First Century ◽  
White People ◽  
Black Metal ◽  
Ideological Differences ◽  
Twenty First Century ◽  
The Relationship

Abstract This essay focuses on the Polish film Cold War and the oeuvre of the French nationalist black metal band Peste Noire, examining them as twenty-first-century texts that disclose music’s capacity to solicit emotion in the service of ideology. Despite their aesthetic and ideological differences, each text demonstrates the importance of temporal emotions – that is, emotions that register a heightened sense of the relationship between present, past and future. Each text portrays these emotions’ ideological significance when attached to ideas of a national past. Dwelling on Peste Noire’s racist-nationalist use of the medieval past, the essay explores music as a medium for emotional performances in which white people appear to convey vulnerability while actually reconfirming white supremacy. Peste Noire’s idiosyncratic performance of aggressive vulnerability is a temporal emotion that self-consciously lays claim to a long emotional tradition reaching back to the French Middle Ages.

Messiah with the Microphone? Oral Historians, Technology, and Sound Archives

2012 ◽  
Author(s):  
Robert B. Perks
Keyword(s):  
Oral History ◽  
First Century ◽  
The Internet ◽  
Digital Audio ◽  
Digital Revolution ◽  
The World ◽  
Technological Skills ◽  
Twenty First Century ◽  
The Relationship

For decades, oral historians and their tape recorders have been inseparable, but it has also been an uneasy marriage of convenience. The recorder is both our “tool of trade” and also that part of the interview with which historians are least comfortable. Oral historians' relationship with archivists has been an uneasy one. From the very beginnings of the modern oral history movement in the 1940s, archivists have played an important role. The arrival of “artifact-free” digital audio recorders and mass access via the Internet has transformed the relationship between the historian and the source. Accomplished twenty-first-century oral history practitioners are now expected to acquire advanced technological skills to capture, preserve, analyze, edit, and present their data to ever larger audiences. The development of oral history in many parts of the world was influenced by the involvement of sound archivists and librarians. Digital revolution in the present century continues to influence oral history.

scholarly journals The Values of Versatility: Pharmacists, Plants, and Place in the French (Post)Colonial World

2016 ◽  
Vol 58 (2) ◽  
pp. 432-462 ◽  
Author(s):  
Laurence Monnais ◽  
Noémi Tousignant
Keyword(s):  
Medicinal Plant ◽  
Scientific Activity ◽  
Public Health Care ◽  
French West Africa ◽  
Post Colonial ◽  
Plant Medicine ◽  
History Of ◽  
French Colonial ◽  
Simple Equations ◽  
The Relationship

AbstractColonial pharmacists bio-prospected, acclimatized, chemically screened, and tinkered with plants and their parts, hoping to create products to supply colonial public health care, metropolitan industries, and imperial markets. This article's approach is to examine the trajectories of expertise of two French colonial pharmacists, Franck Guichard and Joseph Kerharo, to illuminate the history of modern medicinal plant research. Both men studied medicinal plants as part of their colonial duties, yet their interests in indigenous therapies exceeded and outlived colonial projects. We take this “overflow” as our point of departure to explore how science transformed medicinal plant values in French colonial and postcolonial contexts. Our focus is on the relationship between value and space—on the processes of conceptual and material (de-/re-)localization through which plant value is calculated, intensified, and distributed. We study and compare these processes in French Indochina and French West Africa where Guichard and Kerharo, respectively, engaged in them most intensively. We show that their engagements with matter, value, knowledge, and mobility defy easy categorizations of medicinal plant science as either extractive or neo-traditionalist. By eschewing simple equations of scientists' motivations with political projects and knowledge-production, we argue that approaching plant medicine through trajectories of expertise opens up grounds for finer analyses of how colonial power and projects, and their legacies, shaped scientific activity.

scholarly journals Heartfelt Love: Singing Maiden Characters in Romantic Vocal Music, 1800-1850

2021 ◽  
Author(s):  
◽  
Haiman Liu
Keyword(s):  
Nineteenth Century ◽  
Vocal Music ◽  
First Century ◽  
Italian Opera ◽  
German Lieder ◽  
Twenty First Century ◽  
Vocal Works ◽  
Female Singers ◽  
And Performance ◽  
The Relationship

<p>The images of maidens in Italian opera and German lieder from the period 1800-1850 are vivid. In the plots of the operas and the scenes and stories of the lieder almost invariably these characters focus enthusiastically on heartfelt love. This exegesis explores the relationship between the expression of love by unmarried women in selected lieder and opera of the first half of the nineteenth century and performance of these works by the young soprano in the twenty-first century. In the period when these songs and operas were written, performers of lieder would often have been of a similar age to the maiden characters portrayed in the songs, and in the case of Italian opera at the time, the singers who created such roles were usually in their twenties or early thirties. As a young soprano myself, in my study I consider some questions which are relevant for twenty-first century female singers who choose to perform these nineteenth-century portrayals of virgin characters. The figures in the works I have selected to study display a wide variety of personalities, moods and emotions, from the tenacious wild rose in Schubert’s ‘Heidenröslein’, to his passionate Gretchen and the melancholic Amina in Bellini’s La Sonnambula. I consider how the soprano may express the different emotions involved and approach performing young maiden characters such as these, whose experiences of life and status in society may be substantially removed from twenty-first century experiences.   In order to address these questions, I examine the selected song and aria texts in terms of the relationship between the content of the stories and the characters, as well as analyzing the vocal skills that can be used and vocal effects that may be applied when shaping these roles according to the music as written. In addition, I combine the background to the story and the plot with the musical markings in selected phrases to explore the emotional variety of the characters so as to interpret the deeper significance in the compositions. Through learning and performing these particular pieces I have explored the vocal techniques which are required in singing them from a practical perspective and this enables me to contribute insights I have gained to the general understanding of the skills required for this particular area of the repertoire. Having chosen repertoire for this study which combines Italian opera arias and lieder, and I also consider how the differences I have found in the vocal works may reflect their respective genres and distinguish the skills required for each. Through writing about my own research into the performance of these works, I provide new insights and ideas about these maiden characters which may be applicable to any young sopranos who sing repertoire from this period, and useful for their own vocal perfo</p>

scholarly journals Five Dimensions of Online Persona

2017 ◽  
Vol 3 (1) ◽  
pp. 1-12 ◽  
Author(s):  
Christopher Moore ◽  
Kim Barbour ◽  
Katja Lee
Keyword(s):  
Digital Media ◽  
The Self ◽  
First Century ◽  
Five Dimensions ◽  
The Public ◽  
Cultural Paradigm ◽  
Online Persona ◽  
Work Done ◽  
The Relationship ◽  
Digital Identities

Before Facebook, Twitter, and most of the digital media platforms that now form routine parts of our online lives, Jay Bolter (2000) anticipated that online activities would reshape how we understand and produce identity: a ‘networked self’, he noted, ‘is displacing Cartesian printed self as a cultural paradigm’ (2000, p. 26). The twenty-first century has not only produced a proliferation and mass popularisation of platforms for the production of public digital identities, but also an explosion of scholarship investigating the relationship between such identities and technology. These approaches have mainly focussed on the relations between humans and their networks of other human connections, often neglecting the broader implications of what personas are and might be, and ignoring the rise of the non-human as part of social networks. In this introductory essay, we seek to both trace the work done so far to explore subjectivity and the public presentation of the self via networked technologies, and contribute to these expanding accounts by providing a brief overview of what we consider to be five important dimensions of an online persona. In the following, we identify and explicate the five dimensions of persona as public, mediatised, performative, collective and having intentional value and, while we acknowledge that these dimensions are not exhaustive or complete, they are certainly primary.

scholarly journals Interpretations of Emanuel Swedenborg’s image of the afterlife in the novel Oneiron by Laura Lindstedt

2020 ◽  
Vol 29 ◽  
Author(s):  
Tiina Mahlamäki ◽  
Tomas Mansikka
Keyword(s):  
Eighteenth Century ◽  
Western Culture ◽  
First Century ◽  
The Novel ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Twenty First Century ◽  
Postmodern Novel ◽  
Western Esotericism ◽  
The Relationship

This article discusses the relationship between Western esotericism and literature. As an example of a secular author who uses and benefits from esoteric texts, ideas and thoughts as resources in creating a literary artwork, the article analyses Laura Lindstedt’s novel Oneiron. A Fantasy About the Seconds After Death (2015). It contextualises the novel within the frames of Western esotericism and literature, focusing on Emanuel Swedenborg’s impact on discourses of the afterlife in literature. Laura Lindstedt’s postmodern novel indicates various ways that esoteric ideas, themes, and texts can work as resources for authors of fiction in twenty-first century Finland. Since the late eighteenth century Swedenborg’s influence has been evident in literature and among artists, especially in providing resources for other-worldly imagery. Oneiron proves that the ideas of Swedenborg are still part of the memory of Western culture and literature.

Dewey and Confucian Philosophy

2018 ◽  
pp. 552-574
Author(s):  
Roger T. Ames
Keyword(s):  
Common Sense ◽  
Moral Imagination ◽  
First Century ◽  
Technical Term ◽  
American Pragmatism ◽  
History Of ◽  
Confucian Philosophy ◽  
Twenty First Century ◽  
The Relationship ◽  
Role Ethics

Perhaps the most important international relationship in the twenty-first century is that between America and China. Given the often delicate and sometimes underproductive history of the relationship between America and China broadly, this chapter argues that American pragmatism might serve as a vocabulary to promote a positive dialogue between these cultures at a moment in history when such a conversation is imperative. These commonalities provide a language introducing Confucian philosophy to the Western academy and also an external perspective from which to examine the presuppositions of our own worldview and common sense. The chapter compares the central Confucian notion of relationally constituted persons (ren 仁)— or human “becomings”—with Dewey’s technical term, “individuality.” It explores the centrality of moral imagination in Confucian role ethics and in Deweyan ethics and also concludes that these two traditions share the idea of a human-centered religiousness.

The Nonreader Citizen and the Nation in Rosa Beltrán’s Efectos secundarios (2011)

2021 ◽  
Vol 37 (2) ◽  
pp. 176-196
Author(s):  
Amber Workman
Keyword(s):  
Cultural Policy ◽  
Publishing Industry ◽  
Cultural Practice ◽  
Mexican Literature ◽  
First Century ◽  
Contemporary Mexican Literature ◽  
Bookstore Chain ◽  
Relationship Of ◽  
The Relationship ◽  
Voluntary Basis

Increasing literacy rates and engagement with reading as a cultural practice in Mexico has been the focus of many postrevolutionary programs, yet studies show that few Mexicans choose to read on a regular, voluntary basis. While the image of Mexicans as nonreaders is a common theme in contemporary Mexican literature and popular culture, few studies exist on the topic. This article analyzes representations of the nonreader in Rosa Beltrán’s novel Efectos secundarios (2011) and the relationship of these portrayals to citizenship, cultural policy and management, the cultural industry, and the effects of neoliberalism in twenty-first-century Mexico. While novels such as El último lector (Toscana 2004; The last reader) and advertising, such as that of the Gandhi bookstore chain, depict reading apathy as a personal failure on the part of Mexican citizens and a lack of volition to exercise what might be seen as a civic responsibility, Beltrán’s novel shows Mexican nonreaders as victims of a failed state marked by corruption, impunity, insecurity, and violence, which impede reading as a cultural practice. Because a reading public may be seen as vital for democracy, Beltrán’s novel invites critical engagement with key debates on reading and education policy, the politics of the Mexican publishing industry, and the effects of corruption and violence on the distribution of cultural goods.

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